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Submitted by:
Kay Salanatin
Beed 2-A

Submitted to:
Ms. Mary Gene Panes
Professor
Dramatized Experiences


can range from the
formal plays, pageants to
less formal tableau,
pantomime, puppets
and role playing.
Plays depict life, character, or culture
or a combination of all three. They
offer excellent opportunities to portray

vividly important ideas about life.
Pageants are usually community
dramas that are based on local
history, presented by local actors. An
example is a historical pageant that
traces the growth of a school.


.

Pantomime and tableaux, when
compared to a play and a pageant, are
less demanding in terms of labor, time
and preparation. These are purely
visual experiences. A pantomime is the
“art of conveying a story through
bodily movements only”. (Webster’s
New Collegiate Dictionary). It’s effect
on the audience depends on the
movements of the actors.
A tableau (a French word

which means pictures) is a
picture like scene composed of
people against a background. A
tableau is often used to
celebrate Independence
Day, Christmas, and United
Nations Day.
Types of Puppet
Shadow Puppets – flat black silhouette

made from lightweight cardboard and
shown behind a screen.
Rod Puppets – flat cut out figures
tacked to a stick, with one or more
movable parts, and operated from
below the stage level by the wire rods
or lender sticks.
 Hand Puppets – the puppet’s head is

operated by the forefinger of the
puppeteer, the little finger and thumb being
used to animate the puppet hands.
 Glove-and-finger puppets – make use of
old gloves to which small costumed figure
are attached.
 Marionettes – flexible, jointed puppets
operated by strings or wires attached to a
cross bar and maneuvered from directly
above the stage.
 What principles must be observed in choosing

a puppet play for teaching? Dale, (1996)
quoting from the Puppeteers of America
offers many suggestions, among which are the
following:

Do not use puppets for plays that

can be done just as well or better
by other dramatic means.
Puppets plays must be based on
action rather than on words.
Keep the plays short.
Do not omit the possibilities of

music and dancing as part of the
puppet show.
Adapt the puppet show to the
age, background, and tastes of
the students.

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educational technology1

  • 1. Submitted by: Kay Salanatin Beed 2-A Submitted to: Ms. Mary Gene Panes Professor
  • 2.
  • 3. Dramatized Experiences  can range from the formal plays, pageants to less formal tableau, pantomime, puppets and role playing.
  • 4. Plays depict life, character, or culture or a combination of all three. They offer excellent opportunities to portray vividly important ideas about life. Pageants are usually community dramas that are based on local history, presented by local actors. An example is a historical pageant that traces the growth of a school.
  • 5.  . Pantomime and tableaux, when compared to a play and a pageant, are less demanding in terms of labor, time and preparation. These are purely visual experiences. A pantomime is the “art of conveying a story through bodily movements only”. (Webster’s New Collegiate Dictionary). It’s effect on the audience depends on the movements of the actors.
  • 6. A tableau (a French word which means pictures) is a picture like scene composed of people against a background. A tableau is often used to celebrate Independence Day, Christmas, and United Nations Day.
  • 7. Types of Puppet Shadow Puppets – flat black silhouette made from lightweight cardboard and shown behind a screen. Rod Puppets – flat cut out figures tacked to a stick, with one or more movable parts, and operated from below the stage level by the wire rods or lender sticks.
  • 8.  Hand Puppets – the puppet’s head is operated by the forefinger of the puppeteer, the little finger and thumb being used to animate the puppet hands.  Glove-and-finger puppets – make use of old gloves to which small costumed figure are attached.  Marionettes – flexible, jointed puppets operated by strings or wires attached to a cross bar and maneuvered from directly above the stage.
  • 9.  What principles must be observed in choosing a puppet play for teaching? Dale, (1996) quoting from the Puppeteers of America offers many suggestions, among which are the following: Do not use puppets for plays that can be done just as well or better by other dramatic means. Puppets plays must be based on action rather than on words.
  • 10. Keep the plays short. Do not omit the possibilities of music and dancing as part of the puppet show. Adapt the puppet show to the age, background, and tastes of the students.