SlideShare una empresa de Scribd logo
1 de 25
Slug line – INT – Day - Its set in an attic full of miscellaneous objects, cluttered and dis organised. Whilst
  at the end of the attic an old rocking chair is sat on its own.                                 Time: 5 sec

Shot description –Zoom in on rocking chair as it moves slightly.
Camera movement –Zoom on chair.
Figure movement – No figure movement
Three soundtracks (Diegetic, non diegetic & speech) – No speech or
non diegetic. The sound of something falling from a shelf for the
diegetic.
Slug line – INT. Hallway in a regular family home, late afternoon day
   time                                                                    Time: 4 sec
Shot description – An object is thrown down some lowered stairs (forgotten
to be replaced back up) from the attic.
Camera movement – Tracks and zooms on object.
Figure movement – none
Editing instruction – cut
Three soundtracks (Diegetic, non diegetic & speech) - diegetic sound is the
radio playing red stars by birthday massacre quietly in the background, the
sound of her footsteps are over emphasised. No speech.
Slug line – INT. Hallway in a regular family home, late afternoon day time
                                                                            Time:1.5 sec

 Shot description – The ghost Grace who is pale and messy with tangled hair and dark
 circles under her eyes is now stood halfway down the steps.
 Camera movement – Long shot, no movement.
 Figure movement – No movement from Grace.
 Editing instruction –cuts
 Three soundtracks (Diegetic, non diegetic & speech) - diegetic sound is the radio playing
 red stars by birthday massacre quietly in the background, the sound of her footsteps are
 over emphasised. No speech.
Slug line – INT. slightly messy Hallway of family home with drawers and cupboards, late
afternoon time.                                                                    Time:   2 sec
Shot description – The character grace is now shown moving down the stairs
into the house from the attic.
Camera movement – Tracking shot
Figure movement – Walking down the steps, slowly while limping.
Editing instruction –Cut
Three soundtracks (Diegetic, non diegetic & speech) – diegetic sound is the
radio playing red stars by birthday massacre quietly in the background, the
sound of her footsteps are over emphasised. No speech.
Slug line – INT. large bedroom with a double bed and most surfaces covered in books or other common items. A large
 stereo is turned on in the corner which is shown by the lighting being turned on.
                                                                                                          Time: 3 sec
Shot description – Close up on the radio which shows the bars moving
on the screen.
Camera movement – close up on radio
Figure movement – no figure movement
Editing instruction – cut
Three soundtracks (Diegetic, non diegetic & speech) – Diegetic sound is
the song red stars by birthday massacre playing from the radio.
Slug line – INT. large bedroom with a double bed and most surfaces covered in books or other common
items. A large stereo is turned on in the corner which is shown by the lighting being turned on.
                                                                                                Time: 4 sec
      Shot description – Curled up on the edge of a bed is a black haired,
      attractive young adult, Sammie. Wearing black jeans, t-shirt and hoodie.
      Camera movement – long shot of Sammie
      Figure movement – Sammie is asleep on the bed whilst Russell is asleep
      on the floor with his back propped up against the bed
      Editing instruction – Fades
      Three soundtracks (Diegetic, non diegetic & speech) - diegetic sound is
      Red stars by birthday massacre
Slug line – The bedroom is her parent’s and still shows signs of being lived in with half open books
on bed side tables and clothes still waiting to be put away. In the centre of the room is a large
double bed.                                                                                            Time: 2 sec
  Shot description – The bedroom door is shown close up
  Camera movement – close up
  Figure movement – none
  Editing instruction – cut
  Three soundtracks (Diegetic, non diegetic & speech) – Slow
  paced eerie childlike humming is heard over the radio playing
Slug line – The bedroom is her parent’s and still shows signs of being lived in with half open books on
bed side tables and clothes still waiting to be put away. In the centre of the room is a large double
bed.                                                                                                      Time: 2 sec

 Shot description – Close up of Grace’s Face (the ghost girl)
 Camera movement – Close up
 Figure movement – face of Grace is the only figure shown
 Editing instruction – cut
 Three soundtracks (Diegetic, non diegetic & speech) - Slow paced
 eerie childlike humming is heard over the radio playing
Slug line – INT. The bedroom is her parent’s and still shows signs of being lived in
with half open books on bed side tables and clothes still waiting to be put away. In
the centre of the room is a large double bed.                                          Time: 2 sec
 Shot description – Grace is shown standing in the doorway with hand on the
 door frame leaning slightly
 Camera movement – long shot
 Figure movement – Grace is shown leaning slightly on the doorframe
 Editing instruction –cut
 Three soundtracks (Diegetic, non diegetic & speech) - Slow paced eerie
 childlike humming is heard over the radio playing
Slug line – INT. The bedroom is her parent’s and still shows signs of being lived in with half open books on
bed side tables and clothes still waiting to be put away. In the centre of the room is a large double bed.     Time: 3 sec
Shot description – close up on hand on doorframe
Camera movement – close up on hand
Figure movement – slight tightening of hand on doorframe
Editing instruction –cut
Three soundtracks (Diegetic, non diegetic & speech) - (Diegetic,
non diegetic & speech) - Slow paced eerie childlike humming is
heard over the radio playing
Slug line – Slug line – INT. The bedroom is her parent’s and still shows signs of being lived in with half
open books on bed side tables and clothes still waiting to be put away. In the centre of the room is a
large double bed.                                                                                            Time: 1 sec

Shot description –close up on Grace’s eyes
Camera movement – close up
Editing instruction –cut
Three soundtracks (Diegetic, non diegetic & speech) -
(Diegetic, non diegetic & speech) - Slow paced eerie childlike
humming is heard over the radio playing
Slug line – INT. Bedroom - Midday
                                                                   Time: 3 sec

Shot description – Radio shows on the screen it is no longer playing by the bars
no longer moving
Camera movement –Close up on the radio
Figure movement –
Editing instruction – Cut
Three soundtracks (Diegetic, non diegetic & speech) – Childlike humming is
heard still but the radio no longer plays.
Slug line – INT. Bedroom - Midday                              Time: 2sec
Shot description –
Grace begins to move towards Russell as he moves slightly in his sleep.
Camera movement – Long shot
Figure movement – Grace moving towards Russell whilst he sleeps.
Editing instruction – Cut
Three soundtracks (Diegetic, non diegetic & speech) – The humming continues
but no other sound is heard.
Slug line – INT. Bedroom - Midday                       Time: 4 sec
Shot description – Russell is shown still sleeping through a close up
Camera movement – Close up
Figure movement – slight movement in sleep as if he might wake
up at any moment.
Editing instruction – Cut
Three soundtracks (Diegetic, non diegetic & speech) – Humming
continues
Slug line – INT. Bedroom - Midday                                 Time: 4 sec

Shot description – Grace’s feet (ghost girl) are shown walking across the
carpet
Camera movement – Tracking shot of her feet
Figure movement –Grace’s Slow paced walking
Editing instruction –Cut
Three soundtracks (Diegetic, non diegetic & speech) – Humming is still
heard.
Slug line – INT. Bedroom - Midday                                Time: 5 sec

Shot description – Scissors are shown being lifted high in the air
Camera movement – Tracking shot of the scissors being raised in the air
Figure movement – Hands are shown lifting the scissors
Editing instruction – cut
Three soundtracks (Diegetic, non diegetic & speech) – Humming is still heard
through diegetic noise but non diegetic sound is introduced with the sound of
string instruments becoming a higher pitch as the scissors are raised.
Slug line – INT. Bedroom - Midday                             Time: 2 sec

Shot description – Sammie is shown waking up and quickly sitting up.
Camera movement – Zoom out from a mid-shot of Sammie
Figure movement – Sammie wakes up and quickly sits up
Editing instruction – Cut
Three soundtracks (Diegetic, non diegetic & speech) –Sammie breathing
heavily is heard
Slug line – INT. Bedroom - Midday
                                                               Time: 8 sec

 Shot description – The room is shown to be clear of anyone but Sammie and
 Russell
 Camera movement – Pans around room from Sammies POV
 Figure movement – No movement
 Editing instruction – Cut
 Three soundtracks (Diegetic, non diegetic & speech) –Sammie breathing
 heavily is heard.
Slug line – INT. Bedroom - Midday                               Time: 1 sec

Shot description – Bedroom door is shown slamming shut
Camera movement –close up of door
Figure movement –None
Editing instruction – Cut
Three soundtracks (Diegetic, non diegetic & speech) - Looking glass by The
Birthday Massacre is heard on the radio and the sound of the door slamming is
heard.
Slug line – INT. Bedroom - Midday                              Time: 2 sec
Shot description – Mid shot of Sammie scrambling towards Russell obviously
scared
Camera movement – Tracking shot of Sammie moving towards Russell
Figure movement – Sammie quickly gets up and moves towards Russell
Editing instruction – Cut
Three soundtracks (Diegetic, non diegetic & speech) – Looking Glass by The
Birthday Massacre is still playing on the radio.
Slug line – INT. Bedroom - Midday
                                                               Time: 2 sec
Shot description – Sammie tries to wake Russell up
Camera movement – over the shoulder shot of Sammie and Russell
Figure movement – Sammie tries to wake Russell up whilst grabbing him whilst
Russell continues being asleep
Editing instruction – Cut
Three soundtracks (Diegetic, non diegetic & speech) – Quiet but panicked
Sammie tells Russell to wake up, the radio continues to play.
Slug line – INT. Bedroom - Midday                              Time: 5 sec
Shot description – Sammie carries on shaking Russell until he wakes up
Shot duration –Camera movement –over the shoulder shot of Sammie looking
at Russell
Figure movement – Sammie is shown shaking Russell quite violently until he
wakes up
Editing instruction – cut
Three soundtracks (Diegetic, non diegetic & speech) - Panicked Sammie tells
Russell to wake up again, the radio continues to play.
Slug line – INT. Bedroom - Midday                                  Time: 2 sec

Shot description – Close up of Russell waking up fully
Camera movement – Close up of Russell’s face
Figure movement – Russell’s facial reactions show him as groggy still
Editing instruction – cut
Three soundtracks (Diegetic, non diegetic & speech) – Looking Glass is still
being played on the radio.
Slug line – INT. Bedroom - Midday                              Time: 2 sec
Shot description – Two shot of them both jumping when Loud banging is
heard from the attic
Camera movement –Two shot of Sammie and Russell
Figure movement – Both jump when the banging begins
Editing instruction – cut
Three soundtracks (Diegetic, non diegetic & speech) – Looking glass is
still playing from the radio. Russell yells ‘What the hell is that?!’
Slug line – INT. Bedroom - Midday                    Time: 7 sec

Shot description – close up of the bedroom door
Camera movement –close up of the door
Figure movement – no figure movement
Editing instruction – cut
Three soundtracks (Diegetic, non diegetic & speech) – Banging
continues as the song finishes on the radio.

Más contenido relacionado

Similar a Story board Draft 2 (20)

Storyboard for film
Storyboard for filmStoryboard for film
Storyboard for film
 
Media genre analysis
Media genre analysisMedia genre analysis
Media genre analysis
 
Storyboard for film
Storyboard for filmStoryboard for film
Storyboard for film
 
Analysis of 5 trailers A2 media
Analysis of 5 trailers A2 mediaAnalysis of 5 trailers A2 media
Analysis of 5 trailers A2 media
 
Shooting script
Shooting script Shooting script
Shooting script
 
Storyboard
StoryboardStoryboard
Storyboard
 
Focus Group A2
Focus Group A2Focus Group A2
Focus Group A2
 
Final Story Board
Final Story BoardFinal Story Board
Final Story Board
 
4. pre production mv 2018
4. pre production mv 20184. pre production mv 2018
4. pre production mv 2018
 
Story Board 2nd Draft
Story Board 2nd DraftStory Board 2nd Draft
Story Board 2nd Draft
 
Hand Drawn Story Board
Hand Drawn Story BoardHand Drawn Story Board
Hand Drawn Story Board
 
Behind closed doors
Behind closed doorsBehind closed doors
Behind closed doors
 
Genre research 2
Genre research 2Genre research 2
Genre research 2
 
Storyboard
StoryboardStoryboard
Storyboard
 
Script media
Script mediaScript media
Script media
 
Script
Script Script
Script
 
Opening for media presentation
Opening for media presentationOpening for media presentation
Opening for media presentation
 
Storyboard
StoryboardStoryboard
Storyboard
 
Storyboard
StoryboardStoryboard
Storyboard
 
Storyboard
Storyboard Storyboard
Storyboard
 

Último

Why Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire businessWhy Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire business
panagenda
 
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Safe Software
 
Artificial Intelligence: Facts and Myths
Artificial Intelligence: Facts and MythsArtificial Intelligence: Facts and Myths
Artificial Intelligence: Facts and Myths
Joaquim Jorge
 
+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...
+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...
+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...
?#DUbAI#??##{{(☎️+971_581248768%)**%*]'#abortion pills for sale in dubai@
 

Último (20)

Exploring the Future Potential of AI-Enabled Smartphone Processors
Exploring the Future Potential of AI-Enabled Smartphone ProcessorsExploring the Future Potential of AI-Enabled Smartphone Processors
Exploring the Future Potential of AI-Enabled Smartphone Processors
 
Connector Corner: Accelerate revenue generation using UiPath API-centric busi...
Connector Corner: Accelerate revenue generation using UiPath API-centric busi...Connector Corner: Accelerate revenue generation using UiPath API-centric busi...
Connector Corner: Accelerate revenue generation using UiPath API-centric busi...
 
How to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected WorkerHow to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected Worker
 
Top 10 Most Downloaded Games on Play Store in 2024
Top 10 Most Downloaded Games on Play Store in 2024Top 10 Most Downloaded Games on Play Store in 2024
Top 10 Most Downloaded Games on Play Store in 2024
 
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost SavingRepurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
 
Why Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire businessWhy Teams call analytics are critical to your entire business
Why Teams call analytics are critical to your entire business
 
From Event to Action: Accelerate Your Decision Making with Real-Time Automation
From Event to Action: Accelerate Your Decision Making with Real-Time AutomationFrom Event to Action: Accelerate Your Decision Making with Real-Time Automation
From Event to Action: Accelerate Your Decision Making with Real-Time Automation
 
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot TakeoffStrategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
Strategize a Smooth Tenant-to-tenant Migration and Copilot Takeoff
 
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
 
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, AdobeApidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
 
Workshop - Best of Both Worlds_ Combine KG and Vector search for enhanced R...
Workshop - Best of Both Worlds_ Combine  KG and Vector search for  enhanced R...Workshop - Best of Both Worlds_ Combine  KG and Vector search for  enhanced R...
Workshop - Best of Both Worlds_ Combine KG and Vector search for enhanced R...
 
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
Bajaj Allianz Life Insurance Company - Insurer Innovation Award 2024
 
Boost Fertility New Invention Ups Success Rates.pdf
Boost Fertility New Invention Ups Success Rates.pdfBoost Fertility New Invention Ups Success Rates.pdf
Boost Fertility New Invention Ups Success Rates.pdf
 
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers:  A Deep Dive into Serverless Spatial Data and FMECloud Frontiers:  A Deep Dive into Serverless Spatial Data and FME
Cloud Frontiers: A Deep Dive into Serverless Spatial Data and FME
 
Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...
Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...
Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...
 
Artificial Intelligence: Facts and Myths
Artificial Intelligence: Facts and MythsArtificial Intelligence: Facts and Myths
Artificial Intelligence: Facts and Myths
 
The 7 Things I Know About Cyber Security After 25 Years | April 2024
The 7 Things I Know About Cyber Security After 25 Years | April 2024The 7 Things I Know About Cyber Security After 25 Years | April 2024
The 7 Things I Know About Cyber Security After 25 Years | April 2024
 
A Year of the Servo Reboot: Where Are We Now?
A Year of the Servo Reboot: Where Are We Now?A Year of the Servo Reboot: Where Are We Now?
A Year of the Servo Reboot: Where Are We Now?
 
+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...
+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...
+971581248768>> SAFE AND ORIGINAL ABORTION PILLS FOR SALE IN DUBAI AND ABUDHA...
 
Artificial Intelligence Chap.5 : Uncertainty
Artificial Intelligence Chap.5 : UncertaintyArtificial Intelligence Chap.5 : Uncertainty
Artificial Intelligence Chap.5 : Uncertainty
 

Story board Draft 2

  • 1. Slug line – INT – Day - Its set in an attic full of miscellaneous objects, cluttered and dis organised. Whilst at the end of the attic an old rocking chair is sat on its own. Time: 5 sec Shot description –Zoom in on rocking chair as it moves slightly. Camera movement –Zoom on chair. Figure movement – No figure movement Three soundtracks (Diegetic, non diegetic & speech) – No speech or non diegetic. The sound of something falling from a shelf for the diegetic.
  • 2. Slug line – INT. Hallway in a regular family home, late afternoon day time Time: 4 sec Shot description – An object is thrown down some lowered stairs (forgotten to be replaced back up) from the attic. Camera movement – Tracks and zooms on object. Figure movement – none Editing instruction – cut Three soundtracks (Diegetic, non diegetic & speech) - diegetic sound is the radio playing red stars by birthday massacre quietly in the background, the sound of her footsteps are over emphasised. No speech.
  • 3. Slug line – INT. Hallway in a regular family home, late afternoon day time Time:1.5 sec Shot description – The ghost Grace who is pale and messy with tangled hair and dark circles under her eyes is now stood halfway down the steps. Camera movement – Long shot, no movement. Figure movement – No movement from Grace. Editing instruction –cuts Three soundtracks (Diegetic, non diegetic & speech) - diegetic sound is the radio playing red stars by birthday massacre quietly in the background, the sound of her footsteps are over emphasised. No speech.
  • 4. Slug line – INT. slightly messy Hallway of family home with drawers and cupboards, late afternoon time. Time: 2 sec Shot description – The character grace is now shown moving down the stairs into the house from the attic. Camera movement – Tracking shot Figure movement – Walking down the steps, slowly while limping. Editing instruction –Cut Three soundtracks (Diegetic, non diegetic & speech) – diegetic sound is the radio playing red stars by birthday massacre quietly in the background, the sound of her footsteps are over emphasised. No speech.
  • 5. Slug line – INT. large bedroom with a double bed and most surfaces covered in books or other common items. A large stereo is turned on in the corner which is shown by the lighting being turned on. Time: 3 sec Shot description – Close up on the radio which shows the bars moving on the screen. Camera movement – close up on radio Figure movement – no figure movement Editing instruction – cut Three soundtracks (Diegetic, non diegetic & speech) – Diegetic sound is the song red stars by birthday massacre playing from the radio.
  • 6. Slug line – INT. large bedroom with a double bed and most surfaces covered in books or other common items. A large stereo is turned on in the corner which is shown by the lighting being turned on. Time: 4 sec Shot description – Curled up on the edge of a bed is a black haired, attractive young adult, Sammie. Wearing black jeans, t-shirt and hoodie. Camera movement – long shot of Sammie Figure movement – Sammie is asleep on the bed whilst Russell is asleep on the floor with his back propped up against the bed Editing instruction – Fades Three soundtracks (Diegetic, non diegetic & speech) - diegetic sound is Red stars by birthday massacre
  • 7. Slug line – The bedroom is her parent’s and still shows signs of being lived in with half open books on bed side tables and clothes still waiting to be put away. In the centre of the room is a large double bed. Time: 2 sec Shot description – The bedroom door is shown close up Camera movement – close up Figure movement – none Editing instruction – cut Three soundtracks (Diegetic, non diegetic & speech) – Slow paced eerie childlike humming is heard over the radio playing
  • 8. Slug line – The bedroom is her parent’s and still shows signs of being lived in with half open books on bed side tables and clothes still waiting to be put away. In the centre of the room is a large double bed. Time: 2 sec Shot description – Close up of Grace’s Face (the ghost girl) Camera movement – Close up Figure movement – face of Grace is the only figure shown Editing instruction – cut Three soundtracks (Diegetic, non diegetic & speech) - Slow paced eerie childlike humming is heard over the radio playing
  • 9. Slug line – INT. The bedroom is her parent’s and still shows signs of being lived in with half open books on bed side tables and clothes still waiting to be put away. In the centre of the room is a large double bed. Time: 2 sec Shot description – Grace is shown standing in the doorway with hand on the door frame leaning slightly Camera movement – long shot Figure movement – Grace is shown leaning slightly on the doorframe Editing instruction –cut Three soundtracks (Diegetic, non diegetic & speech) - Slow paced eerie childlike humming is heard over the radio playing
  • 10. Slug line – INT. The bedroom is her parent’s and still shows signs of being lived in with half open books on bed side tables and clothes still waiting to be put away. In the centre of the room is a large double bed. Time: 3 sec Shot description – close up on hand on doorframe Camera movement – close up on hand Figure movement – slight tightening of hand on doorframe Editing instruction –cut Three soundtracks (Diegetic, non diegetic & speech) - (Diegetic, non diegetic & speech) - Slow paced eerie childlike humming is heard over the radio playing
  • 11. Slug line – Slug line – INT. The bedroom is her parent’s and still shows signs of being lived in with half open books on bed side tables and clothes still waiting to be put away. In the centre of the room is a large double bed. Time: 1 sec Shot description –close up on Grace’s eyes Camera movement – close up Editing instruction –cut Three soundtracks (Diegetic, non diegetic & speech) - (Diegetic, non diegetic & speech) - Slow paced eerie childlike humming is heard over the radio playing
  • 12. Slug line – INT. Bedroom - Midday Time: 3 sec Shot description – Radio shows on the screen it is no longer playing by the bars no longer moving Camera movement –Close up on the radio Figure movement – Editing instruction – Cut Three soundtracks (Diegetic, non diegetic & speech) – Childlike humming is heard still but the radio no longer plays.
  • 13. Slug line – INT. Bedroom - Midday Time: 2sec Shot description – Grace begins to move towards Russell as he moves slightly in his sleep. Camera movement – Long shot Figure movement – Grace moving towards Russell whilst he sleeps. Editing instruction – Cut Three soundtracks (Diegetic, non diegetic & speech) – The humming continues but no other sound is heard.
  • 14. Slug line – INT. Bedroom - Midday Time: 4 sec Shot description – Russell is shown still sleeping through a close up Camera movement – Close up Figure movement – slight movement in sleep as if he might wake up at any moment. Editing instruction – Cut Three soundtracks (Diegetic, non diegetic & speech) – Humming continues
  • 15. Slug line – INT. Bedroom - Midday Time: 4 sec Shot description – Grace’s feet (ghost girl) are shown walking across the carpet Camera movement – Tracking shot of her feet Figure movement –Grace’s Slow paced walking Editing instruction –Cut Three soundtracks (Diegetic, non diegetic & speech) – Humming is still heard.
  • 16. Slug line – INT. Bedroom - Midday Time: 5 sec Shot description – Scissors are shown being lifted high in the air Camera movement – Tracking shot of the scissors being raised in the air Figure movement – Hands are shown lifting the scissors Editing instruction – cut Three soundtracks (Diegetic, non diegetic & speech) – Humming is still heard through diegetic noise but non diegetic sound is introduced with the sound of string instruments becoming a higher pitch as the scissors are raised.
  • 17. Slug line – INT. Bedroom - Midday Time: 2 sec Shot description – Sammie is shown waking up and quickly sitting up. Camera movement – Zoom out from a mid-shot of Sammie Figure movement – Sammie wakes up and quickly sits up Editing instruction – Cut Three soundtracks (Diegetic, non diegetic & speech) –Sammie breathing heavily is heard
  • 18. Slug line – INT. Bedroom - Midday Time: 8 sec Shot description – The room is shown to be clear of anyone but Sammie and Russell Camera movement – Pans around room from Sammies POV Figure movement – No movement Editing instruction – Cut Three soundtracks (Diegetic, non diegetic & speech) –Sammie breathing heavily is heard.
  • 19. Slug line – INT. Bedroom - Midday Time: 1 sec Shot description – Bedroom door is shown slamming shut Camera movement –close up of door Figure movement –None Editing instruction – Cut Three soundtracks (Diegetic, non diegetic & speech) - Looking glass by The Birthday Massacre is heard on the radio and the sound of the door slamming is heard.
  • 20. Slug line – INT. Bedroom - Midday Time: 2 sec Shot description – Mid shot of Sammie scrambling towards Russell obviously scared Camera movement – Tracking shot of Sammie moving towards Russell Figure movement – Sammie quickly gets up and moves towards Russell Editing instruction – Cut Three soundtracks (Diegetic, non diegetic & speech) – Looking Glass by The Birthday Massacre is still playing on the radio.
  • 21. Slug line – INT. Bedroom - Midday Time: 2 sec Shot description – Sammie tries to wake Russell up Camera movement – over the shoulder shot of Sammie and Russell Figure movement – Sammie tries to wake Russell up whilst grabbing him whilst Russell continues being asleep Editing instruction – Cut Three soundtracks (Diegetic, non diegetic & speech) – Quiet but panicked Sammie tells Russell to wake up, the radio continues to play.
  • 22. Slug line – INT. Bedroom - Midday Time: 5 sec Shot description – Sammie carries on shaking Russell until he wakes up Shot duration –Camera movement –over the shoulder shot of Sammie looking at Russell Figure movement – Sammie is shown shaking Russell quite violently until he wakes up Editing instruction – cut Three soundtracks (Diegetic, non diegetic & speech) - Panicked Sammie tells Russell to wake up again, the radio continues to play.
  • 23. Slug line – INT. Bedroom - Midday Time: 2 sec Shot description – Close up of Russell waking up fully Camera movement – Close up of Russell’s face Figure movement – Russell’s facial reactions show him as groggy still Editing instruction – cut Three soundtracks (Diegetic, non diegetic & speech) – Looking Glass is still being played on the radio.
  • 24. Slug line – INT. Bedroom - Midday Time: 2 sec Shot description – Two shot of them both jumping when Loud banging is heard from the attic Camera movement –Two shot of Sammie and Russell Figure movement – Both jump when the banging begins Editing instruction – cut Three soundtracks (Diegetic, non diegetic & speech) – Looking glass is still playing from the radio. Russell yells ‘What the hell is that?!’
  • 25. Slug line – INT. Bedroom - Midday Time: 7 sec Shot description – close up of the bedroom door Camera movement –close up of the door Figure movement – no figure movement Editing instruction – cut Three soundtracks (Diegetic, non diegetic & speech) – Banging continues as the song finishes on the radio.