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Hephaestus
Shaina Mavreen D. Villaroza
Hephaestus, in Greek mythology, god of fire and metalwork, the son of the god
Zeus and the goddess Hera, or sometimes the son of Hera alone. In contrast to the
other gods, Hephaestus was lame and awkward. Shortly after his birth, he was cast out
of Olympus, either by Hera, who was repelled by his deformity, or by Zeus, because
Hephaestus had sided with Hera against him. In most legends, however, he was soon
honored again on Olympus and was married to Aphrodite, goddess of love, or to Aglaia,
one of the three Graces. As the artisan among the gods, Hephaestus made their armor,
weapons, and jewelry. His workshop was believed to lie under Mount Etna, a volcano in
Sicily. Hephaestus is often identified with the Roman god of fire, Vulcan. Hephaestus's
symbols are a smith'shammer, an anvil and a pair of tongs.
The craft of Hephaestus
Hephaestus had his own palace on Olympus: it contained his workshop replete
with an anvil and twenty bellows, which worked at his bidding. Hephaestus crafted much
of the magnificent equipment of the gods, and almost any finely-wrought metalwork
imbued with powers that appears in Greek myth is said to have been forged by
Hephaestus: Hermes' winged helmet and sandals, the Aegis breastplate, Aphrodite's
famed girdle, Agamemnon's staff of office, Achilles'
armor, Heracles' bronze clappers, Helios' chariot as well as his own due to his
lameness, the shoulder of Pelops, Eros' bow and arrows. In later accounts, Hephaestus
worked with the help of the chthonic Cyclopes, his assistants in the forge, Brontes,
Steropes and Pyracmon among them.
He also built automatons of metal to work for him. This included tripods that
walked to and from Mount Olympus. He gave to blinded Orion his
apprentice Cedalion as a guide. In one version of the myth, Prometheus stole the fire
that he gave to man from Hephaestus's forge. Hephaestus also created the gift that the
gods gave to man, the woman Pandora and herpithos. Being a skilled blacksmith,
Hephaestus created all the thrones in the Palace of Olympus.
2
Fall from Olympus
According to one version, Hera threw Hephaestus down from the heavens because he
was "shrivelled of foot". He fell into the ocean and was brought up by Thetis (mother of
Achilles) and the Oceanid Eurynome.
In another account, Hephaestus, attempting to rescue his mother from Zeus, was flung
down by Zeus. He fell for an entire day and landed on the island of Lemnos, where he
was cared for and taught to be a master craftsman by the Sintians, an ancient tribe
native to that island. Later writers describe his lameness as the consequence of his
second fall, while Homer makes him lame and weak from his birth.
Return to Olympus
Hephaestus was the only Olympian said to have returned to Olympus after being exiled.
In an archaic story, Hephaestus gained revenge against Hera for rejecting him by
making her a magical golden throne, which, when she sat on it, did not allow her to
leave it. The other gods begged Hephaestus to return to Olympus to let her go, but he
refused, saying "I have no mother".
At last Dionysus, sent to fetch him, shared his wine, intoxicating the smith, and took him
back to Olympus on the back of a mule accompanied by revelers, a scene that
sometimes appears on painted pottery of Attica and in Corinth, as well. In the painted
scenes the padded dancers and phallic figures of the Dionysan throng leading the mule
show that the procession was a part of the dithyrambic celebrations that were the
forerunners, in Athens, of the satyr plays of the fifth century.
The theme of the return of Hephaestus, popular among the Attic vase-painters whose
wares were favored among the Etruscans, may have carried this theme to Etruria. As
vase-painters portrayed the procession, Hephaestus was mounted on a mule or a
horse, accompanied by Dionysus, who held the bridle and carried Hephaestus' tools,
which include a double-headed axe.
The traveller Pausanias reported seeing a painting in the temple of Dionysus in Athens,
which had been built in the 5th century but may have been decorated at any time before
the 2nd century CE, when Pausanias saw it:
"There are paintings here – Dionysus bringing Hephaestus up to heaven. One of the
Greek legends is that Hephaestus, when he was born, was thrown down by Hera. In
revenge he sent as a gift a golden chair with invisible fetters. When Hera sat down she
was held fast, and Hephaestus refused to listen to any other of the gods save Dionysus
– in him he reposed the fullest trust – and after making him drunk Dionysus brought him
to heaven."

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Hephaestus

  • 1. 1 Hephaestus Shaina Mavreen D. Villaroza Hephaestus, in Greek mythology, god of fire and metalwork, the son of the god Zeus and the goddess Hera, or sometimes the son of Hera alone. In contrast to the other gods, Hephaestus was lame and awkward. Shortly after his birth, he was cast out of Olympus, either by Hera, who was repelled by his deformity, or by Zeus, because Hephaestus had sided with Hera against him. In most legends, however, he was soon honored again on Olympus and was married to Aphrodite, goddess of love, or to Aglaia, one of the three Graces. As the artisan among the gods, Hephaestus made their armor, weapons, and jewelry. His workshop was believed to lie under Mount Etna, a volcano in Sicily. Hephaestus is often identified with the Roman god of fire, Vulcan. Hephaestus's symbols are a smith'shammer, an anvil and a pair of tongs. The craft of Hephaestus Hephaestus had his own palace on Olympus: it contained his workshop replete with an anvil and twenty bellows, which worked at his bidding. Hephaestus crafted much of the magnificent equipment of the gods, and almost any finely-wrought metalwork imbued with powers that appears in Greek myth is said to have been forged by Hephaestus: Hermes' winged helmet and sandals, the Aegis breastplate, Aphrodite's famed girdle, Agamemnon's staff of office, Achilles' armor, Heracles' bronze clappers, Helios' chariot as well as his own due to his lameness, the shoulder of Pelops, Eros' bow and arrows. In later accounts, Hephaestus worked with the help of the chthonic Cyclopes, his assistants in the forge, Brontes, Steropes and Pyracmon among them. He also built automatons of metal to work for him. This included tripods that walked to and from Mount Olympus. He gave to blinded Orion his apprentice Cedalion as a guide. In one version of the myth, Prometheus stole the fire that he gave to man from Hephaestus's forge. Hephaestus also created the gift that the gods gave to man, the woman Pandora and herpithos. Being a skilled blacksmith, Hephaestus created all the thrones in the Palace of Olympus.
  • 2. 2 Fall from Olympus According to one version, Hera threw Hephaestus down from the heavens because he was "shrivelled of foot". He fell into the ocean and was brought up by Thetis (mother of Achilles) and the Oceanid Eurynome. In another account, Hephaestus, attempting to rescue his mother from Zeus, was flung down by Zeus. He fell for an entire day and landed on the island of Lemnos, where he was cared for and taught to be a master craftsman by the Sintians, an ancient tribe native to that island. Later writers describe his lameness as the consequence of his second fall, while Homer makes him lame and weak from his birth. Return to Olympus Hephaestus was the only Olympian said to have returned to Olympus after being exiled. In an archaic story, Hephaestus gained revenge against Hera for rejecting him by making her a magical golden throne, which, when she sat on it, did not allow her to leave it. The other gods begged Hephaestus to return to Olympus to let her go, but he refused, saying "I have no mother". At last Dionysus, sent to fetch him, shared his wine, intoxicating the smith, and took him back to Olympus on the back of a mule accompanied by revelers, a scene that sometimes appears on painted pottery of Attica and in Corinth, as well. In the painted scenes the padded dancers and phallic figures of the Dionysan throng leading the mule show that the procession was a part of the dithyrambic celebrations that were the forerunners, in Athens, of the satyr plays of the fifth century. The theme of the return of Hephaestus, popular among the Attic vase-painters whose wares were favored among the Etruscans, may have carried this theme to Etruria. As vase-painters portrayed the procession, Hephaestus was mounted on a mule or a horse, accompanied by Dionysus, who held the bridle and carried Hephaestus' tools, which include a double-headed axe. The traveller Pausanias reported seeing a painting in the temple of Dionysus in Athens, which had been built in the 5th century but may have been decorated at any time before the 2nd century CE, when Pausanias saw it: "There are paintings here – Dionysus bringing Hephaestus up to heaven. One of the Greek legends is that Hephaestus, when he was born, was thrown down by Hera. In revenge he sent as a gift a golden chair with invisible fetters. When Hera sat down she was held fast, and Hephaestus refused to listen to any other of the gods save Dionysus – in him he reposed the fullest trust – and after making him drunk Dionysus brought him to heaven."