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Section A: Theoretical Evaluation of Production Section B: Contemporary Media Issues
You must answer both 1(a) and 1(b). Answer one question.
In question 1(a) you need to write about your work for the Foundation Portfolio and Advanced Portfolio
units and you may refer to other media production work you have undertaken.
Whichever question you answer, you must refer to examples from at least two media areas in your
answer and your answer should include reference to historical, contemporary and future media.
1 (a) Describe the most important post-production decisions you made for your different media
productions and explain why these decisions were significant. Refer to a range of examples in
your answer to show how your skills in post-production developed over time. [25]
Contemporary Media Regulation
2 "We get the media we deserve." Discuss this statement and its implications for media regulation.
[50]
3 How well does contemporary media regulation protect the public? [50]
In question 1(b) you must write about one of your media coursework productions. Global Media
(b) Apply the concept of genre to one of your coursework productions. [25] 4 Discuss the impact of global media on culture. [50]
5 To what extent are you living in a global media village? [50]
Media and Collective Identity
6 Media and collective identity: how does one affect the other? [50]
7 "Media simply represent collective identity, they don't create it." How far do you agree with this
statement? Make reference to one or more group(s) of people in your answer. [50]
Media in the Online Age
8 Which theories of online media are the most convincing to you, and why? [50]
9 "Online media have not replaced traditional media. They live side by side and depend on each
other." Discuss. [50]
Postmodern Media
10 What makes a media text postmodern? Explain, with examples. [50]
11 Explain the most important theories of postmodernism and apply them to media texts you have
studied. [50]
©OCR 2014 G325/01 Jun14 ©OCR 2014 G325/01 Jun14 Turn over

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June 2014 unit g325 paper

  • 1. 2 3 Section A: Theoretical Evaluation of Production Section B: Contemporary Media Issues You must answer both 1(a) and 1(b). Answer one question. In question 1(a) you need to write about your work for the Foundation Portfolio and Advanced Portfolio units and you may refer to other media production work you have undertaken. Whichever question you answer, you must refer to examples from at least two media areas in your answer and your answer should include reference to historical, contemporary and future media. 1 (a) Describe the most important post-production decisions you made for your different media productions and explain why these decisions were significant. Refer to a range of examples in your answer to show how your skills in post-production developed over time. [25] Contemporary Media Regulation 2 "We get the media we deserve." Discuss this statement and its implications for media regulation. [50] 3 How well does contemporary media regulation protect the public? [50] In question 1(b) you must write about one of your media coursework productions. Global Media (b) Apply the concept of genre to one of your coursework productions. [25] 4 Discuss the impact of global media on culture. [50] 5 To what extent are you living in a global media village? [50] Media and Collective Identity 6 Media and collective identity: how does one affect the other? [50] 7 "Media simply represent collective identity, they don't create it." How far do you agree with this statement? Make reference to one or more group(s) of people in your answer. [50] Media in the Online Age 8 Which theories of online media are the most convincing to you, and why? [50] 9 "Online media have not replaced traditional media. They live side by side and depend on each other." Discuss. [50] Postmodern Media 10 What makes a media text postmodern? Explain, with examples. [50] 11 Explain the most important theories of postmodernism and apply them to media texts you have studied. [50] ©OCR 2014 G325/01 Jun14 ©OCR 2014 G325/01 Jun14 Turn over