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Smoke IV
Advanced Editing
SmokeIV
Smoke 2012 Show Reel
Let’s Get Started
 Load your 420
lesson project
 Load up your Wildlife
sequence
 Switch to the
Timeline view if
necessary
 Change the view to
Source - Sequence
Getting Around Your
Sequence
 Sequence positioner
 You can drag the play
head back and forth to
see different parts of
your sequence
 Click on the timecode
below to snap the play
head to that spot in the
sequence.
Getting Around Your
Sequence
 Try it out
 Click on the play head
and drag back and
forth to see different
parts of your
sequence
 Click on the timecode
below to snap the play
head to that position.
Getting Around Your
Sequence
 Type it in
 If you know you need
to go to a particular
timecode you can type
it in
 Use the Add and Sub
to move the play head
forward or backward
by whatever number
you enter.
Getting Around Your
Sequence
 Try it out
 Check the current
timecode of your play
head position
 Click on the number to
bring up the calculator
 Add three seconds to
the current time and
press Enter
 In this case
10 00 10 00
or 10 00 10.
Getting Around Your
Sequence
 Try it out
 Use the Add button
 Click on the timecode
window again to bring up
the calculator
 Type 3 0 0 and press Add
 Play head moves forward
3 seconds
 Type 2 . and press Sub
 Play head moves back 2
seconds
Getting Around Your
Sequence
 Zooming in and out
on your sequence
 Command + and –
 Command & Option,
then drag the mouse
 Shift Z to fit the whole
sequence
Getting Around Your
Sequence
 Looking up and down
 Use the scroll bar on the
far right to look at upper
and lower tracks
 Changing track size
 Click on the scroll bar
and drag left and right to
vertically zoom on your
sequence changing the
height of your tracks
Getting Around Your
Sequence
 Try it out
 Try the Command +
and Command – to
zoom in and out
 Shift Z to fit the
sequence or use the
layout combo box
 Click and drag left and
right on the vertical
scroll bar
Getting Around Your
Sequence
 Change the track size
 Click on the bottom
part of the track and
drag
 Clip metadata
 Press the / key then
click on a clip to show
information about that
clip
Getting Around Your
Sequence
 Try it out
 Click on the bottom
edge of a track and
drag to change the
height of that track
 Shift Z if you want to
restore it
 Hold down the / key,
then click on a clip to
see clip information
 Move your cursor to
other clips while still
holding the / down
The Patch Panel
 Represents source
tracks and
destination tracks
 Green tabs on the left
are source tracks
 Dark gray tabs on the
right are destination
tracks
The Patch Panel
 Add some tracks
 Control click on the
empty space above
the video track and
select New > Video
track
 Control click on the
empty space below
the audio tracks and
select New > Mono
Audio Track
Patching Video Tracks
 Couple of ways
 First, select a video
clip in the Media
Browser
 Click on the P in the
patch panel
 Drag the focus point
(horizontal bar) up and
down on the play head
The Patch Panel
 Try it out
 Select a video clip in
the Media Browser
you haven’t used yet
and set a duration of
2-3 seconds
 Move the play head
where you would like
this new clip
 Change the patch
panel to your new
video track
The Patch Panel
 Try it out
 Perform an insert or
overwrite edit at this
location on your new
track
 Play your new
arrangement
 Pause, then try the up
and down arrows and
notice where the play
head now snaps to
Patching Audio Tracks
 This is a little strange
 First, select the audio clip
you wish to edit in the
Media Browser
 Mono sources can only
be edited to mono tracks
in the sequence
 Stereo sources can only
be edited to stereo tracks
on the sequence
 Then select the track you
wish to edit to, click and
drag right to select that
track
The Patch Panel
 Try it out
 In the Voiceovers
folders select the VO
022509-2 (should be
the 1st one)
 In the patch panel put
your cursor on the
mono patch and drag
right to select this
track
The Patch Panel
 3-point Edit the VO
 In the timeline move
the play head to the
beginning of the
sequence and press I
 Move the play head to
the end of your
sequence and press O
 Select the insert or
overwrite edit to drop
the VO to your
sequence
Fix the Mix
 Change the view
from Source-
Sequence to Player
 In the Options pop-
up menu select
Show Audio Desk
Fix the Mix
 Play your sequence
and adjust channels
1 & 2 lower so the
narration can be
heard
 Change the pan
setting on top of
channel 3 to hear
the narration on
both tracks
Patch Panel Controls
 Select / Deselect a
track
 Click on the source or
destination side of a
track to allow a source to
go to the selected track
 Click again to separate
the source – destination,
which will prevent the
source from being edited
to that track
Patch Panel Controls
 Track Visibility
 On/Off
 No slash = track can
be seen or heard
 Slash = track is
turned off
 Click to turn on/off
track visibility
Try it out
 Select a clip in the
Media Library,
select the top video
channel, but
disconnect the
patch
 If you try to make an
edit, you will not be
able to until you
patch the track again
Try it out
 Move the play head
over the new clip in
the top video track
 Click on the eye to
turn off track
visibility
 This track is now
invisible
 You can now see
below this track
Patch Panel Controls
 Track locks
 When locked, it
prevents any
modifications to that
track
 No moving,
trimming, editing
Patch Panel Controls
 Syncing tracks
 When two or more
tracks are synced, if
you insert a clip in one
track, a corresponding
gap will also appear on
each synced track
 This keeps the timing
consistent on all
tracks
Try it out
 Turn the visibility on
for both video tracks
 Make sure the top
video track is patched
 Turn the sync on for
both tracks
 Select poets from the
Media Browser and
set a duration of 3
seconds
Try it out
 Use the up/down
arrow to cue the play
head to the end of the
first clip on the top
video track
 Select the Insert edit
and watch what
happens
 Press Command Z to
undo
Patch Panel Controls
 P icon
 Highlighted P icon
indicates the selected
video track
 For audio, only the
green source icon will
indicated the selected
audio track
Forcing a Patch
 Forcing mismatched
sources into tracks
 Stereo source into a
mono track
 Mono source into a
stereo track
 Patching won’t work,
but you can drag and
drop the source into
the desired track &
force it into place
Moving Clips Around in
the Timeline
 How clips behave
when you move clips
around in the
timeline depends on
these three buttons
 Select/Slip/Slide button
 Ripple
 Snap
Moving Clips Around in
the Timeline
 Select tool
 Great tool to move a
clip from one place in
the timeline to another
 Like the arrow tool in
FCPX
Moving Clips Around in
the Timeline
 Ripple on
 When you move a clip
to a new location you
will perform an Insert
edit at the new location
 The gap where the clip
used to be will be
closed
 Duration of your
sequence will not
change
Moving Clips Around in
the Timeline
 Ripple off
 When you move a clip to
a new location you will
perform an Overwrite
edit at the new location
 The gap where the clip
used to be will remain
 Duration of your
sequence may change
depending where the clip
is placed (say at the end
of the sequence)
Try it out
 Make sure you have the
Select tool selected
 Turn off Ripple
 Turn on Snap (if
necessary
 Select a clip in the
sequence and drag to a
new location
 Notice the red indication
(overwrite)
 Notice how the clip wants
to snap to an edit point
Try it out
 Command Z to undo
the last edit
 Turn Ripple back on
 Drag the clip again to a
new location
 Notice the yellow
indication (insert)
 Notice the sequence
ripples to close the gap
where the clip was
 Sequence ripples again to
make room where you
release the clip
Splicing Clip
 Splicing
 For FCPX users, this is
the same as the blade
tool
 How’s it done?
 No menu or tool (?)
 Shortcut: Control V
 Kind of looks like
this is what it does
Try it out
 Move the play head
to a point in a clip
on the timeline
 Press Control V
 The clip is cut at the
play head position
Try it out
 Command Z to undo
the splice
 Now press Shift
Control V and notice
what happens
 All the tracks at the
play head position are
spiced at the play head
position
 Command Z to undo
Ripple Delete
 With Ripple turned
on
 Select the clip and
press the Delete key
 With Ripple turned
off
 Select the clip and
press Shift & Delete
Try it out
 Make sure Ripple is
on
 Select a clip and
press Delete
 Undo the delete
 Turn off Ripple
 Select the clip again
and press Shift &
Delete
 Undo the delete again
Lift Edit
 With Ripple turned
on
 Select the clip
 Control click and
select Lift
 With Ripple turned
off
 Select the clip and
press Delete
Try it out
 Make sure Ripple is
on
 Select a clip and
control click, then
select Lift
 Undo the delete
 Turn off Ripple
 Select the clip again
and Delete
 Undo the delete again
Trimming a Clip
 How you trim depends on
whether Ripple is turned on or
off
 Turned on
 Cursor = yellow
 Sequence expands to make
room for added content
 Closes the gap if content is
removed
 Turned off
 Cursor = red
 Clip will overwrite on adjacent
clip if content is added
 Gap left behind if content is
removed
Try it out
 Make sure Ripple is on
 Make sure the Select tool
is selected
 Move your cursor to the
In point
 Notice the yellow icon =
ripple trim
 Drag left to add content
 Drag right remove
content
 Notice how the sequence
adjusts to each trim
adjustment
Try it out
 Make sure Ripple is off
 Make sure the Select tool
is selected
 Move your cursor to the
In point
 Notice the red icon =
overwrite trim
 Drag left to overwrite
previous clip
 Drag right to shorten clip
 Notice now that a gap is
left behind
Rolling an Edit
 Moves the edit point
between two clips
 Duration of the
sequence does not
change
 With Ripple turned off
 Great tool for
aligning edits to a
music beat or sfx
Try it out
 Make sure Ripple is off
 Make sure the Select
tool is selected
 Put your cursor on an
edit point
 Cursor should show left
& right arrows
 Drag left to move the
edit sooner
 Drag right to move the
edit later
Trim & Roll Multiple
Tracks
 Move the play head
to the middle of a
video clip
 Press Shift Control
V to splice the clip
 Command and click
on the audio tracks
you would like to
roll with the video
track
Trim & Roll Multiple
Tracks
 Place your cursor
back on the video
track and drag left
and right
 Notice now that the
selected audio track
will also roll with the
video
Slipping a Clip
 Changes the content
you see or hear in a
clip without moving
or changing the
duration of the clip
 Shortcut: S
Try It Out
 Move the play head
on a clip
 Press S to select the
Slip tool
 Drag left and right to
change the content
of the clip
 Dragging left = later
content
 Dragging right = earlier
content
Slip on the Fly
 Press A to select
the Selection tool
 Slip on the fly
 Put the play head on
a different clip and
select it
 Press S
 Use the  and 
keys to nudge slip
the clip left and right
Sliding a Clip
 Moves the clip in the
sequence left or
right, overwriting one
side of the edit while
extending the In
point of the other clip
 Duration of the clip
or sequence does
not change
 Shortcut: D
Try It Out
 Press D to select
the Slide tool
 Put the cursor over
a clip and drag left
and right
Slide on the Fly
 Press A to select
the Selection tool
 Slide on the fly
 Put the play head on
a different clip and
select it
 Press D
 Use the  and 
keys to nudge slide
the clip left and right
Dissolves & Wipes
 Make sure no clips
are selected
 Move the play head
to an edit point
 Menu bar above the
sequence will show
the outgoing and
incoming clip with
transition button
enabled
Dissolves & Wipes
 Click the transition
button
 Dissolve, Wipe, Axis
 Default duration is 10
frames
Try It Out
 Click in a dark gray
area to deselect any
clips
 Press the up or
down arrow to
navigate to an edit
point
 Click on the
transition button
and select Dissolve
Dissolves Parameters
 Editor
 Close-up look at the dissolve with several tools to
tweak the effect
 Centered, up to, from cut
 Changes when the dissolve occurs
 In the middle, before the cut or after the cut
Dissolves Parameters
 Duration
 In hours:minutes:seconds:frames
 Progressive, Interlaced
 How it’s scanned
 Additive, Non-additive, Inv Non-additive
 Blend mode
Dissolves Parameters
 Mix
 Sets how much of the transition occurs at the play
head point
 To/From Colour
 Allows you to fade to and out of a color during the
transition
Try It Out
 Change the duration to 1
second
 Change the blend mode
to Non-Add
 Press the  key to render
the effect
 Check out your new
dissolve
Wipes
 Make sure no clips or
transitions are
selected
 Unless you want to
change your dissolve
to a wipe
 Move the play head
to an edit point
 Click on the
Transition button
Wipes
 Lots of patterns to
choose from
 Click on the Patterns
button to select
 View as names or as
thumbs
Try It Out
 Click off the timeline
to deselect
everything
 Use the up and down
arrows to move the
play head to a new
edit point
 Click on the
transition button and
select Wipe
 Change the duration
to 1 second
Try It Out
 Click on the pattern
button
 The pattern dialogue
box comes up
 Not very revealing
what kinds of wipes
are available yet
Try It Out
 In the upper left
corner click on the
Titles box and
change to Proxies
 Select a wipe pattern
 Adjust the wipe
parameters to suit
your taste
Try It Out
 Click off the timeline
to deselect
everything
 Move the play head
to a new edit point
 Click the Transition
button and select
Wipe
 Click on the Pattern
button and select a
circle wipe
Try It Out
 Click on the Enter
Editor button
 Click on the bezier
points to modify the
shape of the circle
wipe
 Press Exit when
done.
Smoke IV
Advanced Editing

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Smoke 4 advanced editing

  • 3. Let’s Get Started  Load your 420 lesson project  Load up your Wildlife sequence  Switch to the Timeline view if necessary  Change the view to Source - Sequence
  • 4. Getting Around Your Sequence  Sequence positioner  You can drag the play head back and forth to see different parts of your sequence  Click on the timecode below to snap the play head to that spot in the sequence.
  • 5. Getting Around Your Sequence  Try it out  Click on the play head and drag back and forth to see different parts of your sequence  Click on the timecode below to snap the play head to that position.
  • 6. Getting Around Your Sequence  Type it in  If you know you need to go to a particular timecode you can type it in  Use the Add and Sub to move the play head forward or backward by whatever number you enter.
  • 7. Getting Around Your Sequence  Try it out  Check the current timecode of your play head position  Click on the number to bring up the calculator  Add three seconds to the current time and press Enter  In this case 10 00 10 00 or 10 00 10.
  • 8. Getting Around Your Sequence  Try it out  Use the Add button  Click on the timecode window again to bring up the calculator  Type 3 0 0 and press Add  Play head moves forward 3 seconds  Type 2 . and press Sub  Play head moves back 2 seconds
  • 9. Getting Around Your Sequence  Zooming in and out on your sequence  Command + and –  Command & Option, then drag the mouse  Shift Z to fit the whole sequence
  • 10. Getting Around Your Sequence  Looking up and down  Use the scroll bar on the far right to look at upper and lower tracks  Changing track size  Click on the scroll bar and drag left and right to vertically zoom on your sequence changing the height of your tracks
  • 11. Getting Around Your Sequence  Try it out  Try the Command + and Command – to zoom in and out  Shift Z to fit the sequence or use the layout combo box  Click and drag left and right on the vertical scroll bar
  • 12. Getting Around Your Sequence  Change the track size  Click on the bottom part of the track and drag  Clip metadata  Press the / key then click on a clip to show information about that clip
  • 13. Getting Around Your Sequence  Try it out  Click on the bottom edge of a track and drag to change the height of that track  Shift Z if you want to restore it  Hold down the / key, then click on a clip to see clip information  Move your cursor to other clips while still holding the / down
  • 14. The Patch Panel  Represents source tracks and destination tracks  Green tabs on the left are source tracks  Dark gray tabs on the right are destination tracks
  • 15. The Patch Panel  Add some tracks  Control click on the empty space above the video track and select New > Video track  Control click on the empty space below the audio tracks and select New > Mono Audio Track
  • 16. Patching Video Tracks  Couple of ways  First, select a video clip in the Media Browser  Click on the P in the patch panel  Drag the focus point (horizontal bar) up and down on the play head
  • 17. The Patch Panel  Try it out  Select a video clip in the Media Browser you haven’t used yet and set a duration of 2-3 seconds  Move the play head where you would like this new clip  Change the patch panel to your new video track
  • 18. The Patch Panel  Try it out  Perform an insert or overwrite edit at this location on your new track  Play your new arrangement  Pause, then try the up and down arrows and notice where the play head now snaps to
  • 19. Patching Audio Tracks  This is a little strange  First, select the audio clip you wish to edit in the Media Browser  Mono sources can only be edited to mono tracks in the sequence  Stereo sources can only be edited to stereo tracks on the sequence  Then select the track you wish to edit to, click and drag right to select that track
  • 20. The Patch Panel  Try it out  In the Voiceovers folders select the VO 022509-2 (should be the 1st one)  In the patch panel put your cursor on the mono patch and drag right to select this track
  • 21. The Patch Panel  3-point Edit the VO  In the timeline move the play head to the beginning of the sequence and press I  Move the play head to the end of your sequence and press O  Select the insert or overwrite edit to drop the VO to your sequence
  • 22. Fix the Mix  Change the view from Source- Sequence to Player  In the Options pop- up menu select Show Audio Desk
  • 23. Fix the Mix  Play your sequence and adjust channels 1 & 2 lower so the narration can be heard  Change the pan setting on top of channel 3 to hear the narration on both tracks
  • 24. Patch Panel Controls  Select / Deselect a track  Click on the source or destination side of a track to allow a source to go to the selected track  Click again to separate the source – destination, which will prevent the source from being edited to that track
  • 25. Patch Panel Controls  Track Visibility  On/Off  No slash = track can be seen or heard  Slash = track is turned off  Click to turn on/off track visibility
  • 26. Try it out  Select a clip in the Media Library, select the top video channel, but disconnect the patch  If you try to make an edit, you will not be able to until you patch the track again
  • 27. Try it out  Move the play head over the new clip in the top video track  Click on the eye to turn off track visibility  This track is now invisible  You can now see below this track
  • 28. Patch Panel Controls  Track locks  When locked, it prevents any modifications to that track  No moving, trimming, editing
  • 29. Patch Panel Controls  Syncing tracks  When two or more tracks are synced, if you insert a clip in one track, a corresponding gap will also appear on each synced track  This keeps the timing consistent on all tracks
  • 30. Try it out  Turn the visibility on for both video tracks  Make sure the top video track is patched  Turn the sync on for both tracks  Select poets from the Media Browser and set a duration of 3 seconds
  • 31. Try it out  Use the up/down arrow to cue the play head to the end of the first clip on the top video track  Select the Insert edit and watch what happens  Press Command Z to undo
  • 32. Patch Panel Controls  P icon  Highlighted P icon indicates the selected video track  For audio, only the green source icon will indicated the selected audio track
  • 33. Forcing a Patch  Forcing mismatched sources into tracks  Stereo source into a mono track  Mono source into a stereo track  Patching won’t work, but you can drag and drop the source into the desired track & force it into place
  • 34. Moving Clips Around in the Timeline  How clips behave when you move clips around in the timeline depends on these three buttons  Select/Slip/Slide button  Ripple  Snap
  • 35. Moving Clips Around in the Timeline  Select tool  Great tool to move a clip from one place in the timeline to another  Like the arrow tool in FCPX
  • 36. Moving Clips Around in the Timeline  Ripple on  When you move a clip to a new location you will perform an Insert edit at the new location  The gap where the clip used to be will be closed  Duration of your sequence will not change
  • 37. Moving Clips Around in the Timeline  Ripple off  When you move a clip to a new location you will perform an Overwrite edit at the new location  The gap where the clip used to be will remain  Duration of your sequence may change depending where the clip is placed (say at the end of the sequence)
  • 38. Try it out  Make sure you have the Select tool selected  Turn off Ripple  Turn on Snap (if necessary  Select a clip in the sequence and drag to a new location  Notice the red indication (overwrite)  Notice how the clip wants to snap to an edit point
  • 39. Try it out  Command Z to undo the last edit  Turn Ripple back on  Drag the clip again to a new location  Notice the yellow indication (insert)  Notice the sequence ripples to close the gap where the clip was  Sequence ripples again to make room where you release the clip
  • 40. Splicing Clip  Splicing  For FCPX users, this is the same as the blade tool  How’s it done?  No menu or tool (?)  Shortcut: Control V  Kind of looks like this is what it does
  • 41. Try it out  Move the play head to a point in a clip on the timeline  Press Control V  The clip is cut at the play head position
  • 42. Try it out  Command Z to undo the splice  Now press Shift Control V and notice what happens  All the tracks at the play head position are spiced at the play head position  Command Z to undo
  • 43. Ripple Delete  With Ripple turned on  Select the clip and press the Delete key  With Ripple turned off  Select the clip and press Shift & Delete
  • 44. Try it out  Make sure Ripple is on  Select a clip and press Delete  Undo the delete  Turn off Ripple  Select the clip again and press Shift & Delete  Undo the delete again
  • 45. Lift Edit  With Ripple turned on  Select the clip  Control click and select Lift  With Ripple turned off  Select the clip and press Delete
  • 46. Try it out  Make sure Ripple is on  Select a clip and control click, then select Lift  Undo the delete  Turn off Ripple  Select the clip again and Delete  Undo the delete again
  • 47. Trimming a Clip  How you trim depends on whether Ripple is turned on or off  Turned on  Cursor = yellow  Sequence expands to make room for added content  Closes the gap if content is removed  Turned off  Cursor = red  Clip will overwrite on adjacent clip if content is added  Gap left behind if content is removed
  • 48. Try it out  Make sure Ripple is on  Make sure the Select tool is selected  Move your cursor to the In point  Notice the yellow icon = ripple trim  Drag left to add content  Drag right remove content  Notice how the sequence adjusts to each trim adjustment
  • 49. Try it out  Make sure Ripple is off  Make sure the Select tool is selected  Move your cursor to the In point  Notice the red icon = overwrite trim  Drag left to overwrite previous clip  Drag right to shorten clip  Notice now that a gap is left behind
  • 50. Rolling an Edit  Moves the edit point between two clips  Duration of the sequence does not change  With Ripple turned off  Great tool for aligning edits to a music beat or sfx
  • 51. Try it out  Make sure Ripple is off  Make sure the Select tool is selected  Put your cursor on an edit point  Cursor should show left & right arrows  Drag left to move the edit sooner  Drag right to move the edit later
  • 52. Trim & Roll Multiple Tracks  Move the play head to the middle of a video clip  Press Shift Control V to splice the clip  Command and click on the audio tracks you would like to roll with the video track
  • 53. Trim & Roll Multiple Tracks  Place your cursor back on the video track and drag left and right  Notice now that the selected audio track will also roll with the video
  • 54. Slipping a Clip  Changes the content you see or hear in a clip without moving or changing the duration of the clip  Shortcut: S
  • 55. Try It Out  Move the play head on a clip  Press S to select the Slip tool  Drag left and right to change the content of the clip  Dragging left = later content  Dragging right = earlier content
  • 56. Slip on the Fly  Press A to select the Selection tool  Slip on the fly  Put the play head on a different clip and select it  Press S  Use the  and  keys to nudge slip the clip left and right
  • 57. Sliding a Clip  Moves the clip in the sequence left or right, overwriting one side of the edit while extending the In point of the other clip  Duration of the clip or sequence does not change  Shortcut: D
  • 58. Try It Out  Press D to select the Slide tool  Put the cursor over a clip and drag left and right
  • 59. Slide on the Fly  Press A to select the Selection tool  Slide on the fly  Put the play head on a different clip and select it  Press D  Use the  and  keys to nudge slide the clip left and right
  • 60. Dissolves & Wipes  Make sure no clips are selected  Move the play head to an edit point  Menu bar above the sequence will show the outgoing and incoming clip with transition button enabled
  • 61. Dissolves & Wipes  Click the transition button  Dissolve, Wipe, Axis  Default duration is 10 frames
  • 62. Try It Out  Click in a dark gray area to deselect any clips  Press the up or down arrow to navigate to an edit point  Click on the transition button and select Dissolve
  • 63. Dissolves Parameters  Editor  Close-up look at the dissolve with several tools to tweak the effect  Centered, up to, from cut  Changes when the dissolve occurs  In the middle, before the cut or after the cut
  • 64. Dissolves Parameters  Duration  In hours:minutes:seconds:frames  Progressive, Interlaced  How it’s scanned  Additive, Non-additive, Inv Non-additive  Blend mode
  • 65. Dissolves Parameters  Mix  Sets how much of the transition occurs at the play head point  To/From Colour  Allows you to fade to and out of a color during the transition
  • 66. Try It Out  Change the duration to 1 second  Change the blend mode to Non-Add  Press the key to render the effect  Check out your new dissolve
  • 67. Wipes  Make sure no clips or transitions are selected  Unless you want to change your dissolve to a wipe  Move the play head to an edit point  Click on the Transition button
  • 68. Wipes  Lots of patterns to choose from  Click on the Patterns button to select  View as names or as thumbs
  • 69. Try It Out  Click off the timeline to deselect everything  Use the up and down arrows to move the play head to a new edit point  Click on the transition button and select Wipe  Change the duration to 1 second
  • 70. Try It Out  Click on the pattern button  The pattern dialogue box comes up  Not very revealing what kinds of wipes are available yet
  • 71. Try It Out  In the upper left corner click on the Titles box and change to Proxies  Select a wipe pattern  Adjust the wipe parameters to suit your taste
  • 72. Try It Out  Click off the timeline to deselect everything  Move the play head to a new edit point  Click the Transition button and select Wipe  Click on the Pattern button and select a circle wipe
  • 73. Try It Out  Click on the Enter Editor button  Click on the bezier points to modify the shape of the circle wipe  Press Exit when done.