CV

1. STACY KRANITZ
stacy@stacykranitz.com
www.stacykranitz.com/
213-447-8229
EDUCATION: University of California, Irvine, MFA, Department of Art
New York University, BA, Gallatin School of Individualized Study
SOLO 2019 As it Was Give(n) To Me, Tracey Morgan Gallery, Asheville, NC
EXHIBITIONS: As it Was Give(n) To Me, Les Rencontres de la Photografie,
Arles, France
2018 As it Was Give(n) To Me, Marfa Open 18, Marfa, TX
2017 Fulcrum of Malice, Tracey Morgan Gallery, Asheville, NC
The Great Divide by Stacy Kranitz and Zoe Strauss, Lightfield Festival, Hudson, NY
2015 As it Was Give(n) to Me, Diffusion, Cardiff International Festival of Photography, Wales, UK
From the Study on Post Pubescent Manhood, Little Big Man Gallery, Los Angeles, CA
2014 Once Entangled With it, No Other Place Seems Possible, Gallery Protocol, Gainesville, FL
2010 Blood Sport, New Orleans Festival of Photography, New Orleans, LA
GROUP 2020 Bronx Documentary Center, Trump Revolution – Climate Crisis, New York, NY
EXHIBITIONS: Photoville, We Women, Brooklyn, NY
2019 Southbound, Gregg Museum of Art and Design, Raleigh, NC
Break A Leg, Sugar Gallery, University of Arkansas, Fayetteville, AR
2018 Southbound, Halsey Institute of Contemporary Art, Charleston, SC
Record/Off Record, Northern Kentucky University, Fotofocus Biennial, Highland Heights, KY
Photography Comes First and Language Follows, Currey Gallery, Watkins College of Art,
Nashville, TN
2017 Fake, Galerie Bohai, Hannover, Germany
2016 You, Me, Us and Them, W.C. Bradley Co. Museum, Columbus, GA
Familiar Difference, curated by Inocents, These Days Gallery, Los Angeles, CA
2015 Dirt, Jancar Gallery, Los Angeles, CA
Role Play, Colorado Photographic Arts Center, Denver, Colorado
2014 In Your Face, New Image Art, Los Angeles, CA
Louisiana, The Multi-Media Museum Moscow House of Photography, Moscow, Russia
2013 Recent Perspectives on Portraiture, Nelson-Atkins Museum of Art, Kansas City, MO
REVIEWS AND 2020 PH Museum, A Rural, Working-class Rebellion in Appalachia
INTERVIEWS: 2019 It’s Nice That, Stacy Kranitz on the Flaws of Documentary Photography
Juxtapoz, Stacy Kranitz Explores the American Appalachia

2. Locate Arts, Interview: Stacy Kranitz
Liberation, Stacy Kranitz: La Photographie M’a Rendue a la Vie
British Journal of Photography, As it Was Give(n) To Me
The State Journal, Understanding Culture through the Lens
2018 The Reservoir, Deep Down Cancer Alley
2017 Photo District News, Stacy Kranitz and Zoe Strauss on Their Collaborative Examination of
American Economic Decay
2016 Ain't Bad, The Inimitable Otherness of Stacy Kranitz
Photo District News, Appalachian Odyssey
Juxtapoz, Stacy Kranitz – it’s All Personal
2015 Slate, This Notable Instagram Account Embraces the Photographers Role in Documentary
Time, Stacy Kranitz is TIME’s pick for Instagram Photographer of the Year
Dazed and Confused, Rethinking the Face of 'poverty' in America Today
The Guardian, Can a Photostory on the Appalachians Shuck the Hillbilly Stereotype
American Suburb X, Interrogating the Notion of Documentary Truth
Paper Journal, Interview: Stacy Kranitz, New Humanism
Blount Art Info, Lost Boys: Stacy Kranitz Exposes a Skate Park’s Dark Side
Coming of Age in Skatopia, Ohio’s 88-Acre Skatepark, Time
2013 British Journal of Photography, Kicking Against the Pricks
Columbia Journalism Review, On the Job, The Outsider
The Believer, A conversation between Scott McClanahan and Stacy Kranitz
GRANTS AND 2020 Guggenheim Fellowship
AWARDS Southern Documentary Fund Research and Development Grant
We Women Grant
2019 Great Smoky Mountain National Park, Artist in Residence
Crosstown Arts Residency Program
2017 Michael P. Smith Fund for Documentary Photography
Columbus State University, Artist in Residence
2015 Time Magazine Instagram Photographer of the Year
The Hambidge Center for the Creative Arts & Sciences, Artist in Residence
2014 Gallery Protocol
2013 Editorial Photographer Education Grant, American Photographic Arts
2012 Research/Travel Grant, Claire Trevor School of the Arts, University of California, Irvine
2010 Young Photographers Alliance Scholarship Award, Worldstudio AIGA
MONOGRAPHS: 2021 As It Was Give(n) to Me, Twin Palms (forthcoming)
2019 From the Study on Post-Pubescent Manhood, Self Published
2017 The Great Divide, with Zoe Strauss, Lightworks
2016 Speak Your Piece, Here Press
2010 The Louisiana Cockfighters Manual, Self-Published

3. ANTHOLOGIES 2019 The Image of Whiteness: Contemporary Photography and Racialization, SPBH
Hot Shoe, Issue 203, Southern
2018 Sewanee Review, Fall 2018
Photofile #101, Australian Center for Photography
Anxy, The Masculinity Issue
Polka #44
2016 Mossless, Public/Private/Portrait, International Center for Photography
2015 The Heavy Collective The Heavy Collective Volume One,
DNCHT - #17
2014 Photographers Sketchbooks, Thames and Hudson
2013 Dear Dave, Stacy Kranitz, Issue 15
2012 Granta, The Island, Issue 118
2007 Cockfight, The Journal of Aesthetics and Protest, Issue 5
WRITING: 2018 Anxy, The Masculinity Issue
2016 Blurring Fantasy and Reality in America’s Poorest Region, Huck
2014 The Fantasy of Objectivity, The Oxford American
The Rape of Appalachia, Reading the Pictures
2013 From the Study on Post-Pubescent Manhood, Reading the Pictures
The Spectacle of Violence, Reading the Pictures
COLLECTIONS: Harvard Art Museums
Museum of Fine Art, Houston
The Do Good Fund