ACOUSTICS, AUDITORIUM, MUMBAI, ARCHITECTURE, CASE STUDY

1. An auditorium case study
Veer savarkar auditorium,
Shivaji park
1

2. LOCATION MAP
AN AUDITORIUM CASE STUDY :2
Google Earth Site Location
Google Maps Site Location

3. AN AUDITORIUM CASE STUDY : SITE PLAN3

4. AN AUDITORIUM CASE STUDY : AUDITORIUM PLAN4
Capacity: 500 people
Reserved seats
Row Q seat no. 2,3,4,5 Row O seat no 4,5,6,7 Row M seat no. 9, 10

5. AN AUDITORIUM CASE STUDY : INVERTED CEILING PLAN5

6. AN AUDITORIUM CASE STUDY : SECTION6
PAINT
1. Washable, water repellent, Decorative Flat Finish Intended For Application On Interior
And Exterior SurfacesTo Dry Matured Cement And PlasterWalls,Asbestos Cement
AndWall Board Linings.
2. 2 COAT WORK IS NECESSARY
3. SUPPLIED IN 18 STANADARDS TINTS INCLUDING WHITE
4. 1 GALLON OF EITHER WILL COVER FROM 25 -50YARDS SUPER,ACCORDING TO
THE SURFACE,1 COAT.

7. AN AUDITORIUM CASE STUDY : ACOUSTIC PANELING7
WOOD WOOL MAT AND FABRIC
1. Generally used to absorb sound in order to avoid
echo effect.
2. The width of wood wool fibres varies from 1.5 to
20 mm, while their length is usually around 500 mm

8. AN AUDITORIUM CASE STUDY :ACOUSTICAL PANELING8
RUBBER WOODEN STRIPS
1. BLOCKS ARE MADE IN WIDTH NORMALLY UPTO 3 AND HALF INCH AND IN LENGTHS
FROM 6 INCH TO 15 INCH ..BUT LENGTHS OF 9 -12 INCH ARE MOST COMMON.
2. THICKNESSVARY FROM 1 - 1.5 INCH
3. SURFACE IS COATEDWITH BLACKVARNISH JUST BEFORE LAYING
4. IF FINE FINISH IS REQUIREDTHE SURFACE SHOULD BE SEALED AND WAXED
5. IF THE WOOD IS OF OPEN GRAIN SUCH AS OAK, IT SHOULD BE TREATEDWITH
WOOD PASTE FILLER PREVIOUSTOWAXING.

9. AN AUDITORIUM CASE STUDY :ACOUSTICAL PANELING AND CAT WALK9
PLAIN GYPSUM
1. Gypsum board is primarily used as a finish for walls and ceilings, and is known in
construction as dry wall, sheetrock or plasterboard.
2. Mold/Mildew/Moisture Resistant
3. Acoustical Enhanced for High Rated STC Wall Assemblies
4. Superior Sound Damping

10. AN AUDITORIUM CASE STUDY : SOUND PIT10
1. Generally used for controlling light and
sound of the ongoing performances.
2. Also sometimes used for prompting in
drama’s.
3. Director of the drama may also prefer
sitting in this area.

11. AN AUDITORIUM CASE STUDY : LIGHTING11
1. FITTED ON THE RODS PLACED OVER THE STAGE.
2. SUFFICIENT: enough lighting for rehearsals.
3. FLEXIBLE: can be changed whenever needed.

12. AN AUDITORIUM CASE STUDY : LIGHTING12
ABRUPT INSTALLATION of lights

13. AN AUDITORIUM CASE STUDY : MURALS13
LOCATION : besides the seating near the
stage side. (Front of the auditorium)
1. EXPRESSION OF THEATRE ARTS
2. FORM OF ORNAMENTAL
DESIGN

14. AN AUDITORIUM CASE STUDY : PHOTOGRAPHS14
TOILET V.I.P. SEATING AREA

15. AN AUDITORIUM CASE STUDY : GROUP MEMBERS15
 AISHWARYA KOPARDE
 BHARVI SHAH
 REHAN SHAIKH
 SAURABH DEY
 ADITYA SHAH
GROUP MEMBERS
Thank you