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C U L T U R A L
     D A T A
S C U L P T I N G
DATA SCULPTURE MUSEUMS
DATA SCULPTURE MUSEUMS
ALIVE ANALYTICS
DATA SCULPTURE MUSEUMS
ALIVE ANALYTICS
CO-EVOLUTIONARY NARRATIVES
DATA SCULPTURE MUSEUMS
ALIVE ANALYTICS
CO-EVOLUTIONARY NARRATIVES
CULTURAL ATLASES
THE     LUXURY OF
  U N    L I M I T E D
     S    C R E E N
R E A    L - E S T A T E
D ATA S C U L P T U R E M U S E U M S
3D NAVIGATION                                                     ZONE 3
Interface design for image-based data browsing




                                                 Zone 1, 2 and 3, perspective view
3D NAVIGATION                                                    MULTI USER
Interface design for image-based data browsing
                                                   Several user can share the same space while interacting with the system. The number of
                                                   user is only restricted by the size of the individual workspaces. Additional features allow the
                                                   users to exchange images and collaborate.




                                        Top view
The narrative reformulation of multiple forms of databases using a recombinatory model of
    cinematic interactivity

•     Applied Laboratory of Interactive Visualization and Embodiment, CityU
•     UNSW iCinema Research Centre
•     Museum Victoria (mass heterogeneous collections data)
•     ZKM Karlsruhe (world’s largest media art database)
A L i V E
                   A N A L Y T I C S




Omni-Spatial Visualization Technologies for Analysis of Multilingual Corpora

   •   Applied Laboratory of Interactive Visualization and Embodiment, CityU
   •   Dept of Chinese Translation and Linguistics, CityU
   •   Electronic Cultural Atlas Initiative (ECAI)
   •   University of California, Berkeley, USA
!
!




!




    !
BLUE DOTS AVIE
BUDDHIST CANON                                       NAVIGATION DEVICE
Immersive text exploring
                                                     The user interaction should be as directly as possible. Thus, the navigation device al-
                                                     lows direct on-screen interaction. The HID in the form of a stylus, provides two differ-
                                                     ent ways of interaction.

                                                     1. Projection wall interaction (long distance)
                                                     If the HID is used for interacting with the projection wall, it becomes a kind of (virtual)
                                                     laser pointer. A beam enables interactions in a wide radius and distance, which makes


                                                     1. Table interaction (short distance)
                                                     If the HID is used at one of the additional screen-tables, the HID becomes a writing
                       Scroll wheel, rotatable and   device. The accuracy of the HID and DPI resolution of the screens are much higher
                       pressure sensitive
                                                     here. Thus the screen tables are optimal for precise input actions like text writing.
                       Secondary button

                                                                                                                    Long distance interaction




                                                     Close interaction




                                                                         Pen used as writing device      Pen used as pointing and selection device
C O - E V O L V I N G
  N A R R A T I V E
HAMPI-LIVE
C U L T U R A L
 A T L A S E S
The Rhizome of the Western Han

•     ALiVE, CityU
•     University of California, Merced, USA
•     Electronic Cultural Atlas Initiative (ECAI)
•     Xi'an Jiaotong University
•     Xi'an Municipal Cultural Relics Conservation and Archaeological Research Institute (China)
•     CNR‐ITABC, Italian National Research Council (Italy)
?




                                                                                                       Ascension to Heaven (Yuren): the Yuren stands waiting for the deceased N the trip towards
                                                                                                                                                                              for
Five Phases: this path is identifiable on the ceiling where the red bird, green dragon, black snake,                                       the immortal life
                                                                        N
                          white tiger represent symbols of cardinal points




                         Traditional linear/sequential path of the iconography
                                                                            N
Inside Dunhuang

•     ALiVE, CityU
•     Friends of Dunhuang, Hong Kong
•     Dunhuang Academy
MW2011: S. Kenderdine, Cultural Data Sculpting
MW2011: S. Kenderdine, Cultural Data Sculpting

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MW2011: S. Kenderdine, Cultural Data Sculpting

  • 1.
  • 2. C U L T U R A L D A T A S C U L P T I N G
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  • 13. DATA SCULPTURE MUSEUMS ALIVE ANALYTICS CO-EVOLUTIONARY NARRATIVES
  • 14. DATA SCULPTURE MUSEUMS ALIVE ANALYTICS CO-EVOLUTIONARY NARRATIVES CULTURAL ATLASES
  • 15.
  • 16. THE LUXURY OF U N L I M I T E D S C R E E N R E A L - E S T A T E
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  • 34. D ATA S C U L P T U R E M U S E U M S
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  • 38. 3D NAVIGATION ZONE 3 Interface design for image-based data browsing Zone 1, 2 and 3, perspective view
  • 39.
  • 40. 3D NAVIGATION MULTI USER Interface design for image-based data browsing Several user can share the same space while interacting with the system. The number of user is only restricted by the size of the individual workspaces. Additional features allow the users to exchange images and collaborate. Top view
  • 41. The narrative reformulation of multiple forms of databases using a recombinatory model of cinematic interactivity • Applied Laboratory of Interactive Visualization and Embodiment, CityU • UNSW iCinema Research Centre • Museum Victoria (mass heterogeneous collections data) • ZKM Karlsruhe (world’s largest media art database)
  • 42.
  • 43.
  • 44. A L i V E A N A L Y T I C S Omni-Spatial Visualization Technologies for Analysis of Multilingual Corpora • Applied Laboratory of Interactive Visualization and Embodiment, CityU • Dept of Chinese Translation and Linguistics, CityU • Electronic Cultural Atlas Initiative (ECAI) • University of California, Berkeley, USA
  • 45.
  • 46. !
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  • 51. BUDDHIST CANON NAVIGATION DEVICE Immersive text exploring The user interaction should be as directly as possible. Thus, the navigation device al- lows direct on-screen interaction. The HID in the form of a stylus, provides two differ- ent ways of interaction. 1. Projection wall interaction (long distance) If the HID is used for interacting with the projection wall, it becomes a kind of (virtual) laser pointer. A beam enables interactions in a wide radius and distance, which makes 1. Table interaction (short distance) If the HID is used at one of the additional screen-tables, the HID becomes a writing Scroll wheel, rotatable and device. The accuracy of the HID and DPI resolution of the screens are much higher pressure sensitive here. Thus the screen tables are optimal for precise input actions like text writing. Secondary button Long distance interaction Close interaction Pen used as writing device Pen used as pointing and selection device
  • 52.
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  • 57. C O - E V O L V I N G N A R R A T I V E
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  • 69. C U L T U R A L A T L A S E S
  • 70. The Rhizome of the Western Han • ALiVE, CityU • University of California, Merced, USA • Electronic Cultural Atlas Initiative (ECAI) • Xi'an Jiaotong University • Xi'an Municipal Cultural Relics Conservation and Archaeological Research Institute (China) • CNR‐ITABC, Italian National Research Council (Italy)
  • 71.
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  • 73.
  • 74. ? Ascension to Heaven (Yuren): the Yuren stands waiting for the deceased N the trip towards for Five Phases: this path is identifiable on the ceiling where the red bird, green dragon, black snake, the immortal life N white tiger represent symbols of cardinal points Traditional linear/sequential path of the iconography N
  • 75.
  • 76.
  • 77. Inside Dunhuang • ALiVE, CityU • Friends of Dunhuang, Hong Kong • Dunhuang Academy