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Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
The crucial role of file formats in building
and preserving Digital Media Cultures
and in the practical impact of such cultures on society
by Marco Fioretti
http://mfioretti.net
http://stop.zona-m.net
 
2
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
Marco Fioretti
Freelance writer, activist and teacher about open digital standards, Free Software,
digital technologies and the their relations and impact on education, ethics, civil
rights and environmental issues
●Author of the Family Guide to Digital Freedom (http://digifreedom.net)
●Member of:
● OpenDocument Fellowship
● Digistan.org
● Eleutheros.it
Author background
3
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● In this digital world, how do we preserve the possibility of
attention from the future?
● Are we making it possible for future generations (or even to
ourselves 10 years from now) to pay attention to our digital
works?
● How do we keep or exchange attention across social classes and
across opposite sides of the digital divide?
Speaking of generational responsibilities...
4
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● Digital media cultures are rich and powerful, but also terribly
fragile
● Digital text or multimedia may be much more durable than house,
but very often isn't. Why?
● especially considering that it's infinitely copiable without degradation?
● Is this related to mechanical / electrical obsolescence, e.g. 5"
floppies or data tapes from the 80's unreadable because there are
no more drives for those objects around? NO!
Characteristics of digital cultures
5
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● Software creates habits and relationships, that is culture
● We don't make up information just to use cool software. We
use software because we need to manage information.
Software is the intermediary between people, their own
digital documents and all kinds of services
● Technology (especially digital technology) is legislation
● What does this have to do with formats???
● Question: why do we change so many desktop computers every
few years, even if they are still perfectly working?
Social impact of digital technologies
Basic concepts and definitions
Q: How do we create, access and preserve information?
A: Thanks to three very different things:
Physical Support: the material object containing the information
Data Format:  the rules by which the information is encoded on the support 
User Interface:  the tools used to write and read the data according to the format
almost always, Support, Format and Interface can (and should) be 
independent from each other
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
Support, Format, Interface: analog electronic example
Support Format
Support and format are mixed here: Photograms can only 
be impressed on a specific type of tape, in a way not usable 
with other cameras and projectors
Interface
Camera and Projector that are 
useless with any other tape
NOTE: this is the very popular Super 8mm home movie format, released on the market in 
1965 by Eastman Kodak, not widely used since the 1980's
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
Support, Format, Interface: non electronic example
Interface
+
Any manual writing instrument 
(don't forget quill and charcoal!)
and your eye!
Format
Hyeroglyphs (which could also 
be  written  on  paper,  papyrus, 
wood...)  and  the  meanings 
associated to each gliph
Support
The Rosetta 
Stone,
II Century BC
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
Support, Format, Interface: digital, finally!
Support
Hard drives, floppies, CD­
ROMs,  DVDs,  Compact 
Flash drives... usable with 
different hardware
They all contain the same 
bits  that  can  represent 
wildly  different  types  of 
information:  text,  images, 
audio...
Format
CHARACTER ENCODING:
the meaning associated to each bit 
sequence:
EX: “01000001” means “A”
FILE FORMAT:
how each piece of data can and 
must be stored and marked:
<style:properties style:column­width="1.785cm"/>
...
<table:table­
cell><text:p>600000</text:p></table:table­cell>
+
Interface
Any  software  program  aware  of 
the file format, regardless of :
 the hardware it runs on: x86 or Apple 
computer,  cell  phone,  DVD  player, 
remote server...
Its license of use
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
Why is digital information good?
If all conceivable
kinds of
information (from
texts to music,
images and 3D
models) can be
represented as a
series of bits
We only need:
ONE class of generic storage devices: bit containers which can change shape and technology
without particular problems and are very cheap
ONE (ok, very large...) class of telecom networks, ie bit transporters
And all these data can be preserved or distributed with much less money, time and effort than before!
55 73 65 20 4f 70 65 6e 44 6f 63 75 6d 65 6e 74 21
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
Why is digital information bad?
If all conceivable kinds of information (from texts to music, images and 3D models) can be represented as
bits sequences stored in bits containers, we have (at least) two big problems:
Bit containers are much more fragile than non-digital media: parchment lasts millennia, hard drives a few
years
This problem has a relatively easy solution (make many copies of information, refresh them
frequently) and is outside the scope of this seminar
The second problem is that, even when the container works perfectly, the sequences of bits are absolutely
useless if they are locked and we lose the key and cannot buy one:
W
ork
Culture
Private
life
Public
data
55 73 65 20 4f 70 65 6e 44 6f 63 75 6d 65 6e 74 21
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
Format wars: Mars, 1976
July 20th, 1976:
the Viking Lander is the  First 
Spacecraft to Operate on 
the Surface of Mars
2003
"All the programmers had died or left 
NASA”
"It was hopeless to try to go back to 
the original tapes”
“With  the  data  in  an  unknown 
format, [it was necessary] to track 
down printouts and hire students to 
retype everything”
(www.cbsnews.com/stories/2003/01/21/tech/main537308.shtml)
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
The UK National Archives, which holds 900 years of written material, has 
more than 580 terabytes of data in older file formats that are no longer 
commercially available. 
Chief Executive of The National Archives , Natalie Ceeney, said society faced 
the possibility of "losing years of critical knowledge"
“some digital documents held by the National Archives had already been lost 
forever because the programs which could read them no longer existed.”
“the issue of older file formats was a bigger problem than reading outdated 
forms of media, such as floppy discs of various sizes and punch cards”. 
"We are starting to find an awful lot of cases of what has been lost. What we 
have got to make sure is that it doesn't get any worse."
Format wars 2007: time bomb at the UK National Archives
“The root cause of the problem is the range of proprietorial file formats that proliferated during the early digital revolution”. 
Source: http://news.bbc.co.uk/2/hi/technology/6265976.stm
Test: how many other public archives are in the same situation? 
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
14
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● Flipnote Studio is an animation
editor for Nintendo DSi
game consoles
● Animations are stored in a
proprietary format called
PPM that has no official
specification
● They can be uploaded directly
only to a Nintendo Portal,
not to other websites like
YouTube,
Who owns the cartoons that YOU create?
● Because Nintendo has no plans to support posting YOUR Flipnotes to other websites
(thanks to Fabrizio for this information!)
Picture©2010Fabrizio
15
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
“Quitime ™ and a TIFF
(uncompressed)
decompressor are
needed to see this
picture”
File formats issues at #patn10?
Picture©2010Fabrizio
Why?
16
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
Is this “sitsim” (situated simulation)
usable on smartphones cheaper
than the iPhone, or on traditional
computers?
Interactive multimedia? Even worse...
Picture©2010Fabrizio
●Above all:
● Will it still be both usable and editable when (when, not “if”)
Apple and the producers of all the software used to make it
won't be around anymore?
17
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● Software programs are pens, file formats are the
alphabets of the digital society
● Technically speaking, file formats can almost always be completely
separated from the specific software program(s) used to manage them
● If only truly open file formats are used, it doesn't matter if some pens
are very expensive and/or patented
● Would you tolerate pens that only allow to you write your notes and
letters with the font and language that the pen maker likes?
What are file formats?
18
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● Keeping digital data and documents in proprietary formats can be
worst than not having them at all:
● it destroys or diverts (the possibility of) attention
● it creates even more digital divides
● Carelessness about formats transforms culture and (possibilities) of
paying attention
● People can only see, remember, use and understand, that is pay
attention, if digital documents and communications are in open
formats
Conclusions: pay attention to file formats
19
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● Public document and services are increasingly managed through purely digital
data that can be published online at very low cost
● Open Data/Open Government may transform current states in active, really
participated democracy
● but only if all data are in plain sight in the right way everybody may quickly
offer public services, create wealth or "watch the watchmen"
● because public data presented in the wrong file format are almost useless since
they can't be QUICKLY processed or correlated
● E.G: a budget in PDF format instead of spreadsheet is much harder to validate
Oh, and what about (raw) data?
20
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● Education to the role of file formats is necessary
● Only use open formats whenever it's possible
● Only use the right formats for each task
● (teach to) Go beyond "printed-pageness" and visual look of documents
(why waste more time on font or margins than on content, for text that
should be a Wiki page usable even on cell phones?)
● Teach to analyze and process data of public interests
● Oh, and of course: please, please, please...
Conclusions (2)
21
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● Refuse to use proprietary file formats in
Universities!!!!
● It creates discrimination between students that can afford the
hardware needed by closed formats
● All your work risks becoming unaccessible in a few years
● None of the problems above can be solved by software piracy
● It can be very bad PR for your University:
www.linuxjournal.com/article/8739
22
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● This is necessary for both older and younger
people!
● "Web native" only means "born when the
WWW was already a mass-phaenomenon".
● It doesn't guarantee at all that a “Web native”
is also automatically Web savvy!
Conclusions (4)
23
Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference
http://mfioretti.com Linkoping
http://stop.zona-m..net Some Rights Reserved
● Absolutely Non Technical seminar on the
economic, social and cultural impact of file
formats:
http://mfioretti.com/2009/02/file-formats-can-favor-or-hamper-innovation-active-citizenship-and-really-free-markets/
● Contact info: http://mfioretti.com
mfioretti@nexaima.net
● Questions?
● Thanks!
Resources, feedback, greetings...

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The crucial role of file formats in building and preserving Digital Media Cultures

  • 1. Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved The crucial role of file formats in building and preserving Digital Media Cultures and in the practical impact of such cultures on society by Marco Fioretti http://mfioretti.net http://stop.zona-m.net  
  • 2. 2 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved Marco Fioretti Freelance writer, activist and teacher about open digital standards, Free Software, digital technologies and the their relations and impact on education, ethics, civil rights and environmental issues ●Author of the Family Guide to Digital Freedom (http://digifreedom.net) ●Member of: ● OpenDocument Fellowship ● Digistan.org ● Eleutheros.it Author background
  • 3. 3 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● In this digital world, how do we preserve the possibility of attention from the future? ● Are we making it possible for future generations (or even to ourselves 10 years from now) to pay attention to our digital works? ● How do we keep or exchange attention across social classes and across opposite sides of the digital divide? Speaking of generational responsibilities...
  • 4. 4 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● Digital media cultures are rich and powerful, but also terribly fragile ● Digital text or multimedia may be much more durable than house, but very often isn't. Why? ● especially considering that it's infinitely copiable without degradation? ● Is this related to mechanical / electrical obsolescence, e.g. 5" floppies or data tapes from the 80's unreadable because there are no more drives for those objects around? NO! Characteristics of digital cultures
  • 5. 5 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● Software creates habits and relationships, that is culture ● We don't make up information just to use cool software. We use software because we need to manage information. Software is the intermediary between people, their own digital documents and all kinds of services ● Technology (especially digital technology) is legislation ● What does this have to do with formats??? ● Question: why do we change so many desktop computers every few years, even if they are still perfectly working? Social impact of digital technologies
  • 6. Basic concepts and definitions Q: How do we create, access and preserve information? A: Thanks to three very different things: Physical Support: the material object containing the information Data Format:  the rules by which the information is encoded on the support  User Interface:  the tools used to write and read the data according to the format almost always, Support, Format and Interface can (and should) be  independent from each other Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved
  • 7. Support, Format, Interface: analog electronic example Support Format Support and format are mixed here: Photograms can only  be impressed on a specific type of tape, in a way not usable  with other cameras and projectors Interface Camera and Projector that are  useless with any other tape NOTE: this is the very popular Super 8mm home movie format, released on the market in  1965 by Eastman Kodak, not widely used since the 1980's Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved
  • 8. Support, Format, Interface: non electronic example Interface + Any manual writing instrument  (don't forget quill and charcoal!) and your eye! Format Hyeroglyphs (which could also  be  written  on  paper,  papyrus,  wood...)  and  the  meanings  associated to each gliph Support The Rosetta  Stone, II Century BC Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved
  • 9. Support, Format, Interface: digital, finally! Support Hard drives, floppies, CD­ ROMs,  DVDs,  Compact  Flash drives... usable with  different hardware They all contain the same  bits  that  can  represent  wildly  different  types  of  information:  text,  images,  audio... Format CHARACTER ENCODING: the meaning associated to each bit  sequence: EX: “01000001” means “A” FILE FORMAT: how each piece of data can and  must be stored and marked: <style:properties style:column­width="1.785cm"/> ... <table:table­ cell><text:p>600000</text:p></table:table­cell> + Interface Any  software  program  aware  of  the file format, regardless of :  the hardware it runs on: x86 or Apple  computer,  cell  phone,  DVD  player,  remote server... Its license of use Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved
  • 10. Why is digital information good? If all conceivable kinds of information (from texts to music, images and 3D models) can be represented as a series of bits We only need: ONE class of generic storage devices: bit containers which can change shape and technology without particular problems and are very cheap ONE (ok, very large...) class of telecom networks, ie bit transporters And all these data can be preserved or distributed with much less money, time and effort than before! 55 73 65 20 4f 70 65 6e 44 6f 63 75 6d 65 6e 74 21 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved
  • 11. Why is digital information bad? If all conceivable kinds of information (from texts to music, images and 3D models) can be represented as bits sequences stored in bits containers, we have (at least) two big problems: Bit containers are much more fragile than non-digital media: parchment lasts millennia, hard drives a few years This problem has a relatively easy solution (make many copies of information, refresh them frequently) and is outside the scope of this seminar The second problem is that, even when the container works perfectly, the sequences of bits are absolutely useless if they are locked and we lose the key and cannot buy one: W ork Culture Private life Public data 55 73 65 20 4f 70 65 6e 44 6f 63 75 6d 65 6e 74 21 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved
  • 12. Format wars: Mars, 1976 July 20th, 1976: the Viking Lander is the  First  Spacecraft to Operate on  the Surface of Mars 2003 "All the programmers had died or left  NASA” "It was hopeless to try to go back to  the original tapes” “With  the  data  in  an  unknown  format, [it was necessary] to track  down printouts and hire students to  retype everything” (www.cbsnews.com/stories/2003/01/21/tech/main537308.shtml) Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved
  • 13. The UK National Archives, which holds 900 years of written material, has  more than 580 terabytes of data in older file formats that are no longer  commercially available.  Chief Executive of The National Archives , Natalie Ceeney, said society faced  the possibility of "losing years of critical knowledge" “some digital documents held by the National Archives had already been lost  forever because the programs which could read them no longer existed.” “the issue of older file formats was a bigger problem than reading outdated  forms of media, such as floppy discs of various sizes and punch cards”.  "We are starting to find an awful lot of cases of what has been lost. What we  have got to make sure is that it doesn't get any worse." Format wars 2007: time bomb at the UK National Archives “The root cause of the problem is the range of proprietorial file formats that proliferated during the early digital revolution”.  Source: http://news.bbc.co.uk/2/hi/technology/6265976.stm Test: how many other public archives are in the same situation?  Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved
  • 14. 14 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● Flipnote Studio is an animation editor for Nintendo DSi game consoles ● Animations are stored in a proprietary format called PPM that has no official specification ● They can be uploaded directly only to a Nintendo Portal, not to other websites like YouTube, Who owns the cartoons that YOU create? ● Because Nintendo has no plans to support posting YOUR Flipnotes to other websites (thanks to Fabrizio for this information!) Picture©2010Fabrizio
  • 15. 15 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved “Quitime ™ and a TIFF (uncompressed) decompressor are needed to see this picture” File formats issues at #patn10? Picture©2010Fabrizio Why?
  • 16. 16 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved Is this “sitsim” (situated simulation) usable on smartphones cheaper than the iPhone, or on traditional computers? Interactive multimedia? Even worse... Picture©2010Fabrizio ●Above all: ● Will it still be both usable and editable when (when, not “if”) Apple and the producers of all the software used to make it won't be around anymore?
  • 17. 17 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● Software programs are pens, file formats are the alphabets of the digital society ● Technically speaking, file formats can almost always be completely separated from the specific software program(s) used to manage them ● If only truly open file formats are used, it doesn't matter if some pens are very expensive and/or patented ● Would you tolerate pens that only allow to you write your notes and letters with the font and language that the pen maker likes? What are file formats?
  • 18. 18 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● Keeping digital data and documents in proprietary formats can be worst than not having them at all: ● it destroys or diverts (the possibility of) attention ● it creates even more digital divides ● Carelessness about formats transforms culture and (possibilities) of paying attention ● People can only see, remember, use and understand, that is pay attention, if digital documents and communications are in open formats Conclusions: pay attention to file formats
  • 19. 19 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● Public document and services are increasingly managed through purely digital data that can be published online at very low cost ● Open Data/Open Government may transform current states in active, really participated democracy ● but only if all data are in plain sight in the right way everybody may quickly offer public services, create wealth or "watch the watchmen" ● because public data presented in the wrong file format are almost useless since they can't be QUICKLY processed or correlated ● E.G: a budget in PDF format instead of spreadsheet is much harder to validate Oh, and what about (raw) data?
  • 20. 20 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● Education to the role of file formats is necessary ● Only use open formats whenever it's possible ● Only use the right formats for each task ● (teach to) Go beyond "printed-pageness" and visual look of documents (why waste more time on font or margins than on content, for text that should be a Wiki page usable even on cell phones?) ● Teach to analyze and process data of public interests ● Oh, and of course: please, please, please... Conclusions (2)
  • 21. 21 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● Refuse to use proprietary file formats in Universities!!!! ● It creates discrimination between students that can afford the hardware needed by closed formats ● All your work risks becoming unaccessible in a few years ● None of the problems above can be solved by software piracy ● It can be very bad PR for your University: www.linuxjournal.com/article/8739
  • 22. 22 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● This is necessary for both older and younger people! ● "Web native" only means "born when the WWW was already a mass-phaenomenon". ● It doesn't guarantee at all that a “Web native” is also automatically Web savvy! Conclusions (4)
  • 23. 23 Marco Fioretti (marco@digifreedom.net) 2010/09/09 ESF Paying Attention Conference http://mfioretti.com Linkoping http://stop.zona-m..net Some Rights Reserved ● Absolutely Non Technical seminar on the economic, social and cultural impact of file formats: http://mfioretti.com/2009/02/file-formats-can-favor-or-hamper-innovation-active-citizenship-and-really-free-markets/ ● Contact info: http://mfioretti.com mfioretti@nexaima.net ● Questions? ● Thanks! Resources, feedback, greetings...