SlideShare una empresa de Scribd logo
1 de 3
LitSciMed Film Competition
The Wellcome Trust Centre for the History of Medicine at University College London
invites you to enter this competition.

The Centre organised a successful film competition, the History of Medicine in Motion,
in 2009. The content and creativity of the entries was very impressive and can be viewed
at: http://www.ucl.ac.uk/histmedinmotion/

Why did we do it?

Some of our PhD students had been inspired by the work of Shigehisa Kuriyama,
Professor of Cultural History at Harvard University, and his students. Shigehisa assigns
students (undergraduates and postgraduates) weekly readings, at the end of which half
make movies or podcasts based on their interpretation of the reading, and the other half
critique them. The objective is to explore alternative media (ie. alternative to stand-alone
text) in the presentation of scholarly content, to improve expression and concision by
restricting media clips to three minutes or so, and to encourage critical analysis of visual
material.

Most tutors are wary of multi-media as a method of scholarly presentation, believing that
it cannot compete with written texts in terms of academic rigour. ‘Academic rigour’
generally refers to footnotes and bibliographical data. Kuriyama argues that all of his
students’ movie / podcast scripts have to be presented in a footnoted and booknoted
academic format.

We ran several workshops to teach students basic editing skills and included an
assignment workshop whereby they worked in groups to produce edited movies of
varying technical complexity.

Then we opened up the History of Medicine in Motion competition to students
throughout the world.

This year, Harvard University is running a similar programme, called Harvard Shorts
Film Festival. Entry has been restricted to Harvard staff and students. Take a look at:
http://shorts.fas.harvard.edu/icb/icb.do

    What we want to see from LitSciMed Film Competition entries

Short movies – up to 5 minutes duration – on a topic related to your research. You can
enter more than one movie. We’re offering prizes for the top 3 entries. Closing date for
uploading your movie(s) to YouTube is 1 June 2010 but we’d like to see as many



                                                                                               1
uploaded before that date as possible so that people can use the social space to comment
on individual movies

    Copyright & Resources information

Copyright protects your own creations and also those of other artists, writers, composers,
inventors, etc.

A straightforward guide to UK copyright, issued by the Intellectual Property Office is at:
http://www.ipo.gov.uk/copy.htm

Creative Commons provides free resources, with the proviso that the resources are
acknowledged. This is a legal requirement. On videos this will mean putting a caption at
the end, listing all sources.

The caption not only acknowledges other people’s property but it also gives the
provenance of the material so that others may find it, and also ensures that the movie
itself becomes an historical creation.

More about Creative Commons can be found at:
http://creativecommons.org/

Any original material that you film or photograph for your Movie becomes your own
copyright as does your iMovie, even though it might contain material from other sources.
It is your creation. However, you should be aware that copying other people’s material
from books, etc. for inclusion in your Movie will be a breach of copyright if the material
is still in copyright. The same goes for music and sound effects.

Resources that you can use under the Creative Commons license are becoming
increasingly available. They include:

Wellcome Images: http://images.wellcome.ac.uk/

There are about 200,000 images on this site, covering global health, medicine, culture,
war, life, science and the natural world. The historical images are mainly from the
Wellcome Library’s vast archive of iconographic and other illustrative material. However,
the collection also includes modern images by artists and photographers who use
Wellcome Images as an agent for their work. They allow their work to be used under the
Creative Commons license providing it is duly acknowledged. Look for the credit line
when you view these images. The historical images are more straightforward and the
credit line usually just reads: ‘Wellcome Library, London.’




                                                                                             2
Many Flick contributors have chosen to offer their work under a Creative Commons
license: http://www.flickr.com/creativecommons/
Also see Wikimedia Commons:
http://commons.wikimedia.org/wiki/Main_Page

Or just google ‘royalty free images’ to find a number of sites offering these.

The Wellcome Library is also a major contributor to Film and Sound Online: http://
www.filmandsound.ac.uk

This is a JISC-funded resource to which many universities are subscribed. There are
hundreds of historical clips on this database, from the very earliest use of film in the late
19th century. The clips are available to stream / download either as .wmv or .mov files.
User licence agreement is outlined as you click through.

Also search the Wellcome Library Moving Images and Sound digital collections online:
http://library.wellcome.ac.uk/wellcomefilm.htm

Prelinger Archives, a US-based service, has over 2000 public domain films free to
download and re-use: http://www.archive.org/details/prelinger . You can browse by
subject / keywords – it is a very comprehensive collection – everything from automobiles
to youth culture.

NASA Images offers public access to images, video and audio collections: http://
www.nasaimages.org/

This collection contains material on the universe, solar system, earth, aeronautics and
astronauts but you can search by keyword and come up with amazing stuff. Images from
the Hubble telescope, for example.

Warning! If you google ‘free images’ you’ll find a number of sites offering free
downloads but this does not mean free re-use.

Tip – create your own sound effects. In iMovie / Movie Maker you can slow down or
speed up sound to create unique effects including voices.

If you upload to YouTube, the onus is on you to declare that you either entirely own the
copyright of your movie or that you have permission to upload it.




Carole Reeves
Wellcome Library


                                                                                                3

Más contenido relacionado

La actualidad más candente (7)

OE Ontario Workshop
OE Ontario WorkshopOE Ontario Workshop
OE Ontario Workshop
 
Amee2011 workshop 3_p_hardy_brown slides
Amee2011 workshop 3_p_hardy_brown slidesAmee2011 workshop 3_p_hardy_brown slides
Amee2011 workshop 3_p_hardy_brown slides
 
Creative Commons - finding resources to feed the creativity machine
Creative Commons - finding resources to feed the creativity machineCreative Commons - finding resources to feed the creativity machine
Creative Commons - finding resources to feed the creativity machine
 
Copy RIGHTS and WRONGS
Copy RIGHTS and WRONGSCopy RIGHTS and WRONGS
Copy RIGHTS and WRONGS
 
Learning Resources for All
Learning Resources for AllLearning Resources for All
Learning Resources for All
 
Murray Weston
Murray WestonMurray Weston
Murray Weston
 
So what is creative commons
So what is creative commonsSo what is creative commons
So what is creative commons
 

Destacado (9)

Group work for Event 3
Group work for Event 3Group work for Event 3
Group work for Event 3
 
‘Humanities Research as Experimentation: Report on final Polaroid film batch
‘Humanities Research as Experimentation: Report on final Polaroid film batch‘Humanities Research as Experimentation: Report on final Polaroid film batch
‘Humanities Research as Experimentation: Report on final Polaroid film batch
 
‘Humanities Research as Experimentation: Report on final Polaroid film batch
‘Humanities Research as Experimentation: Report on final Polaroid film batch‘Humanities Research as Experimentation: Report on final Polaroid film batch
‘Humanities Research as Experimentation: Report on final Polaroid film batch
 
Knight handout papers Event 3
Knight handout papers Event 3Knight handout papers Event 3
Knight handout papers Event 3
 
Victorian medicine and masculinity at home and abroad
Victorian medicine and masculinity at home and abroadVictorian medicine and masculinity at home and abroad
Victorian medicine and masculinity at home and abroad
 
Event 5 feedback
Event 5 feedbackEvent 5 feedback
Event 5 feedback
 
Things
ThingsThings
Things
 
Glass reflections
Glass reflectionsGlass reflections
Glass reflections
 
Things bibliography
Things bibliographyThings bibliography
Things bibliography
 

Similar a Litscimed film competion

Tutorial VideoRemix [EN]
Tutorial VideoRemix [EN]Tutorial VideoRemix [EN]
Tutorial VideoRemix [EN]
Udostepnianie
 
Copyright fair use & creative commons guidelines for media specialists sy 201...
Copyright fair use & creative commons guidelines for media specialists sy 201...Copyright fair use & creative commons guidelines for media specialists sy 201...
Copyright fair use & creative commons guidelines for media specialists sy 201...
dolly_morris
 

Similar a Litscimed film competion (20)

Plagiarism Presentation2019
Plagiarism Presentation2019Plagiarism Presentation2019
Plagiarism Presentation2019
 
Can I Use This?
Can I Use This?Can I Use This?
Can I Use This?
 
License to Cull
License to CullLicense to Cull
License to Cull
 
Will it bite me? Media, Licensing, and online teaching environments
Will it bite me? Media, Licensing, and online teaching environmentsWill it bite me? Media, Licensing, and online teaching environments
Will it bite me? Media, Licensing, and online teaching environments
 
Tutorial VideoRemix [EN]
Tutorial VideoRemix [EN]Tutorial VideoRemix [EN]
Tutorial VideoRemix [EN]
 
Overview of Open Educational Resources (OERs) [faculty presentation]
Overview of Open Educational Resources (OERs) [faculty presentation] Overview of Open Educational Resources (OERs) [faculty presentation]
Overview of Open Educational Resources (OERs) [faculty presentation]
 
Create OER
Create OER Create OER
Create OER
 
Omgtowie pt2
Omgtowie pt2Omgtowie pt2
Omgtowie pt2
 
Copyright fair use & creative commons guidelines for media specialists sy 201...
Copyright fair use & creative commons guidelines for media specialists sy 201...Copyright fair use & creative commons guidelines for media specialists sy 201...
Copyright fair use & creative commons guidelines for media specialists sy 201...
 
Copyright, Fair Use, And Creative Commons
Copyright, Fair Use, And Creative CommonsCopyright, Fair Use, And Creative Commons
Copyright, Fair Use, And Creative Commons
 
Creative Commons and the Future of Sharing
Creative Commons and the Future of SharingCreative Commons and the Future of Sharing
Creative Commons and the Future of Sharing
 
When is copyright infringed for lib guide
When is copyright infringed   for lib guideWhen is copyright infringed   for lib guide
When is copyright infringed for lib guide
 
The Funny Side of Open Access (SPARC OA Meeting 2014 Innovation Fair)
The Funny Side of Open Access (SPARC OA Meeting 2014 Innovation Fair)The Funny Side of Open Access (SPARC OA Meeting 2014 Innovation Fair)
The Funny Side of Open Access (SPARC OA Meeting 2014 Innovation Fair)
 
Gif It Up Introduction 2022.ptx.pptx
Gif It Up Introduction 2022.ptx.pptxGif It Up Introduction 2022.ptx.pptx
Gif It Up Introduction 2022.ptx.pptx
 
creative commons
creative commonscreative commons
creative commons
 
Kitty Is cute
Kitty Is cuteKitty Is cute
Kitty Is cute
 
Copyright In A Digital World
Copyright In A Digital WorldCopyright In A Digital World
Copyright In A Digital World
 
10.3 radio and copyright issues
10.3 radio and copyright issues10.3 radio and copyright issues
10.3 radio and copyright issues
 
Open Educational Resources & Open Licensing
Open Educational Resources & Open LicensingOpen Educational Resources & Open Licensing
Open Educational Resources & Open Licensing
 
Smart Libraries, Smart Classrooms
Smart Libraries, Smart ClassroomsSmart Libraries, Smart Classrooms
Smart Libraries, Smart Classrooms
 

Más de LitSciMed .

The man in the white suit no pix
The man in the white suit no pixThe man in the white suit no pix
The man in the white suit no pix
LitSciMed .
 
Event 4 feedback
Event 4 feedbackEvent 4 feedback
Event 4 feedback
LitSciMed .
 
Dunn 2 july presentation
Dunn 2 july presentationDunn 2 july presentation
Dunn 2 july presentation
LitSciMed .
 
Event 3 feedback
Event 3 feedbackEvent 3 feedback
Event 3 feedback
LitSciMed .
 
Objects, literature, and science
Objects, literature, and scienceObjects, literature, and science
Objects, literature, and science
LitSciMed .
 
Objects, Literature, and Science
Objects, Literature, and ScienceObjects, Literature, and Science
Objects, Literature, and Science
LitSciMed .
 
Competing 19th Century Midwifery Instruments; Forceps/Vectis Rivalry and Reso...
Competing 19th Century Midwifery Instruments; Forceps/Vectis Rivalry and Reso...Competing 19th Century Midwifery Instruments; Forceps/Vectis Rivalry and Reso...
Competing 19th Century Midwifery Instruments; Forceps/Vectis Rivalry and Reso...
LitSciMed .
 
Empiricism And The Novel
Empiricism And The NovelEmpiricism And The Novel
Empiricism And The Novel
LitSciMed .
 

Más de LitSciMed . (20)

The man in the white suit no pix
The man in the white suit no pixThe man in the white suit no pix
The man in the white suit no pix
 
Event 4 feedback
Event 4 feedbackEvent 4 feedback
Event 4 feedback
 
Dunn 2 july presentation
Dunn 2 july presentationDunn 2 july presentation
Dunn 2 july presentation
 
Event 3 feedback
Event 3 feedbackEvent 3 feedback
Event 3 feedback
 
Knight handout papers Event 3
Knight handout papers Event 3Knight handout papers Event 3
Knight handout papers Event 3
 
Ready, Steady, Cook!
Ready, Steady, Cook!Ready, Steady, Cook!
Ready, Steady, Cook!
 
Excursions into surrogate worlds
Excursions into surrogate worldsExcursions into surrogate worlds
Excursions into surrogate worlds
 
Transit of venus 1769
Transit of venus 1769Transit of venus 1769
Transit of venus 1769
 
Spears, clubs, and shooting walruses
Spears, clubs, and shooting walrusesSpears, clubs, and shooting walruses
Spears, clubs, and shooting walruses
 
Objects, literature, and science
Objects, literature, and scienceObjects, literature, and science
Objects, literature, and science
 
What sort of a Narrative is the Clinical Case Report?
What sort of a Narrative is the Clinical Case Report?What sort of a Narrative is the Clinical Case Report?
What sort of a Narrative is the Clinical Case Report?
 
Wellcome Library’s Collections – An Introduction
Wellcome Library’s Collections – An IntroductionWellcome Library’s Collections – An Introduction
Wellcome Library’s Collections – An Introduction
 
Online Resources at the Wellcome Library
Online Resources at the Wellcome LibraryOnline Resources at the Wellcome Library
Online Resources at the Wellcome Library
 
What sort of a Narrative is the Clinical Case Report?
What sort of a Narrative is the Clinical Case Report?What sort of a Narrative is the Clinical Case Report?
What sort of a Narrative is the Clinical Case Report?
 
Brian Hurwitz
Brian  HurwitzBrian  Hurwitz
Brian Hurwitz
 
Objects, Literature, and Science
Objects, Literature, and ScienceObjects, Literature, and Science
Objects, Literature, and Science
 
Diary reflections by Grace Farrington
Diary reflections by Grace FarringtonDiary reflections by Grace Farrington
Diary reflections by Grace Farrington
 
Competing 19th Century Midwifery Instruments; Forceps/Vectis Rivalry and Reso...
Competing 19th Century Midwifery Instruments; Forceps/Vectis Rivalry and Reso...Competing 19th Century Midwifery Instruments; Forceps/Vectis Rivalry and Reso...
Competing 19th Century Midwifery Instruments; Forceps/Vectis Rivalry and Reso...
 
St Deiniols
St DeiniolsSt Deiniols
St Deiniols
 
Empiricism And The Novel
Empiricism And The NovelEmpiricism And The Novel
Empiricism And The Novel
 

Litscimed film competion

  • 1. LitSciMed Film Competition The Wellcome Trust Centre for the History of Medicine at University College London invites you to enter this competition. The Centre organised a successful film competition, the History of Medicine in Motion, in 2009. The content and creativity of the entries was very impressive and can be viewed at: http://www.ucl.ac.uk/histmedinmotion/ Why did we do it? Some of our PhD students had been inspired by the work of Shigehisa Kuriyama, Professor of Cultural History at Harvard University, and his students. Shigehisa assigns students (undergraduates and postgraduates) weekly readings, at the end of which half make movies or podcasts based on their interpretation of the reading, and the other half critique them. The objective is to explore alternative media (ie. alternative to stand-alone text) in the presentation of scholarly content, to improve expression and concision by restricting media clips to three minutes or so, and to encourage critical analysis of visual material. Most tutors are wary of multi-media as a method of scholarly presentation, believing that it cannot compete with written texts in terms of academic rigour. ‘Academic rigour’ generally refers to footnotes and bibliographical data. Kuriyama argues that all of his students’ movie / podcast scripts have to be presented in a footnoted and booknoted academic format. We ran several workshops to teach students basic editing skills and included an assignment workshop whereby they worked in groups to produce edited movies of varying technical complexity. Then we opened up the History of Medicine in Motion competition to students throughout the world. This year, Harvard University is running a similar programme, called Harvard Shorts Film Festival. Entry has been restricted to Harvard staff and students. Take a look at: http://shorts.fas.harvard.edu/icb/icb.do What we want to see from LitSciMed Film Competition entries Short movies – up to 5 minutes duration – on a topic related to your research. You can enter more than one movie. We’re offering prizes for the top 3 entries. Closing date for uploading your movie(s) to YouTube is 1 June 2010 but we’d like to see as many 1
  • 2. uploaded before that date as possible so that people can use the social space to comment on individual movies Copyright & Resources information Copyright protects your own creations and also those of other artists, writers, composers, inventors, etc. A straightforward guide to UK copyright, issued by the Intellectual Property Office is at: http://www.ipo.gov.uk/copy.htm Creative Commons provides free resources, with the proviso that the resources are acknowledged. This is a legal requirement. On videos this will mean putting a caption at the end, listing all sources. The caption not only acknowledges other people’s property but it also gives the provenance of the material so that others may find it, and also ensures that the movie itself becomes an historical creation. More about Creative Commons can be found at: http://creativecommons.org/ Any original material that you film or photograph for your Movie becomes your own copyright as does your iMovie, even though it might contain material from other sources. It is your creation. However, you should be aware that copying other people’s material from books, etc. for inclusion in your Movie will be a breach of copyright if the material is still in copyright. The same goes for music and sound effects. Resources that you can use under the Creative Commons license are becoming increasingly available. They include: Wellcome Images: http://images.wellcome.ac.uk/ There are about 200,000 images on this site, covering global health, medicine, culture, war, life, science and the natural world. The historical images are mainly from the Wellcome Library’s vast archive of iconographic and other illustrative material. However, the collection also includes modern images by artists and photographers who use Wellcome Images as an agent for their work. They allow their work to be used under the Creative Commons license providing it is duly acknowledged. Look for the credit line when you view these images. The historical images are more straightforward and the credit line usually just reads: ‘Wellcome Library, London.’ 2
  • 3. Many Flick contributors have chosen to offer their work under a Creative Commons license: http://www.flickr.com/creativecommons/ Also see Wikimedia Commons: http://commons.wikimedia.org/wiki/Main_Page Or just google ‘royalty free images’ to find a number of sites offering these. The Wellcome Library is also a major contributor to Film and Sound Online: http:// www.filmandsound.ac.uk This is a JISC-funded resource to which many universities are subscribed. There are hundreds of historical clips on this database, from the very earliest use of film in the late 19th century. The clips are available to stream / download either as .wmv or .mov files. User licence agreement is outlined as you click through. Also search the Wellcome Library Moving Images and Sound digital collections online: http://library.wellcome.ac.uk/wellcomefilm.htm Prelinger Archives, a US-based service, has over 2000 public domain films free to download and re-use: http://www.archive.org/details/prelinger . You can browse by subject / keywords – it is a very comprehensive collection – everything from automobiles to youth culture. NASA Images offers public access to images, video and audio collections: http:// www.nasaimages.org/ This collection contains material on the universe, solar system, earth, aeronautics and astronauts but you can search by keyword and come up with amazing stuff. Images from the Hubble telescope, for example. Warning! If you google ‘free images’ you’ll find a number of sites offering free downloads but this does not mean free re-use. Tip – create your own sound effects. In iMovie / Movie Maker you can slow down or speed up sound to create unique effects including voices. If you upload to YouTube, the onus is on you to declare that you either entirely own the copyright of your movie or that you have permission to upload it. Carole Reeves Wellcome Library 3