K-12 Curriculum Grade 8 music third quarter topicSouth Asian Music MUsic of ...Elmer Llames
The document provides information on traditional music from South Asia. It discusses the main classical vocal and instrumental genres. For vocal music, it describes Hindustani and Carnatic traditions which developed over centuries and use melismatic singing. The major instrumental categories discussed are membranes (drums), wind instruments, and plucked/bowed strings. It provides details on instruments within each category like the tabla, bansuri flute, sitar, and sarangi. The text also classifies musical instruments used in Indian classical music into five traditional types based on their method of sound production.
This document provides an introduction to learning about the music of South, Central, and West Asia. It outlines objectives for students to listen to, analyze, relate to culture, and perform various styles of music from these regions. A pre-assessment activity is included to gauge students' existing knowledge of the vocal and instrumental music traditions in Central, South, and West Asia before lessons on specific countries are presented.
Indian classical music can be divided into two traditions - Hindustani from Northern India and Karnatic from Southern India. Both share similarities in using small ensembles, complex rhythmic systems called tala, and melodic scales called ragas. The main differences are the Hindustani tradition shows more influence from other regions while Karnatic retains a purer Indian form. Improvisation is a key element, allowing musicians to freely create melodies and rhythms based on the raga and tala.
Here are the key points to include in your comparison:
Vocal Music:
- Qawwali is a famous genre of Sufi Islamic music marked by intense devotion and mystical yearning for union with God. It originated in the Muslim culture of South Asia.
- Ghazal is a poetic form consisting of rhyming couplets and a refrain, with each line sharing the same meter. It is widely popular in Pakistan and expresses deep emotions like love and longing.
Instrumental Music:
- Sitar is a plucked stringed instrument used in classical music of Pakistan and India.
- Tabla is a popular percussion instrument consisting of two drums of slightly different sizes. It is used to keep rhythm
This document provides information about traditional music from India. It discusses the various genres of Indian classical music such as Carnatic and Hindustani music. It also describes different types of Indian musical instruments organized into categories - membranes (drums), wind instruments, plucked strings, and bowed strings. Specific instruments mentioned include the tabla, bansuri flute, sitar, veena, and sarangi. The document highlights that Indian music remains an important part of cultural expression and spiritual tradition.
The document discusses the two main traditions of classical Indian music, Hindustani and Karnatic. Hindustani music dominates northern India and has been influenced by groups from the Middle East, while Karnatic music is found in southern India and retains more purely Indian influences. Both share core musical elements like ragas (melodic scales) and talas (rhythmic cycles), but use different instruments. Ragas are complex and can depict emotions or seasons. Indian music is modal and relies on the drone note to provide harmonic context.
The document provides an overview of Indian classical music traditions, including Carnatic and Hindustani music. It discusses the key elements of Carnatic music, including the system of ragas (melodic scales) and talas (rhythmic cycles), as well as important saint composers. Hindustani music is described as existing in four major forms: Dhrupad, Khyal, Thumri and Tappa. The document also covers vocal and instrumental music of India, and describes several traditional Indian musical instruments.
K-12 Curriculum Grade 8 music third quarter topicSouth Asian Music MUsic of ...Elmer Llames
The document provides information on traditional music from South Asia. It discusses the main classical vocal and instrumental genres. For vocal music, it describes Hindustani and Carnatic traditions which developed over centuries and use melismatic singing. The major instrumental categories discussed are membranes (drums), wind instruments, and plucked/bowed strings. It provides details on instruments within each category like the tabla, bansuri flute, sitar, and sarangi. The text also classifies musical instruments used in Indian classical music into five traditional types based on their method of sound production.
This document provides an introduction to learning about the music of South, Central, and West Asia. It outlines objectives for students to listen to, analyze, relate to culture, and perform various styles of music from these regions. A pre-assessment activity is included to gauge students' existing knowledge of the vocal and instrumental music traditions in Central, South, and West Asia before lessons on specific countries are presented.
Indian classical music can be divided into two traditions - Hindustani from Northern India and Karnatic from Southern India. Both share similarities in using small ensembles, complex rhythmic systems called tala, and melodic scales called ragas. The main differences are the Hindustani tradition shows more influence from other regions while Karnatic retains a purer Indian form. Improvisation is a key element, allowing musicians to freely create melodies and rhythms based on the raga and tala.
Here are the key points to include in your comparison:
Vocal Music:
- Qawwali is a famous genre of Sufi Islamic music marked by intense devotion and mystical yearning for union with God. It originated in the Muslim culture of South Asia.
- Ghazal is a poetic form consisting of rhyming couplets and a refrain, with each line sharing the same meter. It is widely popular in Pakistan and expresses deep emotions like love and longing.
Instrumental Music:
- Sitar is a plucked stringed instrument used in classical music of Pakistan and India.
- Tabla is a popular percussion instrument consisting of two drums of slightly different sizes. It is used to keep rhythm
This document provides information about traditional music from India. It discusses the various genres of Indian classical music such as Carnatic and Hindustani music. It also describes different types of Indian musical instruments organized into categories - membranes (drums), wind instruments, plucked strings, and bowed strings. Specific instruments mentioned include the tabla, bansuri flute, sitar, veena, and sarangi. The document highlights that Indian music remains an important part of cultural expression and spiritual tradition.
The document discusses the two main traditions of classical Indian music, Hindustani and Karnatic. Hindustani music dominates northern India and has been influenced by groups from the Middle East, while Karnatic music is found in southern India and retains more purely Indian influences. Both share core musical elements like ragas (melodic scales) and talas (rhythmic cycles), but use different instruments. Ragas are complex and can depict emotions or seasons. Indian music is modal and relies on the drone note to provide harmonic context.
The document provides an overview of Indian classical music traditions, including Carnatic and Hindustani music. It discusses the key elements of Carnatic music, including the system of ragas (melodic scales) and talas (rhythmic cycles), as well as important saint composers. Hindustani music is described as existing in four major forms: Dhrupad, Khyal, Thumri and Tappa. The document also covers vocal and instrumental music of India, and describes several traditional Indian musical instruments.
The document provides information about the traditional music of Japan, China, and Korea. It discusses the influence of religion and philosophy on the development of music in these cultures. It also lists and describes traditional musical instruments from each country, including strings like the koto, shamisen, and geomungo, percussion like the taiko and changgo, and winds such as the shakuhachi and piri. The document emphasizes that East Asian music is often meditative and meant to express spiritual mastery rather than simply entertainment.
The document discusses several traditional Indian folk instruments: the Jaltarang, Tabla, Shehnai, Sitar, and Bansuri. The Jaltarang is a percussion instrument played with two sticks hitting bowls of water, producing a melodious sound. The Tabla is considered the queen of drums, consisting of two drums played together in Hindustani classical and traditional Indian music. The Shehnai is a woodwind instrument similar to the oboe with 6-9 holes, used widely in marriages and temples. The Sitar is a plucked string instrument derived from the Veena used in Hindustani and Indian classical music. Finally, the Bansuri is a bamboo woodwind instrument
Indian classical music has been developing since 1700 BC into a strong tradition still practiced today. It contains ragas (melodic modes), talas (rhythmic cycles), and drone (a continuous pitch). A raga uses a scale and melody to evoke particular moods and feelings. Tala provides rhythmic structure. Drone emphasizes important notes. Performances have four sections - opening with simple improvisation, middle with greater tempo and complexity, final section with percussion and complex ideas, and closing. Common instruments include tabla, harmonium, tanpura, and sitar. Famous performers are Ravi Shankar and Alla Rakha.
The document summarizes the two main traditions of Indian classical music, Hindustani from Northern India and Karnatic from Southern India. Both share similarities like use of melodic instruments, complex rhythmic systems, and scales called ragas. However, Hindustani was influenced by migrations from the Middle East while Karnatic integrated European concepts after British rule. The key elements of melody, rhythm, harmony and instruments are also described for each tradition.
The five players on each side fall into five playing positions. The tallest player is usually the center, the second-tallest and strongest is the power forward, a slightly shorter but more agile player is the small forward, and the shortest players or the best ball handlers are the shooting guard and the point guard, who implements the coach's game plan by managing the execution of offensive and defensive plays (player positioning). Informally, players may play three-on-three, two-on-two, and one-on-one.
Invented in 1891 by Canadian-American gym teacher James Naismith in Springfield, Massachusetts, United States, basketball has evolved to become one of the world's most popular and widely viewed sports.[1][2] The National Basketball Association (NBA) is the most significant professional basketball league in the world in terms of popularity, salaries, talent, and level of competition.[3][4] Outside North America, the top clubs from national leagues qualify to continental championships such as the EuroLeague and the Basketball Champions League Americas. The FIBA Basketball World Cup and Men's Olympic Basketball Tournament are the major international events of the sport and attract top national teams from around the world. Each continent hosts regional competitions for national teams, like EuroBasket and FIBA AmeriCup.
The FIBA Women's Basketball World Cup and Women's Olympic Basketball Tournament feature top national teams from continental championships. The main North American league is the WNBA (NCAA Women's Division I Basketball Championship is also popular), whereas the strongest European clubs participate in the EuroLeague Women.
The five players on each side fall into five playing positions. The tallest player is usually the center, the second-tallest and strongest is the power forward, a slightly shorter but more agile player is the small forward, and the shortest players or the best ball handlers are the shooting guard and the point guard, who implements the coach's game plan by managing the execution of offensive and defensive plays (player positioning). Informally, players may play three-on-three, two-on-two, and one-on-one.
Invented in 1891 by Canadian-American gym teacher James Naismith in Springfield, Massachusetts, United States, basketball has evolved to become one of the world's most popular and widely viewed sports.[1][2] The National Basketball Association (NBA) is the most significant professional basketball league in the world in terms of popularity, salaries, talent, and level of competition.[3][4] Outside North America, the top clubs from national leagues qualify to continental championships such as the EuroLeague and the Basketball Champions League Americas. The FIBA Basketball World Cup and Men's Olympic Basketball Tournament are the major international events of the sport and attract top national teams from around the world. Each continent hosts regional competitions for national teams, like EuroBasket and FIBA AmeriCup.
East Asia can be viewed as one of the big four among the generally urban, literate cultural areas of the world. The other three are South Asia, the Middle East, and Europe. Around each of these major regional cultures one can find many satellite musical systems known as national forms. In most cases, the fundamental musical concepts of such national forms reflect the basic ideals of the cultural core. For example, the musics of Iran and Egypt are of one family, as are those of France and Sweden or of China and Japan. A possible fifth addition to the “big four” concept is the Southeast Asian musical culture characterized by the use of knobbed gongs. Its documents on music theory from the 18th to the 20th century combine South and East Asian concepts with indigenous insights. Its most distinctive aspects are its instrument types and resulting ensembles and forms.
Using instrument type alone as a measure, it is sometimes possible to note cultural influences and mixtures of the major traditions in smaller units. For example, the physical structure and playing positions of various bowed instruments in mainland Southeast Asia can often mark clearly Chinese influence, as in Vietnam, or Muslim and Chinese forms in confluence, as in the various bowed lutes of courtly ensembles in Cambodia and Thailand. By the same token, the appearance of flat gongs in mainland Southeast Asia shows Chinese connections, while the knobbed gongs clearly stem from Southeast Asian culture proper.
Concepts of music
If one turns to distinctions in musical style, one of the first questions to arise is “What is music?” Two basic definitions will suffice for the present discussion. The first definition is cultural: a sonic event can be called music if the people who use it call it music, regardless of one’s own reaction to it. Similarly, certain events that sound musical to foreign ears are not music culturally if they are not accepted as such by native culture carriers. A good example of such a situation is found in the Middle East, where singing is never allowed in the mosque, though one may hear performances and even buy records of “readings” from the Qurʾān. Such cultural and functional problems of definition seldom arise in East Asian music, and a more neutral definition is appropriate. A sound event may be considered and studied as music if it combines the elements of pitch, rhythm, and loudness in such a way that they communicate emotionally, aesthetically, or functionally on the levels that either transcend or are unrelated to speech communication. Those who have been moved by a love song or a lament can well appreciate some of the implications of such a view of music. When listening to “exotic” music—i.e., that of a tradition outside one’s own background—it is important to remember that such transcendental values are at work for the alien listener as well as for listeners familiar with the particular musical language in use.
There are many kinds of music and arts nowss
East Asian Music Powerpoint Second Quarter.pptxgereshmartin11
The document provides information on the traditional music of Japan, China, and Korea. It discusses the influences on their musical styles and scales, as well as important genres and instruments. For Japan, it notes the influences of court music from China and Shinto and Buddhist beliefs. It describes gagaku as the only surviving court music and identifies key instrument types. For China, it mentions the use of the pentatonic scale and classification of instruments by material. For Korea, it outlines categories of music like pansori and identifies the kayagum as the best known traditional instrument.
The document provides information on the traditional music of Japan, China, and Korea. It discusses the influences on their musical styles and scales, as well as important genres and instruments. For Japan, it notes the influences of court music from China and Shinto and Buddhist beliefs. It describes gagaku as the only surviving court music and identifies key instrument types. For China, it discusses the use of the pentatonic scale and classification of instruments. For Korea, it outlines traditional genres like pansori and important string and wind instruments.
How to Play the Indian Drum: A Step-By-Step GuideBnher.com
The mesmerizing rhythms of Indian music have captivated audiences worldwide, and at the heart of this rhythmic tapestry lies the Indian drum, a diverse family of percussion instruments. From the tabla to the mridangam, each drum brings its unique character to the rich tradition of Indian music. In this article, we will delve into the intricacies of playing the Indian drum, exploring techniques, cultural nuances, and the profound role these drums play in shaping the musical landscape.
East asian music grade 8 K-12 Music Topic Second QuarterElmer Llames
Japanese music is based on two pentatonic scales called Yo-sen and In-sen modes. It is typically monophonic in nature and uses instruments like the koto, shamisen, and various flutes and drums. Japanese music has a meditative and spiritual character, with an emphasis on composure and mastery of the instrument rather than complex technique. A traditional folk song is Sakura, about cherry blossoms, while other East Asian musics like Chinese folk song Mo Li Hua and Korean folk song Arirang also make use of pentatonic scales and have lyrical melodies.
Grade 8 - Music of East Asia (2nd Quarter)Christine R
The document provides information about traditional music styles of Japan, China, and Korea. It discusses the influence of religion and philosophy on the development of music in these countries. Japanese music is meditative in nature and based on intervals of breathing. Performance is highly ritualized. Chinese music uses pentatonic scales and instruments are classified by material. Korean music has a slow tempo and includes court, popular, and ritual styles like Pansori involving singing and drums.
This document provides information on the instrumental music of India, Pakistan, Israel, and other West Asian countries. It discusses the classification of instruments in India into five categories - ghan, avanaddh, sushir, tat, and vitat. It also describes the two main vocal styles of singing in Pakistani music - ghazal and qawwali. The document outlines the two divisions of Jewish music as devotional and secular. It notes that Israeli singers have a distinctive vocal style and lists some significant instruments used in the music of Israel and other West Asian countries.
This document provides information about various traditional Indian musical instruments through descriptions of their construction, use, and notable players. It discusses the sitar, tabla, mridangam, sarangi, bansuri, shehnai, sarod, dholak, ghatam, nadaswaram, shanka, pakhawaj, ravanahatha, and alghoza. For each instrument, it conveys key details about the instrument's physical properties and role in Indian classical or folk music.
Gr 8 music q3 page 121 #mcspicyishere http://ph.sharings.cc/teachermarley/s...S Marley
India has a rich musical tradition with both vocal and instrumental music. Vocal music includes Carnatic music from South India and Hindustani music from North India, both of which use melismatic singing. Instrumental music is classified into five categories - percussion instruments like ghatam and tabla, wind instruments like bansuri and shehnai, string instruments like sitar and sarangi, and bowed instruments like esraj. Rhythm also plays an important role in Indian music through the concept of tala, with instruments like tabla and mridangam keeping rhythm.
Carnatic music is one of the oldest classical music systems in the world with roots tracing back 4000 BC. It developed in South India and is distinct from Hindustani classical music which developed in North India. Carnatic music places strong emphasis on detailed musical compositions set to spiritual Tamil lyrics along with technical elements like intricate rhythms and ragas. It continues to be a vibrant musical tradition passed down through generations of gurus and remains deeply influential in South Indian culture.
Indian music is based on traditional sacred Vedic chants that are over 2,000 years old. These chants are accompanied by string instruments and drums, and sometimes incorporate dance. Indians believe that their traditional music has the power to positively impact nature and healing. The goal of Indian music is to convey particular moods and emotions.
Indian music is based on traditional sacred Vedic chants that are over 2,000 years old. These chants are accompanied by string instruments and drums, and sometimes incorporate dance. Indians believe that their traditional music has the power to positively impact nature and healing. The goal of Indian music is to convey particular moods and emotions.
This document summarizes several traditional Indian musical instruments organized by type: aerophones (wind instruments), idiophones (instruments producing sound through vibration without strings or membranes), membranophones (instruments with membranes that produce sound through vibration), and chordophones (stringed instruments). Some of the instruments described include the bansuri flute, shehnai oboe, ghatam clay pot, tabla hand drums, tanpura long-necked lute, and sarod plucked lute. Many Indian instruments have religious and cultural significance and are used in both classical and folk music traditions.
Indian classical music originated in ancient Hindu scriptures like the Vedas. It uses a system of notes like sa re ga ma that are similar to Western music's do re mi fa but uses just intonation tuning rather than equal temperament. Indian classical music places great emphasis on improvisation.
The document provides information about the traditional music of Japan, China, and Korea. It discusses the influence of religion and philosophy on the development of music in these cultures. It also lists and describes traditional musical instruments from each country, including strings like the koto, shamisen, and geomungo, percussion like the taiko and changgo, and winds such as the shakuhachi and piri. The document emphasizes that East Asian music is often meditative and meant to express spiritual mastery rather than simply entertainment.
The document discusses several traditional Indian folk instruments: the Jaltarang, Tabla, Shehnai, Sitar, and Bansuri. The Jaltarang is a percussion instrument played with two sticks hitting bowls of water, producing a melodious sound. The Tabla is considered the queen of drums, consisting of two drums played together in Hindustani classical and traditional Indian music. The Shehnai is a woodwind instrument similar to the oboe with 6-9 holes, used widely in marriages and temples. The Sitar is a plucked string instrument derived from the Veena used in Hindustani and Indian classical music. Finally, the Bansuri is a bamboo woodwind instrument
Indian classical music has been developing since 1700 BC into a strong tradition still practiced today. It contains ragas (melodic modes), talas (rhythmic cycles), and drone (a continuous pitch). A raga uses a scale and melody to evoke particular moods and feelings. Tala provides rhythmic structure. Drone emphasizes important notes. Performances have four sections - opening with simple improvisation, middle with greater tempo and complexity, final section with percussion and complex ideas, and closing. Common instruments include tabla, harmonium, tanpura, and sitar. Famous performers are Ravi Shankar and Alla Rakha.
The document summarizes the two main traditions of Indian classical music, Hindustani from Northern India and Karnatic from Southern India. Both share similarities like use of melodic instruments, complex rhythmic systems, and scales called ragas. However, Hindustani was influenced by migrations from the Middle East while Karnatic integrated European concepts after British rule. The key elements of melody, rhythm, harmony and instruments are also described for each tradition.
The five players on each side fall into five playing positions. The tallest player is usually the center, the second-tallest and strongest is the power forward, a slightly shorter but more agile player is the small forward, and the shortest players or the best ball handlers are the shooting guard and the point guard, who implements the coach's game plan by managing the execution of offensive and defensive plays (player positioning). Informally, players may play three-on-three, two-on-two, and one-on-one.
Invented in 1891 by Canadian-American gym teacher James Naismith in Springfield, Massachusetts, United States, basketball has evolved to become one of the world's most popular and widely viewed sports.[1][2] The National Basketball Association (NBA) is the most significant professional basketball league in the world in terms of popularity, salaries, talent, and level of competition.[3][4] Outside North America, the top clubs from national leagues qualify to continental championships such as the EuroLeague and the Basketball Champions League Americas. The FIBA Basketball World Cup and Men's Olympic Basketball Tournament are the major international events of the sport and attract top national teams from around the world. Each continent hosts regional competitions for national teams, like EuroBasket and FIBA AmeriCup.
The FIBA Women's Basketball World Cup and Women's Olympic Basketball Tournament feature top national teams from continental championships. The main North American league is the WNBA (NCAA Women's Division I Basketball Championship is also popular), whereas the strongest European clubs participate in the EuroLeague Women.
The five players on each side fall into five playing positions. The tallest player is usually the center, the second-tallest and strongest is the power forward, a slightly shorter but more agile player is the small forward, and the shortest players or the best ball handlers are the shooting guard and the point guard, who implements the coach's game plan by managing the execution of offensive and defensive plays (player positioning). Informally, players may play three-on-three, two-on-two, and one-on-one.
Invented in 1891 by Canadian-American gym teacher James Naismith in Springfield, Massachusetts, United States, basketball has evolved to become one of the world's most popular and widely viewed sports.[1][2] The National Basketball Association (NBA) is the most significant professional basketball league in the world in terms of popularity, salaries, talent, and level of competition.[3][4] Outside North America, the top clubs from national leagues qualify to continental championships such as the EuroLeague and the Basketball Champions League Americas. The FIBA Basketball World Cup and Men's Olympic Basketball Tournament are the major international events of the sport and attract top national teams from around the world. Each continent hosts regional competitions for national teams, like EuroBasket and FIBA AmeriCup.
East Asia can be viewed as one of the big four among the generally urban, literate cultural areas of the world. The other three are South Asia, the Middle East, and Europe. Around each of these major regional cultures one can find many satellite musical systems known as national forms. In most cases, the fundamental musical concepts of such national forms reflect the basic ideals of the cultural core. For example, the musics of Iran and Egypt are of one family, as are those of France and Sweden or of China and Japan. A possible fifth addition to the “big four” concept is the Southeast Asian musical culture characterized by the use of knobbed gongs. Its documents on music theory from the 18th to the 20th century combine South and East Asian concepts with indigenous insights. Its most distinctive aspects are its instrument types and resulting ensembles and forms.
Using instrument type alone as a measure, it is sometimes possible to note cultural influences and mixtures of the major traditions in smaller units. For example, the physical structure and playing positions of various bowed instruments in mainland Southeast Asia can often mark clearly Chinese influence, as in Vietnam, or Muslim and Chinese forms in confluence, as in the various bowed lutes of courtly ensembles in Cambodia and Thailand. By the same token, the appearance of flat gongs in mainland Southeast Asia shows Chinese connections, while the knobbed gongs clearly stem from Southeast Asian culture proper.
Concepts of music
If one turns to distinctions in musical style, one of the first questions to arise is “What is music?” Two basic definitions will suffice for the present discussion. The first definition is cultural: a sonic event can be called music if the people who use it call it music, regardless of one’s own reaction to it. Similarly, certain events that sound musical to foreign ears are not music culturally if they are not accepted as such by native culture carriers. A good example of such a situation is found in the Middle East, where singing is never allowed in the mosque, though one may hear performances and even buy records of “readings” from the Qurʾān. Such cultural and functional problems of definition seldom arise in East Asian music, and a more neutral definition is appropriate. A sound event may be considered and studied as music if it combines the elements of pitch, rhythm, and loudness in such a way that they communicate emotionally, aesthetically, or functionally on the levels that either transcend or are unrelated to speech communication. Those who have been moved by a love song or a lament can well appreciate some of the implications of such a view of music. When listening to “exotic” music—i.e., that of a tradition outside one’s own background—it is important to remember that such transcendental values are at work for the alien listener as well as for listeners familiar with the particular musical language in use.
There are many kinds of music and arts nowss
East Asian Music Powerpoint Second Quarter.pptxgereshmartin11
The document provides information on the traditional music of Japan, China, and Korea. It discusses the influences on their musical styles and scales, as well as important genres and instruments. For Japan, it notes the influences of court music from China and Shinto and Buddhist beliefs. It describes gagaku as the only surviving court music and identifies key instrument types. For China, it mentions the use of the pentatonic scale and classification of instruments by material. For Korea, it outlines categories of music like pansori and identifies the kayagum as the best known traditional instrument.
The document provides information on the traditional music of Japan, China, and Korea. It discusses the influences on their musical styles and scales, as well as important genres and instruments. For Japan, it notes the influences of court music from China and Shinto and Buddhist beliefs. It describes gagaku as the only surviving court music and identifies key instrument types. For China, it discusses the use of the pentatonic scale and classification of instruments. For Korea, it outlines traditional genres like pansori and important string and wind instruments.
How to Play the Indian Drum: A Step-By-Step GuideBnher.com
The mesmerizing rhythms of Indian music have captivated audiences worldwide, and at the heart of this rhythmic tapestry lies the Indian drum, a diverse family of percussion instruments. From the tabla to the mridangam, each drum brings its unique character to the rich tradition of Indian music. In this article, we will delve into the intricacies of playing the Indian drum, exploring techniques, cultural nuances, and the profound role these drums play in shaping the musical landscape.
East asian music grade 8 K-12 Music Topic Second QuarterElmer Llames
Japanese music is based on two pentatonic scales called Yo-sen and In-sen modes. It is typically monophonic in nature and uses instruments like the koto, shamisen, and various flutes and drums. Japanese music has a meditative and spiritual character, with an emphasis on composure and mastery of the instrument rather than complex technique. A traditional folk song is Sakura, about cherry blossoms, while other East Asian musics like Chinese folk song Mo Li Hua and Korean folk song Arirang also make use of pentatonic scales and have lyrical melodies.
Grade 8 - Music of East Asia (2nd Quarter)Christine R
The document provides information about traditional music styles of Japan, China, and Korea. It discusses the influence of religion and philosophy on the development of music in these countries. Japanese music is meditative in nature and based on intervals of breathing. Performance is highly ritualized. Chinese music uses pentatonic scales and instruments are classified by material. Korean music has a slow tempo and includes court, popular, and ritual styles like Pansori involving singing and drums.
This document provides information on the instrumental music of India, Pakistan, Israel, and other West Asian countries. It discusses the classification of instruments in India into five categories - ghan, avanaddh, sushir, tat, and vitat. It also describes the two main vocal styles of singing in Pakistani music - ghazal and qawwali. The document outlines the two divisions of Jewish music as devotional and secular. It notes that Israeli singers have a distinctive vocal style and lists some significant instruments used in the music of Israel and other West Asian countries.
This document provides information about various traditional Indian musical instruments through descriptions of their construction, use, and notable players. It discusses the sitar, tabla, mridangam, sarangi, bansuri, shehnai, sarod, dholak, ghatam, nadaswaram, shanka, pakhawaj, ravanahatha, and alghoza. For each instrument, it conveys key details about the instrument's physical properties and role in Indian classical or folk music.
Gr 8 music q3 page 121 #mcspicyishere http://ph.sharings.cc/teachermarley/s...S Marley
India has a rich musical tradition with both vocal and instrumental music. Vocal music includes Carnatic music from South India and Hindustani music from North India, both of which use melismatic singing. Instrumental music is classified into five categories - percussion instruments like ghatam and tabla, wind instruments like bansuri and shehnai, string instruments like sitar and sarangi, and bowed instruments like esraj. Rhythm also plays an important role in Indian music through the concept of tala, with instruments like tabla and mridangam keeping rhythm.
Carnatic music is one of the oldest classical music systems in the world with roots tracing back 4000 BC. It developed in South India and is distinct from Hindustani classical music which developed in North India. Carnatic music places strong emphasis on detailed musical compositions set to spiritual Tamil lyrics along with technical elements like intricate rhythms and ragas. It continues to be a vibrant musical tradition passed down through generations of gurus and remains deeply influential in South Indian culture.
Indian music is based on traditional sacred Vedic chants that are over 2,000 years old. These chants are accompanied by string instruments and drums, and sometimes incorporate dance. Indians believe that their traditional music has the power to positively impact nature and healing. The goal of Indian music is to convey particular moods and emotions.
Indian music is based on traditional sacred Vedic chants that are over 2,000 years old. These chants are accompanied by string instruments and drums, and sometimes incorporate dance. Indians believe that their traditional music has the power to positively impact nature and healing. The goal of Indian music is to convey particular moods and emotions.
This document summarizes several traditional Indian musical instruments organized by type: aerophones (wind instruments), idiophones (instruments producing sound through vibration without strings or membranes), membranophones (instruments with membranes that produce sound through vibration), and chordophones (stringed instruments). Some of the instruments described include the bansuri flute, shehnai oboe, ghatam clay pot, tabla hand drums, tanpura long-necked lute, and sarod plucked lute. Many Indian instruments have religious and cultural significance and are used in both classical and folk music traditions.
Indian classical music originated in ancient Hindu scriptures like the Vedas. It uses a system of notes like sa re ga ma that are similar to Western music's do re mi fa but uses just intonation tuning rather than equal temperament. Indian classical music places great emphasis on improvisation.
Similar a tabla tales a journey through history.pptx (20)
The Hope of Salvation - Jude 1:24-25 - MessageCole Hartman
Jude gives us hope at the end of a dark letter. In a dark world like today, we need the light of Christ to shine brighter and brighter. Jude shows us where to fix our focus so we can be filled with God's goodness and glory. Join us to explore this incredible passage.
The Enchantment and Shadows_ Unveiling the Mysteries of Magic and Black Magic...Phoenix O
This manual will guide you through basic skills and tasks to help you get started with various aspects of Magic. Each section is designed to be easy to follow, with step-by-step instructions.
Sanatan Vastu | Experience Great Living | Vastu ExpertSanatan Vastu
Santan Vastu Provides Vedic astrology courses & Vastu remedies, If you are searching Vastu for home, Vastu for kitchen, Vastu for house, Vastu for Office & Factory. Best Vastu in Bahadurgarh. Best Vastu in Delhi NCR
The forces involved in this witchcraft spell will re-establish the loving bond between you and help to build a strong, loving relationship from which to start anew. Despite any previous hardships or problems, the spell work will re-establish the strong bonds of friendship and love upon which the marriage and relationship originated. Have faith, these stop divorce and stop separation spells are extremely powerful and will reconnect you and your partner in a strong and harmonious relationship.
My ritual will not only stop separation and divorce, but rebuild a strong bond between you and your partner that is based on truth, honesty, and unconditional love. For an even stronger effect, you may want to consider using the Eternal Love Bond spell to ensure your relationship and love will last through all tests of time. If you have not yet determined if your partner is considering separation or divorce, but are aware of rifts in the relationship, try the Love Spells to remove problems in a relationship or marriage. Keep in mind that all my love spells are 100% customized and that you'll only need 1 spell to address all problems/wishes.
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A Free eBook ~ Valuable LIFE Lessons to Learn ( 5 Sets of Presentations)...OH TEIK BIN
A free eBook comprising 5 sets of PowerPoint presentations of meaningful stories /Inspirational pieces that teach important Dhamma/Life lessons. For reflection and practice to develop the mind to grow in love, compassion and wisdom. The texts are in English and Chinese.
My other free eBooks can be obtained from the following Links:
https://www.slideshare.net/ohteikbin/presentations
https://www.slideshare.net/ohteikbin/documents
A375 Example Taste the taste of the Lord, the taste of the Lord The taste of...franktsao4
It seems that current missionary work requires spending a lot of money, preparing a lot of materials, and traveling to far away places, so that it feels like missionary work. But what was the result they brought back? It's just a lot of photos of activities, fun eating, drinking and some playing games. And then we have to do the same thing next year, never ending. The church once mentioned that a certain missionary would go to the field where she used to work before the end of his life. It seemed that if she had not gone, no one would be willing to go. The reason why these missionary work is so difficult is that no one obeys God’s words, and the Bible is not the main content during missionary work, because in the eyes of those who do not obey God’s words, the Bible is just words and cannot be connected with life, so Reading out God's words is boring because it doesn't have any life experience, so it cannot be connected with human life. I will give a few examples in the hope that this situation can be changed. A375
The Book of Ruth is included in the third division, or the Writings, of the Hebrew Bible. In most Christian canons it is treated as one of the historical books and placed between Judges and 1 Samuel.
1. Tabla Tales: Journey through
History, Rhythm, and Meditation
in Indian Classical Music
2. INTRODUCTION
A tabla is a pair of hand drums from the Indian subcontinent,
serving as the principal percussion instrument in Hindustani
classical music since the 18th century.
It can be played solo, as an accompaniment with other
instruments and vocals, or as part of larger ensembles in
various musical performances across countries like India,
Bangladesh, Afghanistan, Pakistan, Nepal, and Sri Lanka.
The name likely originates from the Arabic word for ‘tabl’ which
means drum, and the instrument consists of two drums of
different sizes and materials for creating treble and bass
sounds.
The smaller drum is called "tabla" and the larger drum is called
"bayan."
The playing technique involves intricate finger and palm
movements to produce a diverse range of sounds and rhythms.
3. HISTORY AND EVOLUTION OF TABLA
Origins of tabla: The tabla can be traced back to ancient percussion
instruments like the puskara and mridanga, which were used in early
Indian music and dance traditions.
Historical context: The emergence of the tabla was deeply intertwined
with the socio-cultural context of India, particularly during the Mughal
era. It was during this time that the tabla became associated with Sufi
mysticism, as Sufi saints and poets used music as a medium to
express their devotion and connect with the divine. The tabla also
received patronage from the Mughal courts, where it was performed
in royal gatherings and courtly events.
Evolutionary milestones: The transformation of the tabla from its
rudimentary forms to the sophisticated instrument we know today
was a gradual process marked by several milestones. One significant
milestone was the addition of the bayan in the 18th century.
4. THE LANGUAGE OF RHYTHM: UNDERSTANDING TAAL
Explanation of taal: The taal is defined as the rhythmic framework
governing tabla compositions, consisting of a fixed number of beats
(matras) organized into rhythmic cycles (avartans).
Demonstration of common taals: The rhythmic patterns of popular
taals like Teentaal (16 beats), Ektaal (12 beats), and Rupak (7 beats),
illustrating their rhythmic structures and subdivisions (vibhags).
Insights into improvisational techniques: Explore advanced rhythmic
concepts such as tihai (repeated rhythmic phrases ending on the
first beat of the cycle) and layakari (tempo modulation),
showcasing the virtuosity and creativity of tabla players.
Basic Strokes played only on the Dayan (Right hand Drum)
Ta or Na
Tin or Ti
Din or Tun
Te
Basic strokes played only on the Bayan (Left hand Drum)
Ge or Ghe
Ka,Ke,Ki or Kat
Read More
5. ROLE OF TABLA IN INDIAN CLASSICAL MUSIC
Tabla as a rhythmic backbone: The tabla plays a crucial role in
Indian classical music by providing rhythmic support and
embellishment to vocal and instrumental performances. As the
rhythmic backbone of the ensemble, the tabla player sets the
tempo, maintains the beat, and adds intricate rhythmic patterns
that enhance the overall aesthetic experience.
Tabla as an accompaniment: In the realm of Indian classical
music, the tabla is a versatile instrument that adapts to various
genres and styles, showcasing its ability to enhance different
musical forms.
In khayal the tabla player supports the vocalist by providing
rhythmic accompaniment and improvisational interludes, adding
depth and complexity to the performance. In thumri, the tabla
player adds a layer of rhythmic embellishment that complements
the lyrical content of the composition.
In raga improvisation, both in Hindustani and Carnatic music, the
tabla player engages in intricate rhythmic dialogues with the lead
artist, exchanging rhythmic patterns and motifs in a dynamic and
interactive manner.
6. 06
TABLA AND MEDITATION: THE SPIRITUAL ASPECT
Meditation: Playing the tabla involves intense focus, concentration, and
discipline, leading to a meditative state for both the player and the listener. The
repetitive practice of tabla compositions and rhythms can promote mindfulness
and inner peace, akin to the benefits of meditation.
Connection to spirituality: The tabla holds profound spiritual importance in Indian
culture, linked to religious rituals and devotional music. Its rhythmic patterns and
compositions can evoke spiritual connections and transcendence, enabling
players and listeners to reach elevated states of consciousness.
Symbolism and metaphors: The tabla is symbolically interpreted as representing
the cycle of life and creation, with its two drums symbolizing the duality and
balance of existence. The interplay between the dayan and bayan drums
signifies the cosmic rhythm and harmony that underpins creation, illustrating the
interconnectedness of all beings and the universe.
Healing and therapeutic benefits: The vibrations and rhythms of the tabla drums
are thought to possess healing and therapeutic qualities that benefit physical,
emotional, and spiritual well-being. Listening to or playing tabla music can have
a calming and soothing effect on the mind and body, aiding in stress reduction,
anxiety relief, and emotional balance.
7. 07
CONCLUSION
Read More
In conclusion, our exploration of tabla music has illuminated its rich tapestry of
history, rhythm, and spiritual resonance. We've traced the instrument's evolution
from ancient percussion traditions to its esteemed position in Indian classical music
today. Through our journey, we've delved into the language of rhythm,
understanding taal as the foundational framework that breathes life into tabla
compositions. From the intricate patterns of Teentaal to the meditative allure of
Rupak, tabla's rhythmic language transcends mere beats, offering a gateway to
deeper musical expression and spiritual connection.