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This was the original
photograph. I decided
    to manipulate it
   because I felt that
  different aspects of
the photograph could
     be improved to
 enhance the image,
    for example, the
background could be
 blurred, and the skin
   tone of the artist
  could be improved.
The first step that I took
   was to smooth out the
    skin of the artist, to
 remove any blemishes or
spots that may be present.
I did this by using the spot
    healing tool. Then, I
 inverted the photograph
   and changed the layer
mode to vivid light. Next, I
 added a Gaussian Blur of
7.8 and a blur of high pass
to smooth out the picture
  to a degree that I liked.
   Next, I created a layer
 mask and painted on the
layer around the skin area
    to create a smooth
        complexion.
My next step was to blur
out the background of the
photograph. By doing this,
 I hoped to draw attention
 and enhance the detail in
the artist’s face. I achieved
this by creating a duplicate
     layer and adding a
   Gaussian Blur of 38 and
     using the eraser to
   remove the blur across
          the face.
To enhance the overall
     look of the photo, I
  decided to increase the
colours in the photograph.
  I enhanced the red and
 yellow colours in the RGB
  spectrum in Photoshop,
     achieving a slightly
 enhanced sunlight-effect.
Next, I decided to slightly
 edit the artist’s lips. This
   was to create a more
   refined look for some
finishing details. I did this
 by painting on the colour
#c34e3e and changing the
layer to ‘Multiply’ with an
  opacity of 30%. I then
painted on a darker colour
of #900c00, and highlights
      of a pale colour.
My next step was to edit the
 eyes and enhance the colour
slightly to a brighter blue. I did
this because I thought that the
      colours of the whole
    photograph were slightly
 similar, so by adding a slightly
different colour, it would draw
attention to her eyes. I felt this
 would be effective as it would
 help readers of the magazine
  to connect with the artist, as
 the eyes may now be the first
   thing you notice about the
   photograph. To achieve this
colour, I chose a slightly lighter
colour than the artist’s natural
   eye colour, and painted on
around the iris. I then used the
dodge tool to highlight certain
              areas.
This is my finished
photograph. My last step was
       to use Photoshop to
incorporate some objects into
  the photo. For this, I chose
   some petals, as I felt this
  would add to the like-ability
of the artist, as it would allow
   them to appear as a nice
person. To achieve this, I used
 a photo of a petal and copied
    it numerous times. Each
  individual petal, I edited to
      change the shape, for
       example, its skew or
 perspective. Then, I changed
  the scale of each petal, and
   added a Gaussian blur in
correlation to its size to create
depth within the photograph.

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Manipulating Photographs 1L

  • 1.
  • 2. This was the original photograph. I decided to manipulate it because I felt that different aspects of the photograph could be improved to enhance the image, for example, the background could be blurred, and the skin tone of the artist could be improved.
  • 3. The first step that I took was to smooth out the skin of the artist, to remove any blemishes or spots that may be present. I did this by using the spot healing tool. Then, I inverted the photograph and changed the layer mode to vivid light. Next, I added a Gaussian Blur of 7.8 and a blur of high pass to smooth out the picture to a degree that I liked. Next, I created a layer mask and painted on the layer around the skin area to create a smooth complexion.
  • 4. My next step was to blur out the background of the photograph. By doing this, I hoped to draw attention and enhance the detail in the artist’s face. I achieved this by creating a duplicate layer and adding a Gaussian Blur of 38 and using the eraser to remove the blur across the face.
  • 5. To enhance the overall look of the photo, I decided to increase the colours in the photograph. I enhanced the red and yellow colours in the RGB spectrum in Photoshop, achieving a slightly enhanced sunlight-effect.
  • 6. Next, I decided to slightly edit the artist’s lips. This was to create a more refined look for some finishing details. I did this by painting on the colour #c34e3e and changing the layer to ‘Multiply’ with an opacity of 30%. I then painted on a darker colour of #900c00, and highlights of a pale colour.
  • 7. My next step was to edit the eyes and enhance the colour slightly to a brighter blue. I did this because I thought that the colours of the whole photograph were slightly similar, so by adding a slightly different colour, it would draw attention to her eyes. I felt this would be effective as it would help readers of the magazine to connect with the artist, as the eyes may now be the first thing you notice about the photograph. To achieve this colour, I chose a slightly lighter colour than the artist’s natural eye colour, and painted on around the iris. I then used the dodge tool to highlight certain areas.
  • 8. This is my finished photograph. My last step was to use Photoshop to incorporate some objects into the photo. For this, I chose some petals, as I felt this would add to the like-ability of the artist, as it would allow them to appear as a nice person. To achieve this, I used a photo of a petal and copied it numerous times. Each individual petal, I edited to change the shape, for example, its skew or perspective. Then, I changed the scale of each petal, and added a Gaussian blur in correlation to its size to create depth within the photograph.