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Willie “The Lion” Smith
Willie Smith was born Henry Joseph Bonaparte
Bertholoff on November 25, 1897 in Goshen New
York.
Son of Frank Bertholoff and Ida Oliver.
Raised in Newark New Jersey.
Goshen Newark
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
Willie was a pianist
who stood at the
center of the New
York City jazz world
during the 1920s.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
Willie’s Finger Buster
He performed at the
most fashionable
nightclubs in New York
City’s African-
American Harlem
neighborhood. He also
accompanied other
musicians on
recordings, while
inspiring and
mentoring younger
musicians.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
He is known as a pioneer of stride piano, which
was the first important solo piano style in the
jazz tradition.
Stride piano is a style of jazz piano playing in which
the right hand plays the melody while the left hand
plays a single bass note or octave on the strong beat
and a chord on the weak beat.
http://dictionary.reference.com/browse/stride+piano?s=t
He is less well known than the other pianists of
the 1920s such as James P. Johnson and
Thomas P. “Fats” Waller. This was only
because he made few recordings under his
own name until later in his career.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
Charleston
Smith’s musical life began when he found an
organ missing half its keys in the basement of
the family home, and began trying to imitate
the music he heard his mother play in church.
At this time he was about 6.
http://www.musici
anguide.com/biogr
aphies/160800481
8/Willie-the-Lion-
Smith.html
His Uncle Rob gave him some pointers, and he
began hearing ragtime hits from Scott Joplin’s
“Maple Leaf Rag” and George Botsford’s “Black
and White Rag.”
Maple Leaf Rag
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
Ragtime
Ragtime piano is rhythm in which the
accompaniment is strict two-four time and the
melody, with improvised embellishments, is in
steady syncopation.
http://dictionary.reference.com/browse/ragtime
In search of bigger things Smith moved to
Atlantic City, New Jersey. He heard ragtime
pianist Eubie Blake, and it wasn’t long before
he was making trips into New York City to hear
other piano players.
Eubie Blake
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
His career was interrupted when he was enlisted
in the U.S. army in 1916 and became an
artillery gunner. His unit was sent to France
where he dodged poison-gas canisters and
inspired an officer to say, “Smith, you’re a lion
with that gun.” And from there on he was
known as Willie “The Lion” Smith.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
After his war duties
were over he
landed a job at a
Harlem’s
sharpest
club, Leroy’s. He
would play solo
or be
accompanied, an
d on any given
night some of the
top
performers, Bill
“Bojangles”
Robinson or Bert
Williams wouldhttp://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
Smith’s 78 rpm record
that Mamie Smith
and himself
made, “Crazy Blues,”
is generally regarded
as the first blues
recording. It became
a bestseller and
started a decade-
long trend in blues
vocal recordings by
women.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
Edward Kennedy “Duke”
Ellington was a pianist
who looked up to
Willie. He later wrote
the introduction to
Willie’s memoirs.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
Ellington declared that:
“the Lion has been the greatest
influence on most of the great piano players
who have been exposed to his fire, harmonic
lavishness, his stride–what a luxury. Fats
Waller, James P. Johnson, Count Basie, Donald
Lambert, Joe Turner, Sam Ervis and of course I
swam in it. Even the great Art Tatum showed
strong patterns of Willie Smithisms after being
exposed to the Lion”
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
Count Basie
Donald Lambert
Joe
Turner
Art Tatum
New jazz trends had overshadowed Smith’s
status as a top jazz attraction. He had an
interest in classical music and took classical
piano and theory lessons from a German
immigrant, Hans Steinke, in the 1930s.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
He began to write short, classical-influenced
original compositions, to which he turned
when he finally got the chance to record.
After making some small-band records
with a group he called Willie the Lion Smith
and His Cubs in 1935, he was signed to the
Commodore label and in 1939 released the
group of sides for which he was best
known.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
Several were Smith originals, with names like
"Passionette" and "Echoes of Spring"--little
tone poems on the piano that mixed jazz
elements with classical harmonies.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
His solo recordings from
1939 are often
reckoned to be his
finest work, but he
went on making discs
well into the 1960s and
beyond, some of them
including his own
spoken comments and
repartee, as he
demonstrated his
playing at the keyboard.
http://musicians.allaboutjazz.com/musician.php?id=4460#.UfwDa9K1GPQ
His fame spread when
Artie Shaw and
Tommy Dorsey
performed
arrangements of his
compositions. Smith
toured Europe in 1949
and again in the mid
'60s; appeared in the
film Jazz Dance in
1954 and wrote his
memoirs, Music On
My Mind in '65.
http://musicians.allaboutjazz.com/musician.php?id=4460#.UfwDa9K1GPQ
Willie “The Lion” Smith lived
through six decades of music
and, despite the changes in
musical styles over those
years; he remained true to
himself and his own style.
http://musicians.allaboutjazz.com/musician.php?id=4460#.UfwDa9K1GPQ
He recorded a final album in Paris in June 1972
and played right up until his death in April
1973. Today, his spirit and his legacy still live
on through his music.
http://musicians.allaboutjazz.com/musician.php?id=4460#.UfwDa9K1GPQ
Sources Cited
"All About Jazz." musicians.allaboutjazz. All About Jazz, 25 Nov 2010. Web. 2 Aug
2013. <http://musicians.allaboutjazz.com/musician.php?id=4460
"Dictionary.com." Dictionary.reference. Dictionary.com. Web. 2 Aug 2013.
http://dictionary.reference.com/
Hoefer, George. "Willie the Lion Smith Biography." musicianguide.com. Net
Industries, n.d. Web. 24 Jul 2013.
http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-
Smith.html

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Jazz Pioneer Willie 'The Lion' Smith

  • 2. Willie Smith was born Henry Joseph Bonaparte Bertholoff on November 25, 1897 in Goshen New York. Son of Frank Bertholoff and Ida Oliver. Raised in Newark New Jersey. Goshen Newark http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 3. Willie was a pianist who stood at the center of the New York City jazz world during the 1920s. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html Willie’s Finger Buster
  • 4. He performed at the most fashionable nightclubs in New York City’s African- American Harlem neighborhood. He also accompanied other musicians on recordings, while inspiring and mentoring younger musicians. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 5. He is known as a pioneer of stride piano, which was the first important solo piano style in the jazz tradition. Stride piano is a style of jazz piano playing in which the right hand plays the melody while the left hand plays a single bass note or octave on the strong beat and a chord on the weak beat. http://dictionary.reference.com/browse/stride+piano?s=t
  • 6. He is less well known than the other pianists of the 1920s such as James P. Johnson and Thomas P. “Fats” Waller. This was only because he made few recordings under his own name until later in his career. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
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  • 9. Smith’s musical life began when he found an organ missing half its keys in the basement of the family home, and began trying to imitate the music he heard his mother play in church. At this time he was about 6. http://www.musici anguide.com/biogr aphies/160800481 8/Willie-the-Lion- Smith.html
  • 10. His Uncle Rob gave him some pointers, and he began hearing ragtime hits from Scott Joplin’s “Maple Leaf Rag” and George Botsford’s “Black and White Rag.” Maple Leaf Rag http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 11. Ragtime Ragtime piano is rhythm in which the accompaniment is strict two-four time and the melody, with improvised embellishments, is in steady syncopation. http://dictionary.reference.com/browse/ragtime
  • 12. In search of bigger things Smith moved to Atlantic City, New Jersey. He heard ragtime pianist Eubie Blake, and it wasn’t long before he was making trips into New York City to hear other piano players. Eubie Blake http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 13. His career was interrupted when he was enlisted in the U.S. army in 1916 and became an artillery gunner. His unit was sent to France where he dodged poison-gas canisters and inspired an officer to say, “Smith, you’re a lion with that gun.” And from there on he was known as Willie “The Lion” Smith. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 14. After his war duties were over he landed a job at a Harlem’s sharpest club, Leroy’s. He would play solo or be accompanied, an d on any given night some of the top performers, Bill “Bojangles” Robinson or Bert Williams wouldhttp://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 15. Smith’s 78 rpm record that Mamie Smith and himself made, “Crazy Blues,” is generally regarded as the first blues recording. It became a bestseller and started a decade- long trend in blues vocal recordings by women. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 16. Edward Kennedy “Duke” Ellington was a pianist who looked up to Willie. He later wrote the introduction to Willie’s memoirs. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 17. Ellington declared that: “the Lion has been the greatest influence on most of the great piano players who have been exposed to his fire, harmonic lavishness, his stride–what a luxury. Fats Waller, James P. Johnson, Count Basie, Donald Lambert, Joe Turner, Sam Ervis and of course I swam in it. Even the great Art Tatum showed strong patterns of Willie Smithisms after being exposed to the Lion” http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 19. New jazz trends had overshadowed Smith’s status as a top jazz attraction. He had an interest in classical music and took classical piano and theory lessons from a German immigrant, Hans Steinke, in the 1930s. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 20. He began to write short, classical-influenced original compositions, to which he turned when he finally got the chance to record. After making some small-band records with a group he called Willie the Lion Smith and His Cubs in 1935, he was signed to the Commodore label and in 1939 released the group of sides for which he was best known. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 21. Several were Smith originals, with names like "Passionette" and "Echoes of Spring"--little tone poems on the piano that mixed jazz elements with classical harmonies. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion-Smith.html
  • 22. His solo recordings from 1939 are often reckoned to be his finest work, but he went on making discs well into the 1960s and beyond, some of them including his own spoken comments and repartee, as he demonstrated his playing at the keyboard. http://musicians.allaboutjazz.com/musician.php?id=4460#.UfwDa9K1GPQ
  • 23. His fame spread when Artie Shaw and Tommy Dorsey performed arrangements of his compositions. Smith toured Europe in 1949 and again in the mid '60s; appeared in the film Jazz Dance in 1954 and wrote his memoirs, Music On My Mind in '65. http://musicians.allaboutjazz.com/musician.php?id=4460#.UfwDa9K1GPQ
  • 24. Willie “The Lion” Smith lived through six decades of music and, despite the changes in musical styles over those years; he remained true to himself and his own style. http://musicians.allaboutjazz.com/musician.php?id=4460#.UfwDa9K1GPQ
  • 25. He recorded a final album in Paris in June 1972 and played right up until his death in April 1973. Today, his spirit and his legacy still live on through his music. http://musicians.allaboutjazz.com/musician.php?id=4460#.UfwDa9K1GPQ
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  • 27. Sources Cited "All About Jazz." musicians.allaboutjazz. All About Jazz, 25 Nov 2010. Web. 2 Aug 2013. <http://musicians.allaboutjazz.com/musician.php?id=4460 "Dictionary.com." Dictionary.reference. Dictionary.com. Web. 2 Aug 2013. http://dictionary.reference.com/ Hoefer, George. "Willie the Lion Smith Biography." musicianguide.com. Net Industries, n.d. Web. 24 Jul 2013. http://www.musicianguide.com/biographies/1608004818/Willie-the-Lion- Smith.html