The Enviroment Essay about The Ocean Environment Environmental Art Essay

1. The Enviroment
Enviroment What are we doing to our environment? This is a question many people have asked but
never quite been able to answer in the fullest way. How do we find out the answer then you ask? By
multiple sources. There's the 'scare' tactic, saying what could happen in the future if we don't change
our ways. There's the 'inspirational' tactic which spreads the word of all good that we can, should, or
maybe even have done to our environment. And last but not least, the 'fiction transformation' tactic
which turns something that we would read ourselves or maybe to our children to open up our eyes
of what's going on. Why is this important to even know? Many different 'eco enthusiasts' express
their research on the environment, this general tactic is called ecocriticism. Ecocriticism is where
authors analyze texts that embellish environmental concerns and study the various...show more
content...
Seuss. In the book, The Lorax, he starts off with a question to intrigue interest, "What was the
Lorax? And why was it there? And why was it lifted and taken somewhere from the far end of town
where the Grickle–grass grows? The old Once–ler still lives here. Ask him. He knows."(Seuss,
1971), you don't think anything of this introduction where you will get a whole life lesson on your
choices from this, but you do. Farther into the book, you start to see the effects of the factory,
greed, and production of the 'thneed', ''I am the Lorax," he coughed and he whiffed. He sneezed and
he snuffled. He snarggled. He sniffed. "Once–lerl" he cried with a cruffulous croak. "Once–lerl
You're making such smogulous smoke! My poor Swomee–Swans ... why, they can't sing a note! No
one can sing who has smog in his throat." (Seuss, 1971). This bit of text shows the affect of
ignorance. In our current day, we are the Once–ler. We are the people destroying our enviroment.
Will it really go as far as it did in The Lorax? Or will we come to stop
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2. Essay about The Ocean Environment
Ocean Environment
The sea is the most obvious feature of the earth's surface.
Approximately seventy percent of this surface is covered by water, in one way or another. Beneath
this water are the familiar sands of the beaches, bottoms of bays, and the inshore ocean. Farther
offshore this water covers an amazing submarine topography of underwater canyons, trenches,
mountains, and plains.
Unlike the continents, which are physically separated from one another, the oceans are continuous
and interconnected. Since the "world ocean is continuous"(M.J. Keen) it has similar
characteristics throughout. In the early
1870s oceanographers collected seawater samples from all of the seas of the world at a variety...show
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They all have crests, troughs, wave heights, lengths, and periods. Also, water particles that make up
the waves all move in identical orbital patterns. The orbital pattern is up and forward in the crest
and down and back in the trough. It is only when the wave becomes unstable that the orbital motion
is destroyed. The water particles then begin to move at the same speed as the moving wave form.
Breaking waves release a tremendous amount of stored energy on a beach face. This energy moves
the sand about and changes the configuration of the bottom. As the bottom configuration is changed
by the waves, it changes the characteristics of incoming waves. This interaction between the waves
and the bottom results in the beach face having an everlasting wave pattern.
Everything in the universe is composed of extremely small paritcles called atoms, which are often
bonded together to form molecules. Molecules are formed as the result fo the transfer of electrons
between atoms. The complete loss and gain of electrons results in the formation of ionic molecules,
which have completely positive and negative vegions. Unequal sharing of electrons, on the other
hand, characterizes the polar covalent molecules, which have only partially positive and negative
regions. The
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3. Environmental Art Essay
Environmental art is a genre of art that was established in the late 1960's and it was created by
things found in nature to make a piece of art. Some of the the environmental art would be so large
in size, that it would be considered to be monumental. This kind of art can not be moved without
destroying it, and the climate and weather can change it. There are many reasons why an artist
would create an environmental work of art, such as : to address environmental issues affecting earth
today, to show things that could be powered by nature or be interactive with natural phenomenon
(like lighting or earthquakes), or to show how people can co–exist with nature, or maybe use it as a
means to help restore ecosystems in an aesthetic way....show more content...
Michael Hiezer's piece, "Double negative" was built in Nevada, near the Mormon mesa.
According to Double negative, "The trenches line up across a large gap formed by the natural
shape of the mesa edge. Including this open area across the gap, the trenches together measure
1,500 feet long, 50 feet deep, and 30 feet wide." Heizer just simply subtracted earth to create this
work, he took away earth to create the two trenches and thus, creating negative space, and that is
how he created a "double negative." This piece was considered to be one of the first works to start
the earth art movement. This piece was created to help show people how the earth can relate to art.
Heizer's piece "the city" is still a work in progress and has been a life–long project that is
somewhere in the Nevada Desert. The site can not be visited by people yet since Heizer is still
working on it. He is using "The complexes are made mostly of earth, and were inspired in part by
Native American traditions of mound–building and the ancient cities of Central and South America."
Heizer states in regards to the City as, "I'm building this work for later. I'm interested in making a
work of art that will represent all the civilization to this point." Walter de Maria was born in
California in 1935. He studied history and art at UC Berkeley, and then went to New York in 1960.
His early art was made from industrial materials to make minimalist art. In the late 1960's, he started
to
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