This example of research and exam is good due diligence for art collectors - See reports

1. BONHAMS AUCTION HOUSE
AND APPRAISERS CONSULTS
ON RARE AND VALUABLE E.
CHARLTON FORTUNE OIL
PAINTING FROM 1918
ABOUT CONDITION AND ART
CONSERVATION, PAINTING
RESTORATION
(A valuable example of due
diligence for collectors )
Recently Bonhams and Butterfield Art
Auctioneers and Art Appraiser’s Scot Levitt,
Head of Paintings Dept., called Scott M.
Haskins at Fine Art Conservation
Laboratories (aka FACL, Inc.) with the exciting find of a major oil painting by the CA
Impressionist E. Charlton Fortune. It seemed to them important to establish the following
facts and details (a lesson for your due diligence):
1. Even though the painting is not signed, is there any doubt about the
attribution?
2. What condition is the painting in?
3. Would the painting sell for more cleaned or should they sell it dirty?
4. What were my thoughts about the original painting wrapped around the
right side of the stretcher bars? Had it been made smaller?
5. It would be appreciated by interested buyers to have a condition report
on letterhead and to know we looked at it.
So here is the assessment of the painting, The Senora’s Garden, painted in
about 1918 – 1920, 30″ x 26″, oil on canvas on April 8, 2013

2. Generally in good condition. Prior to conservation, the following conditions existed:
1. There was a small half circle tear (about the size of the end of a thumb) along the upper
left side that was previously repaired poorly. Fill covered original paint and the
indentation and overpaint was not carefully applied.
2. Random, (not during initial painting of artwork) later applications of paint were
applied after the original painting had dried. These areas of repainting were located in all
areas, most all colors. The paint is not of the same quality, solubility or consistency as the
retouching on the damage. In a couple of test areas for removal, we found no damage to
the original paint below. UV fluorescence of these overpainted additions was viewed but
it was not conclusive that they are a retouching not done by the artist. All of this
overpaint was under the layers of grime and discolored aged varnish. With the level of
investigation that we performed (minimal) it is assumed that the repainting was a later re-
working by the original artist.
3. Overall was a very discolored layer of resin and grime that was well attached (perhaps
varnished over) into the deep recesses of the texture of the painting.
4. The original stretcher bars are period and low quality (but common).
5. The right vertical edge of the painting is wrapped around the old original stretcher
bars. Given the use of original aged stretcher bars and given the original period frame in
the size of this painting, it is my opinion that the change is size was done by the original
artist. I don’t think this painting was exhibited during the artist’s time with a different
size.
6. The painting technique of this painting is entirely consistent with other works I have
known over the decades by this artist. Also, the original labels in the artist’s handwriting
help to confirm the authorship.
Bonhams considered the cleaning of the painting and the reacquiring of the
original colors very important to the best selling price of this painting. So, the
painting was cleaned, varnished and the previous repair of the small rip was
“refined.”

3. After Conservation
I hope this review of some of the questions that should be asked when
evaluating a painting is instructional for you on the type of due diligence that
can and should be done. We looked at this painting with UV in the process.
Here’s a link to a page to teach you more about this invaluable tool you can
learn to use to help you determine and discover unseen details and conditions
that will have an impact on your purchase
price: http://tipsforfineartcollectors.org/blacklight-package/
Questions about art conservation and painting restoration on your collection?
Call Scott M. Haskins 805 564 3438

4. Art appraisal questions? Call Richard Holgate at 805 895 5121
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Art Collectors
Here’s the catalog information from Bonham and Butterfield