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Creative urban development
Three years after
Rene Kooyman
3 June 2014
What’s going on?
 Urbanisation
 From industrial production to a
knowledge society
 Growth falters; is absent
 Small and medium-sized enterprises
(SMEs) of strategic value
EU Policy
 Small and medium-sized enterprises
(SMEs) of strategic value
 ' Old School ' no longer valid:
innovation = needed
 The economic power
of the cultural and creative
industries
Size of Enterprises
EDCCI: Page 64
2010 HKU Entrepreneurial Dimension of
Cultural and Creative Industries
Talking about cities
• Demographics: aging population
• Mobility: multicultural societies
• Changing consumer patterns
• The networks: a connected society
Abandoned
Industrial
area's
Revitalisation
Spatial components: metropolis and decay
Changing
perspectives:
Long-term
/top-down
Bottom-up
cooperative
initiatives
 Jacobs
 Bourdieu
 Florida
The CURE Partners
CURE-WEB.EU
Colchester Borough Council
cre8te, Edinburgh
Grundstücksgesellsch Kettwig
Stadt Hagen (Lead Partner)
Stad Brugge
Stadt Dinslaken
Lille Métropole
Dublin: Temple Bar (observer)
Utrecht University of the Arts
(academic partner)
EU CURE Project
 Aims to facilitate triggered growth of
the creative economy in decayed
urban areas in medium-sized cities
in Northwest-Europe
 This will be done by developing and
testing the innovative transnational
model ‘Creative Zone Innovator’ to
plan and to develop creative zones.
 The project brings together 7 project
partners in Germany, Belgium,
France, the Netherlands and the UK.
Creative Urban Renewal (CURE)
 Aims to facilitate triggered growth of the
creative economy in decayed urban areas in
medium-sized cities in Northwest-Europe
 Very different situations:
Tourism/heritage (Edinburgh, Brugge)
Abandoned industrial sites: Essen Kettwig
(scheidshce Hallen), coal-mining areas
Dinslaken, former textile industry
Elbershallen, social-economical problem
areas (Hagen, Lille)
Do we need a theoretical framework?
 Concepts are an abstraction of reality
 We cannot communicate without using
concepts about the reality
 Creates a certain unity in objects
described and definitions
 Offers a self-audit facility to ensure
cohesion and appropriate
conceptualisation for conclusions.
Creative Zone Innovator (CZI)
Sub-
values
and
Indi-
cators
Scheidt’sche Hallen Kettwig
 Former Spinning Mill
 Closed in 1974
 Public planning completed 2011
 Housing area sold to an investor
 Partial demolition, reconstruction and
restauration
 10.000 m2 for Creative Industries
 Flow of Diversity / Business Modelling
Kreativ Quartier Lohberg Dinslaken
 Coal mine closed in 2005
 Total 40 ha with 11 heritage buildings
 City Council and Investment Company
develop a partner-based concept
 Principles of sustainability and economic
feasibility
 Combine renewable energy and Creative
Industries
 “Idea meets Market”: Learning Lab, Creative
Value Chain
Cultural Factory Elbershallen
Hagen
 Former Textile Industry redeveloped
since 2000
 Public private partnership: City of Hagen
 4.5 ha : first businesses commercially
driven; now diversified; daycare centre,
bowling alley, supermarket; and Creative
Industries (music school, dance studio,
Theater an der Volme)
 Diversity, Business Modelling
Creative Zone 22
Hagen
 Underprivileged
neighbourhood
 Top-down initiative
 Slowing down shrinking
population
 Multi-cultural advantages
 Co-working space
 Creatve Value Chain
Lille Metropole
 Textile crisis 1970; regional
unemployment, poverty
 Trans-national initiative; concentrating
on ‘the image’
 Requalification of derelict areas into AV
Cultural and Creative Incubator
 4 dimensions:
 LL, CVC, FOD, CBM
 Creative Value Chain: Screenworks Film Collective
 Creative desks program: incubator (CBM),
 Non-profit coworking and learning space (LL) for
independent workers, freelancers, start-ups, and the
local community
 Collaboration with private sector and academia
Creative Edinburgh
CURE-WEB.EU
ICE ICE Store: Creative Outlet
Store
CURE-WEB.EU
ICE Store:
ICE Store is a new way of
doing business. It is a not for
profit social enterprise
consisting of a retail store
selling the work of
independent artists and
designers from Scotland.
Everything in ICE Store is
handmade giving special
meaning to all of our
products.
ICE Store for Creatives:
Picture this: a city centre
location to showcase your
work, a place where you will
have an audience of thousands
and the support to take your
talents to the wider world. A
dream? ICE Store makes this a
reality!
ICE Store for Customers:
Don’t you hate it when you can’t
get that unique dress or
necklace that suits you and the
occasion perfectly? Or when
finding the perfect gift for a
friend becomes an impossible
task? ICE Store makes it easy!
Brugge: cultural heritage
Empty shopping
street not viable
Now:
• pop-up shop
• courses
• vernacular
design
Brugge – „design met wortels“
Design with roots
CURE-WEB.EU
 Contemporary design meets old handcraft
techniques
 Run workshops on knitting, making jewels
with wax, old fabrics
Colchester UK
 Hidden
Kiosk
 This One
Wall
 First site
How is it done?
1. Identify your fundamentals: basic
dimensions (learning lab, creative
value chain, flow of diversity,
business modeling
2. Define the Core Values
3. Identify and select Sub-values
4. Specify and select Indicators
The Toolkit
 Take Time: Urban Area Development
is not done on a short-term strategy
 Persist: hold on to your perspective
 Spread the word: communications is
key-factor
 Build alliances: define, discuss and re-
define your projects
 Learn when you move along......
Re-thinking uban policy
• comprehend the economic benefits (market
and non-market) of the arts and culture
• recognise the fundamental importance of
cultural value as a component of the urban
value created by the cultural sector
• foster a positive climate for private sector
engagement with the arts
• promote cultural policy as a core government
function involving a wide range of
departments including culture, heritage,
education, urban / regional development, etc.
An effective urban policy will:
rkooyman@rkooyman.com
That’s
the way it’s
done!
Rene Kooyman
http://cure-web.eu
rene.kooyman@ke.hku.nl

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Creative Urban Renewal Looking after

  • 1. Creative urban development Three years after Rene Kooyman 3 June 2014
  • 2. What’s going on?  Urbanisation  From industrial production to a knowledge society  Growth falters; is absent  Small and medium-sized enterprises (SMEs) of strategic value
  • 3. EU Policy  Small and medium-sized enterprises (SMEs) of strategic value  ' Old School ' no longer valid: innovation = needed  The economic power of the cultural and creative industries
  • 4. Size of Enterprises EDCCI: Page 64 2010 HKU Entrepreneurial Dimension of Cultural and Creative Industries
  • 5. Talking about cities • Demographics: aging population • Mobility: multicultural societies • Changing consumer patterns • The networks: a connected society Abandoned Industrial area's Revitalisation
  • 6. Spatial components: metropolis and decay Changing perspectives: Long-term /top-down Bottom-up cooperative initiatives  Jacobs  Bourdieu  Florida
  • 7. The CURE Partners CURE-WEB.EU Colchester Borough Council cre8te, Edinburgh Grundstücksgesellsch Kettwig Stadt Hagen (Lead Partner) Stad Brugge Stadt Dinslaken Lille Métropole Dublin: Temple Bar (observer) Utrecht University of the Arts (academic partner)
  • 8. EU CURE Project  Aims to facilitate triggered growth of the creative economy in decayed urban areas in medium-sized cities in Northwest-Europe  This will be done by developing and testing the innovative transnational model ‘Creative Zone Innovator’ to plan and to develop creative zones.  The project brings together 7 project partners in Germany, Belgium, France, the Netherlands and the UK.
  • 9. Creative Urban Renewal (CURE)  Aims to facilitate triggered growth of the creative economy in decayed urban areas in medium-sized cities in Northwest-Europe  Very different situations: Tourism/heritage (Edinburgh, Brugge) Abandoned industrial sites: Essen Kettwig (scheidshce Hallen), coal-mining areas Dinslaken, former textile industry Elbershallen, social-economical problem areas (Hagen, Lille)
  • 10. Do we need a theoretical framework?  Concepts are an abstraction of reality  We cannot communicate without using concepts about the reality  Creates a certain unity in objects described and definitions  Offers a self-audit facility to ensure cohesion and appropriate conceptualisation for conclusions.
  • 13.
  • 14. Scheidt’sche Hallen Kettwig  Former Spinning Mill  Closed in 1974  Public planning completed 2011  Housing area sold to an investor  Partial demolition, reconstruction and restauration  10.000 m2 for Creative Industries  Flow of Diversity / Business Modelling
  • 15.
  • 16.
  • 17. Kreativ Quartier Lohberg Dinslaken  Coal mine closed in 2005  Total 40 ha with 11 heritage buildings  City Council and Investment Company develop a partner-based concept  Principles of sustainability and economic feasibility  Combine renewable energy and Creative Industries  “Idea meets Market”: Learning Lab, Creative Value Chain
  • 18.
  • 19. Cultural Factory Elbershallen Hagen  Former Textile Industry redeveloped since 2000  Public private partnership: City of Hagen  4.5 ha : first businesses commercially driven; now diversified; daycare centre, bowling alley, supermarket; and Creative Industries (music school, dance studio, Theater an der Volme)  Diversity, Business Modelling
  • 20. Creative Zone 22 Hagen  Underprivileged neighbourhood  Top-down initiative  Slowing down shrinking population  Multi-cultural advantages  Co-working space  Creatve Value Chain
  • 21.
  • 22. Lille Metropole  Textile crisis 1970; regional unemployment, poverty  Trans-national initiative; concentrating on ‘the image’  Requalification of derelict areas into AV Cultural and Creative Incubator  4 dimensions:  LL, CVC, FOD, CBM
  • 23.
  • 24.  Creative Value Chain: Screenworks Film Collective  Creative desks program: incubator (CBM),  Non-profit coworking and learning space (LL) for independent workers, freelancers, start-ups, and the local community  Collaboration with private sector and academia Creative Edinburgh CURE-WEB.EU
  • 25. ICE ICE Store: Creative Outlet Store CURE-WEB.EU ICE Store: ICE Store is a new way of doing business. It is a not for profit social enterprise consisting of a retail store selling the work of independent artists and designers from Scotland. Everything in ICE Store is handmade giving special meaning to all of our products. ICE Store for Creatives: Picture this: a city centre location to showcase your work, a place where you will have an audience of thousands and the support to take your talents to the wider world. A dream? ICE Store makes this a reality! ICE Store for Customers: Don’t you hate it when you can’t get that unique dress or necklace that suits you and the occasion perfectly? Or when finding the perfect gift for a friend becomes an impossible task? ICE Store makes it easy!
  • 26. Brugge: cultural heritage Empty shopping street not viable Now: • pop-up shop • courses • vernacular design
  • 27. Brugge – „design met wortels“ Design with roots CURE-WEB.EU  Contemporary design meets old handcraft techniques  Run workshops on knitting, making jewels with wax, old fabrics
  • 28.
  • 29. Colchester UK  Hidden Kiosk  This One Wall  First site
  • 30. How is it done? 1. Identify your fundamentals: basic dimensions (learning lab, creative value chain, flow of diversity, business modeling 2. Define the Core Values 3. Identify and select Sub-values 4. Specify and select Indicators
  • 31. The Toolkit  Take Time: Urban Area Development is not done on a short-term strategy  Persist: hold on to your perspective  Spread the word: communications is key-factor  Build alliances: define, discuss and re- define your projects  Learn when you move along......
  • 32. Re-thinking uban policy • comprehend the economic benefits (market and non-market) of the arts and culture • recognise the fundamental importance of cultural value as a component of the urban value created by the cultural sector • foster a positive climate for private sector engagement with the arts • promote cultural policy as a core government function involving a wide range of departments including culture, heritage, education, urban / regional development, etc. An effective urban policy will:
  • 34. That’s the way it’s done! Rene Kooyman http://cure-web.eu rene.kooyman@ke.hku.nl