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Dating Conventions and Abbreviations B.C.=before Christ B.C.E.=before the Common Era A.D.= Anno Domini  (the year of our Lord) C.E.=Common Era c.  or  ca.= circa C.=century
Pebble resembling a human face from Makaspansgat South Africa ca. 3,000,000 B.C.E. reddish brown jasperite approximately 2 3/8 in. wide
Apollo 11 Cave Namibia ca. 23,000 B.C.E. charcoal on stone 5 in x 4 3/4 in.
 
Human with Feline Head from Hohlenstein-Stadel, Germany ca. 30,000-28,000 B.C.E. mammoth ivory 11 5/8 in. high
Human with Feline Head from Hohlenstein-Stadel, Germany ca. 30,000-28,000 B.C.E. mammoth ivory 11 5/8 in. high
 
Venus of Willendorf from Willendorf, Austria ca. 28,000-25,000 B.C.E. limestone 4 1/4 in. high
 
Woman of Lespugue from cave of Les Rideaux, France ca. 20,000 B.C.E. mammoth ivory 5 3/4 in. high
Various European “ Venus ” figures Venus of Dolní Věstonice Moravia, Czeck Republic Ceramic (fired clay) 4.4in H 1.7inW
 
Woman of Laussel from a cave in  Laussel, Dordogne, France ca. 25,000-20,000 B.C.E. painted limestone approximately 18 in. high
 
Bison reliefs from a cave at Le Tuc d’Audoubert, Ariége, France ca. 15,000-10,000 B.C.E. clay each approx 2 feet long
 
 
Chauvet Cave paintings Vallon-Pont-d’Arc, Ardèche, France ca. 30,000-28,000  B.C.E. pigment on stone
 
Pech-Merle Cave paintings Lot, France ca. 22,000  B.C.E. pigment on stone
 
Altamira Cave paintings Santander, Spain ca. 12,000-11,000 B.C.E. pigment on stone
 
 
Lascaux Cave paintings Lascaux, Dordogne, France ca. 15,000-13,000  B.C.E. pigment on stone
 
 
 
Mammoth bone dwelling from Ukraine ca. 16,000-10,000  B.C.E.
 
 
Great Stone Tower of Settlement Wall Jericho, Israel/Gaza ca. 8,000-7,000  B.C.E. Wall:  3.6m H x 1.8m width at base Tower:  3.6m H with staircase of 22 stone steps
Human Skulls with Restored Features from Jericho, Israel/Gaza ca. 7,000-6,000  B.C.E. skulls, plaster, shells
Human figure From Ain Ghazal, Jordan ca. 6,750-6,250  B.C.E. plaster, painted and inlaid with cowrie shell and bitumen
 
Çatal Höyük Turkey ca. 6,000-5,900  B.C.E. çatal is Turkish for "fork", höyük for "mound"
Restoration of a typical interior Çatal Höyük Turkey ca. 6,000-5,900  B.C.E.
Deer Hunt  detail of a wall painting from Level III Çatal Höyük, Turkey ca. 5,750  B.C.E.
Çatal Höyük Turkey ca. 6,000-5,900  B.C.E.
Landscape with Volcanic Eruption Ç atal Höyük, Turkey ca. 6150 watercolor copy of a wall painting
 
Figures of Man and Woman From Cernavoda, Romania ca. 4,000-3,500  B.C.E. ceramic 4 1/2 in. high
Dolmens Ireland, Scotland, England, France Dolmens, also called "chamber tombs," usually contain one or more chambers or rooms in which the dead were buried. Some dolmens also contain long, stone chambers or halls which connect different rooms. These long chambers also are referred to as "Long tombs" and "passage-graves."
various  Menhirs Ireland, Scotland, England, France Menhirs are large standing stones, or groups of standing stones, arranged in circles, or cromlechs, and henges.
 
Menhir alignments at Ménec, Carnac, France ca. 4,250-3,750  B.C.E.
 
Stonehenge Salisbury Plain, Wiltshire, England ca. 2,550-1,600  B.C.E. sarsen and bluestone Stonehenge was aligned with the rising sun at the midsummer solstice. It may have served to predict both lunar and solar eclipses.
 
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
End of Lecture

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ARTID111 Prehistoric Art

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  • 6. Dating Conventions and Abbreviations B.C.=before Christ B.C.E.=before the Common Era A.D.= Anno Domini (the year of our Lord) C.E.=Common Era c. or ca.= circa C.=century
  • 7. Pebble resembling a human face from Makaspansgat South Africa ca. 3,000,000 B.C.E. reddish brown jasperite approximately 2 3/8 in. wide
  • 8. Apollo 11 Cave Namibia ca. 23,000 B.C.E. charcoal on stone 5 in x 4 3/4 in.
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  • 10. Human with Feline Head from Hohlenstein-Stadel, Germany ca. 30,000-28,000 B.C.E. mammoth ivory 11 5/8 in. high
  • 11. Human with Feline Head from Hohlenstein-Stadel, Germany ca. 30,000-28,000 B.C.E. mammoth ivory 11 5/8 in. high
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  • 13. Venus of Willendorf from Willendorf, Austria ca. 28,000-25,000 B.C.E. limestone 4 1/4 in. high
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  • 15. Woman of Lespugue from cave of Les Rideaux, France ca. 20,000 B.C.E. mammoth ivory 5 3/4 in. high
  • 16. Various European “ Venus ” figures Venus of Dolní Věstonice Moravia, Czeck Republic Ceramic (fired clay) 4.4in H 1.7inW
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  • 18. Woman of Laussel from a cave in Laussel, Dordogne, France ca. 25,000-20,000 B.C.E. painted limestone approximately 18 in. high
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  • 20. Bison reliefs from a cave at Le Tuc d’Audoubert, Ariége, France ca. 15,000-10,000 B.C.E. clay each approx 2 feet long
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  • 23. Chauvet Cave paintings Vallon-Pont-d’Arc, Ardèche, France ca. 30,000-28,000 B.C.E. pigment on stone
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  • 25. Pech-Merle Cave paintings Lot, France ca. 22,000 B.C.E. pigment on stone
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  • 27. Altamira Cave paintings Santander, Spain ca. 12,000-11,000 B.C.E. pigment on stone
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  • 30. Lascaux Cave paintings Lascaux, Dordogne, France ca. 15,000-13,000 B.C.E. pigment on stone
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  • 34. Mammoth bone dwelling from Ukraine ca. 16,000-10,000 B.C.E.
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  • 37. Great Stone Tower of Settlement Wall Jericho, Israel/Gaza ca. 8,000-7,000 B.C.E. Wall: 3.6m H x 1.8m width at base Tower: 3.6m H with staircase of 22 stone steps
  • 38. Human Skulls with Restored Features from Jericho, Israel/Gaza ca. 7,000-6,000 B.C.E. skulls, plaster, shells
  • 39. Human figure From Ain Ghazal, Jordan ca. 6,750-6,250 B.C.E. plaster, painted and inlaid with cowrie shell and bitumen
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  • 41. Çatal Höyük Turkey ca. 6,000-5,900 B.C.E. çatal is Turkish for "fork", höyük for "mound"
  • 42. Restoration of a typical interior Çatal Höyük Turkey ca. 6,000-5,900 B.C.E.
  • 43. Deer Hunt detail of a wall painting from Level III Çatal Höyük, Turkey ca. 5,750 B.C.E.
  • 44. Çatal Höyük Turkey ca. 6,000-5,900 B.C.E.
  • 45. Landscape with Volcanic Eruption Ç atal Höyük, Turkey ca. 6150 watercolor copy of a wall painting
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  • 47. Figures of Man and Woman From Cernavoda, Romania ca. 4,000-3,500 B.C.E. ceramic 4 1/2 in. high
  • 48. Dolmens Ireland, Scotland, England, France Dolmens, also called "chamber tombs," usually contain one or more chambers or rooms in which the dead were buried. Some dolmens also contain long, stone chambers or halls which connect different rooms. These long chambers also are referred to as "Long tombs" and "passage-graves."
  • 49. various Menhirs Ireland, Scotland, England, France Menhirs are large standing stones, or groups of standing stones, arranged in circles, or cromlechs, and henges.
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  • 51. Menhir alignments at Ménec, Carnac, France ca. 4,250-3,750 B.C.E.
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  • 53. Stonehenge Salisbury Plain, Wiltshire, England ca. 2,550-1,600 B.C.E. sarsen and bluestone Stonehenge was aligned with the rising sun at the midsummer solstice. It may have served to predict both lunar and solar eclipses.
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Notas del editor

  1. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  2. Art, as the product of human creativity and imagination, includes poetry, music, dance, and the material arts such as painting, sculpture, drawing, pottery, and bodily adornment. Source: Introduction to Prehistoric Art, 20,000–8000 B.C. | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
  3. Portable art  during the Upper Paleolithic period was necessarily small (in order to  be  portable) and mainly consisted of either figurines or decorated objects. These things were carved (from stone, bone or antler) or modeled with clay. We refer to most of the portable art from this time as  figurative , meaning it actually depicted something recognizable, whether animal or human in form. The figurines are often referred to by the collective name of "Venus", as they are unmistakably females of child-bearing build. Stationary art  was just that: it didn't move. The best examples exist in (now famous) cave paintings in western Europe, created during the Paleolithic period. Paints were manufactured from combinations of minerals, ochres, burnt bone meal and charcoal mixed into mediums of water, blood, animal fats and tree saps. We've guessed (and it's only a guess) that these paintings served some form of ritualistic or magical purpose, as they are located far from the mouths of caves where everyday life took place. Cave paintings contain far more  non-figurative  art, meaning many elements are symbolic rather than realistic. The clear exception, here, is in the depiction of animals, which are vividly realistic (humans, on the other hand, are either completely absent or stick figures).
  4. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  5. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  6. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  7. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  8. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  9. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  10. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  11. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  12. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  13. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  14. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  15. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  16. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  17. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  18. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  19. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  20. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  21. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  22. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  23. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  24. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  25. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  26. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  27. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  28. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  29. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  30. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  31. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  32. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  33. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  34. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  35. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  36. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  37. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  38. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  39. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  40. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  41. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  42. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  43. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  44. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  45. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  46. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  47. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  48. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  49. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  50. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  51. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  52. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.