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Handbook on Teaching Literacy Through the Communicative and Visual Arts Part I: Historical and Theoretical Foundations Renee Hobbs Temple University, Philadelphia PA
Irrepressible Communicators ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
New Literacies or Media Competence? Felini, D. (2008). Crossing the Bridge: Literacy between School Education and Contemporary Cultures.
Parallel Worlds:  Understanding the Gap  between School and  Media Culture ,[object Object],[object Object],[object Object],[object Object],Felini, D. (2008). Crossing the Bridge: Literacy between School Education and Contemporary Cultures.
Meaning Making and Photography ,[object Object],[object Object],[object Object],Mendelson, A. (2008). The Construction of Photographic Meaning. Context of Presentation Viewer Culture Subject Culture
[object Object],Mendelson, A. (2008). The Construction of Photographic Meaning.
Meaning Making across Media Forms ,[object Object],[object Object],[object Object],Context of Presentation Reader Culture Subject Culture
Visual Learning is Central to Multimodality ,[object Object],Brice Heath, S. & Wollach, R. (2008). Vision for Learning: History, Theory and Affirmation.
Visual Learning is Central to Multimodality ,[object Object],[object Object],Brice Heath, S. & Wollach, R. (2008). Vision for Learning: History, Theory and Affirmation.
Performance, Children’s Theater and Drama Woodson, S. (2008). Constructing, Performing and Reading Representations of Youth and Childhood. It is important to distinguish between culture as textual and culture as performative.  Performances are embodied and collaborative ways of knowing. “ Performance, unlike text, appears and disappears to be replaced by memory and drawn from memory. And since individuals construct reality differently, performance highlights the slippage between the real and the perceived” (p. 39)
Multimedia Production as Composition Bruce, D. (2008). Multimedia Production as Composition. Connotative meanings of “production” & “composition” Weaknesses of stage-based process models based on industry training paradigm Video composition can use a recursive process similar to writing
 
Historical and Policy Perspectives on Media Literacy in England Bazalgette, C. (2008). The Development of Media Education in England: A Personal View. ,[object Object],[object Object],[object Object],[object Object]
Making Media Literacy an Entitlement for All Bazalgette, C. (2008). The Development of Media Education in England: A Personal View. ,[object Object],[object Object],[object Object],[object Object],[object Object]
Making Media Literacy an Entitlement for All Bazalgette, C. (2008). The Development of Media Education in England: A Personal View. Rapid changes in technology create a danger that literacy education will “become dominated by ‘creativity’ at the expense of the other two C’s. The ease of access now afforded by digital technologies makes this temptingly easy… learning in this area needs to be underpinned by cultural breadth and critical skills” (p. 49)  Cultural Critical Creative
Defining Educators’ Responsibility ,[object Object],[object Object],Frey, N. (2008). Censorship and Censorship Policy: The Impact of Teaching Literacy through the Visual Arts. Protectionism Empowerment

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Handbook On Teaching Literacy Through The Communicative And

  • 1. Handbook on Teaching Literacy Through the Communicative and Visual Arts Part I: Historical and Theoretical Foundations Renee Hobbs Temple University, Philadelphia PA
  • 2.
  • 3. New Literacies or Media Competence? Felini, D. (2008). Crossing the Bridge: Literacy between School Education and Contemporary Cultures.
  • 4.
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  • 7.
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  • 9.
  • 10. Performance, Children’s Theater and Drama Woodson, S. (2008). Constructing, Performing and Reading Representations of Youth and Childhood. It is important to distinguish between culture as textual and culture as performative. Performances are embodied and collaborative ways of knowing. “ Performance, unlike text, appears and disappears to be replaced by memory and drawn from memory. And since individuals construct reality differently, performance highlights the slippage between the real and the perceived” (p. 39)
  • 11. Multimedia Production as Composition Bruce, D. (2008). Multimedia Production as Composition. Connotative meanings of “production” & “composition” Weaknesses of stage-based process models based on industry training paradigm Video composition can use a recursive process similar to writing
  • 12.  
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  • 14.
  • 15. Making Media Literacy an Entitlement for All Bazalgette, C. (2008). The Development of Media Education in England: A Personal View. Rapid changes in technology create a danger that literacy education will “become dominated by ‘creativity’ at the expense of the other two C’s. The ease of access now afforded by digital technologies makes this temptingly easy… learning in this area needs to be underpinned by cultural breadth and critical skills” (p. 49) Cultural Critical Creative
  • 16.