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Rock
1.
2. Orígenes
• Canciones de Trabajo
• (Work songs)
• Espirituales
(Cantos religiosos)
• Blues
(Cantos Profanos)
+ Ragtime (música blanca)
3. EL BLUES Rueda de Blues
• Temática social
• Tipos: rural, urbano y
de Chicago
• Movimiento lento
• Características “blue
notes” (3ª y 7ª)
• Tres acordes I, IV y V
• Rueda de 12 compases
I I I I
IV IV I I
V IV I V/I
5. Los instrumentos del jazz
Rítmicos
• Batería
• Contrabajo/Tuba
• (piano y guitarra)
Melódicos
• Piano
• Trompeta/corneta
• Saxofón
• Clarinete
• Guitarra/Banjo
8. ESTRUCTURA DE UN TEMA DE JAZZ
• INTRODUCCIÓN
TEMA
IMPROVISACIONES (CHORUS)
TEMA
• CODA
Cuando analizas un tema de jazz has de obsevar si presenta
todas o algunas de las siguientes partes:
Cuenta el NÚMERO DE COMPASES del tema o de
alguna de las improvisaciones.
9. Análisis tímbrico de un tema de jazz
Identifica los INSTRUMENTOS
Preguntas frecuentes en relación al timbre:
1.¿Qué instrumentos intervienen?
2.¿Hay diálogos entre los instrumentos?
3.¿Alguno de ellos utiliza sordina?
4.¿Qué efectos realiza el instrumento X?
Tipo de
AGRUPACIÓN
• Número de improvisaciones
• Orden en que intervienen.
Número total de
CHORUS
10. Analiza un tema de jazz
♫ Duke Ellington “I Let a Song out of my Heart”
Completa la FORMA de esta canción:
1.¿Cuántos compases tiene la “rueda” del tema?
2.¿Cuántos chorus o improvisaciones tiene la obra?
3.¿Qué instrumentos intervienen?
4.¿Hay diálogos entre los instrumentos?
…
Contesta a las siguientes preguntas:
11. Etapas en la Historia del Jazz
• NUEVA ORLEANS 1910
• CHICAGO 1920
• NUEVA YORK 1930
• BE BOP 1940
• COOL JAZZ y HARD BOP 1950
• FREE JAZZ 1960
• FUSIÓN 1970…
12. Nueva Orleáns: Estilo Dixieland
♫ King Oliver y Kid Ory “Sugar Foot Stomp”
Completa la forma de esta canción teniendo en cuenta que el tema
incluye dos veces la rueda y contesta:
1.¿Qué instrumentos intervienen?
2.¿Cuántos compases tiene el tema?
3.¿Cuántos chorus o improvisaciones tiene la obra?
13. Compara dos versiones del mismo tema
♫ “Dream a little dream of me”
1ª versión: Louis Armstrong y Ella Fitzgerald
2ª versión: Ella Fitzgerald
Esta canción tiene un estilo jazzístico, ¿por qué?
Completa la estructura de la canción
1. ¿Qué instrumentos intervienen en cada una de las versiones?
Compara el “tempo” de las versiones
¿Cuántos compases tiene el tema?
2. Compara la improvisaciones.¿Encuentras alguna diferencia?
14. Chicago: Louis Armstrong
♫ “Oh when the Saints”. Espiritual afroamericano
Completa la forma de esta canción basada en una rueda de 16 compases
y contesta:
Intro
1.¿Qué instrumentos intervienen en la introducción?
2.¿Cuántos compases tiene el tema?
3.¿Cuántos chorus o improvisaciones tiene esta versión? Señala los que son
Instrumentales (I) y los que son vocales (V).
4.¿Quién canta la melodía en los chorus1 y 2?¿qué los diferencia del 3 y 4?
5. Sitúa en el esquema el solo de trombón y clarinete.
6.¿Qué instrumentos dialogan tras el solo del trombón?
15. Chicago: Louis Armstrong
♫ “West end Blues” de K. Oliver
http://www.youtube.com/watch?v=f5Hbh_-IRs8&feature=related
Completa la forma de esta canción después de contestar a las preguntas:
1.¿En qué consiste la introducción?
2.¿Cuántos compases tiene el tema?
3.Primer chorus: ¿qué instrumentos distingues en el tutti?
4.Chorus 2:¿quién es el solista?
5.Chorus 3:¿quienes intervienen y qué hacen?
6.Chorus 4: ¿En qué consiste?
16. Jungle Style
• Origen: tópico que esperan
los blancos
• Coreografías
• Ambientación en la selva
virgen
• Sonidos distorsionados
• Ritmo frenético
• Atmósferas amenazadoras
y misteriosas
17. Nueva York: Duke Ellington
♫ “The Mooche”. Duke Ellington Orchestra
http://www.youtube.com/watch?v=CDVZdZMCc0w&playnext=1&list=PLCDA51A2C9654729D
1.¿Qué instrumentos interpretan la melodía del tema A?
2.¿Qué tema es desgarrado y misterioso?¿Cuál elegante y refinado?
3. Dos clarinetes se reparten el chorus 1.¿Qué hacen?
4.¿Qué sonido hace la trompeta en el chorus 2?¿cómo lo consigue?
5. ¿Qué instrumento responde a la trompeta en el chorus 2?
6.¿Qué instrumento interpreta el solo del chorus 3?
7. Describe la coda
Intro Tema A Tema B Chorus 1 Chorus 2 Chorus 3 Intro Tema A
4c 16c 12c 12c 12c 12c 4c 16c
Coda
22. EL BLUES
• Temática social
• Tipo: rural y urbano
• Movimiento lento
• Características “blue
notes” (3ª y 7ª)
• Tres acordes I, IV y V
• Rueda de 12 compases
I I I I
IV IV I I
V IV I V/I
23. Johnny Cash
“I Walk the Line”
(Country music)
I keep a close watch on this heart of mine
I keep my eyes wide open all the time
I keep the ends out for the tie that binds
Because you're mine, I walk the line
I find it very, very easy to be true
I find myself alone when each day is through
Yes, I'll admit that I'm a fool for you
Because you're mine, I walk the line
As sure as night is dark and day is light
I keep you on my mind both day and night
And happiness I've known proves that it's right
Because you're mine, I walk the line
You've got a way to keep me on your side
You give me cause for love that I can't hide
For you I know I'd even try to turn the tide
Because you're mine, I walk the line
I keep a close watch on this heart of mine
I keep my eyes wide open all the time
I keep the ends out for the tie that binds
Because you're mine, I walk the line
24. One, two, three o'clock, four o'clock, rock,
Five, six, seven o'clock, eight o'clock, rock,
Nine, ten, eleven o'clock, twelve o'clock, rock,
We're gonna rock around the clock tonight.
Put your glad rags on and join me, hon,
We'll have some fun when the clock strikes one,
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock
tonight.
When the clock strikes two, three and four,
If the band slows down we'll yell for more,
We're gonna rock around the clock tonight.
We're gonna rock, rock, rock, 'til broad daylight.
"Rock Around the Clock"
Bill Halley.When the chimes ring five, six and seven,
We'll be right in seventh heaven.
We're gonna rock around the clock tonight.
We're gonna rock, rock, rock, 'til broad daylight.
When it's eight, nine, ten, eleven too,
I'll be goin' strong and so will you.
We're gonna rock around the clock tonight.
We're gonna rock, rock, rock, 'til broad daylight.
When the clock strikes twelve, we'll cool off then,
Start a rockin' round the clock again.
We're gonna rock around the clock tonight.
We're gonna rock, rock, rock, 'til broad daylight.
25. Chuc Berry
“Johnny B.
Goode”
Way down Louisiana close to New Orleans,
Way back up in the woods among the evergreens...
There stood a log cabin made of earth and wood,
Where lived a country boy name of Johnny B. Goode...
He never ever learned to read or write so well,
But he could play the guitar like ringing a bell.
Go Go
(Chorus) Go Johnny Go
Go Go
Johnny B. Goode
He used to carry his guitar in a gunny sack
And sit beneath the trees by the railroad track
Oh, the engineers used to see him sitting in the
shade,
Playing to the rhythm that the drivers made.
People passing by would stop and say
Oh my that little country boy could play
(Chorus)
His mama told him someday he would be a man,
And he would be the leader of a big old band.
Many people coming from miles around
To hear him play his music when the sun go down
Maybe someday his name would be in lights
Saying Johnny B. Goode tonight.
(Chorus)
26. Love me tender,
love me sweet,
never let me go.
You have made my life complete,
and I love you so.
Love me tender,
love me true,
all my dreams fulfill.
For my darlin' I love you,
and I always will.
Love me tender,
love me long,
take me to your heart.
For it's there that I belong,
and we'll never part.
Love me tender…
Love me tender,
love me dear,
tell me you are mine.
I'll be yours through all the
years,
till the end of time.
Love me tender…
27. Los héroes blancos: • Buddy Holly
“That’ll be the day”
• Eddie Cochran
“C’mon everybody”
• Gene Vincent
“Be-Bop-a-Lula”
• Jerry Lee Lewis
“Great balls of fire”
28. POP - ROCK
• ESTRUCTURA
INSTRUMENTAL
MENOS DEFINIDA:
SINTETIZADOR,
GUITARRA
ACÚSTICA…
• PREDOMINA LA
MELODÍA DE LA VOZ
• TEMAS MÁS
MELODIOSOS E
INTRASCENDENTES
• ESTRUCTURA
INSTRUMENTAL
TRACICIONAL: GUITARRA,
BAJO Y BATERÍA
• PATRONES RÍTMICOS DE
BAJO Y BATERÍA MUY
MARCADOS
• SOLOS DE GUITARRA
PENETRANTES
•VOCES DESGARRADAS
29.
30. Hey jude, don´t make it bad
take a sad song and make it better
Remember to let her into your heart
Then you can start to make it better
Hey jude, don´t be afraid
You were made to go out and get her
The minute you let her under your skin
The you begin to make it better
And anytime you feel the pain
Hey jude refrain
don´t carry the world upon your shoulders
For well you know that it´s a fool
who plays it cool
By making his world a little colder
Na na na na na
Hey jude don´t let me down
you have found her, now go and get her
Remember to let get into your heart
Then you can start to make it better
So let it out and let it in
Hey jude begin
You´re waiting for someone to perform with
And don´t you know that it´s just you
Hey jude, you´ll do
Te movement you need is on your shoulder
N na na na na …
Hey jude, don´t make it bad…
Na, na na na na na na
OYE, JUDE, NO LO ESTROPEES
COGE UNA CANCIÓN TRISTE Y MEJÓRALA
RECUERDA QUE HAS DE HACERLE UN SITIO EN TU CORAZÓN
SÓLO ASÍ PODRÁN IRTE MEJOR LAS COSAS
OYE, JUDE, NO TENGAS MIEDO
NACISTE PARA HACERLA TUYA
EN CUANTO LA METAS EN TU PIEL
PODRÁN EMPEZAR A IRTE MEJOR LAS COSAS
Y CADA VEZ QUE SIENTAS DOLOR
OYE, JUDE, DÉJALO
NO CARGUES CON EL MUNDO A TUS ESPALDAS
PORQUE SABES MUY BIEN QUE ES DE IDIOTAS
IR DE CHULO
HACIENDO TU MUNDO UN POCO MÁS FRÍO
OYE, JUDE, NO ME FALLES
AHORA QUE LA HAS ENCONTRADO, HAZLA TUYA
RECUERDA, OYE, JUDE, QUE HAS DE HACERLE UN SITIO EN TU CORAZÓN
Letras4U.com » letras traducidas al español
SÓLO ASÍ PODRÁN IRTE MEJOR LAS COSAS
ASÍ PUES, DÉJALA A SU AIRE
OYE, JUDE, EMPIEZA YA
ESTÁS BUSCANDO A ALGUIEN CON QUIEN TOCAR
¿Y NO SABES QUE ERES PRECISAMENTE TÚ?
OYE, JUDE, LO HARÁS
EL MOVIMIENTO QUE NECESITAS ESTÁ EN TUS HOMBROS
OYE, JUDE, NO LO ESTROPEES…
NA, NA NA NA NA NA NA
HEY
JUDE
31. I can't get no satisfaction,
I can't get no satisfaction.
'Cause I try and I try and I try
and I try.
I can't get no, I can't get no.
When I'm drivin' in my car
and that man comes on the radio
and he's tellin' me more and more
about some useless information
supposed to fire my imagination.
I can't get no, oh no no no.
Hey hey hey, that's what I say.
I can't get no satisfaction,
I can't get no satisfaction.
'Cause I try and I try and I try
and I try.
I can't get no, I can't get no.
When I'm watchin' my TV
and that man comes on to tell me
how white my shirts can be.
Well he can't be a man 'cause he
doesn't smoke
the same cigarrettes as me.
I can't get no, oh no no no.
Hey hey hey, that's what I say.
I can't get no satisfaction,
I can't get no girl with action.
'Cause I try and I try and I try
and I try.
I can't get no, I can't get no.
When I'm ridin' round the world
and I'm doin' this and I'm signing
that
and I'm tryin' to make some girl
who tells me baby better come
back later next week
'cause you see I'm on losing
streak.
I can't get no, oh no no no.
Hey hey hey, that's what I say.
I can't get no, I can't get no,
I can't get no satisfaction,
no satisfaction, no satisfaction,
no satisfaction
I Can’t Get No Satisfaction
34. Esta no es una canción para los que tienen el corazón roto
Ni una plegaria silenciosa para la fe difunta
No voy a ser tan sólo un rostro entre la multitud
Vas a oír mi voz
Cuando lo grite bien alto
Es mi vida
es un ahora o nunca
porque no voy a vivir para siempre
Sólo quiero vivir mientras siga vivo
Es mi vida
Mi corazón es como una autopista abierta
Como dijo Frankie
Lo hice a mi manera
Tan sólo quiero vivir mientras siga vivo
Es mi vida
Esto es para los que se mantuvieron en pie
para Tommy y Gina que nunca se echaron atrás
El mañana cada vez es mas difícil no cometas fallos
la suerte a veces no tiene suerte
has de seguir tus propias pautas
Es mi vida
Será mejor que estés de pie cuando te llamen
no te dobles, no pares, nena, no te eches atrás
Es mi vida
This ain't a song for the broken-hearted
No silent prayer for the faith-departed
I ain't gonna be just a face in the crowd
You're gonna hear my voice
When I shout it out loud
It's my life
It's now or never
I ain't gonna live forever
I just want to live while I'm alive
(It's my life)
My heart is like an open highway
Like Frankie said,
I did it my way
I just wanna live while I'm alive
It's my life
This is for the ones who stood their ground
For Tommy and Gina who never back down
Tomorrow's getting harder make no mistake
Luck ain't even lucky
Got to make your own breaks
It's my life
Better stand tall when they're calling you out
Don't bend, don't break, baby, don't back down
It's my life
37. I don't know who to trust, no surprise
Everyone it feels so far away from me
Heavy thoughts sift through dust, and the lies
Trying not to break but I'm so tired of this deceit
Everytime I try to make myself get back up on my feet
All I ever think about is this
All the time and time between
And how I try and I put my trust in you
Just takes so much out of me
Take everything from the inside
And throw it all away
Cause I swear for the last time
I won't trust myself with you
Tension is building inside, steadily
Everyone feels so far away from me
Heavy thoughts forcing their way out of me
Trying not to break but I'm so tired of this deceit
Everytime I try to make myself get back up on my feet
All I ever think about is this
All the time and time between
And how I try and I put my trust in you
Just takes so much out of me
Take everything from the inside…
FROM THE INSIDE
38. Pink Floyd THE WALL
We don't need no education
We don't need no thought control
No dark sarcasm in the classroom
Teachers, leave them kids alone
Hey, Teacher, leave us kids alone
All in all you're just another brick in the wall
All in all you're just another brick in the wall