Joe Hayes created a music video for his Final Major Project. He chose to do a music video because he received his highest grade and most enjoyment from one in his first year. Joe researched other music videos in the genre to generate ideas and decided on fast paced scenes and popular branding. Joe filmed at various locations and pieced the clips together in Adobe Premiere Pro, realizing he needed more shots to fill the song's timeline. After getting additional footage and upgrading camera quality, Joe added editing techniques in After Effects before exporting back to Premiere Pro. Joe received mixed feedback but was happy with accomplishing his goal of creating a humorous video for his target audience.
The document discusses several action movies that the author enjoys, including Dredd (2012), Need for Speed, and The Avengers. It also covers some concepts relevant to analyzing films, such as star theory, media literacy, active spectatorship, reception theory, and intertextuality.
The document discusses advertising strategies used for the film Need for Speed starring Aaron Paul. TV shows like Top Gear and chat shows were used to promote the film and allow audiences to learn about it directly from the stars. Online promotion through clips at the E3 gaming convention on platforms like YouTube, Facebook, and Twitter helped fans of the games and Aaron Paul learn about the film. Choosing Aaron Paul as the lead helped draw in audiences who liked him from his role in Breaking Bad, even those not normally interested in racing films.
The document discusses the layout and design choices for a magazine double page spread interview. It explains that the columns were initially placed over the folding point but were moved to a more viewable part of the page. It also notes that the magazine's title was placed in the top left corner following research on other music magazines. The interviewee's name is the largest text and placed in the top right to be the first thing seen when turning the page. Questions are highlighted in red with a larger font size while answers use a smaller white text to fit while standing out from the background image.
The document discusses advertising strategies for the film Need for Speed starring Aaron Paul. It describes how the film was promoted on relevant TV networks like BBC1 and E4 given its target demographic of young males. Promotions also included Aaron Paul appearing on the TV chat show Top Gear to describe the film given the show's similar audience. Additionally, clips of Aaron Paul's appearance at the E3 gaming convention were shared widely online through YouTube, Facebook, and Twitter to reach more potential viewers. Casting Aaron Paul, known for his role in Breaking Bad, was a good choice to attract a wider audience and boost advertising by having him make appearances on other popular shows.
My dad's love of rock music inspired me to develop an ear for music from a young age. I began DJing at my first venue when I was 19, after a university tutor recognized my talent and offered me a small gig. I started with a Numark IDJ3 and upgraded to Pioneer CDJ-1000 when I earned money. My favorite venue was performing at a club in Manchester called Band On the Wall on my 23rd birthday, which had a good vibe without troublemakers. As a kid, my favorite band was Guns N' Roses due to my dad's loud playing, but I later discovered a passion for drum and bass/jungle music.
The document analyzes design choices for the front cover of a magazine called Digital Soundboy. It describes opting for a simple two-color red and white masthead placed at the top, as is common for magazines. It highlights the headline "dj hype & dj hazard" in larger yellow text below the masthead for visibility. Pricing for the magazine was set at £2.50 based on research of comparable publications priced between £2.50-£3.50. The front cover image uses a black and white photo the author took of mixing equipment to appeal to the intended audience.
The document provides information about the 1976 and 2013 film adaptations of Carrie, including the directors, release dates, budgets, and box office earnings. It lists tasks for students to research differences between the films and reasons for the remake. Students are asked to write a magazine article discussing factors that influenced the remake, such as financial aspects, trends, genre popularity, synergistic marketing of related products, and vertical integration between the studio and distribution/consumption. The relationship between the production companies of the two Carrie films is also to be considered.
Joe Hayes created a music video for his Final Major Project. He chose to do a music video because he received his highest grade and most enjoyment from one in his first year. Joe researched other music videos in the genre to generate ideas and decided on fast paced scenes and popular branding. Joe filmed at various locations and pieced the clips together in Adobe Premiere Pro, realizing he needed more shots to fill the song's timeline. After getting additional footage and upgrading camera quality, Joe added editing techniques in After Effects before exporting back to Premiere Pro. Joe received mixed feedback but was happy with accomplishing his goal of creating a humorous video for his target audience.
The document discusses several action movies that the author enjoys, including Dredd (2012), Need for Speed, and The Avengers. It also covers some concepts relevant to analyzing films, such as star theory, media literacy, active spectatorship, reception theory, and intertextuality.
The document discusses advertising strategies used for the film Need for Speed starring Aaron Paul. TV shows like Top Gear and chat shows were used to promote the film and allow audiences to learn about it directly from the stars. Online promotion through clips at the E3 gaming convention on platforms like YouTube, Facebook, and Twitter helped fans of the games and Aaron Paul learn about the film. Choosing Aaron Paul as the lead helped draw in audiences who liked him from his role in Breaking Bad, even those not normally interested in racing films.
The document discusses the layout and design choices for a magazine double page spread interview. It explains that the columns were initially placed over the folding point but were moved to a more viewable part of the page. It also notes that the magazine's title was placed in the top left corner following research on other music magazines. The interviewee's name is the largest text and placed in the top right to be the first thing seen when turning the page. Questions are highlighted in red with a larger font size while answers use a smaller white text to fit while standing out from the background image.
The document discusses advertising strategies for the film Need for Speed starring Aaron Paul. It describes how the film was promoted on relevant TV networks like BBC1 and E4 given its target demographic of young males. Promotions also included Aaron Paul appearing on the TV chat show Top Gear to describe the film given the show's similar audience. Additionally, clips of Aaron Paul's appearance at the E3 gaming convention were shared widely online through YouTube, Facebook, and Twitter to reach more potential viewers. Casting Aaron Paul, known for his role in Breaking Bad, was a good choice to attract a wider audience and boost advertising by having him make appearances on other popular shows.
My dad's love of rock music inspired me to develop an ear for music from a young age. I began DJing at my first venue when I was 19, after a university tutor recognized my talent and offered me a small gig. I started with a Numark IDJ3 and upgraded to Pioneer CDJ-1000 when I earned money. My favorite venue was performing at a club in Manchester called Band On the Wall on my 23rd birthday, which had a good vibe without troublemakers. As a kid, my favorite band was Guns N' Roses due to my dad's loud playing, but I later discovered a passion for drum and bass/jungle music.
The document analyzes design choices for the front cover of a magazine called Digital Soundboy. It describes opting for a simple two-color red and white masthead placed at the top, as is common for magazines. It highlights the headline "dj hype & dj hazard" in larger yellow text below the masthead for visibility. Pricing for the magazine was set at £2.50 based on research of comparable publications priced between £2.50-£3.50. The front cover image uses a black and white photo the author took of mixing equipment to appeal to the intended audience.
The document provides information about the 1976 and 2013 film adaptations of Carrie, including the directors, release dates, budgets, and box office earnings. It lists tasks for students to research differences between the films and reasons for the remake. Students are asked to write a magazine article discussing factors that influenced the remake, such as financial aspects, trends, genre popularity, synergistic marketing of related products, and vertical integration between the studio and distribution/consumption. The relationship between the production companies of the two Carrie films is also to be considered.
This article compares the Spanish horror film REC to its American remake Quarantine. REC was directed by Jaume Balaguero and released in 2007 with a budget of $1.5 million, grossing $32 million. It used a documentary style filmed with handheld cameras. Quarantine was directed by John Erick Dowdle and released in 2008 by Screen Gems for $12 million, grossing $31 million. Factors that influenced the quick remake include trends in found footage films and financial motivations and Screen Gems' strategy of vertical integration across production, distribution and marketing.
This document provides locations and scenes for filming a video. Scenes 1 and 2 will be filmed at The Lowry in Manchester. Scenes 3 and 4 will take place at Ben Holmes's House. Scene 5 will be shot at the author's own house. The author's car will be used throughout the video but mainly in scenes 6 and 7.
This music video concept is for the D&B track "Sam Binga - ayo" and will feature young people aged 18+ to relate to the target audience of predominantly teenage males interested in D&B. The video will be filmed using a Nikon D3100 camera and edited together in Adobe Premiere with fast pacing to match the beat along with techniques like reverse speed and slow motion. Production techniques like risk assessments and storyboarding will be used.
This document proposes a final major project that will target a specific audience and meet their needs through the use of media and production techniques. The proposal discusses the media format, synopsis, target audience, how their needs will be addressed, and production techniques that will be used.
Final major project_production_diary_templateJoe Hayes
This document contains a production diary for a BTEC Extended Diploma in Creative Media Production final major project. It consists of weekly progress updates spanning from January to April, where a student outlines filming schedules, script and storyboard development, editing work, feedback collection, and completion of a music video and evaluation. Potential issues like needing additional footage are addressed with contingency plans like re-recording clips.
Music video script_template_update_nov_2013Joe Hayes
This document contains a script for a music video for the song "AYO!" by Sam Binga featuring Redders. The script outlines 7 scenes that will show Sam Binga miming the song's lyrics using a variety of camera shots as he engages in different activities and moves to different locations. Random intro shots are planned for the start of the song before cutting to scenes of Sam walking around and miming the lyrics in close-up, mid, and long shots in various locations. Subsequent scenes continue showing Sam miming the lyrics and going about his daily life, with the lyrics fading at one point before returning for the chorus. The final scene serves as the closing shot of the video.
Music video script_template_update_nov_2013Joe Hayes
This document contains a script for a music video for the song "AYO!" by Sam Binga featuring Redders. The script outlines 7 scenes that will show Sam Binga miming the song's lyrics using a variety of camera shots as he engages in different activities and moves to different locations. Random intro shots are planned for the start of the song before cutting to scenes of Sam walking around and miming the lyrics in close-up, mid, and long shots in various locations. Further scenes continue miming the lyrics across changing sequences and shots as the song progresses, before a final closing scene concludes the video.
This document provides a template for conducting a risk assessment for film production activities. It lists potential hazards to consider, such as weather changes and car crashes. For each hazard, the template evaluates who or what may be harmed, existing safety controls, and the risk level. The risk level determines any further actions needed to improve safety. The assessment considers hazards in each planned scene.
This document analyzes the front covers of two music magazines - one focused on drum and bass music and the other more mainstream. The drum and bass magazine has a simplistic black and white cover featuring two artists from that genre. It includes a CD with each issue to attract buyers. In contrast, the mainstream magazine has a more colorful, fun cover design with varied content not specific to one genre. The document provides ideas for a magazine cover such as a simplistic style, limited colors, trendy text for the target audience and slang usage.
Joe Hayes took photos for his music magazine focused on the drum and bass genre. The majority of his images were music-based, as shown on his contact sheet. His target audience was predominantly males and females ages 18+ interested in drum and bass. He edited three photos - the first in black and white for an "old school" look targeting DJs ages 18-25, the second playing with color and contrast for a yellowy style, and the third with a green color. For his next project, he plans to take more photos to have a better selection, try different camera techniques beyond just depth of field, and diversify his subject matter.
Joe Hayes took photos for his music magazine focused on the drum and bass genre. The majority of his images were music-based, as shown on his contact sheet. His target audience was predominantly males and females ages 18+ interested in drum and bass. He edited three photos - the first in black and white for an "old school" look targeting DJs ages 18-25, the second playing with color and contrast for a yellowy style, and the third with a green color. For his next project, he plans to take more photos to have a better selection, try different camera techniques beyond just depth of field, and diversify his subject matter.
Joe Hayes took photos for his music magazine focused on the drum and bass genre. The majority of his images were music-based, as shown on his contact sheet. His target audience was predominantly males and females ages 18+ interested in drum and bass. He edited three photos - the first in black and white for an "old school" look targeting DJs ages 18-25, the second playing with color and contrast for a yellowy style, and the third with a green color. For his next project, he plans to take more photos to have a better selection, try different camera techniques beyond just depth of field, and diversify his subject matter.
Joe Hayes took photos for his music magazine focused on the drum and bass genre. The majority of his images were music-based, as seen on his contact sheet. His target audience was predominantly males and females ages 18+ interested in drum and bass. He aimed to show a range of musical instruments and fulfilled this task. For his next project, he plans to take more photos to have a better selection, use different camera techniques beyond just depth of field, and diversify the types of images he captures.
This photograph of Mick Jagger and Keith Richards was taken candidly by French photographer Dominique Tarlé. While it does not use formal photographic techniques, the image has a good depth of field with the subjects in focus against a blurred foreground and background. As it was taken during a time before digital cameras, the photographer would have relied on manual camera settings to compose the shot rather than extensive post-processing.
The photographer conducted a photo shoot at Salford Quays to capture images for a water sports center. They experimented with different camera settings and compositions. Several images were further edited in Photoshop by adjusting exposure, color balance, and filters. Three rejected images were overexposed with dull colors. Lessons learned included ensuring proper lighting and exploring more camera settings for future shoots.
The document discusses various aspects of radio commercial production including necessary facilities and equipment, audio editing software, production roles, use of music, and financial considerations. It describes soundproofed studios and high-quality microphones as important for production quality. It also outlines roles like creative producers, recording engineers, copy writers, and voice over artists. Music use guidelines around copyright and licensing are explained, as well as how rate cards determine advertising costs based on time slots and audience size.
The document outlines the process of planning and creating a magazine cover photo shoot. It discusses taking test photos, rearranging equipment, and experimenting with flash to get portrait orientation shots. The photographer then selected an image, added a masthead design, and arranged images and text to create the finished magazine cover. The cover includes a photo, artist listings, and pricing, with an evaluation of the design and composition.
The document summarizes three news stories created by a student for a radio news review assignment. The student chose to interview Richard Lee about a world record attempt, Neil Hayden about a new sports pitch, and Lorna about Valentine's Day in college. For each interview, the student wrote scripts with questions, recorded the interviews, and edited them using audio software. The first interview with Neil went well but was too long. The second interview with Richard had high volume but was still understandable. The third interview with Lorna was done differently by recording facts after speaking with her, and was the easiest.
This article compares the Spanish film REC to its American remake Quarantine. REC was directed by Jaume Balaguero and released in 2007 with a budget of 1.5 million euros, grossing $32 million. It used a documentary style with no editing or effects for realism. Quarantine was directed by John Erick Dowdle and released in 2008 by Screen Gems for $12 million, grossing $31 million. It was produced quickly to capitalize on REC's success with English-speaking audiences. Remakes are influenced by financial factors, trends, popularity and synergy between productions and related products from vertically integrated distributors like Screen Gems.
This article compares the Spanish horror film REC to its American remake Quarantine. REC was directed by Jaume Balaguero and released in 2007 with a budget of $1.5 million, grossing $32 million. It used a documentary style filmed with handheld cameras. Quarantine was directed by John Erick Dowdle and released in 2008 by Screen Gems for $12 million, grossing $31 million. Factors that influenced the quick remake include trends in found footage films and financial motivations and Screen Gems' strategy of vertical integration across production, distribution and marketing.
This document provides locations and scenes for filming a video. Scenes 1 and 2 will be filmed at The Lowry in Manchester. Scenes 3 and 4 will take place at Ben Holmes's House. Scene 5 will be shot at the author's own house. The author's car will be used throughout the video but mainly in scenes 6 and 7.
This music video concept is for the D&B track "Sam Binga - ayo" and will feature young people aged 18+ to relate to the target audience of predominantly teenage males interested in D&B. The video will be filmed using a Nikon D3100 camera and edited together in Adobe Premiere with fast pacing to match the beat along with techniques like reverse speed and slow motion. Production techniques like risk assessments and storyboarding will be used.
This document proposes a final major project that will target a specific audience and meet their needs through the use of media and production techniques. The proposal discusses the media format, synopsis, target audience, how their needs will be addressed, and production techniques that will be used.
Final major project_production_diary_templateJoe Hayes
This document contains a production diary for a BTEC Extended Diploma in Creative Media Production final major project. It consists of weekly progress updates spanning from January to April, where a student outlines filming schedules, script and storyboard development, editing work, feedback collection, and completion of a music video and evaluation. Potential issues like needing additional footage are addressed with contingency plans like re-recording clips.
Music video script_template_update_nov_2013Joe Hayes
This document contains a script for a music video for the song "AYO!" by Sam Binga featuring Redders. The script outlines 7 scenes that will show Sam Binga miming the song's lyrics using a variety of camera shots as he engages in different activities and moves to different locations. Random intro shots are planned for the start of the song before cutting to scenes of Sam walking around and miming the lyrics in close-up, mid, and long shots in various locations. Subsequent scenes continue showing Sam miming the lyrics and going about his daily life, with the lyrics fading at one point before returning for the chorus. The final scene serves as the closing shot of the video.
Music video script_template_update_nov_2013Joe Hayes
This document contains a script for a music video for the song "AYO!" by Sam Binga featuring Redders. The script outlines 7 scenes that will show Sam Binga miming the song's lyrics using a variety of camera shots as he engages in different activities and moves to different locations. Random intro shots are planned for the start of the song before cutting to scenes of Sam walking around and miming the lyrics in close-up, mid, and long shots in various locations. Further scenes continue miming the lyrics across changing sequences and shots as the song progresses, before a final closing scene concludes the video.
This document provides a template for conducting a risk assessment for film production activities. It lists potential hazards to consider, such as weather changes and car crashes. For each hazard, the template evaluates who or what may be harmed, existing safety controls, and the risk level. The risk level determines any further actions needed to improve safety. The assessment considers hazards in each planned scene.
This document analyzes the front covers of two music magazines - one focused on drum and bass music and the other more mainstream. The drum and bass magazine has a simplistic black and white cover featuring two artists from that genre. It includes a CD with each issue to attract buyers. In contrast, the mainstream magazine has a more colorful, fun cover design with varied content not specific to one genre. The document provides ideas for a magazine cover such as a simplistic style, limited colors, trendy text for the target audience and slang usage.
Joe Hayes took photos for his music magazine focused on the drum and bass genre. The majority of his images were music-based, as shown on his contact sheet. His target audience was predominantly males and females ages 18+ interested in drum and bass. He edited three photos - the first in black and white for an "old school" look targeting DJs ages 18-25, the second playing with color and contrast for a yellowy style, and the third with a green color. For his next project, he plans to take more photos to have a better selection, try different camera techniques beyond just depth of field, and diversify his subject matter.
Joe Hayes took photos for his music magazine focused on the drum and bass genre. The majority of his images were music-based, as shown on his contact sheet. His target audience was predominantly males and females ages 18+ interested in drum and bass. He edited three photos - the first in black and white for an "old school" look targeting DJs ages 18-25, the second playing with color and contrast for a yellowy style, and the third with a green color. For his next project, he plans to take more photos to have a better selection, try different camera techniques beyond just depth of field, and diversify his subject matter.
Joe Hayes took photos for his music magazine focused on the drum and bass genre. The majority of his images were music-based, as shown on his contact sheet. His target audience was predominantly males and females ages 18+ interested in drum and bass. He edited three photos - the first in black and white for an "old school" look targeting DJs ages 18-25, the second playing with color and contrast for a yellowy style, and the third with a green color. For his next project, he plans to take more photos to have a better selection, try different camera techniques beyond just depth of field, and diversify his subject matter.
Joe Hayes took photos for his music magazine focused on the drum and bass genre. The majority of his images were music-based, as seen on his contact sheet. His target audience was predominantly males and females ages 18+ interested in drum and bass. He aimed to show a range of musical instruments and fulfilled this task. For his next project, he plans to take more photos to have a better selection, use different camera techniques beyond just depth of field, and diversify the types of images he captures.
This photograph of Mick Jagger and Keith Richards was taken candidly by French photographer Dominique Tarlé. While it does not use formal photographic techniques, the image has a good depth of field with the subjects in focus against a blurred foreground and background. As it was taken during a time before digital cameras, the photographer would have relied on manual camera settings to compose the shot rather than extensive post-processing.
The photographer conducted a photo shoot at Salford Quays to capture images for a water sports center. They experimented with different camera settings and compositions. Several images were further edited in Photoshop by adjusting exposure, color balance, and filters. Three rejected images were overexposed with dull colors. Lessons learned included ensuring proper lighting and exploring more camera settings for future shoots.
The document discusses various aspects of radio commercial production including necessary facilities and equipment, audio editing software, production roles, use of music, and financial considerations. It describes soundproofed studios and high-quality microphones as important for production quality. It also outlines roles like creative producers, recording engineers, copy writers, and voice over artists. Music use guidelines around copyright and licensing are explained, as well as how rate cards determine advertising costs based on time slots and audience size.
The document outlines the process of planning and creating a magazine cover photo shoot. It discusses taking test photos, rearranging equipment, and experimenting with flash to get portrait orientation shots. The photographer then selected an image, added a masthead design, and arranged images and text to create the finished magazine cover. The cover includes a photo, artist listings, and pricing, with an evaluation of the design and composition.
The document summarizes three news stories created by a student for a radio news review assignment. The student chose to interview Richard Lee about a world record attempt, Neil Hayden about a new sports pitch, and Lorna about Valentine's Day in college. For each interview, the student wrote scripts with questions, recorded the interviews, and edited them using audio software. The first interview with Neil went well but was too long. The second interview with Richard had high volume but was still understandable. The third interview with Lorna was done differently by recording facts after speaking with her, and was the easiest.
This article compares the Spanish film REC to its American remake Quarantine. REC was directed by Jaume Balaguero and released in 2007 with a budget of 1.5 million euros, grossing $32 million. It used a documentary style with no editing or effects for realism. Quarantine was directed by John Erick Dowdle and released in 2008 by Screen Gems for $12 million, grossing $31 million. It was produced quickly to capitalize on REC's success with English-speaking audiences. Remakes are influenced by financial factors, trends, popularity and synergy between productions and related products from vertically integrated distributors like Screen Gems.