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THE
MODERN
GHETTO
INTRO-
DUCTION
The Modern Ghetto discusses the effects of gentrification
on lower class individuals, families & small businesses. The
discussions held aim to reach a place where advancement
& change can happen while also giving people reassur-
ance that they have other options & won’t be kicked out
what they thought was theirs.
WORD LIST
culture
loss
homelessness
higher income
race
white
black
hispanic
asian
displacement
demographic
change
brooklyn
bronx
queens
harlem
slums
dangerous
pleas
complaints
public works
grassroots
petition
city planning
history
rejection
suburbia
corporate
grit
bodegas
eviction
landlords
tenants
rents
developers
trendy
Williamsburg
hipster
reinvent
empty nest
community
affluent
Soho
urban
barrier
boundary
safety
foreclosure
homogenized
public
luxury
authentic
vegan
food truck
high rise
walkup
modern
ghetto
origins
upscale
TYPO―
GRAPHYTRIPTYCH #1
With this symposium , I aimed to show the “layers” that
make what gentrification is and how it’s perceived in
New York. At first, I initially tried to depict this by layer-
ing typefaces that varied in style and blurring the more
modern and hip typeface to emphasize the changing
dynamic that’s occuring where developers are buying
out the lots and bringing in new, young, and wealthy
residents. By doing so, the developers outprice the orig-
inal residents since rents raise and the authentic cul-
ture of the neighborhood and the original residents are
forced to move. However, this approach wasn’t success-
ful and I decided to get more experimental and tried to
depict this through the approach. I thought about how
digital formats came and slowly replaced formats that
required more manual effort and applied it to this new
approach. I decided to depict this by hand drawing the
“modern and hip” typeface that I used in the first ap-
proach and distort it using a scanner.
JUXTAPOSITION
With the idea of being experimental, I really wanted to
incorporate collage and aspects of photography that
would show how things could change quickly but also
feel very similar. I decided to go out to Sunset Park in
Brooklyn to see if I could photograph this change while
walking between avenues towards Industry City. Due to
the overall environment of Brooklyn and Industry City, I
decided to combine different trends that I’ve noticed
on Instagram, mainly being the new popularity of dis-
posable film photography, collages, and gradients
TRIPTYCH #2
SYMBOL
I originaly thought about using the moon as a symbol
since it’s cyclic and I thought gentrification was cyclic
and out of anyone’s control like the moon. However,
after doing some research and finding out that gentri-
fication happens because there’s a lot of empty lots in a
community that developers buy to bring in “new”
money and that a woman that lived in her residence
for 25 years fought to keep her place, I decided to
change my symbol to hands. Hands are a universal
symbol and certain gestures can be intrepreted differ-
netly and mean different things in different cultures.
TRIPTYCH #3
The Modern Ghetto Final - Sydnie Jaime
The Modern Ghetto Final - Sydnie Jaime
The Modern Ghetto Final - Sydnie Jaime

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The Modern Ghetto Final - Sydnie Jaime

  • 2. INTRO- DUCTION The Modern Ghetto discusses the effects of gentrification on lower class individuals, families & small businesses. The discussions held aim to reach a place where advancement & change can happen while also giving people reassur- ance that they have other options & won’t be kicked out what they thought was theirs.
  • 3. WORD LIST culture loss homelessness higher income race white black hispanic asian displacement demographic change brooklyn bronx queens harlem slums dangerous pleas complaints public works grassroots petition city planning history rejection suburbia corporate grit bodegas eviction landlords tenants rents developers trendy Williamsburg hipster reinvent empty nest community affluent Soho urban barrier boundary safety foreclosure homogenized public luxury authentic vegan food truck high rise walkup modern ghetto origins upscale
  • 5. With this symposium , I aimed to show the “layers” that make what gentrification is and how it’s perceived in New York. At first, I initially tried to depict this by layer- ing typefaces that varied in style and blurring the more modern and hip typeface to emphasize the changing dynamic that’s occuring where developers are buying out the lots and bringing in new, young, and wealthy residents. By doing so, the developers outprice the orig- inal residents since rents raise and the authentic cul- ture of the neighborhood and the original residents are forced to move. However, this approach wasn’t success- ful and I decided to get more experimental and tried to depict this through the approach. I thought about how digital formats came and slowly replaced formats that required more manual effort and applied it to this new approach. I decided to depict this by hand drawing the “modern and hip” typeface that I used in the first ap- proach and distort it using a scanner.
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  • 12. JUXTAPOSITION With the idea of being experimental, I really wanted to incorporate collage and aspects of photography that would show how things could change quickly but also feel very similar. I decided to go out to Sunset Park in Brooklyn to see if I could photograph this change while walking between avenues towards Industry City. Due to the overall environment of Brooklyn and Industry City, I decided to combine different trends that I’ve noticed on Instagram, mainly being the new popularity of dis- posable film photography, collages, and gradients TRIPTYCH #2
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  • 18. SYMBOL I originaly thought about using the moon as a symbol since it’s cyclic and I thought gentrification was cyclic and out of anyone’s control like the moon. However, after doing some research and finding out that gentri- fication happens because there’s a lot of empty lots in a community that developers buy to bring in “new” money and that a woman that lived in her residence for 25 years fought to keep her place, I decided to change my symbol to hands. Hands are a universal symbol and certain gestures can be intrepreted differ- netly and mean different things in different cultures. TRIPTYCH #3