A mildly shaped ceramic heart is pierced by a stainless steel arrow.
Figurative meanings are well-know: EMOTION coat hook simply adds a design-oriented and useful interpretation.
The heart is available in different colours: red conveying emotion and passion, white conveying innocence and purity.
The topological imperfection of the coat hanger, made of sand cast aluminum, characterizes the unconventional valet stand ATELIER.
The roughness of the surface dilates itself, as though changing scale, to acquire plastic values that define autonomous formal entities.
A relationship between geometric and organic, solids and voids is being created, balanced by the rigor of the overall composition.
A unique stainless steel bend bar allows a comfortable placement of helmet and clothing.
The design is directly and plainly suggested by the function.
This item conveys a sensation of strength and toughness, counterbalanced by the upper loop and by the lower acetal resin knob.
TRACK is coordinated with the INSILVIS’s valet hanger MILKY WAY.
Two attachment point allow a firm fastening to walls.
The modular wall-mounted coat hook CONTINUITY 3 interprets the theme of friezes and festoons: a frieze is a design on two-dimensional surfaces which is repetitive in one direction according to symmetry properties; the festoon is a three-dimensional ornament composed of a intertwining of branches, fruit, flowers and leaves.
The decorative character, purified and refined in the perfection of the geometric sign, crystallizes in a clean form, perfectly descriptive of the functionality of the object.
The valet hanger HONEY MOON is a gentle sign, an embroidery fretworked on the whiteness of the acrylic surface.
The form, designed by the function, foreshadows iconic references stratified in our memory.
The strength of the symbolic signs, that express perfectly definite messages, is mitigated by the contemporary cultural filters, that recognize the complexity of the methaforical interpretation.
Sunday Morning.
“To pick a piece of clothing from a support, light and sparkling like a Sunday Morning.
The upper pierced arch leans forward like a slice of sun.
Now I go out”.
Seductive and sculptural, this stainless steel valet stand with a precise geometric design has joined the already numerous INSILVIS suggestions in this sector to enhance their cultural stratification and stylistic heritage.
Insilvis, SIGN OF ORIENT AND OCCIDENT, valet standinsilvis
Thin lines carve the space with the strength and the clarity of the prophetical signs drawn on the sand.
The massive geometry of the base and the conical ends frames this spidery stainless steel structure.
The composition is symmetrical and rigorous, literally minimalist.
SIGN OF ORIENT AND OCCIDENT is made of stainless steel, due to its structural and corrosion resistance and low maintenance.
The valet stand is suitable not only for domestic use but also for commercial places.
A mildly shaped ceramic heart is pierced by a stainless steel arrow.
Figurative meanings are well-know: EMOTION coat hook simply adds a design-oriented and useful interpretation.
The heart is available in different colours: red conveying emotion and passion, white conveying innocence and purity.
The topological imperfection of the coat hanger, made of sand cast aluminum, characterizes the unconventional valet stand ATELIER.
The roughness of the surface dilates itself, as though changing scale, to acquire plastic values that define autonomous formal entities.
A relationship between geometric and organic, solids and voids is being created, balanced by the rigor of the overall composition.
A unique stainless steel bend bar allows a comfortable placement of helmet and clothing.
The design is directly and plainly suggested by the function.
This item conveys a sensation of strength and toughness, counterbalanced by the upper loop and by the lower acetal resin knob.
TRACK is coordinated with the INSILVIS’s valet hanger MILKY WAY.
Two attachment point allow a firm fastening to walls.
The modular wall-mounted coat hook CONTINUITY 3 interprets the theme of friezes and festoons: a frieze is a design on two-dimensional surfaces which is repetitive in one direction according to symmetry properties; the festoon is a three-dimensional ornament composed of a intertwining of branches, fruit, flowers and leaves.
The decorative character, purified and refined in the perfection of the geometric sign, crystallizes in a clean form, perfectly descriptive of the functionality of the object.
The valet hanger HONEY MOON is a gentle sign, an embroidery fretworked on the whiteness of the acrylic surface.
The form, designed by the function, foreshadows iconic references stratified in our memory.
The strength of the symbolic signs, that express perfectly definite messages, is mitigated by the contemporary cultural filters, that recognize the complexity of the methaforical interpretation.
Sunday Morning.
“To pick a piece of clothing from a support, light and sparkling like a Sunday Morning.
The upper pierced arch leans forward like a slice of sun.
Now I go out”.
Seductive and sculptural, this stainless steel valet stand with a precise geometric design has joined the already numerous INSILVIS suggestions in this sector to enhance their cultural stratification and stylistic heritage.
Insilvis, SIGN OF ORIENT AND OCCIDENT, valet standinsilvis
Thin lines carve the space with the strength and the clarity of the prophetical signs drawn on the sand.
The massive geometry of the base and the conical ends frames this spidery stainless steel structure.
The composition is symmetrical and rigorous, literally minimalist.
SIGN OF ORIENT AND OCCIDENT is made of stainless steel, due to its structural and corrosion resistance and low maintenance.
The valet stand is suitable not only for domestic use but also for commercial places.
Thin signs, taut lines, structural simplification.
This valet stand draws inspiration from the north wind and its literal and historical significance.
This wind forecasts weather and seasonal changes, thus metaphorically foreshadowing emotional and existential modifications.
A powerful impulse for renewal from the visible and invisible reality of the physical and spiritual world.
NORTHWIND is made of stainless steel, due to its structural and corrosion resistance and low maintenance: its motley brightness, furthermore, calls to mind the natural luminous changeability.
NORTHWIND is suitable not only for domestic use but also for commercial places.
Arquitectura Ecléctica e Historicista en Latinoaméricaimariagsg
La arquitectura ecléctica e historicista en Latinoamérica tuvo un impacto significativo y dejó un legado duradero en la región. Surgida entre finales del siglo XIX y principios del XX, esta corriente arquitectónica se caracteriza por la combinación de diversos estilos históricos europeos, adaptados a los contextos locales.
El movimiento moderno en la arquitectura venezolana tuvo sus inicios a mediados del siglo XX, influenciado por la corriente internacional del modernismo. Aunque inicialmente fue resistido por la sociedad conservadora y los arquitectos tradicionalistas, poco a poco se fue abriendo camino y dejando una huella importante en el país.
Uno de los arquitectos más destacados de la época fue Carlos Raúl Villanueva, quien dejó un legado significativo en la arquitectura venezolana con obras como la Ciudad Universitaria de Caracas, considerada Patrimonio de la Humanidad por la UNESCO. Su enfoque en la integración de la arquitectura con el entorno natural y la creación de espacios que favorecen la interacción social, marcaron un punto de inflexión en la arquitectura venezolana.
Otro arquitecto importante en la evolución del movimiento moderno en Venezuela fue Tomás Sanabria, quien también abogó por la integración de la arquitectura con el paisaje y la creación de espacios abiertos y funcionales. Su obra más conocida es el Parque Central, un complejo urbanístico que se convirtió en un ícono de la modernidad en Caracas.
En la actualidad, el movimiento moderno sigue teniendo influencia en la arquitectura venezolana, aunque se ha visto enriquecido por nuevas corrientes y enfoques que buscan combinar la modernidad con la identidad cultural del país. Proyectos como el Centro Simón Bolívar, diseñado por el arquitecto Fruto Vivas, son ejemplos de cómo la arquitectura contemporánea en Venezuela sigue evolucionando y adaptándose a las necesidades actuales.
