2010 was the year of web typography—the year new technologies came online that will forever change the way information appears online. As the dust settles from the advances of web fonts and CSS3, a new style of web typography is emerging, one that reflects print origins, but is also experimenting with the unique strengths of online communication. Learn about recent advances in technology through case studies at the boundaries of online typography. See how to use the new web typography to set your work apart from the rest of the herd.
This document summarizes the history of typography and provides practical tips for using typography effectively on the web. It discusses how typography has evolved from ancient writing systems to modern digital fonts. It also covers topics like choosing appropriate typefaces for context, using techniques like leading, kerning and tracking to improve readability, and making typography responsive for different screen sizes with relative units and media queries. The goal is to demonstrate the impact of typography and give practical ways to improve typography skills across multiple platforms.
Given at the Western MA WordPress meetups, 5/30/12. A short presentation on webfonts. The talk featured a brief introduction to webfonts, considerations for picking the right webfont, and integrating webfonts into WordPress.
This document provides an overview of web typography. It introduces the topic and the author Brad Blackman. It discusses core web fonts, options for embedding fonts like @font-face, and licensing issues. The document encourages experimentation with typography and provides additional resources on the topic.
A very brief look at where certain aspects of typography on the web are today — specifically, methods for replacing OS defaults with other typefaces.
The slides are guides used for a quick (15-20 minute) talk at Refresh Lauderdale, rather than informational, with the exception of the references section at the end, which includes many great resources for typography in general, as well as for setting type on the web in all forms.
The document discusses typography fundamentals, including:
- The anatomy and classification of letterforms
- Factors that affect readability of text like size, line height, measure, alignment, tracking, and kerning
- Methods for creating a typographic hierarchy using scale, color, value, style, placement
- Considerations for choosing typefaces like available features, pairing typefaces, and personality conveyed
- Examples of well-designed websites that demonstrate good typography principles
- A section on implementing type on the web and the state of web typography
Christy Gurga (theMechanism) presents different perspectives on formatting type online and demonstrate methods you can use right away. While only basic CSS knowledge is required, Christy covers advanced techniques that are applicable for front-end developers of any level.
You'll learn how to establish the CSS foundation for your type using relative font sizes and ems, implement text replacement practices for specially formatted headings and polish your typography with extra detail.
The document discusses the use of @font-face to embed fonts on webpages. It provides information on browser support, best practices for CSS implementation, tools for converting fonts, licensing considerations, and resources for using web fonts. While web fonts allow more typographic control and flexibility, issues like performance, hinting, and file sizes must be addressed. Typography also requires skill to implement properly.
1. The document discusses various methods for replacing fonts on webpages, including @font-face, sIFR, Cufon, and others.
2. It notes the pros and cons of each method in terms of licensing issues, compatibility, text selection ability, and load times.
3. Alternative future options are presented, such as TypeKit and web font services, but many require compromises or are not fully ready yet. Compromise with designers is suggested for now.
This document summarizes the history of typography and provides practical tips for using typography effectively on the web. It discusses how typography has evolved from ancient writing systems to modern digital fonts. It also covers topics like choosing appropriate typefaces for context, using techniques like leading, kerning and tracking to improve readability, and making typography responsive for different screen sizes with relative units and media queries. The goal is to demonstrate the impact of typography and give practical ways to improve typography skills across multiple platforms.
Given at the Western MA WordPress meetups, 5/30/12. A short presentation on webfonts. The talk featured a brief introduction to webfonts, considerations for picking the right webfont, and integrating webfonts into WordPress.
This document provides an overview of web typography. It introduces the topic and the author Brad Blackman. It discusses core web fonts, options for embedding fonts like @font-face, and licensing issues. The document encourages experimentation with typography and provides additional resources on the topic.
A very brief look at where certain aspects of typography on the web are today — specifically, methods for replacing OS defaults with other typefaces.
The slides are guides used for a quick (15-20 minute) talk at Refresh Lauderdale, rather than informational, with the exception of the references section at the end, which includes many great resources for typography in general, as well as for setting type on the web in all forms.
The document discusses typography fundamentals, including:
- The anatomy and classification of letterforms
- Factors that affect readability of text like size, line height, measure, alignment, tracking, and kerning
- Methods for creating a typographic hierarchy using scale, color, value, style, placement
- Considerations for choosing typefaces like available features, pairing typefaces, and personality conveyed
- Examples of well-designed websites that demonstrate good typography principles
- A section on implementing type on the web and the state of web typography
Christy Gurga (theMechanism) presents different perspectives on formatting type online and demonstrate methods you can use right away. While only basic CSS knowledge is required, Christy covers advanced techniques that are applicable for front-end developers of any level.
You'll learn how to establish the CSS foundation for your type using relative font sizes and ems, implement text replacement practices for specially formatted headings and polish your typography with extra detail.
The document discusses the use of @font-face to embed fonts on webpages. It provides information on browser support, best practices for CSS implementation, tools for converting fonts, licensing considerations, and resources for using web fonts. While web fonts allow more typographic control and flexibility, issues like performance, hinting, and file sizes must be addressed. Typography also requires skill to implement properly.
1. The document discusses various methods for replacing fonts on webpages, including @font-face, sIFR, Cufon, and others.
2. It notes the pros and cons of each method in terms of licensing issues, compatibility, text selection ability, and load times.
3. Alternative future options are presented, such as TypeKit and web font services, but many require compromises or are not fully ready yet. Compromise with designers is suggested for now.
Dinnick & Howells provides packaging design services. Their portfolio includes original designs for wasabi ginger carrot packaging. To contact Dinnick & Howells or see more of their work, one can email Jonathan at jonathan@dinnickandhowells.com or visit their website at www.dinnickandhowells.com.
The document discusses web typography and what makes typography "sexy". It explores how typographic style, voice, and design can grab attention, keep attention, and give something memorable. Specific typographic techniques are examined like contrast, scale, texture and finding the right "voice". While legibility is important, harder to read fonts can encourage deeper processing of information. Designers know that certain typographic techniques impact memory and learning.
The document discusses responsive web typography techniques including:
1. Using different font widths according to screen width.
2. Looking for type families that have multiple optical sizes.
3. Using graded fonts to normalize rendering across pixel densities.
4. Adjusting line height, paragraph indentation, white space, and graphic elements based on screen size.
5. Establishing type hierarchies through techniques like ALL CAPS, small caps, and italics matched to screen real estate.
Transformative Design Project 2 PresentationS. Song
This document details a hospital emergency room visit. It begins with an estimated wait time of 1 hour that decreases over time as 15 and 30 minute updates are provided. An ambulance patient then arrives and the wait time apologizes for any delay. Process and feedback sections are listed but not described.
Sometimes typography can leap off the page, make you stand still and draw you in, bring up emotions and senses that surprise you. Below are our top pick of typographical posters that do just that.
Talk to Social Digital students at the University of Dundee giving a few tips for typography in practice
Heavily inspired by David Rault’s talk on typographic influences; Butterick’s “Pratical Typography”; Bettina M.
Credits: xkcd’s comic on white space, and Typographer Ryan Gosling
Thanks to Zach Holman as well for his talk on talks and advice for public speaking http://speaking.io/
The document discusses the history and state of web typography from 2008-2011. It notes early techniques like sIFR and Cufón for using non-web-safe fonts. 2010 was described as the "year of @font-face" due to improved browser support and new formats like WOFF. Issues discussed include browser compatibility with different font formats, font rendering across operating systems and browsers, font licensing, and paid services versus free options. The future is predicted to include more licensed fonts allowing web usage and improved typographic rendering capabilities.
1. The document introduces Metamorphosis as a program that helps people change negative aspects of their lives by releasing negative energy from thoughts and memories.
2. It explains that all experiences are attracted by the electromagnetic energy of thoughts, and Metamorphosis helps release negative energy from past experiences in order to attract more positive circumstances.
3. Metamorphosis includes 5 "energy makeovers" addressing relationships with self, others, money/success, health, and the ability to attract desires.
This document discusses the differences between complete and incomplete metamorphosis in insects. Incomplete metamorphosis has three stages: egg, nymph, and adult. Nymphs resemble small adults but do not have wings. Complete metamorphosis has four stages: egg, larva, pupa, and adult. During the larva stage, insects do not resemble adults and undergo significant changes during the pupa stage before emerging as adults. Frogs also undergo complete metamorphosis from egg to tadpole to adult frog.
Typography in Web Design (WordCamp Toronto 2014)Jasmine Vesque
I delivered this presentation at WordCamp Toronto, November 15, 2014.
This presentation covers typography basics and best practices, type trends in web design, personalities of type, an introduction to Google Fonts and different ways to enable fonts on your WordPress website.
The ideal audience is anyone looking to better understand Typography and how it relates to web design. They don’t need to have a coding or design background, but that would be an asset.
Learning Outcomes
Understand the different types of fonts and when to use them
Recognize the various personalities and tones fonts have and how they can affect your message
Know what the current trends are in Typography and web design
Use theme options and/or plugins to modify fonts
Leverage Google Fonts and integrate them directly into your theme
Beautiful Web Typography: 7 tips on de-sucking the webPascal Klein
Beautiful Web Typography is possible. This presentation looked at 7 tips at how to make the Internet a lovelier and more beautiful place using simple typographic conventions through CSS and general practice.
This document summarizes Jeff Croft's presentation at Web Directions South 2008 about elegant web typography. He discusses common myths about web typography and emphasizes that great typography is important for well-designed sites. Croft also covers techniques for achieving quality typography with CSS, including resetting styles, understanding font sizing with ems, and considering whether to use relative or absolute font sizes. The presentation provides guidance for thoughtfully designing typography at different sizes using a typographer's scale.
Typography is the art of arranging type to make written language readable and appealing. It involves selecting typefaces, font sizes, line spacing, letter spacing, and kerning. A typeface is a set of fonts that share common designs, while a font is a specific size and style within a typeface. There are different classifications of typefaces such as serif, sans serif, script, and decorative. Effective typography requires attention to spacing and kerning between letters as well as leading between lines. Typography is an important design element that can be explored creatively.
Typography and User Experience in Web DesignSara Cannon
Typography - the most often neglected part of the internet sometimes, but arguably one of the most important.
Oliver Reichenstein of information Architects once said that "Web Design is 95% Typography." This holds true. Not only is type use to convey information, but it is also used to navigate and perform tasks. This stat is overwhelming to think about considering how little we actually discuss type in our industry.
Type on the web has many roles: it is an interface, a brand, sets tone, and directs the user. Typography has many roles and can either add or take away from User Experience. In this beautiful and exciting talk we’re going to look at various ways type is used, implemented, and dissect the role that it plays in user experience on the web.
Typography is the art of arranging text to make language visible. Essentially, all forms of writing are typography. Typography can also use text to create written images using language.
This document provides an overview of packaging design. It discusses that packaging involves wrapping goods for protection and sale. The roots of modern packaging developed with the industrial revolution to accommodate faster production. There are various types of packaging including consumer and industrial packaging. Primary functions of packaging are presentation, protection, and preservation to facilitate sale and use of products. Design is influenced by many factors and must consider the material, functions, and end user. The document concludes with a case study on McDonald's packaging changes to be more environmentally friendly.
It may be something we often overlook, but typography plays an essential part in the presentation process. Typography can change the entire look and feel of a presentation. Big Fish introduces the five way typography is powerful in your presentation.
This document summarizes different techniques for employing custom fonts on websites, including @font-face embedding, font services like Typekit, and rich text replacement libraries like sIFR. It discusses topics like font formats, browser support, licensing, and techniques for protecting font files. Key points covered include browser support for @font-face, various font-as-a-service providers and their approaches, and how rich text libraries like sIFR and Typeface.js transform text into images or vectors on the fly.
This document summarizes the history and current state of using web fonts on websites. It discusses how browser support for @font-face has evolved over time, popular web font formats, best practices for defining font families with multiple weights, options for hosting fonts, and the benefits of using hosted web font services versus self-hosting. It also provides an overview of the Drupal @font-your-face module for selecting and applying web fonts in Drupal sites.
Dinnick & Howells provides packaging design services. Their portfolio includes original designs for wasabi ginger carrot packaging. To contact Dinnick & Howells or see more of their work, one can email Jonathan at jonathan@dinnickandhowells.com or visit their website at www.dinnickandhowells.com.
The document discusses web typography and what makes typography "sexy". It explores how typographic style, voice, and design can grab attention, keep attention, and give something memorable. Specific typographic techniques are examined like contrast, scale, texture and finding the right "voice". While legibility is important, harder to read fonts can encourage deeper processing of information. Designers know that certain typographic techniques impact memory and learning.
The document discusses responsive web typography techniques including:
1. Using different font widths according to screen width.
2. Looking for type families that have multiple optical sizes.
3. Using graded fonts to normalize rendering across pixel densities.
4. Adjusting line height, paragraph indentation, white space, and graphic elements based on screen size.
5. Establishing type hierarchies through techniques like ALL CAPS, small caps, and italics matched to screen real estate.
Transformative Design Project 2 PresentationS. Song
This document details a hospital emergency room visit. It begins with an estimated wait time of 1 hour that decreases over time as 15 and 30 minute updates are provided. An ambulance patient then arrives and the wait time apologizes for any delay. Process and feedback sections are listed but not described.
Sometimes typography can leap off the page, make you stand still and draw you in, bring up emotions and senses that surprise you. Below are our top pick of typographical posters that do just that.
Talk to Social Digital students at the University of Dundee giving a few tips for typography in practice
Heavily inspired by David Rault’s talk on typographic influences; Butterick’s “Pratical Typography”; Bettina M.
Credits: xkcd’s comic on white space, and Typographer Ryan Gosling
Thanks to Zach Holman as well for his talk on talks and advice for public speaking http://speaking.io/
The document discusses the history and state of web typography from 2008-2011. It notes early techniques like sIFR and Cufón for using non-web-safe fonts. 2010 was described as the "year of @font-face" due to improved browser support and new formats like WOFF. Issues discussed include browser compatibility with different font formats, font rendering across operating systems and browsers, font licensing, and paid services versus free options. The future is predicted to include more licensed fonts allowing web usage and improved typographic rendering capabilities.
1. The document introduces Metamorphosis as a program that helps people change negative aspects of their lives by releasing negative energy from thoughts and memories.
2. It explains that all experiences are attracted by the electromagnetic energy of thoughts, and Metamorphosis helps release negative energy from past experiences in order to attract more positive circumstances.
3. Metamorphosis includes 5 "energy makeovers" addressing relationships with self, others, money/success, health, and the ability to attract desires.
This document discusses the differences between complete and incomplete metamorphosis in insects. Incomplete metamorphosis has three stages: egg, nymph, and adult. Nymphs resemble small adults but do not have wings. Complete metamorphosis has four stages: egg, larva, pupa, and adult. During the larva stage, insects do not resemble adults and undergo significant changes during the pupa stage before emerging as adults. Frogs also undergo complete metamorphosis from egg to tadpole to adult frog.
Typography in Web Design (WordCamp Toronto 2014)Jasmine Vesque
I delivered this presentation at WordCamp Toronto, November 15, 2014.
This presentation covers typography basics and best practices, type trends in web design, personalities of type, an introduction to Google Fonts and different ways to enable fonts on your WordPress website.
The ideal audience is anyone looking to better understand Typography and how it relates to web design. They don’t need to have a coding or design background, but that would be an asset.
Learning Outcomes
Understand the different types of fonts and when to use them
Recognize the various personalities and tones fonts have and how they can affect your message
Know what the current trends are in Typography and web design
Use theme options and/or plugins to modify fonts
Leverage Google Fonts and integrate them directly into your theme
Beautiful Web Typography: 7 tips on de-sucking the webPascal Klein
Beautiful Web Typography is possible. This presentation looked at 7 tips at how to make the Internet a lovelier and more beautiful place using simple typographic conventions through CSS and general practice.
This document summarizes Jeff Croft's presentation at Web Directions South 2008 about elegant web typography. He discusses common myths about web typography and emphasizes that great typography is important for well-designed sites. Croft also covers techniques for achieving quality typography with CSS, including resetting styles, understanding font sizing with ems, and considering whether to use relative or absolute font sizes. The presentation provides guidance for thoughtfully designing typography at different sizes using a typographer's scale.
Typography is the art of arranging type to make written language readable and appealing. It involves selecting typefaces, font sizes, line spacing, letter spacing, and kerning. A typeface is a set of fonts that share common designs, while a font is a specific size and style within a typeface. There are different classifications of typefaces such as serif, sans serif, script, and decorative. Effective typography requires attention to spacing and kerning between letters as well as leading between lines. Typography is an important design element that can be explored creatively.
Typography and User Experience in Web DesignSara Cannon
Typography - the most often neglected part of the internet sometimes, but arguably one of the most important.
Oliver Reichenstein of information Architects once said that "Web Design is 95% Typography." This holds true. Not only is type use to convey information, but it is also used to navigate and perform tasks. This stat is overwhelming to think about considering how little we actually discuss type in our industry.
Type on the web has many roles: it is an interface, a brand, sets tone, and directs the user. Typography has many roles and can either add or take away from User Experience. In this beautiful and exciting talk we’re going to look at various ways type is used, implemented, and dissect the role that it plays in user experience on the web.
Typography is the art of arranging text to make language visible. Essentially, all forms of writing are typography. Typography can also use text to create written images using language.
This document provides an overview of packaging design. It discusses that packaging involves wrapping goods for protection and sale. The roots of modern packaging developed with the industrial revolution to accommodate faster production. There are various types of packaging including consumer and industrial packaging. Primary functions of packaging are presentation, protection, and preservation to facilitate sale and use of products. Design is influenced by many factors and must consider the material, functions, and end user. The document concludes with a case study on McDonald's packaging changes to be more environmentally friendly.
It may be something we often overlook, but typography plays an essential part in the presentation process. Typography can change the entire look and feel of a presentation. Big Fish introduces the five way typography is powerful in your presentation.
This document summarizes different techniques for employing custom fonts on websites, including @font-face embedding, font services like Typekit, and rich text replacement libraries like sIFR. It discusses topics like font formats, browser support, licensing, and techniques for protecting font files. Key points covered include browser support for @font-face, various font-as-a-service providers and their approaches, and how rich text libraries like sIFR and Typeface.js transform text into images or vectors on the fly.
This document summarizes the history and current state of using web fonts on websites. It discusses how browser support for @font-face has evolved over time, popular web font formats, best practices for defining font families with multiple weights, options for hosting fonts, and the benefits of using hosted web font services versus self-hosting. It also provides an overview of the Drupal @font-your-face module for selecting and applying web fonts in Drupal sites.
Greg Veen gave a presentation on web fonts at the 2011 Web 2.0 Expo in San Francisco. He discussed the history of web typography from limited font support in early browsers to today's wide range of font formats and browser compatibility. Veen explained how web fonts can enhance user experience by allowing designers more control over typography. However, rendering quality depends on factors like font files, hinting, operating systems and browsers. Techniques like Flash of Unstyled Text and loading fonts with JavaScript aim to prevent delays as fonts load.
The document discusses the @font-face CSS rule, which allows embedding fonts through CSS rather than relying on users' installed fonts. It provides examples of how to implement @font-face and addresses issues like the "flash of unstyled text" that can occur as embedded fonts load. Tips are given for fighting this, such as placing CSS at the top, using font formats like WOFF, and subset fonts to reduce file size. Browser differences and fixes for issues like font rendering in IE are also covered.
The document provides an overview of web fonts, including their history, formats, licensing, hosting options and best practices. It discusses the evolution from early techniques like sIFR and Cufón to the current standard of @font-face with WOFF fonts. Commercial foundries and free options are covered, along with the "bulletproof" syntax for browser compatibility. Font hosting services are presented as an easier alternative to managing files directly. The future of hinting, a single format and richer typographic tools through CSS is envisioned.
This document discusses various web typography tips including using font stacks for cross-browser compatibility, proper line heights and spacing in CSS for readability, and techniques like sIFR to use non-system fonts for headlines in a way that is scalable, search engine friendly, and accessible. It provides examples of font stacks and CSS formatting as well as resources for further reading on topics like sIFR, web typography best practices, and sites with inspiring font stacks.
This document discusses font embedding for the web. It provides an overview of the history of font embedding techniques, including CSS image replacement, sIFR, and Cufón, and their limitations. The document argues that @font-face in CSS3 is the best current solution, allowing any font to be embedded while maintaining accessibility, searchability, and translation. It provides examples of how to implement @font-face and considerations for font licensing when embedding for the web.
The document discusses responsive web fonts and provides strategies for improving performance when loading web fonts, including:
1. Showing text in fallback fonts until all web fonts have loaded.
2. Preventing web fonts from downloading on small screens.
3. Swapping out fallback fonts as individual web fonts load using the Web Font Loader library.
4. Carefully selecting fallback fonts that match web fonts as closely as possible across different devices and platforms like iOS, Android, and Windows Phone.
Presentation delivered to the Auckland Web Meetup on 20 May 2010, regarding the use of type on the web, its history and the new techniques and services that are emerging in this space.
Outlining some issues with the current approaches for fonts on the internet, and discussing some alternatives: more creative font stacks and font embedding. Presented at Barcamp Antwerp March 21 2009. More at http://lensco.be
1) The document discusses typography and improving readability on the web. It provides tips for font size, line height, whitespace, and contrast to make text easier to read.
2) Examples are given of classic web fonts like Times New Roman, Arial, and Verdana as well as newer Vista fonts like Segoe UI, Corbel, and Calibri.
3) The emergence of the @font-face technique in 1998 and its current implementation with Webkit browsers is covered, noting it enables easy font embedding but also piracy possibilities. The presentation concludes with thanks to the audience.
The document discusses the history and challenges of web typography. It covers early issues with selecting fonts in tools like Dreamweaver and the confusion around web-safe fonts. Flash was appealing because it allowed any font but had accessibility issues. sIFR provided a compromise but was ultimately a hack. Font embedding using @font-face is presented as the future, though there are still issues around licensing, piracy protection and browser support that need resolving. Widespread font embedding has the potential to greatly improve typography on the web.
We finally have a support of the CSS @font-face rule, on most browsers on the market. There will be an overview of their implementations, advantages and constraints that this brings, as well as some good practices for its use.
(This is a translation of my original french presentation http://www.slideshare.net/yvg/css-fontface-des-polices-personnalises)
In the beginning, web designers only had a handful of typefaces at their disposal to use in their designs. Then Flash and Javascript allowed unlimited fonts but lacked accessibility features. In the past year, it seems we finally have a winning solution: the @font-face method which has support from all major browsers and does so using only HTML and CSS.
Meanwhile, a second conversation is happening amongst those who actually own the fonts – the foundries. Would these emerging technologies ensure that their typefaces could not be easily copied from the web? Unfortunately @font-face is still not widely accepted by most foundries. Some allow you to use a hosted service like TypeKit, or you can venture into the burgeoning movement of open source and commercial-free fonts and enjoy free rein over your web typography.
The document is a presentation on beautiful web typography. It discusses various topics related to typography at the letter, text, and page levels. It addresses assumptions about web typography and options for setting fonts, including installed fonts, sIFR, Cufon, webfonts using EOT/EOT Lite, and services like Typekit. Concerns raised include non-standard solutions, proprietary requirements, and browser support issues. The goal is to educate about best practices for web typography.
The fifth rendition of my Beautiful Web Typography with some updates, additional info, more links and whatnot. A new section has been added focusing on webfonts (font linking and embedding) with the recent developments in that regard.
Kudos should go out to the chaps listed in the end as well as inspirational peeps like Ellen Lupton, whose categorisation of things type into letter, text, grid I’ve used to structure this talk.
This document discusses the history of typography on the web. It covers early web-safe fonts, the transition to using @font-face to embed custom fonts, and more recent developments like hosted font services from Google and others. Key topics include the difference between typefaces and fonts, common fonts in the early web, challenges of embedding custom fonts, and tools for evaluating typography on websites and mobile applications.
This document discusses progressive enhancement and intentional degradation in web design. It covers embedding fonts and new design possibilities with CSS3, including issues with font embedding and potential solutions. The document encourages using new CSS3 techniques now while planning for degradation, and argues that validation is not essential as new techniques will not validate initially. In 3 sentences: The document discusses progressive enhancement and intentional degradation, embedding fonts and new CSS3 design possibilities, and encourages using new techniques while planning for degradation and argues validation is not essential for cutting-edge techniques.
Similar a The NEW Web Typography: Where the Sexy Is (20)
The document discusses how teens interact with and learn from technology. It notes that 93% of teens have home computers, 95% use the internet, and 78% have mobile phones. Teens access the internet primarily through mobile devices (75%) and are increasingly multitasking across platforms. The document suggests teens learn through creating and sharing content online, and that their information is now ubiquitous across connected devices.
How you design web pages is changing — rapidly. Part of being a great web designer is understanding the medium you are designing for, recognizing its weaknesses and pushing its strengths. It's no longer enough to show a visual mock-up and explain what happens, you have to be able to show what happens.
The job of the designer doesn't stop after the page loads, it's only just beginning. Instead of drawing static mock-ups, we need to create dynamic prototypes using the core web technologies of HTML and CSS as quickly as possible to realize our visions in the medium they will be produced in.
You've got to be able to get your ideas out the door faster than ever. There's no time to spend weeks and even months intreating around static wireframes and visual comps.
In this session, Jason will introduce you to methods and tools they can use to quickly stand-up testable prototypes that will show not only how their designs look, but how they work as well.
Interactive Prototyping is the next big Ux skill, but many designers may avoid embracing it. Prototyping can become needlessly complex, requiring designers to know when they've designed enough, and it's time to start building. In this session, Jason will explain some of the most common pitfalls with Interactive prototyping, how they can be avoided, and why it's never been more important for designers to learn how to create working prototypes.
Death to Pixel Perfect Design: Prototyping for the Real WorldJason CranfordTeague
Designers often begin their work with a sketch. A sketch is the best way to begin planning a design; it's a quick way to see the visual challenges being faced. But there is a disconnect between what you can imagine in a static image and the actual design capabilities of the Web.
UX Designers spend hours iterating around visual comps created in applications designed for print production, trying to create high fidelity visual prototypes, but for the wrong medium. Instead of drawing prototypes, we need to start working in HTML and CSS as quickly as possible to realize our visions in the medium for which it will be produced.
What you will learn:
•How to design dynamic prototypes.
•Working with responsive design from the ground-up.
•How to reduce the number of misfires between design and development.
Trust Me, I'm a Designer: 9 Principles for Creative CredibilityJason CranfordTeague
A recent study by Demos (Demos.co.uk) called Truth, Lies and the Internet found that a third of teens polled in the UK believe any information they find on line is true without qualification. Even more staggering is that a 15% of that group admit to making their decision about the truthfulness of the content of a Web page based on appearance alone.
Design serves one purpose and one purpose only: to gain the trust of its intended audience. Whether the need is for clarity or to obscure information, design is a tool we use not to convey information, but to present that information in a way that the viewer will perceive as confident and competent. Once that basic line of trust is established, it is only then that design can clearly work to help turn data into knowledge and knowledge into understanding. In this session, Jason will present the 9 principles of trust for design, and look at how they can be practically applied to improve any design.
Many Web producers adopt the attitude of, “If I build it, they will come,” when developing a site, as if by their simply building a great new mousetrap, the world will beat a path to their door (or URL, as the case may be). But it takes much more than an innovative idea to make a successful Web site. This session explores one of the most easily overlooked factors—visual credibility: Does your site look trustworthy to your audience? In this session, Jason will lead you through exercises to determine the most effective designs you can use to inspire confidence in your visitors.
Are you tired of using the same old fonts in your Web designs? The type you use can say as much to your audience as the actual words on the page, but until now, Web designers have had an extremely limited palette of fonts from which to choose—essentially, Arial (yawn), Times (yawn), and Georgia (yawwwwwn). Design is about overcoming the limitations of a medium, and Web design is no different. In this session, Jason will show you how to use fluid typography, browser-safe fonts, and type on images to create robust scalable designs to achieve great typography without resorting to typing in images or Adobe Flash. You’ll also learn how to use CSS to download any font you want to use in your Web designs, and to use downloadable fonts, despite the limitations of some browsers.
How to Interpret Trends in the Kalyan Rajdhani Mix Chart.pdfChart Kalyan
A Mix Chart displays historical data of numbers in a graphical or tabular form. The Kalyan Rajdhani Mix Chart specifically shows the results of a sequence of numbers over different periods.
For the full video of this presentation, please visit: https://www.edge-ai-vision.com/2024/06/building-and-scaling-ai-applications-with-the-nx-ai-manager-a-presentation-from-network-optix/
Robin van Emden, Senior Director of Data Science at Network Optix, presents the “Building and Scaling AI Applications with the Nx AI Manager,” tutorial at the May 2024 Embedded Vision Summit.
In this presentation, van Emden covers the basics of scaling edge AI solutions using the Nx tool kit. He emphasizes the process of developing AI models and deploying them globally. He also showcases the conversion of AI models and the creation of effective edge AI pipelines, with a focus on pre-processing, model conversion, selecting the appropriate inference engine for the target hardware and post-processing.
van Emden shows how Nx can simplify the developer’s life and facilitate a rapid transition from concept to production-ready applications.He provides valuable insights into developing scalable and efficient edge AI solutions, with a strong focus on practical implementation.
Your One-Stop Shop for Python Success: Top 10 US Python Development Providersakankshawande
Simplify your search for a reliable Python development partner! This list presents the top 10 trusted US providers offering comprehensive Python development services, ensuring your project's success from conception to completion.
UiPath Test Automation using UiPath Test Suite series, part 6DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 6. In this session, we will cover Test Automation with generative AI and Open AI.
UiPath Test Automation with generative AI and Open AI webinar offers an in-depth exploration of leveraging cutting-edge technologies for test automation within the UiPath platform. Attendees will delve into the integration of generative AI, a test automation solution, with Open AI advanced natural language processing capabilities.
Throughout the session, participants will discover how this synergy empowers testers to automate repetitive tasks, enhance testing accuracy, and expedite the software testing life cycle. Topics covered include the seamless integration process, practical use cases, and the benefits of harnessing AI-driven automation for UiPath testing initiatives. By attending this webinar, testers, and automation professionals can gain valuable insights into harnessing the power of AI to optimize their test automation workflows within the UiPath ecosystem, ultimately driving efficiency and quality in software development processes.
What will you get from this session?
1. Insights into integrating generative AI.
2. Understanding how this integration enhances test automation within the UiPath platform
3. Practical demonstrations
4. Exploration of real-world use cases illustrating the benefits of AI-driven test automation for UiPath
Topics covered:
What is generative AI
Test Automation with generative AI and Open AI.
UiPath integration with generative AI
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Have you ever been confused by the myriad of choices offered by AWS for hosting a website or an API?
Lambda, Elastic Beanstalk, Lightsail, Amplify, S3 (and more!) can each host websites + APIs. But which one should we choose?
Which one is cheapest? Which one is fastest? Which one will scale to meet our needs?
Join me in this session as we dive into each AWS hosting service to determine which one is best for your scenario and explain why!
Salesforce Integration for Bonterra Impact Management (fka Social Solutions A...Jeffrey Haguewood
Sidekick Solutions uses Bonterra Impact Management (fka Social Solutions Apricot) and automation solutions to integrate data for business workflows.
We believe integration and automation are essential to user experience and the promise of efficient work through technology. Automation is the critical ingredient to realizing that full vision. We develop integration products and services for Bonterra Case Management software to support the deployment of automations for a variety of use cases.
This video focuses on integration of Salesforce with Bonterra Impact Management.
Interested in deploying an integration with Salesforce for Bonterra Impact Management? Contact us at sales@sidekicksolutionsllc.com to discuss next steps.
GraphRAG for Life Science to increase LLM accuracyTomaz Bratanic
GraphRAG for life science domain, where you retriever information from biomedical knowledge graphs using LLMs to increase the accuracy and performance of generated answers
Monitoring and Managing Anomaly Detection on OpenShift.pdfTosin Akinosho
Monitoring and Managing Anomaly Detection on OpenShift
Overview
Dive into the world of anomaly detection on edge devices with our comprehensive hands-on tutorial. This SlideShare presentation will guide you through the entire process, from data collection and model training to edge deployment and real-time monitoring. Perfect for those looking to implement robust anomaly detection systems on resource-constrained IoT/edge devices.
Key Topics Covered
1. Introduction to Anomaly Detection
- Understand the fundamentals of anomaly detection and its importance in identifying unusual behavior or failures in systems.
2. Understanding Edge (IoT)
- Learn about edge computing and IoT, and how they enable real-time data processing and decision-making at the source.
3. What is ArgoCD?
- Discover ArgoCD, a declarative, GitOps continuous delivery tool for Kubernetes, and its role in deploying applications on edge devices.
4. Deployment Using ArgoCD for Edge Devices
- Step-by-step guide on deploying anomaly detection models on edge devices using ArgoCD.
5. Introduction to Apache Kafka and S3
- Explore Apache Kafka for real-time data streaming and Amazon S3 for scalable storage solutions.
6. Viewing Kafka Messages in the Data Lake
- Learn how to view and analyze Kafka messages stored in a data lake for better insights.
7. What is Prometheus?
- Get to know Prometheus, an open-source monitoring and alerting toolkit, and its application in monitoring edge devices.
8. Monitoring Application Metrics with Prometheus
- Detailed instructions on setting up Prometheus to monitor the performance and health of your anomaly detection system.
9. What is Camel K?
- Introduction to Camel K, a lightweight integration framework built on Apache Camel, designed for Kubernetes.
10. Configuring Camel K Integrations for Data Pipelines
- Learn how to configure Camel K for seamless data pipeline integrations in your anomaly detection workflow.
11. What is a Jupyter Notebook?
- Overview of Jupyter Notebooks, an open-source web application for creating and sharing documents with live code, equations, visualizations, and narrative text.
12. Jupyter Notebooks with Code Examples
- Hands-on examples and code snippets in Jupyter Notebooks to help you implement and test anomaly detection models.
Threats to mobile devices are more prevalent and increasing in scope and complexity. Users of mobile devices desire to take full advantage of the features
available on those devices, but many of the features provide convenience and capability but sacrifice security. This best practices guide outlines steps the users can take to better protect personal devices and information.
HCL Notes und Domino Lizenzkostenreduzierung in der Welt von DLAUpanagenda
Webinar Recording: https://www.panagenda.com/webinars/hcl-notes-und-domino-lizenzkostenreduzierung-in-der-welt-von-dlau/
DLAU und die Lizenzen nach dem CCB- und CCX-Modell sind für viele in der HCL-Community seit letztem Jahr ein heißes Thema. Als Notes- oder Domino-Kunde haben Sie vielleicht mit unerwartet hohen Benutzerzahlen und Lizenzgebühren zu kämpfen. Sie fragen sich vielleicht, wie diese neue Art der Lizenzierung funktioniert und welchen Nutzen sie Ihnen bringt. Vor allem wollen Sie sicherlich Ihr Budget einhalten und Kosten sparen, wo immer möglich. Das verstehen wir und wir möchten Ihnen dabei helfen!
Wir erklären Ihnen, wie Sie häufige Konfigurationsprobleme lösen können, die dazu führen können, dass mehr Benutzer gezählt werden als nötig, und wie Sie überflüssige oder ungenutzte Konten identifizieren und entfernen können, um Geld zu sparen. Es gibt auch einige Ansätze, die zu unnötigen Ausgaben führen können, z. B. wenn ein Personendokument anstelle eines Mail-Ins für geteilte Mailboxen verwendet wird. Wir zeigen Ihnen solche Fälle und deren Lösungen. Und natürlich erklären wir Ihnen das neue Lizenzmodell.
Nehmen Sie an diesem Webinar teil, bei dem HCL-Ambassador Marc Thomas und Gastredner Franz Walder Ihnen diese neue Welt näherbringen. Es vermittelt Ihnen die Tools und das Know-how, um den Überblick zu bewahren. Sie werden in der Lage sein, Ihre Kosten durch eine optimierte Domino-Konfiguration zu reduzieren und auch in Zukunft gering zu halten.
Diese Themen werden behandelt
- Reduzierung der Lizenzkosten durch Auffinden und Beheben von Fehlkonfigurationen und überflüssigen Konten
- Wie funktionieren CCB- und CCX-Lizenzen wirklich?
- Verstehen des DLAU-Tools und wie man es am besten nutzt
- Tipps für häufige Problembereiche, wie z. B. Team-Postfächer, Funktions-/Testbenutzer usw.
- Praxisbeispiele und Best Practices zum sofortigen Umsetzen
Ivanti’s Patch Tuesday breakdown goes beyond patching your applications and brings you the intelligence and guidance needed to prioritize where to focus your attention first. Catch early analysis on our Ivanti blog, then join industry expert Chris Goettl for the Patch Tuesday Webinar Event. There we’ll do a deep dive into each of the bulletins and give guidance on the risks associated with the newly-identified vulnerabilities.
How to Get CNIC Information System with Paksim Ga.pptxdanishmna97
Pakdata Cf is a groundbreaking system designed to streamline and facilitate access to CNIC information. This innovative platform leverages advanced technology to provide users with efficient and secure access to their CNIC details.
Taking AI to the Next Level in Manufacturing.pdfssuserfac0301
Read Taking AI to the Next Level in Manufacturing to gain insights on AI adoption in the manufacturing industry, such as:
1. How quickly AI is being implemented in manufacturing.
2. Which barriers stand in the way of AI adoption.
3. How data quality and governance form the backbone of AI.
4. Organizational processes and structures that may inhibit effective AI adoption.
6. Ideas and approaches to help build your organization's AI strategy.
Generating privacy-protected synthetic data using Secludy and MilvusZilliz
During this demo, the founders of Secludy will demonstrate how their system utilizes Milvus to store and manipulate embeddings for generating privacy-protected synthetic data. Their approach not only maintains the confidentiality of the original data but also enhances the utility and scalability of LLMs under privacy constraints. Attendees, including machine learning engineers, data scientists, and data managers, will witness first-hand how Secludy's integration with Milvus empowers organizations to harness the power of LLMs securely and efficiently.
51. Websafe Fontsß 3 I
Font Name Weight and Style OS Rank Sample
1 Academy Engraved LET 3-Likely
2 Agency FB bold 4-Less Likely
3 Algerian 4-Less Likely
4 American Typewriter bold 2-Almost Certain
5 Andale Mono 1-Certain
6 Apple Chancery 2-Almost Certain
7 Apple Symbols 2-Almost Certain
8 Arial bold, italic, bold/italic 1-Certain
107. choose for STYLES…
Baskerville
Old Face Lorem ipsum dolor sit amet, consectetuer
adipiscing elit. Nunc sed ligula. Pellentesque non
felis vel lorem tempor ultricies. Class aptent taciti
sociosqu ad litora torquent per conubia nostra,
per inceptos hymenaeos. Vestibulum ante ipsum
primis in faucibus orci luctus et ultrices posuere
cubilia Curae; In hac habitasse platea dictumst.
Aenean venenatis hendrerit tellus. Nunc
posuere, nulla quis sollicitudin pretium, dui mi
ultricies magna, id placerat lorem.
120. “I’m going to kill you”
Suave = Cooper Black
“I’m going to kill you”
Robotic = Synchro LET
“I’m going to kill you”
Insane = Sybil Green
“I’m going to kill you”
Pirate = UglyQua
132. use SPACE…
Looking-Glass house
One thing was certain, that the white kitten had
had nothing to do with it:--it was the black
kitten's fault entirely. For the white kitten had
been having its face washed by the old cat for
the last quarter of an hour (and bearing it
pretty well, considering); so you see that it
couldn't have had any hand in the mischief.
133. use SPACE
Looking-Glass house
One thing was certain, that the white kitten
had had nothing to do with it:--it was the
black kitten's fault entirely. For the white
kitten had been having its face washed by
the old cat for the last quarter of an hour
(and bearing it pretty well, considering);
so you see that it couldn't have had any