This document provides information about various festivals and theatrical forms from different Asian cultures. It includes details about the Yi Peng lantern festival in Thailand where people float sky lanterns called khom loi to make wishes. It also describes the Loy Krathong water lantern festival in Thailand. Information is given about the Japanese art of taiko drumming and noh theater, the Indonesian shadow puppet theater of wayang kulit, and details about kabuki theater and Beijing opera, including their costumes, makeup, and storytelling techniques.
• A. J. GUNAW ARDANA HI DEPARTMENT OF CULTURAL AFFAI.docxoswald1horne84988
•
A. J. GUNAW ARDANA
HI
DEPARTMENT OF CULTURAL AFFAIRS
SRI LANKA
TO THE READER
This slim volume is only a basic introduction to Sinhala
theatre; it has no pretensions to being an exhaustive, detailed
study. Interested readers who wish to further pursue the
subject are referred to other relevant publications in this series
and to the select bibliography given at the end of the book.
My thanks are due to the Department of Cultural Affairs for
sponsoring this publication.
•
July 12, 1976,
Vidyodaya Campus,
University of Sri Lanka,
Gangodawila, Nugegoda.
1-
•
•
A. J. GUNAWARDANA
. , ...
•
The Culture of Sri lanka - 6
,
A. J. GUNAWARDANA
II I
1976
PUBLISHED BY THE DEPARTMENT OF CULTURAL AFFAIRS
SRI .. LANKA
•
•
•
•
THEATRE IN SRI LANKA
IN Sri Lanka, the traditional and the modern, the old and the
~ew in theatre can be seen in striking conjunction. Based in
Colombo, the capital city, there is a burgeoning, cosmopolitan,
modern theatre which presents original works and translations
(of Beckett, Brecht, Gogol, Gorky, et. al.) in a wide range of forms
.and styles. In the rural areas, age-old ritualistic theatres are per-
formed to promote the welfare of the community and to heal
the sick. In between are various folk theatres the entertain-
me~ts springing from a predominantly agricultural way of life.
And, as in all modernizing societies, many of the older forms are
waning away while the new theatre is flowering.
THE RITUAl. THEATRES
The ritual theatres of Sri Lanka are among the oldest extant
-performances with an unbroken history. Legend traces their
beginnings to pre-Buddhistic times. However remote their ori-
gins, it is quite clear that the ritual theatres, like all living art
forms, have been changing over the years, discarding some ele-
•
ments and absorbing others. As practised today, ritual theatres
are generally night-long performances addressed to the numerous
deities and demons of the folk religion.
A vast pantheon of gods a~d demons inhabits the still vital
world of Sinhala folk belief. Depending on time and circums-
tances, and their particular spheres of influence, these powerful
beings can impinge in various ways on the affairs of men. For
-example, gods can assure a plentiful harvest and bring succour
to people in times of distress. The demons, on the other hand,
are evil in their effects : they possess people, making them ilL
•
The primary purpoSe of the ritual theatres is to propitiate the
gods and the demons, so that they will confer their blessings or
heal the afflicted. Where the demons are concerned, there is an
-exorcistic 'aim also. A basic assumption in these theatres is that
1
•
these beings have the right to expect certain oblations and offer-
ings from humans. If these are not made, the gods will either
cause harm to people or desist from helping them. As for the
demons, they extract their dues by afflicting.
Folklore in Literature: A Tool for Culture Preservation and Entertainmentinventionjournals
International Journal of Humanities and Social Science Invention (IJHSSI) is an international journal intended for professionals and researchers in all fields of Humanities and Social Science. IJHSSI publishes research articles and reviews within the whole field Humanities and Social Science, new teaching methods, assessment, validation and the impact of new technologies and it will continue to provide information on the latest trends and developments in this ever-expanding subject. The publications of papers are selected through double peer reviewed to ensure originality, relevance, and readability. The articles published in our journal can be accessed online.
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptxEduSkills OECD
Andreas Schleicher presents at the OECD webinar ‘Digital devices in schools: detrimental distraction or secret to success?’ on 27 May 2024. The presentation was based on findings from PISA 2022 results and the webinar helped launch the PISA in Focus ‘Managing screen time: How to protect and equip students against distraction’ https://www.oecd-ilibrary.org/education/managing-screen-time_7c225af4-en and the OECD Education Policy Perspective ‘Students, digital devices and success’ can be found here - https://oe.cd/il/5yV
• A. J. GUNAW ARDANA HI DEPARTMENT OF CULTURAL AFFAI.docxoswald1horne84988
•
A. J. GUNAW ARDANA
HI
DEPARTMENT OF CULTURAL AFFAIRS
SRI LANKA
TO THE READER
This slim volume is only a basic introduction to Sinhala
theatre; it has no pretensions to being an exhaustive, detailed
study. Interested readers who wish to further pursue the
subject are referred to other relevant publications in this series
and to the select bibliography given at the end of the book.
My thanks are due to the Department of Cultural Affairs for
sponsoring this publication.
•
July 12, 1976,
Vidyodaya Campus,
University of Sri Lanka,
Gangodawila, Nugegoda.
1-
•
•
A. J. GUNAWARDANA
. , ...
•
The Culture of Sri lanka - 6
,
A. J. GUNAWARDANA
II I
1976
PUBLISHED BY THE DEPARTMENT OF CULTURAL AFFAIRS
SRI .. LANKA
•
•
•
•
THEATRE IN SRI LANKA
IN Sri Lanka, the traditional and the modern, the old and the
~ew in theatre can be seen in striking conjunction. Based in
Colombo, the capital city, there is a burgeoning, cosmopolitan,
modern theatre which presents original works and translations
(of Beckett, Brecht, Gogol, Gorky, et. al.) in a wide range of forms
.and styles. In the rural areas, age-old ritualistic theatres are per-
formed to promote the welfare of the community and to heal
the sick. In between are various folk theatres the entertain-
me~ts springing from a predominantly agricultural way of life.
And, as in all modernizing societies, many of the older forms are
waning away while the new theatre is flowering.
THE RITUAl. THEATRES
The ritual theatres of Sri Lanka are among the oldest extant
-performances with an unbroken history. Legend traces their
beginnings to pre-Buddhistic times. However remote their ori-
gins, it is quite clear that the ritual theatres, like all living art
forms, have been changing over the years, discarding some ele-
•
ments and absorbing others. As practised today, ritual theatres
are generally night-long performances addressed to the numerous
deities and demons of the folk religion.
A vast pantheon of gods a~d demons inhabits the still vital
world of Sinhala folk belief. Depending on time and circums-
tances, and their particular spheres of influence, these powerful
beings can impinge in various ways on the affairs of men. For
-example, gods can assure a plentiful harvest and bring succour
to people in times of distress. The demons, on the other hand,
are evil in their effects : they possess people, making them ilL
•
The primary purpoSe of the ritual theatres is to propitiate the
gods and the demons, so that they will confer their blessings or
heal the afflicted. Where the demons are concerned, there is an
-exorcistic 'aim also. A basic assumption in these theatres is that
1
•
these beings have the right to expect certain oblations and offer-
ings from humans. If these are not made, the gods will either
cause harm to people or desist from helping them. As for the
demons, they extract their dues by afflicting.
Folklore in Literature: A Tool for Culture Preservation and Entertainmentinventionjournals
International Journal of Humanities and Social Science Invention (IJHSSI) is an international journal intended for professionals and researchers in all fields of Humanities and Social Science. IJHSSI publishes research articles and reviews within the whole field Humanities and Social Science, new teaching methods, assessment, validation and the impact of new technologies and it will continue to provide information on the latest trends and developments in this ever-expanding subject. The publications of papers are selected through double peer reviewed to ensure originality, relevance, and readability. The articles published in our journal can be accessed online.
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptxEduSkills OECD
Andreas Schleicher presents at the OECD webinar ‘Digital devices in schools: detrimental distraction or secret to success?’ on 27 May 2024. The presentation was based on findings from PISA 2022 results and the webinar helped launch the PISA in Focus ‘Managing screen time: How to protect and equip students against distraction’ https://www.oecd-ilibrary.org/education/managing-screen-time_7c225af4-en and the OECD Education Policy Perspective ‘Students, digital devices and success’ can be found here - https://oe.cd/il/5yV
Palestine last event orientationfvgnh .pptxRaedMohamed3
An EFL lesson about the current events in Palestine. It is intended to be for intermediate students who wish to increase their listening skills through a short lesson in power point.
The Art Pastor's Guide to Sabbath | Steve ThomasonSteve Thomason
What is the purpose of the Sabbath Law in the Torah. It is interesting to compare how the context of the law shifts from Exodus to Deuteronomy. Who gets to rest, and why?
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Power-sharing Class 10 is a vital aspect of democratic governance. It refers to the distribution of power among different organs of government, levels of government, and social groups. This ensures that no single entity can control all aspects of governance, promoting stability and unity in a diverse society.
For more information, visit-www.vavaclasses.com
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
We all have good and bad thoughts from time to time and situation to situation. We are bombarded daily with spiraling thoughts(both negative and positive) creating all-consuming feel , making us difficult to manage with associated suffering. Good thoughts are like our Mob Signal (Positive thought) amidst noise(negative thought) in the atmosphere. Negative thoughts like noise outweigh positive thoughts. These thoughts often create unwanted confusion, trouble, stress and frustration in our mind as well as chaos in our physical world. Negative thoughts are also known as “distorted thinking”.
This presentation provides an introduction to quantitative trait loci (QTL) analysis and marker-assisted selection (MAS) in plant breeding. The presentation begins by explaining the type of quantitative traits. The process of QTL analysis, including the use of molecular genetic markers and statistical methods, is discussed. Practical examples demonstrating the power of MAS are provided, such as its use in improving crop traits in plant breeding programs. Overall, this presentation offers a comprehensive overview of these important genomics-based approaches that are transforming modern agriculture.
How to Create Map Views in the Odoo 17 ERPCeline George
The map views are useful for providing a geographical representation of data. They allow users to visualize and analyze the data in a more intuitive manner.
3. 1. IT IS A LANTERN FESTIVAL
CELEBRATED IN THAILAND,
MOSTLY RECOGNIZED FOR ITS
FLOATING SKY LANTERNS
KNOWN AS KHOM LOI.
4. 2. IT IS A WATER LANTERN
FESTIVAL, OCCURS ON THE
EVENING OF THE FULL MOON
DURING THE TWELFTH
MONTH OF THE THAI LUNAR
CALENDAR.
5. 3. IT CONVEYS TWO MEANINGS:
THE HEARTBEAT AND THE
CHILDREN OF THE DRUM.
4. IT IS THE OTHER TERM THAT
PERTAINS TO THE TAIKO
DRUMMERS.
6. 5. IT INVOLVES ELABORATELY
DESIGNED COSTUMES, EYE-
CATCHING MAKE-UP,
OUTLANDISH WIGS, AND
ARGUABLY MOST IMPORTANTLY,
THE EXAGGERATED ACTIONS
PERFORMED BY THE ACTORS.
7. 6. IT IS A JAPANESE WHICH
THEMES OFTEN RELATE TO
DREAMS, SUPERNATURAL
WORLDS, GHOSTS, AND
SPIRITS.
8. 7. IT IS AN INDONESIAN FORM OF
SHADOW PUPPETRY, HOLDS THE
AUDIENCE'S ATTENTION WITH
RIVETING STORYLINES
EXECUTED MASTERFULLY BY
PUPPETEERS
9. 8. IT IS ANOTHER TERM
THAT REFERS TO THE
PUPPETEERS OF AN
INDONESIAN THEATE
10. 9. IT IS STYLIZED ACTION,
SINGING, DIALOGUE, MIME,
ACROBATIC FIGHTING AND
DANCING TO REPRESENT A
STORY OR DEPICT DIFFERENT
CHARACTERS AND THEIR
FEELINGS.
11. 10. IT IS ALSO CONSIDERED
ESSENTIAL TO THE AESTHETIC
OF BEIJING OPERA ALONGSIDE
WITH MAKE-UP.
13. LOY KRATHONG
• A water lantern festival, occurs on
the evening of the full moon
during the twelfth month of the
thai lunar calendar.
It is less known to outsiders, but it is a massive
celebration in THAILAND.
As a local thai woman said, "it is a way to say sorry for
what you do to the river during the rest of the year."
14. YI PENG
A lantern festival in
Thailand, is the event most
people recognize for its
floating sky lanterns
known as Khom Loi.
15. YI PENG
People come from all over the world to select a khom loi
lantern to release into the sky.
• Often people write a wish on the outside of the lantern, and it
is considered good luck to watch your lantern until it
disappears.
A khom loi is made of thin tissue paper with a crossed
base, which supports a wax heat source. You have to
break up the wax before lighting it to sustain the flame.
16. TAIKO
• A traditional Japanese drum with
limitless rhythmic possibilities.
• Kodo's mission is to explore these
possibilities, and in the process,
forge new directions for a vibrant
living art form.
In Japanese, the word "Kodo" holds a double meaning.
It can be translated as "heartbeat," the primal source of
all rhythm.
17. • Indeed, the great taiko is thought to be
reminiscent of a mother's heartbeat as felt
from the womb, and babies are often lulled to
sleep by its thunderous vibrations.
• However, if read in a different context, Kodo
can also mean "children of the drum," which
reflects the group's desire to play the drums
with the simple heart of a child.
20. KABUKI
•Is an art form rich in
showmanship. It involves
elaborately designed
costumes,
eyecatching make-up, outlandish wigs, and,
arguably, the actors' exaggerated actions.
21. KABUKI
•It is a traditional japanese form of theater with roots
tracing back to the edo period.
•It is recognized as one of japan's three major
classical theaters along with noh and bunraku
and has been named as a UNESCO intangible cultural
heritage.
22. NOH THEATER
•Noh theater in japan is
structured around song and
dance.
•Movement is slow, language is poetic, the tone is
monotonous, and costumes are rich and heavy.
23. NOH THEATER
•Plots are usually drawn from legend, history,
literature, and contemporary events.
•Themes often relate to dreams, supernatural
worlds, ghosts, and spirits.
•One key element of NOH is the masks that the shite
(leading character) wears.
•They tell the audience what kind of character is being
portrayed.
24. WAYANG KULIT
•An Indonesian form of
shadow puppetry, holds the
audience's attention with
riveting storylines
executed masterfully by the
dhalang, or puppeteer.
25. WAYANG KULIT
•The puppets are made of buffalo
hide and intricately designed,
down to the most minute detail of
costume and color, to help the
audience distinguish between the
different characters.
26. BEIJING OPERA/PEKING OPERA
•Is a synthesis of stylized action, singing, dialogue,
mime, acrobatic fighting, and dancing to
represent a story or depict different characters
and their feelings of gladness, anger, sorrow,
happiness, surprise, fear, and sadness.
27. BEIJING OPERA/PEKING OPERA
•The characters may be loyal or treacherous,
beautiful or ugly, good or bad.
•Their images are always vividly manifested in
bright costumes that show the styles of ancient
china.
28. BEIJING OPERA/PEKING OPERA
•Make-up and sometimes masks are essential to the
aesthetic of Beijing Opera.
•The colors are rich and depict different characters
using the symbolism of color.
•Black will often represent intelligent characters,
while white indicates wickedness.