The Arabic language uses the harakaat (diacritic marks) - fatha, dhamma and kasra, as essential signs for conveying contextual meaning. Learning I'raab (the types of declension) feels like a game of chess and teachers often state it requires the mind of a king due to its precise, almost mathematical, approach to language structure.

1. ٌ‫د‬‫َي‬‫ز‬ َ‫ء‬‫َا‬‫ج‬
ِ‫ح‬‫الفت‬ ‫على‬ ‫مبني‬ ٍ‫ض‬‫ما‬ ٌ‫ل‬‫فع‬
‫االعراب‬ ‫من‬ ‫له‬ َّ‫ل‬َ‫ح‬َ‫م‬ ‫ال‬
َ‫ء‬‫َا‬‫ج‬
‫َة‬‫ر‬ِ‫ه‬‫َّا‬‫ظ‬‫ال‬ ُ‫ة‬َّ‫م‬َّ‫ض‬‫ال‬ ِ‫ه‬ِ‫ع‬‫رف‬ ُ‫ة‬‫عالم‬ ‫و‬ ٌِ‫ع‬‫مرفو‬ ٌ‫ل‬‫فاع‬
‫فرد‬ ٌ‫م‬‫ِس‬‫ا‬ ُ‫ه‬َّ‫ن‬َ‫أل‬ِِ
ٌ‫د‬‫َي‬‫ز‬

2. ِ‫ء‬َ‫ال‬ُ‫ؤ‬َ‫ه‬ َ‫ء‬‫َا‬‫ج‬
ِ‫ح‬‫الفت‬ ‫على‬ ‫مبني‬ ٍ‫ض‬‫ما‬ ٌ‫ل‬‫فع‬
‫االعراب‬ ‫من‬ ‫له‬ َّ‫ل‬َ‫ح‬َ‫م‬ ‫ال‬
َ‫ء‬‫َا‬‫ج‬
ِ‫ر‬‫الكس‬ ‫على‬ ٌ‫ي‬‫مبن‬ ٌ‫م‬‫اس‬
ٍ‫ل‬‫فاع‬ ِ‫ع‬‫رف‬ ِّ‫ل‬َ‫ح‬َ‫م‬ ‫ِي‬‫ف‬
ِ‫ء‬َ‫ال‬ُ‫ؤ‬َ‫ه‬

3. ِ‫ء‬َ‫ال‬ُ‫ؤ‬َ‫ه‬ ُ‫ت‬‫َد‬‫ه‬‫َا‬‫ش‬
ٍ‫ة‬‫مقدر‬ ٍ‫ة‬َ‫ح‬‫َت‬‫ف‬ ‫على‬ ‫مبني‬ ٍ‫ض‬‫ما‬ ٌ‫ل‬‫فع‬
ِ‫ل‬‫الفاع‬ ِ‫ء‬‫بتا‬ ‫اتصاله‬ ‫ظهورها‬ ‫من‬ ‫منع‬
َ‫د‬َ‫ه‬‫َا‬‫ش‬
ِّ‫م‬َّ‫ض‬‫ال‬ ‫على‬ ‫مبني‬ ٌ‫ل‬‫متص‬ ٌ‫ر‬‫ضمي‬
ٍ‫ل‬‫فاع‬ ِ‫ع‬‫رف‬ ِّ‫ل‬َ‫ح‬َ‫م‬ ‫ِي‬‫ف‬
ُ‫ت‬
ِ‫ر‬‫الكس‬ ‫على‬ ‫مبني‬ ٍ‫ة‬‫اشار‬ ُ‫م‬‫اس‬
ِ‫ه‬‫ب‬ ِ‫ل‬‫مفعو‬ ِ‫ب‬‫نص‬ ِّ‫ل‬َ‫ح‬َ‫م‬ ‫ِي‬‫ف‬
ِ‫ء‬َ‫ال‬ُ‫ؤ‬َ‫ه‬