3. is a form of traditional Japanese drama
with highly stylized song, mime and
dance, now performed only by male
actors.
The expression “kabukimono” referred
originally to those who were bizarrely
dressed and paraded on a street.
4.
5. A flower path. A
walkway which
extends into the
audience via which
dramatic entrances
and exits are made.
6. Stages both in
front of the
audience and
along the sides
that help create a
bond between the
actors and the
viewers.
7. The interior of the
theater containing
a REVOLVING
STAGE
9. A walkway that
cuts through the
audience seating
area to connect
the stage with the
back of the
theater
10.
11. The actor holds a
picturesque POSE
to establish his
character.
12. Are separated into
two main
categories” ONNA-
GATA refers to
female roles.
ARAGOTO refer to
male roles.
13. Actors apply their
own makeup by
painting their faces
and neck white then
adding stylized lines
in RED, BLACK OR
BLUE
The colors that are
used tells what kind
of character is being
performed.
14. MEANING OF THE COLORS:
RED – passion, heroism, righteousness
and other POSITIVE traits
PINK – youthful joy
LIGHT BLUE – even temper
PALE GREEN – peacefulness
BLUE or BLACK – villainy, jealousy and
other NEGATIVE traits
GREEN – supernatural
PURPLE - nobility
21. LAODAN an old
woman
WUDAN a martial
woman
DAOMADAN are
young female
warriors
QINGYI are virtuous
and elite women
HUADAN are
vivacious and
unmarried women
22. is a painted face
male role who
plays either the
primary or
secondary roles.
This type of role
entails a forceful
character.
23. Is a male clown
role. The Chou
usually plays
secondary roles
whose name also
means “ugly”
27. RED – devotion, courage, bravery, uprightness and
loyalty
BLACK – roughness and fierceness
YELLOW – fierceness, ambition, and cool-
headedness
PURPLE – uprightness, sophistication, and cool-
headedness
REDDISH PURPLE – just and noble character
BLUE – loyalty, fierceness and sharpness
WHITE – dangerousness, suspiciousness, craftiness
GREEN – impulsive, violent, stubborness
XIAOHUALIAN – a small patch of chalk on and around
the nose, mean and secretive character.
36. Refers to kinds of puppet theaters
WAYANG KULIT or shadow puppets are the
best known of the Indonesian wayang.
KULIT means skin and refers to the leather
construction of the puppets that are
carefully shaped with very fine tools and
supported with carefully shaped buffalo hon
handles and control rods.
37. The puppeteer, dhalang/ dalang
A hammer used by the dhalang to knock oon the
puppet box, cempala
Metal plates that the dhalang hits with his foot,
kepyak
Traditional indonesian orchestra, gamelan
Shadow puppets, wayang kulit
Light source, blencong
Female singers and a male chorus, pesindhen and
penggerong
Screen frame and screen, gawang and kelir
Banana logs, the pointed sticks of the wayang base
handle pierce the peeled trunk of a banana tree and
hold the puppets in place
A puppet box, kothak