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1. Group 2
Proudly Presents…

2. Genres of Music
During Spanish
Influence/Period

3. The Music of Spain has a vibrant and long history
which has had an important impact on music in
Western culture.
Historical Background
Although the music of Spain is often associated with
traditions like flamenco and the acoustic
guitar, Spanish music is in fact incredibly diverse from
region to region.

4. During the
Pre-Spanish Period

5. Pre-Spanish Period Music
Filipinos are said to be musical peoples. In most
cases, singing is accompanied by dancing.
They used bamboo canes, palm leaves and bark
of trees to write their songs and a piece of sharp
stick or iron for their pen.

6. Functions of their Music
Religious
Social life
Pre-Spanish Period Music

7. Characteristics of their Music
 Mostly simple two
note music
 Recitative
Pre-Spanish Period Music

8. EXAMPLES
of Music
During Pre-Spanish Period

9. Dal-lot
It is the traditional Ilokano pre-wedding, wedding
and post-wedding chant. During the rendition, the
male party serves the Ilokano drink basi or the Ilokano
chew, gawed ken bua (mamaen)
It is a song sung by farmers during wedding, baptismal
and others parties accompanied by Kutibeng (guitar).

10. Pamulinawen
Pamulinawen is a love song

11. Pamulinawen
It is believed that it was created by an Ilocano
troubadour of pre-Hispanic times who was
inspired by the sweetness of an Ilocana.
The maiden might have been resplendent with
character traits cherished by the women of
Ilocandia and for this reason the troubadour must
have called her “Pamulinawen” which according to
the text of the song is the sweetest and most
illustrious names among Ilocanos of old.

12. Dung-aw is a song requesting a dead person to be
good in his next life.
Dung-aw
The Dungaw or Dung-
aw is an old-fashioned
tradition of poetry
and Ilocano. It is a poem
sing. It is sung as a
lament someone dies. In
this poem speaks of the
goodness of who died
when he was alive.

13. Ordinary songs (diyuna, talindaw)
Street songs (indulamin, suliranin)
Sorrow (dalit, umbay)
Wedding (ihiman)
Rowing (tigpasin, kalusan)
MUSICS ACCORDING TO THEIR
CATEGORY:

14. MUSIC ACCORDING TO THEIR
CATEGORY:
Lullaby (hele-hele, hili, oyayi, iyaya)
Success (baling kungkong, dapayanin, hiliran,
sambotani, tagumpay)
House (tingad)
General merry making (kalipay)
Counting (urukay)

15. During the
Spanish Period

16. Spanish Period Music
 More conservative style of sacred music.
 Minor key at the beginning shifts to a major key
in the 2nd-half Kundiman.
 Canto Ilocano, monophonic unmeasured style
notated utilizing note shapes different from
the neumes of Gregorian chant (composition of
the Kirial).
 Canto de Oregano, simple polyphonic settings
in to two or more vocal portraying.
 Religiosity and Musicality – salvation of self-
expression
CHARACTERISTICS:

17. •Figured Chant Music
•Measured Plainsong
•1795 (Golden Age of Sacred Music)
•Passion Song
Musical Forms
Sacred Music

18. Musical Forms
1. Tagulaylay
Counterpart of
“lamentation”
2. Palimos
Song for begging

19. Kumintang originated in Balyan, Batangas
a. Kumintang of the conquest
b. Kumintang of the Balayan
c. Kumintang with which the Awits are
accompanied
3. Kumintang
Musical Forms

20. • “La Tagala” -- Jose Estella
• “Amihan” -- Antonio Molina
• “Auras de Terruno” -- Juan S. Hernandez
• “Pagdilidli” Lucino Sacramento
Examples of Kumintang

21. The song is a kind of narrative poem consisting
of verse had four a piece each stanza, each verse
has 12 syllable, and the traditional end match
individually
Musical Forms
4. Awit

22. • “Awit” -- F. Santiago
• “Ang Ulila” -- Antonio Molina
• “Batingaw na Pilak” -- Antonio Molina
• “Recuerdo de Filipinas y Sus cantares”
--Diego Perez
Examples of Awit

23. •Visayan Balitaw
•Tagalog Balitaw
•Dansa Menor
5. Balitaw
Examples of Balitaw:
•“Hating-gabi”-- Antonio Molina
• “Sampaguita”-- Dalores Paterno
•“Ay, Ay, Kalisud”-- Visayan Folksong
Balitaw Mayor
Musical Forms

24. 6. Kundiman
Kundiman came from the words “kung hindi man”
It is a genre of traditional Filipino love songs.
The lyrics of the Kundiman are written in Tagalog.
The melody is characterized by a smooth, flowing
and gentle rhythm with dramatic intervals.
Kundiman was the traditional means
of serenade in the Philippines.
Musical Forms

25. 7. Harana
Harana originated from
the Spanish Era here in the
Philippines. This is how
the men court the women
from before.
Musical Forms
A man accompanied by his friends would visit a
woman and sing to her love songs to make her fall
in love with him. The man is usually accompanied
by his friends to give him moral support and also
help him with the songs he will use to serenade the
woman.

26. There are variations
of the Harana.
Musical Forms
“Tapat” is from Ilocos, this serenading is started by
the man and the woman answers back also with a
song. This will go on until the two agree on their
relationship.

27. Examples of Harana Songs
•"Walay Angay"
•"Ay Kalisud“
• "No Duaduaem Pay“
•"Silayan’
Musical Forms

28. The End!!!
Hope You Like and
Understand it!!!!!

29. Leader: Teresa D. Balsomo
Assistant Leader: John Mark B. Boctot
Secretary: Marnice C. Buenafe
Members: Katrina Jerica D. Bernal
Elmie Rose Betache
Jessie Ray G. Buot
Kent Philip P. Blanco
Apryllohne Maxilom
Keith Mikho Barbon
Group 2
Thank you very much!!!