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Lecture 21: Palimpsest of the Departed World

                          English 140
                        UC Santa Barbara
                         Summer 2012

                       11 September 2012

 To-morrow the rediscovery of romantic love;
 The photographing of ravens; all the fun under
            Liberty’s masterful shadow;
 To-morrow the hour of the pageant-master and the musician.

 To-morrow for the young the poets exploding like bombs,
 The walks by the lake, the winter of perfect communion;
            To-morrow the bicycle races
 Through the suburbs on summer evenings: but to-day the struggle.
     —W.H. Auden, “September 1937”
An important reminder




Don’t forget to bring a
blue book to the final!
They passed through towns that warned
people away with messages scrawled
on the billboards. The billboards had
been whited out with thin coats of paint
in order to write on them and through
the paint could be seen a pale
palimpsest of advertisements for goods
which no longer existed. (127-28)
The decay of the world
  Do I look like an imbecile to you?
  I dont know what you look like. (65)
My brother at last. The reptilian calculations in
those cold and shifting eyes. The gray and
rotting teeth. Claggy with human flesh. Who
has made of the world a lie every word. (75)
  We’re not robbers.
  He leaned one ear forward. What? he called.
  I said we’re not robbers.
  What are you?
  They’d no way to answer the question. (162)
What does he look like? his father said.
  I dont know. I cant see good. (166)
After a while he fell back and after a while the
man could hear him playing. A formless music
for the age to come. Or perhaps the last music
on earth called up from out of the ashes of its
ruin. (77)
There were times when he sat watching the boy
sleep that he would begin to sob uncontrollably
but it wasnt about death. He wasnt sure what it
was about but he thought it was about beauty
or about goodness. Things that he’d no longer
any way to think about at all. (129-30)
He’d been ready to die and now he wasnt going
to and he had to think about that. (145)
The boy nodded. He sat looking at the map.
The man watched him. He thought he knew
what that was about. He’d pored over maps
as a child, keeping one finger on the town
where he lived. Just as he would look up his
family in the phone directory. Themselves
among others, everything in its place.
Justified in the world. Come on, he said. We
should go. (182)
The re-invention of the world
He [the man] watched him stoke the flames.
God’s own firedrake. The sparks rushed upward
and died in the starless dark. Not all dying
words are true and this blessing is no less real
for being shorn of its ground. (31)
The color of it moved something in him long
forgotten. Make a list. Recite a litany.
Remember. (31)
they sat warm in their refuge while he told the
boy stories. Old stories of courage and justice
as he remembered them until the boy was
asleep in his blankets. (41)
Sometimes the child would ask him questions
about the world that for him was not even a
memory. He thought hard how to answer. There
is no past. What would you like? (53-54)
[The man’s wife:] You talk about taking a stand
but there is no stand to take. (57)
he sat holding him while he tousled his hair
before the fire to dry it. All of this like some
ancient anointing. So be it. Evoke the forms.
Where you’ve nothing else construct ceremonies
out of the air and breathe upon them. (74)
His dreams brightened. The vanished world
returned. (187)

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Lecture 21 - Palimpsest of the Departed World

  • 1. Lecture 21: Palimpsest of the Departed World English 140 UC Santa Barbara Summer 2012 11 September 2012 To-morrow the rediscovery of romantic love; The photographing of ravens; all the fun under Liberty’s masterful shadow; To-morrow the hour of the pageant-master and the musician. To-morrow for the young the poets exploding like bombs, The walks by the lake, the winter of perfect communion; To-morrow the bicycle races Through the suburbs on summer evenings: but to-day the struggle. —W.H. Auden, “September 1937”
  • 2. An important reminder Don’t forget to bring a blue book to the final!
  • 3. They passed through towns that warned people away with messages scrawled on the billboards. The billboards had been whited out with thin coats of paint in order to write on them and through the paint could be seen a pale palimpsest of advertisements for goods which no longer existed. (127-28)
  • 4. The decay of the world Do I look like an imbecile to you? I dont know what you look like. (65) My brother at last. The reptilian calculations in those cold and shifting eyes. The gray and rotting teeth. Claggy with human flesh. Who has made of the world a lie every word. (75) We’re not robbers. He leaned one ear forward. What? he called. I said we’re not robbers. What are you? They’d no way to answer the question. (162)
  • 5. What does he look like? his father said. I dont know. I cant see good. (166) After a while he fell back and after a while the man could hear him playing. A formless music for the age to come. Or perhaps the last music on earth called up from out of the ashes of its ruin. (77) There were times when he sat watching the boy sleep that he would begin to sob uncontrollably but it wasnt about death. He wasnt sure what it was about but he thought it was about beauty or about goodness. Things that he’d no longer any way to think about at all. (129-30) He’d been ready to die and now he wasnt going to and he had to think about that. (145)
  • 6. The boy nodded. He sat looking at the map. The man watched him. He thought he knew what that was about. He’d pored over maps as a child, keeping one finger on the town where he lived. Just as he would look up his family in the phone directory. Themselves among others, everything in its place. Justified in the world. Come on, he said. We should go. (182)
  • 7. The re-invention of the world He [the man] watched him stoke the flames. God’s own firedrake. The sparks rushed upward and died in the starless dark. Not all dying words are true and this blessing is no less real for being shorn of its ground. (31) The color of it moved something in him long forgotten. Make a list. Recite a litany. Remember. (31) they sat warm in their refuge while he told the boy stories. Old stories of courage and justice as he remembered them until the boy was asleep in his blankets. (41)
  • 8. Sometimes the child would ask him questions about the world that for him was not even a memory. He thought hard how to answer. There is no past. What would you like? (53-54) [The man’s wife:] You talk about taking a stand but there is no stand to take. (57) he sat holding him while he tousled his hair before the fire to dry it. All of this like some ancient anointing. So be it. Evoke the forms. Where you’ve nothing else construct ceremonies out of the air and breathe upon them. (74) His dreams brightened. The vanished world returned. (187)