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A PLAY
ETHIC FOR
THE CITY
PAT KANE
THEPLAYETHIC.COM
LABORATORIO
PARA LA CIUDAD
HOW DOES YOUR
PROFESSIONAL PRACTICE
LINK TO PLAY,
PLAYFULNESS & THE
DEVELOPMENT OF CITIES &
SOCIETIES?
”
“
THE CITY SOMETIMES HAS A PLAYFUL
CONVERSATION
...WITH ITSELF...
A PLAY ETHIC FOR THE CITY
WHAT ARE THE COMPONENTS?
GUIDING NOTIONS:
• play as the "influx of mind
into matter" (Huizinga)
• play as "adaptive
potentiation" Sutton-Smith
• The city not just as a
playground - but as "ground
of play" - where play grows
from, is made sustainable
and draws resources from.
MY PLAY ETHIC FOR THE CITY
WHAT ARE THE COMPONENTS?
Four kinds of making
define relationship
between play & city in my
life
• MUSIC-MAKING
• MEDIA-MAKING
• MOVEMENT-MAKING
• FESTIVAL-MAKING
MUSIC
MAKING
• Commercial musician for 30 years
• Musicians play the city and the citizens
• Music culture generate venues - new,
new-old, old-new, just old. Has supports
“scenius” (Eno).
• Attending gigs, citizens turn urban space
dramatic, epiphany - and display
taste/aesthetics
• It’s why Paris attacks so traumatic -
James Brown: "the night time is the right
time" - it’s when city is happiest with itself
MEDIA
MAKING
• I’ve been a professional
writer/journalist/editor also for 30 years
• I was one of founding editors of a
Sunday national newspaper in Scotland
Based in Glasgow - office is literally at
the top of a hill looking down on the city
• Journalism should speak truth to power
- but papers also play their cities...
• ....Develop their collective narratives,
imagine their communities
MOVEMENT
MAKING
• I was involved in main campaign for Scottish
independence - leading cultural front
• City-at-and-in-play very important ... Music and
carnival in central squares, in front of TVs
stations
• Satire - "welcome to our imperial masters"
(playing Darth Vader theme tune) as No
politicians visited Glasgow
• Mexican parallels? Lopez Obrador's planton in
Mexico City, 2006
• Mock public trials in Mexico - effigies of
politicians burnt in streets, theatrical courts
performed
FESTIVAL
MAKING
FutureFest comes every 18 months, powered
by NESTA, UKs Innovation Charity
• I’ve been curator since start - based in
London - Using the city to create "festivals of
the future" - occupies big distinctive venues
(Shoreditch, Tobacco Dock)
• Cross between TED/WIRED -
Arts/performance installation - maker faire -
"the best way to predict future is to invent
it…or, redistribute its elements into one
urban space"
• Ticket price for weekend is £80 - less than
two days worth of UK minimum wage (or 2
Premier football tickets) - Trying to make
future-thinking accessible to citizens
A PLAY ETHIC FOR THE CITY
WHAT ARE THE COMPONENTS?
GUIDING NOTIONS:
• play as the "influx of mind into
matter" (Huizinga)
• play as "adaptive potentiation"
Sutton-Smith
• The city not just as a
playground - but as "ground of
play" - where play grows from,
is made sustainable
• CITY AS COMPLEX
ORGANISM - & COMPLEX
ORGANISMS NEED TO PLAY!
AND SOMETIMES THEY OBVIOUSLY DO...
THANK YOU!
A PLAY
ETHIC FOR
THE CITY
PAT KANE
THEPLAYETHIC.COM
LABORATORIO
PARA LA CIUDAD

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"A play ethic for the city" - Laboratory For The City, Mexico

  • 1. A PLAY ETHIC FOR THE CITY PAT KANE THEPLAYETHIC.COM LABORATORIO PARA LA CIUDAD
  • 2. HOW DOES YOUR PROFESSIONAL PRACTICE LINK TO PLAY, PLAYFULNESS & THE DEVELOPMENT OF CITIES & SOCIETIES? ” “
  • 3. THE CITY SOMETIMES HAS A PLAYFUL CONVERSATION ...WITH ITSELF...
  • 4. A PLAY ETHIC FOR THE CITY WHAT ARE THE COMPONENTS? GUIDING NOTIONS: • play as the "influx of mind into matter" (Huizinga) • play as "adaptive potentiation" Sutton-Smith • The city not just as a playground - but as "ground of play" - where play grows from, is made sustainable and draws resources from.
  • 5. MY PLAY ETHIC FOR THE CITY WHAT ARE THE COMPONENTS? Four kinds of making define relationship between play & city in my life • MUSIC-MAKING • MEDIA-MAKING • MOVEMENT-MAKING • FESTIVAL-MAKING
  • 6. MUSIC MAKING • Commercial musician for 30 years • Musicians play the city and the citizens • Music culture generate venues - new, new-old, old-new, just old. Has supports “scenius” (Eno). • Attending gigs, citizens turn urban space dramatic, epiphany - and display taste/aesthetics • It’s why Paris attacks so traumatic - James Brown: "the night time is the right time" - it’s when city is happiest with itself
  • 7. MEDIA MAKING • I’ve been a professional writer/journalist/editor also for 30 years • I was one of founding editors of a Sunday national newspaper in Scotland Based in Glasgow - office is literally at the top of a hill looking down on the city • Journalism should speak truth to power - but papers also play their cities... • ....Develop their collective narratives, imagine their communities
  • 8. MOVEMENT MAKING • I was involved in main campaign for Scottish independence - leading cultural front • City-at-and-in-play very important ... Music and carnival in central squares, in front of TVs stations • Satire - "welcome to our imperial masters" (playing Darth Vader theme tune) as No politicians visited Glasgow • Mexican parallels? Lopez Obrador's planton in Mexico City, 2006 • Mock public trials in Mexico - effigies of politicians burnt in streets, theatrical courts performed
  • 9. FESTIVAL MAKING FutureFest comes every 18 months, powered by NESTA, UKs Innovation Charity • I’ve been curator since start - based in London - Using the city to create "festivals of the future" - occupies big distinctive venues (Shoreditch, Tobacco Dock) • Cross between TED/WIRED - Arts/performance installation - maker faire - "the best way to predict future is to invent it…or, redistribute its elements into one urban space" • Ticket price for weekend is £80 - less than two days worth of UK minimum wage (or 2 Premier football tickets) - Trying to make future-thinking accessible to citizens
  • 10. A PLAY ETHIC FOR THE CITY WHAT ARE THE COMPONENTS? GUIDING NOTIONS: • play as the "influx of mind into matter" (Huizinga) • play as "adaptive potentiation" Sutton-Smith • The city not just as a playground - but as "ground of play" - where play grows from, is made sustainable • CITY AS COMPLEX ORGANISM - & COMPLEX ORGANISMS NEED TO PLAY!
  • 11. AND SOMETIMES THEY OBVIOUSLY DO... THANK YOU!
  • 12. A PLAY ETHIC FOR THE CITY PAT KANE THEPLAYETHIC.COM LABORATORIO PARA LA CIUDAD