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Medieval Music

   600-1450




    Copyright 2010
Introduction
•   Medium Aevum – Middle Ages
•   Began after the fall of the Roman Empire
•   A period of stagnation and great change
•   Events and ideas from the Medieval
    period became the foundation of our
    modern institutions (Roman Catholic
    Church, universities and schools, guilds)
Political Situation
• Rulers
  – Tribes
  – Charlemagne




  – Warring invaders and Royal Dynasties
• Feudalism
  – A system of political
    organization that
    governed everyone’s role
    in society
  – Nobility, Clergy and
    Peasants
  – A series of contracts
    between the nobles
    (seigneurials)
• Peasants
  – Free (craftsmen)
  – Servile (agricultural)
  – Slaves
• Roman Catholic Church
  – Clergy were the 2nd rank in
    feudalism
  – Two branches: Eastern and
    Western
  – Roman Pope (Western) had
    great influence
  – System of laws, courts and
    properties
  – Influence spread by the
    monastic system
• Crusades
  – 7 major crusades
  – Pilgrimages to the
    Holy Land
  - 1095 Pope Urban II
  - Trade
• Black Death
  – 14th century
  – Form of bubonic plague
  – Originated in China
  – Average life expectancy
    in the 20’s
• Inquisition
  – Adherence to the doctrines of the Roman
    Catholic Church
  – Established in 1231
The Arts
• Literature
  – England
      • Beowulf
      • Chaucer – Canterbury Tales
      • Sir Thomas Malory – La Mort d’Arthur
  – France                                     Chaucer   Canterbury Tales

      • Troubadours
      • Trouvères
  – Germany
      • Nibelungenlied
  – Italy
      • Dante – Divine Comedy
      • Petrarch - Canzoniere
                                  Dante
                                                             Divine Comedy
• Theatre

  – Liturgical Drama
  – Miracle and Mystery Plays
  – Morality Play
• Architecture
  – Romanesque (1000 to
    1250)
     • Stone vaulted buildings
     • Domes
     • Castles: moat,
       drawbridge, keep
Gothic (1140 to 1400)
•   Ribbed Vault
• Flying buttresses
   Visual Arts
       Stain Glass
       Frescoes
       Illuminated Manuscripts
       Metalwork
       Tapestries
       Painting
       Sculpture
Music in the Medieval Period
• Sacred Tradition
  – Plainchant
    Monophonic vocal music of the church
    Pope Gregory
    About 3,000 extant
    Sung as solo, unison or antiphonal
    Non-metric, modal, in Latin
    Based on modes: Dorian, Phrygian, Lydian, Mixolydian
Pope Gregory
– Mass
  • Ite, missa est
  • Latin Texts: Proper and Ordinary
  • Ordinary

      – Kyrie


      – Kyrie eleison      Lord have mercy upon us
      – Christe eleison    Christ have mercy upon us
      – Kyrie eleison      Lord have mercy upon us
– Gloria

      Gloria in excelsis deo,            Glory to God in the highest,
      et in terra pax hominibus bonae    and on earth peace to people of
      voluntatis                         good will.
                                         We praise you.
      Laudamus te.
                                         We bless you.
      Benedicimus te.                    We adore you.
      Adoramus te.                       We glorify you.
      Glorificamus te.                   We give thanks to you for your great
      Gratias agimus tibi propter        glory.
      magnam gloriam tuam.               Lord God, Heavenly King, God
      Domine Deus, Rex caelestis,        Almighty Father.
      Deus Pater omnipotens.             Lord Only-begotten Son, Jesus
      Domine fili unigenite, Jesu        Christ.
                                         Lord God, Lamb of God, Son of the
      Christe.
                                         Father.
      Domine Deus, Agnus Dei, Filius
                                         You who take away the sins of the
      patris.                            world have mercy on us.
      Qui tollis peccata mundi,          You who take away the sins of the
      miserere nobis.                    world hear our prayer.
      Qui tollis peccata mundi suscipe   You who sit at the Father's right
      deprecationem nostram.             hand, have mercy on us.
      Qui sedes ad dexteram patris       For you alone are holy.
      miserere nobis.                    You alone, Lord.
      Quoniam tu solus sanctus.          You alone the Most High, Jesus
                                         Christ.
      Tu solus Dominus.
                                         With the Holy Spirit in the glory of
      Tu solus Altissimus, Jesu
      Christe.
      Cum Sancto Spiritu in gloria Dei
      Patris. Amen.
                                         God the Father. Amen   .
– Credo

Credo in unum Deum, Patrem omnipotentem,             I believe in one God, The Father Almighty,
factorem coeli et terrae, visibilium omnium et       Maker of heaven and earth, and of all things
invisibilium. Et in unum Dominum Jesum               visible and invisible. And in one Lord, Jesus
Christum, Filium Dei unigenitum. Et ex Patre         Christ, the Only-begotten Son of God. Born of
natum ante omnia saecula. Deum de Deo, lumen         the Father before all ages. God of God, Light of
de lumine, Deum verum de Deo vero. Genitum,          Light, true God of true God. Begotten, not made,
not factum, consubstantialem Patri: per quem         of one substance with the Father. By whom all
omnia facta sunt. Qui propter nos homines, et        things were made. Who for us men and for our
propter nostram salutem descendit de coelis. Et      salvation came down from heaven. (here all
incarnatus est de Spiritu Sancto ex Maria            present kneel) And became incarnate by the
Virgine: ET HOMO FACTUS EST. Crucifixus              Holy Spirit of the Virgin Mary: AND WAS MADE
etiam pro nobis; sub Pontio Pilato passus, et        MAN. (here all arise) He was also crucified for
sepultus est. Et resurrexit tertia die, secundum     us, suffered under Pontius Pilate, and was
Scripturas. Et ascendit in coelum: sedet ad          buried. And on the third day He rose again
desteram Patris. Et iterum venturus est com          according to the Scriptures. He ascended into
gloria judicare vivos et mortuos. cujus regni non    heaven and sits at the right hand of the Father.
erit finis. Et in Spiritum Sanctum, Dominum et       He will come again in glory to judge the living
vivificantem: qui ex Patre Filioque procedit. Qui    and the dead and His kingdom will have no end.
cum Patre, et Filio simul adoratur et                And in the Holy Spirit, the Lord and Giver of life,
conglorificatur: qui locutus est per Prophetas. Et   Who proceeds from the Father and the Son.
unam, sanctam, catholicam et apostolicam             Who together with the Father and the Son is
Ecclesiam. Confiteor unum baptisma in                adored and glorified, and who spoke through the
remissionem peccatorum. Et exspecto                  prophets. And one holy, Catholic and Apostolic
resurrectionem mortuorum. Et vitam ventura           Church. I confess one baptism for the
saeculi. Amen.                                       forgiveness of sins and I await the resurrection of
                                                     the dead and the life + of the world to come.
                                                     Amen.
– Sanctus




Sanctus, Sanctus, Sanctus, Holy, Holy, Holy
                           Lord God of Hosts.
Dominus Deus Sabaoth.      Heaven and earth are filled
Pleni sunt coeli et terra  with your glory.
gloria tua.                Hosanna in the highest.
Hosanna in excelsis.       Blessed is He Who comes
Benedictus qui venit in    in the Name of the Lord.
nomine Domini.             Hosanna in the highest
Hosanna in excelsis.
- Agnus Dei




Agnus Dei, qui tolis    Lamb of God, Who take
peccata mundi,          away the sins of the world,
misere nobis.           have mercy on us.
Agnus Dei, qui tollis   Lamb of God, Who take
peccata mundi, misere   away the sins of the world,
nobis.                  have mercy on us.
Agnus Dei, qui tollis   Lamb of God, Who take
peccata mundi,          away the sins of the world,
                        grant us peace.
dona nobis pacem.
– Polyphony

  • Evolved from 10th to
    11th century

  • Organum

  • Cantus firmus
– Notation
  • Oral tradition
  • As amounts of chants grew, notation needed
  • Neumes
• Two lines: one red for F, one yellow for C
• 11th century – Guido of Arezzo



                                Ut queant laxis
                                Resonare fileris
                                Mira gestorum
                                Famuli tuorum
                                Solve polutte
                                Labi reaturm
• 12th century – four lines




• 13th century – mensural

• 16th century
– Composers
  • Anonymous
  • Hildegard von Bingen (1098-1179)
     – O frondens virga
• Notre Dame School

 Leonin (c. 1135-1201)
  – Introduced definite rhythm patterns to
    chants




  Perotin (c. 1160-1240)
  – Student of Leonin
  – First to compose music based on
    chants with more than two voices
• Guillaume de Machaut (c. 1300-1377)
  – Agnus Dei


   Agnus Dei, qui   Lamb of God,
   tolis peccata    Who take away
   mundi,           the sins of the
   misere nobis.    world, have
   Agnus Dei, qui   mercy on us.
   tollis peccata   Lamb of God,
   mundi, misere    Who take away
   nobis.           the sins of the
   Agnus Dei, qui   world, have
   tollis peccata   mercy on us.
   mundi,           Lamb of God,
   dona nobis       Who take away
   pacem.           the sins of the
                    world, grant us
                    peace.
• Secular Tradition
  – Court Music
     • Struggle with the church for power in influence
     • Musicians hired to entertain
     • Instrumental music most prominent
        – Estampie
        – Instrumental
     • Musician/poets: Troubadours, Trouvères
     • Minstrels and Jongleurs
Medieval Instruments
• String, Woodwind, Brass, Percussion, Keyboard
• Soft (bas) or loud (haut) – Inside or outside
• Families:
  String:
      Plucked: Lute, harp, psaltery
      Bowed: Viele, rebec
   Woodwind:
      Bagpipe, shawm, crumhorn
   Brass:
      Slide trumpet, sackbut
   Percussion:
      Drums (tabors, nakers), cymbals, bells
   Keyboard:
      Portative organ, organ, hurdy-gurdy
String




       Hurdy-gurdy




                     Viele
Lute

       Psaltery
Woodwind




Bagpipe
                         Recorders




               Pipe




  Krummhorn               Gemshorn
Brass and Percussion




Sackbut                          Bell Tree




                   Drum
Keyboard




                                        Portative Organ
Organ 11 century France
        th




                          Hurdy-gurdy
– Composers of Secular Music
  • Ars Antiqua
     – Troubadour: Guillaume de Poitiers, Duke of Aquitaine
     – Trouvères: Richard the Lion Heart



  • Ars Nova
     – Philippe de Vitry (1291-1361)

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Medieval20music1 110203155054-phpapp02

  • 1. Medieval Music 600-1450 Copyright 2010
  • 2. Introduction • Medium Aevum – Middle Ages • Began after the fall of the Roman Empire • A period of stagnation and great change • Events and ideas from the Medieval period became the foundation of our modern institutions (Roman Catholic Church, universities and schools, guilds)
  • 3. Political Situation • Rulers – Tribes – Charlemagne – Warring invaders and Royal Dynasties
  • 4. • Feudalism – A system of political organization that governed everyone’s role in society – Nobility, Clergy and Peasants – A series of contracts between the nobles (seigneurials)
  • 5.
  • 6. • Peasants – Free (craftsmen) – Servile (agricultural) – Slaves
  • 7. • Roman Catholic Church – Clergy were the 2nd rank in feudalism – Two branches: Eastern and Western – Roman Pope (Western) had great influence – System of laws, courts and properties – Influence spread by the monastic system
  • 8.
  • 9. • Crusades – 7 major crusades – Pilgrimages to the Holy Land - 1095 Pope Urban II - Trade
  • 10. • Black Death – 14th century – Form of bubonic plague – Originated in China – Average life expectancy in the 20’s
  • 11. • Inquisition – Adherence to the doctrines of the Roman Catholic Church – Established in 1231
  • 12. The Arts • Literature – England • Beowulf • Chaucer – Canterbury Tales • Sir Thomas Malory – La Mort d’Arthur – France Chaucer Canterbury Tales • Troubadours • Trouvères – Germany • Nibelungenlied – Italy • Dante – Divine Comedy • Petrarch - Canzoniere Dante Divine Comedy
  • 13. • Theatre – Liturgical Drama – Miracle and Mystery Plays – Morality Play
  • 14. • Architecture – Romanesque (1000 to 1250) • Stone vaulted buildings • Domes • Castles: moat, drawbridge, keep
  • 15. Gothic (1140 to 1400) • Ribbed Vault • Flying buttresses
  • 16. Visual Arts  Stain Glass  Frescoes  Illuminated Manuscripts  Metalwork  Tapestries  Painting  Sculpture
  • 17.
  • 18.
  • 19.
  • 20.
  • 21. Music in the Medieval Period • Sacred Tradition – Plainchant Monophonic vocal music of the church Pope Gregory About 3,000 extant Sung as solo, unison or antiphonal Non-metric, modal, in Latin Based on modes: Dorian, Phrygian, Lydian, Mixolydian
  • 23. – Mass • Ite, missa est • Latin Texts: Proper and Ordinary • Ordinary – Kyrie – Kyrie eleison Lord have mercy upon us – Christe eleison Christ have mercy upon us – Kyrie eleison Lord have mercy upon us
  • 24. – Gloria Gloria in excelsis deo, Glory to God in the highest, et in terra pax hominibus bonae and on earth peace to people of voluntatis good will. We praise you. Laudamus te. We bless you. Benedicimus te. We adore you. Adoramus te. We glorify you. Glorificamus te. We give thanks to you for your great Gratias agimus tibi propter glory. magnam gloriam tuam. Lord God, Heavenly King, God Domine Deus, Rex caelestis, Almighty Father. Deus Pater omnipotens. Lord Only-begotten Son, Jesus Domine fili unigenite, Jesu Christ. Lord God, Lamb of God, Son of the Christe. Father. Domine Deus, Agnus Dei, Filius You who take away the sins of the patris. world have mercy on us. Qui tollis peccata mundi, You who take away the sins of the miserere nobis. world hear our prayer. Qui tollis peccata mundi suscipe You who sit at the Father's right deprecationem nostram. hand, have mercy on us. Qui sedes ad dexteram patris For you alone are holy. miserere nobis. You alone, Lord. Quoniam tu solus sanctus. You alone the Most High, Jesus Christ. Tu solus Dominus. With the Holy Spirit in the glory of Tu solus Altissimus, Jesu Christe. Cum Sancto Spiritu in gloria Dei Patris. Amen. God the Father. Amen .
  • 25. – Credo Credo in unum Deum, Patrem omnipotentem, I believe in one God, The Father Almighty, factorem coeli et terrae, visibilium omnium et Maker of heaven and earth, and of all things invisibilium. Et in unum Dominum Jesum visible and invisible. And in one Lord, Jesus Christum, Filium Dei unigenitum. Et ex Patre Christ, the Only-begotten Son of God. Born of natum ante omnia saecula. Deum de Deo, lumen the Father before all ages. God of God, Light of de lumine, Deum verum de Deo vero. Genitum, Light, true God of true God. Begotten, not made, not factum, consubstantialem Patri: per quem of one substance with the Father. By whom all omnia facta sunt. Qui propter nos homines, et things were made. Who for us men and for our propter nostram salutem descendit de coelis. Et salvation came down from heaven. (here all incarnatus est de Spiritu Sancto ex Maria present kneel) And became incarnate by the Virgine: ET HOMO FACTUS EST. Crucifixus Holy Spirit of the Virgin Mary: AND WAS MADE etiam pro nobis; sub Pontio Pilato passus, et MAN. (here all arise) He was also crucified for sepultus est. Et resurrexit tertia die, secundum us, suffered under Pontius Pilate, and was Scripturas. Et ascendit in coelum: sedet ad buried. And on the third day He rose again desteram Patris. Et iterum venturus est com according to the Scriptures. He ascended into gloria judicare vivos et mortuos. cujus regni non heaven and sits at the right hand of the Father. erit finis. Et in Spiritum Sanctum, Dominum et He will come again in glory to judge the living vivificantem: qui ex Patre Filioque procedit. Qui and the dead and His kingdom will have no end. cum Patre, et Filio simul adoratur et And in the Holy Spirit, the Lord and Giver of life, conglorificatur: qui locutus est per Prophetas. Et Who proceeds from the Father and the Son. unam, sanctam, catholicam et apostolicam Who together with the Father and the Son is Ecclesiam. Confiteor unum baptisma in adored and glorified, and who spoke through the remissionem peccatorum. Et exspecto prophets. And one holy, Catholic and Apostolic resurrectionem mortuorum. Et vitam ventura Church. I confess one baptism for the saeculi. Amen. forgiveness of sins and I await the resurrection of the dead and the life + of the world to come. Amen.
  • 26. – Sanctus Sanctus, Sanctus, Sanctus, Holy, Holy, Holy Lord God of Hosts. Dominus Deus Sabaoth. Heaven and earth are filled Pleni sunt coeli et terra with your glory. gloria tua. Hosanna in the highest. Hosanna in excelsis. Blessed is He Who comes Benedictus qui venit in in the Name of the Lord. nomine Domini. Hosanna in the highest Hosanna in excelsis.
  • 27. - Agnus Dei Agnus Dei, qui tolis Lamb of God, Who take peccata mundi, away the sins of the world, misere nobis. have mercy on us. Agnus Dei, qui tollis Lamb of God, Who take peccata mundi, misere away the sins of the world, nobis. have mercy on us. Agnus Dei, qui tollis Lamb of God, Who take peccata mundi, away the sins of the world, grant us peace. dona nobis pacem.
  • 28. – Polyphony • Evolved from 10th to 11th century • Organum • Cantus firmus
  • 29. – Notation • Oral tradition • As amounts of chants grew, notation needed • Neumes
  • 30.
  • 31. • Two lines: one red for F, one yellow for C • 11th century – Guido of Arezzo Ut queant laxis Resonare fileris Mira gestorum Famuli tuorum Solve polutte Labi reaturm
  • 32. • 12th century – four lines • 13th century – mensural • 16th century
  • 33. – Composers • Anonymous • Hildegard von Bingen (1098-1179) – O frondens virga
  • 34. • Notre Dame School Leonin (c. 1135-1201) – Introduced definite rhythm patterns to chants Perotin (c. 1160-1240) – Student of Leonin – First to compose music based on chants with more than two voices
  • 35. • Guillaume de Machaut (c. 1300-1377) – Agnus Dei Agnus Dei, qui Lamb of God, tolis peccata Who take away mundi, the sins of the misere nobis. world, have Agnus Dei, qui mercy on us. tollis peccata Lamb of God, mundi, misere Who take away nobis. the sins of the Agnus Dei, qui world, have tollis peccata mercy on us. mundi, Lamb of God, dona nobis Who take away pacem. the sins of the world, grant us peace.
  • 36. • Secular Tradition – Court Music • Struggle with the church for power in influence • Musicians hired to entertain • Instrumental music most prominent – Estampie – Instrumental • Musician/poets: Troubadours, Trouvères • Minstrels and Jongleurs
  • 37. Medieval Instruments • String, Woodwind, Brass, Percussion, Keyboard • Soft (bas) or loud (haut) – Inside or outside • Families: String: Plucked: Lute, harp, psaltery Bowed: Viele, rebec Woodwind: Bagpipe, shawm, crumhorn Brass: Slide trumpet, sackbut Percussion: Drums (tabors, nakers), cymbals, bells Keyboard: Portative organ, organ, hurdy-gurdy
  • 38. String Hurdy-gurdy Viele Lute Psaltery
  • 39. Woodwind Bagpipe Recorders Pipe Krummhorn Gemshorn
  • 41. Keyboard Portative Organ Organ 11 century France th Hurdy-gurdy
  • 42. – Composers of Secular Music • Ars Antiqua – Troubadour: Guillaume de Poitiers, Duke of Aquitaine – Trouvères: Richard the Lion Heart • Ars Nova – Philippe de Vitry (1291-1361)