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Lenses are come in different sizes:
<30mm = wide angle
50mm = what the human eye sees
>70mm = Telephoto
Zoom = Combines all three into one
24mm 50mm 70mm
DOF refers to how much of a photo is in focus:
The smaller the f-number,
the smaller the DOF:
 In your camera – between the lens and the
film/CCD - is the shutter
Video on next
slide…
http://www.youtube.com/watch?v=lw6doYnO4ng
 Think of it as a door that opens for a split second
to allow the image of your subject to burn onto the
film/CCD…
 As the photographer you have control over how
long this ‘door’ is open
 Typically this will range from 1/1000th
of a second
(very, very fast) to 1 or 2 seconds (very slow)
 The longer the
shutter is open,
the more chance
there is that
something in
your subject will
move, for
instance…
…the train appears still
 But at a slower
shutter speed the
train has
travelled an inch
or so while the
shutter was
open…
…so the train blurs
 And at a very
slow speed the
train moves so
much that it
barely registers
on the photo…
…and becomes ghost-like
Notice the blurred horses’ legs
Faked with Motion Camera –
Android phone app
Not true motion blur
Lo Res images (480x320)
Notice the sharpness of the legs
 If you use a shutter speed slower than 1/60th
of a
second your photos will suffer from camera shake
(your hands can’t hold a camera that still for that
long!):
Slow
Fast
…or in old
money…
 For slow speeds
you’ll need a tripod:
 …or wedge your camera against something solid:
Fast Shutter Speed
Slow Shutter Speed
 Either:
 Set your camera to Shutter Priority mode and take
a series of photos of the same moving subject at
different shutter speeds
 Or, if your camera does not have Shutter Priority,
go to www.camerasim.com and experiment with
the shutter speed slider
A Quick Overview
 Opening the shutter exposes the film/CCD to light
 Too little light causes under-exposure, too much
causes over-exposure:
 You’ll remember that Aperture gives us Depth of
Field by changing the size of an iris in the lens:
 Think of the iris as a curtain that you can open or
close
 By opening or closing the iris you control the
amount of light getting through it – just like closing
a curtain to block out the sun on a bright day
 This can be used to compensate for under or over
exposure, so the iris can be opened (perhaps to
f2.8) to let in more light when using a fast shutter
speed, or the iris can be closed (f16) to let in less
light with a slow shutter speed…
Fast Shutter / Wide Aperture (f2.8) Slow Shutter / Narrow Aperture (f16)
 This is the tricky part of photography to get your
head around
 We’ll keep coming back to it over the next few
weeks
>>>END<<<

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Photography: 3 - Shutter Speeds

  • 1. Lenses are come in different sizes: <30mm = wide angle 50mm = what the human eye sees >70mm = Telephoto Zoom = Combines all three into one 24mm 50mm 70mm
  • 2. DOF refers to how much of a photo is in focus: The smaller the f-number, the smaller the DOF:
  • 3.
  • 4.  In your camera – between the lens and the film/CCD - is the shutter Video on next slide…
  • 6.  Think of it as a door that opens for a split second to allow the image of your subject to burn onto the film/CCD…
  • 7.  As the photographer you have control over how long this ‘door’ is open  Typically this will range from 1/1000th of a second (very, very fast) to 1 or 2 seconds (very slow)
  • 8.  The longer the shutter is open, the more chance there is that something in your subject will move, for instance… …the train appears still
  • 9.  But at a slower shutter speed the train has travelled an inch or so while the shutter was open… …so the train blurs
  • 10.  And at a very slow speed the train moves so much that it barely registers on the photo… …and becomes ghost-like
  • 11.
  • 12.
  • 13. Notice the blurred horses’ legs
  • 14.
  • 15. Faked with Motion Camera – Android phone app Not true motion blur Lo Res images (480x320)
  • 16.
  • 17.
  • 18. Notice the sharpness of the legs
  • 19.  If you use a shutter speed slower than 1/60th of a second your photos will suffer from camera shake (your hands can’t hold a camera that still for that long!):
  • 21.  For slow speeds you’ll need a tripod:  …or wedge your camera against something solid:
  • 23.  Either:  Set your camera to Shutter Priority mode and take a series of photos of the same moving subject at different shutter speeds  Or, if your camera does not have Shutter Priority, go to www.camerasim.com and experiment with the shutter speed slider
  • 25.  Opening the shutter exposes the film/CCD to light  Too little light causes under-exposure, too much causes over-exposure:
  • 26.  You’ll remember that Aperture gives us Depth of Field by changing the size of an iris in the lens:  Think of the iris as a curtain that you can open or close
  • 27.  By opening or closing the iris you control the amount of light getting through it – just like closing a curtain to block out the sun on a bright day  This can be used to compensate for under or over exposure, so the iris can be opened (perhaps to f2.8) to let in more light when using a fast shutter speed, or the iris can be closed (f16) to let in less light with a slow shutter speed…
  • 28.
  • 29.
  • 30.
  • 31.
  • 32. Fast Shutter / Wide Aperture (f2.8) Slow Shutter / Narrow Aperture (f16)
  • 33.  This is the tricky part of photography to get your head around  We’ll keep coming back to it over the next few weeks >>>END<<<