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The changing
role of radio
and the music
charts
“It is time that radio stations
adapt to the new media
technologies.”
Capital Fm
  Capital radio is the biggest commercial
  radio station in London.
 But it has lost 8.7% of its listeners in last
  three months.
 This is due to Capital Fm launching a new
  music channel which now allows
  audiences to access to both the music
  and the video at the same time.
Heart Fm
    Heart Fm has lost 9.6% of their listeners in
    the last year.

 Heart  has also launched a new music
    channel which informs the audience
    about celeb gossip and music.
Smooth Fm
 Smooth    Fm London, has lost 20.8% of its
  listeners in the last year and 38.5% in the
  previous quarter.

 This
     shows the sharp decline in people
  regularly listening to the radio stations.
Accessing music
 Less people listen to the radio regularly
    because of the internet.

   Large Institutions are expanding online for
    example ITunes.
Switch-Off
 £21 million analogue radio switch-off plan
  „ a waste of time‟.

 Digital  radio currently accounts for 29.2%
  of all radio listeners.
Changes that need to be
made
    The radio stations need to be prepared
    to be taken over by the internet and its
    accessibility.

 Also  radio station may need to expand
    and begin to have a music channel.
Audiences expectations
Past Expectations                  Current Expectations

Being able to listen to the news   Being able to constantly be
at given times.                    updated with new music and
                                   the latest news.
To have the current hits on a      Accessible music on the go.
loop
No to experience much of a         A solid programming schedule.
hosts personality
                                   Radio hosts must maintain high
                                   standard.
Radio roles include
   Reporter
   Interviewer
   Researcher
   Script Writer
   Presenter
   Radio Journalist
   Producer
   Studio Assistant
   Programme Schedule
   Commercial Trafficker
   Audio Engineer
Relationships between the
Radio stations and artists
   Unless they are buying paid commercials,
    record companies do not PAY radio stations
    for anything.
    In fact that's a sore subject right now
    because labels and artists are trying to get
    stations to pay them.
   In the past they've always been more than
    happy for the promotional power of having
    their records played and it's been a very
    good relationship. But now they're getting
    greedy.
Types of advertising
   Type of Advertiser: National, Regional or Local.
   Generally only big cities get national advertising
    such as airlines and consumer products.
   Regional advertising dollars are for bigger stations
    in an area that will get dollars from a pool of
    money received from all the Ford dealers in the
    Southeast.
    Local advertising (Joe's Barber Shop, Sally's
    Tanning) is important to ALL stations, but is key for
    very small sta.ions;
How are up and coming artists
found ?
   At the lowest level are the A&R scouts.
    They listen to demos, go to shows and find
    new artists from their contacts and the press.
   If the scout finds a band that fits the labels
    roster, he'll pass them to an A&R Manager.
   They will make the decision on whether to sign
    an artist and negotiate the deal.
    It's the manager‟s job to get the rest of the
    department at the label interested in the
    artist, presenting them to the PR and
    promotions people.
How to attract new audiences
   Radios now need to start using online
    streaming and podcasts in order to attract
    the growing online generation.
    Radio stations should also look into
    developing desktop and mobile applications
    to help them to retain audiences.
   Through these applications listeners will be
    able to visit the radio stations web page
    which will allow them to access additional
    information when they need it.
The changing role of radio and the music
The changing role of radio and the music

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The changing role of radio and the music

  • 1. The changing role of radio and the music charts “It is time that radio stations adapt to the new media technologies.”
  • 2. Capital Fm  Capital radio is the biggest commercial radio station in London.  But it has lost 8.7% of its listeners in last three months.  This is due to Capital Fm launching a new music channel which now allows audiences to access to both the music and the video at the same time.
  • 3. Heart Fm  Heart Fm has lost 9.6% of their listeners in the last year.  Heart has also launched a new music channel which informs the audience about celeb gossip and music.
  • 4. Smooth Fm  Smooth Fm London, has lost 20.8% of its listeners in the last year and 38.5% in the previous quarter.  This shows the sharp decline in people regularly listening to the radio stations.
  • 5. Accessing music  Less people listen to the radio regularly because of the internet.  Large Institutions are expanding online for example ITunes.
  • 6. Switch-Off  £21 million analogue radio switch-off plan „ a waste of time‟.  Digital radio currently accounts for 29.2% of all radio listeners.
  • 7. Changes that need to be made  The radio stations need to be prepared to be taken over by the internet and its accessibility.  Also radio station may need to expand and begin to have a music channel.
  • 8. Audiences expectations Past Expectations Current Expectations Being able to listen to the news Being able to constantly be at given times. updated with new music and the latest news. To have the current hits on a Accessible music on the go. loop No to experience much of a A solid programming schedule. hosts personality Radio hosts must maintain high standard.
  • 9. Radio roles include  Reporter  Interviewer  Researcher  Script Writer  Presenter  Radio Journalist  Producer  Studio Assistant  Programme Schedule  Commercial Trafficker  Audio Engineer
  • 10. Relationships between the Radio stations and artists  Unless they are buying paid commercials, record companies do not PAY radio stations for anything.  In fact that's a sore subject right now because labels and artists are trying to get stations to pay them.  In the past they've always been more than happy for the promotional power of having their records played and it's been a very good relationship. But now they're getting greedy.
  • 11. Types of advertising  Type of Advertiser: National, Regional or Local.  Generally only big cities get national advertising such as airlines and consumer products.  Regional advertising dollars are for bigger stations in an area that will get dollars from a pool of money received from all the Ford dealers in the Southeast.  Local advertising (Joe's Barber Shop, Sally's Tanning) is important to ALL stations, but is key for very small sta.ions;
  • 12. How are up and coming artists found ?  At the lowest level are the A&R scouts.  They listen to demos, go to shows and find new artists from their contacts and the press.  If the scout finds a band that fits the labels roster, he'll pass them to an A&R Manager.  They will make the decision on whether to sign an artist and negotiate the deal.  It's the manager‟s job to get the rest of the department at the label interested in the artist, presenting them to the PR and promotions people.
  • 13. How to attract new audiences  Radios now need to start using online streaming and podcasts in order to attract the growing online generation.  Radio stations should also look into developing desktop and mobile applications to help them to retain audiences.  Through these applications listeners will be able to visit the radio stations web page which will allow them to access additional information when they need it.