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© 2010 Perini Networks Europe Ltd.
ADVERTISING FOR
NOT-FOR-PROFIT
ORGANISATIONS
Paul Squires
Managing Director, Perera
© 2010 Perini Networks Europe Ltd.2
Digital agency, based in central Oxford
Formed 2010
Part of Perini media group
- Creative (Perera)
- Advertising sales/service (Xpeso)
- Publishing (Imperica)
www.pereramedia.com
Twitter @pereramedia
ABOUT PERERA
© 2010 Perini Networks Europe Ltd.3
Display advertising
Content marketing
Video (viral)
Forums
Apps
Search/SEO/PPC
Location-awareness
Email
DOOH
THERE'S A LOT GOING ON...
Obligatory Minestrone Soup graphic
© 2010 Perini Networks Europe Ltd.4
HOW DO YOU BUILD DIFFERENTIATION?
© 2010 Perini Networks Europe Ltd.5
Elly Woolston, DMS (NMA 02/09/10)
[…] with many charities unprepared for the huge rise of social media,
there are still few embracing Twitter, Facebook and video content,
which has led to many missing out on a huge audience of social
media users. As such, charities need to step outside of their comfort
zones and resist rolling out the same tried-and-tested campaigns.
If charities are to truly engage donors, they must standout among
their competitors. Understandably, each brand is different and what
might work for one might not for another, but the key is to identify the
right content and the right platform for the target donor.
CONTEXT
… and measure, report...
© 2010 Perini Networks Europe Ltd.
ATTRACTING MORE CUSTOMERS
How do you find the right people?
Twitter infographic: David McCandless
© 2010 Perini Networks Europe Ltd.7
TOUCHPOINTS, TRANSMEDIA,
AND TRANSFORMATION
© 2010 Perini Networks Europe Ltd.8
Touchpoints
Maximising the impact
of marketing and sales
activities
Spengler/Wirt 2009
CONTEXT
© 2010 Perini Networks Europe Ltd.9
CONTEXT
Transmedia
In this model, there would be an evolving
non-linear brand narrative. Different
channels could be used to communicate
different, self-contained elements of the
brand narrative that build to create an
larger brand world. Consumers then pull
different parts of the story together
themselves.The beauty of this is that it is
designed to generate brand
communities, in the same way that The
Matrix generates knowledge
communities, as consumers come
together to share elements of the
narrative. It has a word of mouth driver
built in.
http://farisyakob.typepad.com/blog/2006/
10/transmedia_plan.html
© 2010 Perini Networks Europe Ltd.10
CONTEXT
Transmedia
One of the huge challenges of scripting
and storybibling great transmedia lies in
the triggers that move audience from
platform to platform seamlessly.
There’s heaps of analysis out there
looking at audience behaviors, UX, UI,
platforms, primary platforms and
narratives and how they all mix into the
pot of creating great transmedia. The fact
is that a transmedia experience will
naturally move audience, progressing
them across platforms – with relevance
and almost subconsciously.
http://storycentraldigital.wordpress.com/2
010/09/19/transmedia-transmafia-hype-
hyperbole-or-buzz-and-bt/
© 2010 Perini Networks Europe Ltd.11
CONTEXT
Transmedia
The viewers/participants who entered The
Art of the Heist by seeing the CCTV
‘footage’ of the Audi being stolen naturally
weren’t surprised to see it reported in
newspapers, featuring in car magazines.
‘Players’ who first came across the blog
site of characters in The Art of the Heist
were drawn to engage with the
experience through blog links and might
have came across the CCTV footage
later. The point is, at no stage was a
‘map’ supplied. At no time was the
magic blitzed by heralding this as a
transmedia experience.
http://storycentraldigital.wordpress.com/2
010/09/19/transmedia-transmafia-hype-
hyperbole-or-buzz-and-bt/
© 2010 Perini Networks Europe Ltd.12
CONTEXT
Transmedia
It's not a new idea...
… there's just a greater potential
for creativity across a wider (+
deeper) range of channels
Pimania, Automata 1982
© 2010 Perini Networks Europe Ltd.13
CONTEXT
Transformation
The 'Revolution Vodka Girls' charity
calendar has been produced to mark the
launch of the site, using female bar staff
posing with a vodka bottle.
[…]
All proceeds from the calendar will go to
The Factory Foundation, which provides
free music workshops for disadvantaged
children and young people..
http://www.brandrepublic.com/news/104
1911/Revolution-publishes-vodka-
calendar-showcase-online-shop/?
DCMP=ILC-SEARCH
© 2010 Perini Networks Europe Ltd.14
CONTEXT
Transformation
BBH – St.John's Ambulance
The ad presents a family sitting and eating
popcorn together. One of the two young
daughters begins to choke on a piece of
popcorn, while her mother and father try to help
her and her sister screams. The distraught
mother looks to the real cinema audience for
help, at which point an actress stands up in the
auditorium saying that she knows what to do.
She runs down the aisle and behind the screen,
before appearing in the film. She then uses first
aid and saves the girl’s life.
http://www.campaignlive.co.uk/news/1038817/St
-John-Ambulance-targets-cinema-goers-
interactive-film/?DCMP=ILC-SEARCH
© 2010 Perini Networks Europe Ltd.15
CONTEXT
Where the interesting stuff happens
© 2010 Perini Networks Europe Ltd.16
Perera is a brand of Perini.
Perini Networks Europe Ltd. Registered in England 07099941.
3 The Gallery, Marston Street, Oxford OX4 1LF, England, UK.
No legal liability assumed. Recipient is responsible for verifying authenticity before acting on contents.
Views and opinions represent author, not Perini.
© Perini Networks Europe Ltd 2010
pereramedia.com

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Reaching Donors Through Digital Advertising

  • 1. © 2010 Perini Networks Europe Ltd. ADVERTISING FOR NOT-FOR-PROFIT ORGANISATIONS Paul Squires Managing Director, Perera
  • 2. © 2010 Perini Networks Europe Ltd.2 Digital agency, based in central Oxford Formed 2010 Part of Perini media group - Creative (Perera) - Advertising sales/service (Xpeso) - Publishing (Imperica) www.pereramedia.com Twitter @pereramedia ABOUT PERERA
  • 3. © 2010 Perini Networks Europe Ltd.3 Display advertising Content marketing Video (viral) Forums Apps Search/SEO/PPC Location-awareness Email DOOH THERE'S A LOT GOING ON... Obligatory Minestrone Soup graphic
  • 4. © 2010 Perini Networks Europe Ltd.4 HOW DO YOU BUILD DIFFERENTIATION?
  • 5. © 2010 Perini Networks Europe Ltd.5 Elly Woolston, DMS (NMA 02/09/10) […] with many charities unprepared for the huge rise of social media, there are still few embracing Twitter, Facebook and video content, which has led to many missing out on a huge audience of social media users. As such, charities need to step outside of their comfort zones and resist rolling out the same tried-and-tested campaigns. If charities are to truly engage donors, they must standout among their competitors. Understandably, each brand is different and what might work for one might not for another, but the key is to identify the right content and the right platform for the target donor. CONTEXT … and measure, report...
  • 6. © 2010 Perini Networks Europe Ltd. ATTRACTING MORE CUSTOMERS How do you find the right people? Twitter infographic: David McCandless
  • 7. © 2010 Perini Networks Europe Ltd.7 TOUCHPOINTS, TRANSMEDIA, AND TRANSFORMATION
  • 8. © 2010 Perini Networks Europe Ltd.8 Touchpoints Maximising the impact of marketing and sales activities Spengler/Wirt 2009 CONTEXT
  • 9. © 2010 Perini Networks Europe Ltd.9 CONTEXT Transmedia In this model, there would be an evolving non-linear brand narrative. Different channels could be used to communicate different, self-contained elements of the brand narrative that build to create an larger brand world. Consumers then pull different parts of the story together themselves.The beauty of this is that it is designed to generate brand communities, in the same way that The Matrix generates knowledge communities, as consumers come together to share elements of the narrative. It has a word of mouth driver built in. http://farisyakob.typepad.com/blog/2006/ 10/transmedia_plan.html
  • 10. © 2010 Perini Networks Europe Ltd.10 CONTEXT Transmedia One of the huge challenges of scripting and storybibling great transmedia lies in the triggers that move audience from platform to platform seamlessly. There’s heaps of analysis out there looking at audience behaviors, UX, UI, platforms, primary platforms and narratives and how they all mix into the pot of creating great transmedia. The fact is that a transmedia experience will naturally move audience, progressing them across platforms – with relevance and almost subconsciously. http://storycentraldigital.wordpress.com/2 010/09/19/transmedia-transmafia-hype- hyperbole-or-buzz-and-bt/
  • 11. © 2010 Perini Networks Europe Ltd.11 CONTEXT Transmedia The viewers/participants who entered The Art of the Heist by seeing the CCTV ‘footage’ of the Audi being stolen naturally weren’t surprised to see it reported in newspapers, featuring in car magazines. ‘Players’ who first came across the blog site of characters in The Art of the Heist were drawn to engage with the experience through blog links and might have came across the CCTV footage later. The point is, at no stage was a ‘map’ supplied. At no time was the magic blitzed by heralding this as a transmedia experience. http://storycentraldigital.wordpress.com/2 010/09/19/transmedia-transmafia-hype- hyperbole-or-buzz-and-bt/
  • 12. © 2010 Perini Networks Europe Ltd.12 CONTEXT Transmedia It's not a new idea... … there's just a greater potential for creativity across a wider (+ deeper) range of channels Pimania, Automata 1982
  • 13. © 2010 Perini Networks Europe Ltd.13 CONTEXT Transformation The 'Revolution Vodka Girls' charity calendar has been produced to mark the launch of the site, using female bar staff posing with a vodka bottle. […] All proceeds from the calendar will go to The Factory Foundation, which provides free music workshops for disadvantaged children and young people.. http://www.brandrepublic.com/news/104 1911/Revolution-publishes-vodka- calendar-showcase-online-shop/? DCMP=ILC-SEARCH
  • 14. © 2010 Perini Networks Europe Ltd.14 CONTEXT Transformation BBH – St.John's Ambulance The ad presents a family sitting and eating popcorn together. One of the two young daughters begins to choke on a piece of popcorn, while her mother and father try to help her and her sister screams. The distraught mother looks to the real cinema audience for help, at which point an actress stands up in the auditorium saying that she knows what to do. She runs down the aisle and behind the screen, before appearing in the film. She then uses first aid and saves the girl’s life. http://www.campaignlive.co.uk/news/1038817/St -John-Ambulance-targets-cinema-goers- interactive-film/?DCMP=ILC-SEARCH
  • 15. © 2010 Perini Networks Europe Ltd.15 CONTEXT Where the interesting stuff happens
  • 16. © 2010 Perini Networks Europe Ltd.16 Perera is a brand of Perini. Perini Networks Europe Ltd. Registered in England 07099941. 3 The Gallery, Marston Street, Oxford OX4 1LF, England, UK. No legal liability assumed. Recipient is responsible for verifying authenticity before acting on contents. Views and opinions represent author, not Perini. © Perini Networks Europe Ltd 2010 pereramedia.com