Presentation for the Strategic Dialogue on the Future of Agriculture, Brussel...
Goldsmiths' Computational Aesthetics' Thursday Club 2010
1. Camille Baker, MASc Interactive Arts
SMARTlab PhD Candidate
Goldsmiths Thursday Club
March 18, 2010
MindTouch:
biosensor-mobile
media collaborative
Vjing activities
2. • studied and performed modern dance as an undergraduate
and in high school, until 1992.
Camille dancing circa 1987
background/ bio
3. over 15 years in independent media production + art:
• owned and operated conventional contemporary art gallery in
Vancouver in 1998;
stills from gallery circa 1999
background/ bio
4. over 15 years in independent media production + art:
• documentary film development, online video and animation,
new media and web design;
stills from video pieces
background/ bio
5. over 15 years in independent media production + art:
• produced, wrote and edited several videos and web video
shorts/animation, online content, scripts and film projects
still from video piece
background/ bio
6. over 15 years in independent media production + art:
• founder, web editor-in-chief of own online magazine (2000-
2002), www.slackerbonding.com on GenX relationship and
pop culture issues;
screenshot from
slackerbonding.com
offline website
background/ bio
7. over 15 years in independent media production + art:
• studied technical applied skills in New Media, Web Design
and CD Rom Development Certificate Program at BC Institute
of Technology, Burnaby, BC, Canada, 2000-2001;
student animation piece
background/ bio
8. over 15 years in independent media production + art:
• singer/ songwriter, performer, and manager in electronic and
alt-rock/pop bands from 1993-2007: www.ultrapuss.com
(current) and www.spiritualheroine.com (former long-term
project);
band photos from Spiritual Heroine and ultrapuss
background/ bio
9. background/ bio
slideshow from gallery
exhibition NFF 2004
• Lead Curator and Event Producer for The New Forms
Festival producing + curating a gallery, conference and
performances
10. • Lead Curator and Event Producer for The New Forms
Festival, a new media arts festival in Vancouver from 2002-
2004 - 3 years;
background/ bio
slideshow from dance
performance NFF 2004
11. • Art Researcher/ Videographer / Installation coordinator for
the whisper project a wearable devices and biofeedback
research project for Prof. Thecla Schiphorst and Dr. Susan
Kozel from 2003-2006;
background/ bio
video I shot at
Siggraph 2005
12. SMARTlab PhD research: performance media
–has been to uncover any new understandings of the
sensations of ‘liveness’ and ‘presence’ that may emerge
when using mobile technologies and wearable devices in
performance contexts–
13. liveness in mobile video participatory performance
liveness (mediated)/ virtual (real)
presence (absence)
experience (perception)
locative mobile media / video
embodied performance
visceral / sensation
intimacy / immediacy /mobility
sensor technology and the body
performers / audience
14. mobile devices as non-verbal expression
first video collection workshop in Vancouver June
2007
15. presence
presence
conscious perception
extended mind
telepathy
sensing from a distance
biochemistry
physical sensing
feltness
non-verbal communiction
virtual/ digital/
networked / mobile
voice / emotional
gestural / eye contact
spiritual / mystical
yoga / meditation
embodiment /
being "in" the body
situatedness
emotions
bodily experienced
emotions
sensors
focusing /
being "here" now
a presence/
sentient, ephemeral other
unconsciousness
dream body/mind
out-of body
experiences
16. liveness
liveness
embodied
physical interaction
feltness
non-verbal communiction
in body / in person
gestural / eye contact
performing in-person
nowness / this moment
time / duration
chemical reactions
interaction
instant emotional
reactions
this space
being "here" now
performance interaction:
sending + receiving energy
immersion
tactility, viscerality
+ physicality
being present
engagement
interaction
transitory / immediate
proximity / nearness
authenticity /realness
spontaneous / uncertain
original /
never the same
intimate
35. mobile video software – available options
Image from http://r3nder.net/mt/mt-search.cgi?IncludeBlogs=7&search=mobileImage from http://mobile.processing.org/learning/example.php?name=photoslider
37. V
large screen video mixes from mobile collaboration
large screen video mixes from mobile collaboration
body
data
display
from
phone
body
data
display
from
phone
group 1 -
performing w/
biofeedback sensors
Performance Set Up / Staging
group 2 -
mobile phone VJ's
group 3 -
internal video exploring
48. related work – video + biosensing
Tina Gonsalves http://www.tinagonsalves.com/
Tina Gonsalves is one of those artists, whose work is most similar in intention, nature and
outcomes to mine (although I just discovered her).
FEEL:TRACE : responsive biofeedback installation (Australia 2006) :
“…is a psychophysiologically responsive video installation synthesizing art, neuroscience
and technology. The project explores new, more embodied languages of interactive and
emotional communication, investigating the inter-relationship of the internal body and the
external world. Using biosensors, the participant’s heart rate responses are monitored.
49. related work – mobile video
Mobile Video Art : mobile video paintings by Dean Terry
painting from a cameraphone & unedited. www.100lies.com
http://www.deanterry.com/blog/index.php/2005/10/
Speech Marks 2004 Steve Hawley
http://www.artdes.mmu.ac.uk/profile/shawley/image/10349
50. Blast Theory (2003) – Uncle Roy All Around You a participatory
performance as well as a mobile and internet game. It engaged users in
unique, theatrical activities using the participants / gamers in the city
using portable devices and phones rather than only avatars only on
computers.
related work – participatory performance
51. • the whisper project a wearable devices and biofeedback
research project for Prof. Thecla Schiphorst and Dr. Susan
Kozel 2003-2006;
Siggraph 2005
related work – video + biosensing
http://whisper.iat.sfu.ca/
“…technology and
communications metaphors that
enable networked wearable
devices to communicate affective
states in a continuous manner”
52. SKIN, which examines the future integration of
sensitive materials in the area of emotional
sensing – the shift from ‘ intelligent’ to
‘sensitive’ products and technologies.
As part of SKIN, we have developed two ‘Soft
Technology’ outfits to identify the future for
high tech materials and Electronic Textile
Development in the area’s of skin and
emotional sensing.
The dresses show emotive technology and
how the body and the near environment can
use pattern and color change to interact and
predict the emotional state.
Philips Skin Probes
related work – biosensing + wearables
http://www.design.philips.com/probes/projects/dresses/index.page