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Dissident
Knowledges
Maria Hlavajova
Propositions
 Defy conventional fictions of contemporary
histories
 “new world order”
 Crisis and instability as knowledge
Art After Spectatorship?
 Spectatorship as a creative act
 Spectatorship as part of the work
 Social media as material
 Questions of contemporary contexts
Critique of Groy’s The Logic
of Equal Aesthetic Rights
 Art in deregulation
 Collapse of ideology
 Young British Artists
 Emerging markets & global financial crisis
 Concept of art in cosmic exile
 Interpretation as the external guarantor of
contemporary art
When Platitudes Becomes Form
Christopher Kulendran Thomas&
Tom Trevatt
Points
 Sri Lanka vìs-a-vìs England
 Connoisseurial commercialism
 Contemporary art boom
 Context that is not contemporary
 2009
 Unjust peace after 3 decades of civil war
Alternative
Histories &
Archives
The Form of the Content
Nida Ghouse & Hassan Khan
17 and in AUC
 1990-1995
 American University in Cairo
 2003
 Performance
 4 hours for 14 nights, cigarettes and beers
 2011
 Looking back at the event
Memories of University
 Norms and social order
 Class and class formation
 Creation of a specific elite
 Subculture in the university
 Double alienation
 Alienation from the institution
 Alienation from Cairo
Sketches for an Alternative
Arab Almanac 1989-2013
Rasha Salti
 US & Arab World
 1991 as end of the 20th century
 2 years after fall of Berlin Wall & Tiananmen Square
Massacre, 10 years after election of Ronald Reagan
(Reagan Doctrine), 12 years after Iranian revolution
 Political into moral
 Quality of life crimes
 Locating the “moral”
 Dystopia
 Bankrupt the political imaginary
 Reflect on the “history” of Arab insurgencies
Critical Points
 1973
 Saudi Embargo
 1974
 Palestinian representation in the UN
“Violence is the lack of
imagination”
A Roma Model/ The
Cosmopolitan Other
Daniel Baker & Ethel Brooks
Roma Model
 Roma world view in opposition to the nation state
 Concept of camp & encampment
 Reclaiming & moving forward of being Roma
 Sustainability of 12 million Roma
 Protest camp & archives, occupied camp
African? I Guess
Nástio Mosquito
Points
 Angola
 1975, after 500 years of occupation
 Caught between Soviet Union, US and their allies
 Representation and identity politics
 Attraction and assault
Language, Und
erstanding &
Translations
An Author without a Translator is no Author
Global Agoraphilia
Piotr Piotrowski
Points
 Critique of globalization
 Global politeia
 Artistic instruments
 Enter and participate in public space
 Shape public life
Aernout Mik, Untitled
 Scrutinize building blocks of contemporary art
 Test the limits of of disobedience and non-
compliance
 Conditions of society, moments of revolt and
rebellion
Aernout Mik, Untitled, 2013
Youtube download

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Dissident knowledges

  • 2. Propositions  Defy conventional fictions of contemporary histories  “new world order”  Crisis and instability as knowledge
  • 3. Art After Spectatorship?  Spectatorship as a creative act  Spectatorship as part of the work  Social media as material  Questions of contemporary contexts
  • 4. Critique of Groy’s The Logic of Equal Aesthetic Rights  Art in deregulation  Collapse of ideology  Young British Artists  Emerging markets & global financial crisis  Concept of art in cosmic exile  Interpretation as the external guarantor of contemporary art
  • 5. When Platitudes Becomes Form Christopher Kulendran Thomas& Tom Trevatt
  • 6. Points  Sri Lanka vìs-a-vìs England  Connoisseurial commercialism  Contemporary art boom  Context that is not contemporary  2009  Unjust peace after 3 decades of civil war
  • 7.
  • 8.
  • 10. The Form of the Content Nida Ghouse & Hassan Khan
  • 11. 17 and in AUC  1990-1995  American University in Cairo  2003  Performance  4 hours for 14 nights, cigarettes and beers  2011  Looking back at the event
  • 12. Memories of University  Norms and social order  Class and class formation  Creation of a specific elite  Subculture in the university  Double alienation  Alienation from the institution  Alienation from Cairo
  • 13. Sketches for an Alternative Arab Almanac 1989-2013 Rasha Salti  US & Arab World  1991 as end of the 20th century  2 years after fall of Berlin Wall & Tiananmen Square Massacre, 10 years after election of Ronald Reagan (Reagan Doctrine), 12 years after Iranian revolution  Political into moral  Quality of life crimes  Locating the “moral”  Dystopia  Bankrupt the political imaginary  Reflect on the “history” of Arab insurgencies
  • 14. Critical Points  1973  Saudi Embargo  1974  Palestinian representation in the UN
  • 15. “Violence is the lack of imagination”
  • 16. A Roma Model/ The Cosmopolitan Other Daniel Baker & Ethel Brooks
  • 17. Roma Model  Roma world view in opposition to the nation state  Concept of camp & encampment  Reclaiming & moving forward of being Roma  Sustainability of 12 million Roma  Protest camp & archives, occupied camp
  • 19. Points  Angola  1975, after 500 years of occupation  Caught between Soviet Union, US and their allies  Representation and identity politics  Attraction and assault
  • 20. Language, Und erstanding & Translations An Author without a Translator is no Author
  • 22. Points  Critique of globalization  Global politeia  Artistic instruments  Enter and participate in public space  Shape public life
  • 23. Aernout Mik, Untitled  Scrutinize building blocks of contemporary art  Test the limits of of disobedience and non- compliance  Conditions of society, moments of revolt and rebellion
  • 24.
  • 25. Aernout Mik, Untitled, 2013 Youtube download