This document discusses glitch art and noise artifacts in media. It argues that glitches interrupt the static notion of transmitting information through encoding/decoding errors, other noise, and feedback. The document advocates exploiting these glitches and noise artifacts as a way to challenge genres, interfaces, and expectations. Finally, it presents glitch art as a form of critical trans-media aesthetics that can show a medium in a ruined or accidental state and critique its inherent politics.