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NATURE OF FASHION
TYPES OF FASHION

Modern fashion design is roughly divided into two main
 categories. Haute Couture and Prêt-a-Porter.
HAUTE COUTURE

 Haute Couture is a French word for
  "high sewing" or "high dressmaking". It
  refers to the creation of exclusive
  custom-fitted clothing.
 Haute Couture is made to order
  (custom made) for a specific customer,
  and it is usually made from high-
  quality, expensive fabric and sewn with
  extreme attention to detail and finish,
  often using time-consuming, hand-
  executed techniques.
   It originally referred to Englishman Charles
    Frederick Worth's work, produced in Paris in the
    mid-nineteenth century. In modern France,
    Haute couture is a "protected name" that can be
    used only by firms that meet certain well-defined
    standards. However, the term is also used
    loosely to describe all high-fashion custom-fitted
    clothing, whether it is produced in Paris or in
    other fashion capitals such as Milan, London,
    Rome, New York and Tokyo.
PRÊT-À-PORTER
   Prêt-à-Porter is the French word for the term “Ready to Wear”.
    Ready-to-wear or Prêt-a-Porter is the fashion design term for
    clothing marketed in a finished condition (ready made), in
    standard clothing sizes. In the fashion industry, designers
    produce ready-to-wear clothing intended to be worn without
    significant alteration, because it is by far the most economical,
    efficient, and profitable way to produce garments. They use
    standard patterns, factory equipment, and faster construction
    techniques to keep costs low, compared to a custom-sewn
    version of the same item. Some fashion houses or fashion
    designers create ready-to-wear lines that are mass-produced
    and industrially manufactured, while others offer lines that are
    very exclusive and produced only in limited numbers for a
    limited time usually to specific wholesaler/s.
  Ready-to-wear collections can also be divided into
   designers / creator collections and Confection
   collections.
i) Confection collections or Mass Market are the ones
   we see most commonly in our shops. Stylists design
   these collections. The brands that produce these
   collections aim only for a mass public and are in the
   general not searching for a new point of view on fashion.
ii)Designer / Creator collections have a high quality a
   superb finish and a unique cut and design. These
   collections are the most trendsetting compared to Haute
   Couture and Confection. These ready to wear
   collections often contain concept items that represent a
   certain philosophy or theory. These items are not
   created for sales but only to create a fashion trend. The
   designer’s ready-to-wear collection is also modeled on
   international catwalks.
AREAS OF FASHION
CLASSIFICATION OF FASHION

   Fashions tend to grow slowly, remain popular for a
    while, and decline slowly. A fashion can be brief for
    long. Length of a fashion cycle is hard to predict.
    Fashion is classified into many categories as
    follows:
I.   STYLE
Style is the basic outline of any garment.
  Fashion is ephemeral while style is
  lasting. Style is always constant. It does
  not change whereas fashion changes
  considerably. Style has certain
  characteristics that distinguish it from
  other designs. For example, the fashion
  could be pleated skirt, yet the style is box
  pleat. It is a common fallacy to believe
  that the famous designers create
  fashions. They create styles which they
  hope will be accepted. When and if there
  is consumer support the style then
  becomes fashion. It is repetitious but
  important to stress that fashion is
  synonymous with acceptance
II)   BASIC OR CLASSIC
   A classic item of clothing is one that
    continues to be popular for long even though
    fashions change or in other terms “the
    longest running fashion”.
   Classics were originally fashion items but
    their general appeal and simple stylish lines
    have kept them popular. They can be worn
    year after year. This style continues to be
    accepted as general fashion by many
    different social groups.
   Change in classics is very superficial.
    Material, texture, details and even silhouette
    may vary but style continues to be in fashion.
    Shalwar kameez, blazers, jeans etc. are all
    examples of classic items of apparel which
    had changes in collars, lapels, pockets,
    length and cut of garment over a period of
    time but the original classic item has not
    disappeared from the market.
III)   FAD
   Fads are fashion that come quickly into the
    public eye, are adopted with great zeal,
    peak early and decline very fast. Their
    acceptance cycle is short and they tend to
    attract only a limited following. Fads appeal
    to people who are searching for excitement
    or who want to distinguish themselves from
    others. Fads do not survive long because
    they do not normally satisfy a strong need
    or do not satisfy it well. It is difficult to
    predict whether something will only be a
    fad, or how long it will last. The amount of
    media attention, along with other factors will
    influence the fad’s duration.
IV)    FASHION TREND
   It is the direction in which fashion is moving. This
    helps the manufacturers and merchants to
    decide whether to promote the fashion to the
    customer or to abandon it. Fashion forecasters
    look for the styles they think are prophetic, ideas
    that capture the mood of the times and signal a
    new fashion trend. Very often, a new trend
    appears in small doses until it spreads to other
    collections. Evaluating the collections becomes
    one way a designer, working for a mainstream
    manufacturer, can research fashion direction.
    For retail buyers,
    it is becoming a huge challenge to figure out
    which trends will become fashion basics, like
    capris, and which are only fads, such as pony
    prints. Empowered by the Internet and television,
    global trends are moving at an accelerating
    pace. The life-span of a trend is now about five
    months instead of a year. For the junior market,
    the span is only three months.
V)   FASHION FORECASTING
   Fashion forecasting is a process
    by which researchers and people
    working in the fashion industry,
    try to analyze trends in the
    current market situation and then
    attempt to predict the trends for
    future market by analyzing
    political, cultural, social and other
    multimedia factors that can
    influence fashion. It is a
                                            Jermy scott for addidas
    prediction of fashion colors,
    textures, designs, silhouettes and
    styles that become popular.
WHAT?

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Nature of fashion

  • 2. TYPES OF FASHION Modern fashion design is roughly divided into two main categories. Haute Couture and Prêt-a-Porter.
  • 3. HAUTE COUTURE  Haute Couture is a French word for "high sewing" or "high dressmaking". It refers to the creation of exclusive custom-fitted clothing.  Haute Couture is made to order (custom made) for a specific customer, and it is usually made from high- quality, expensive fabric and sewn with extreme attention to detail and finish, often using time-consuming, hand- executed techniques.
  • 4. It originally referred to Englishman Charles Frederick Worth's work, produced in Paris in the mid-nineteenth century. In modern France, Haute couture is a "protected name" that can be used only by firms that meet certain well-defined standards. However, the term is also used loosely to describe all high-fashion custom-fitted clothing, whether it is produced in Paris or in other fashion capitals such as Milan, London, Rome, New York and Tokyo.
  • 5. PRÊT-À-PORTER  Prêt-à-Porter is the French word for the term “Ready to Wear”. Ready-to-wear or Prêt-a-Porter is the fashion design term for clothing marketed in a finished condition (ready made), in standard clothing sizes. In the fashion industry, designers produce ready-to-wear clothing intended to be worn without significant alteration, because it is by far the most economical, efficient, and profitable way to produce garments. They use standard patterns, factory equipment, and faster construction techniques to keep costs low, compared to a custom-sewn version of the same item. Some fashion houses or fashion designers create ready-to-wear lines that are mass-produced and industrially manufactured, while others offer lines that are very exclusive and produced only in limited numbers for a limited time usually to specific wholesaler/s.
  • 6.  Ready-to-wear collections can also be divided into designers / creator collections and Confection collections. i) Confection collections or Mass Market are the ones we see most commonly in our shops. Stylists design these collections. The brands that produce these collections aim only for a mass public and are in the general not searching for a new point of view on fashion. ii)Designer / Creator collections have a high quality a superb finish and a unique cut and design. These collections are the most trendsetting compared to Haute Couture and Confection. These ready to wear collections often contain concept items that represent a certain philosophy or theory. These items are not created for sales but only to create a fashion trend. The designer’s ready-to-wear collection is also modeled on international catwalks.
  • 8. CLASSIFICATION OF FASHION  Fashions tend to grow slowly, remain popular for a while, and decline slowly. A fashion can be brief for long. Length of a fashion cycle is hard to predict. Fashion is classified into many categories as follows:
  • 9. I. STYLE Style is the basic outline of any garment. Fashion is ephemeral while style is lasting. Style is always constant. It does not change whereas fashion changes considerably. Style has certain characteristics that distinguish it from other designs. For example, the fashion could be pleated skirt, yet the style is box pleat. It is a common fallacy to believe that the famous designers create fashions. They create styles which they hope will be accepted. When and if there is consumer support the style then becomes fashion. It is repetitious but important to stress that fashion is synonymous with acceptance
  • 10. II) BASIC OR CLASSIC  A classic item of clothing is one that continues to be popular for long even though fashions change or in other terms “the longest running fashion”.  Classics were originally fashion items but their general appeal and simple stylish lines have kept them popular. They can be worn year after year. This style continues to be accepted as general fashion by many different social groups.  Change in classics is very superficial. Material, texture, details and even silhouette may vary but style continues to be in fashion. Shalwar kameez, blazers, jeans etc. are all examples of classic items of apparel which had changes in collars, lapels, pockets, length and cut of garment over a period of time but the original classic item has not disappeared from the market.
  • 11. III) FAD  Fads are fashion that come quickly into the public eye, are adopted with great zeal, peak early and decline very fast. Their acceptance cycle is short and they tend to attract only a limited following. Fads appeal to people who are searching for excitement or who want to distinguish themselves from others. Fads do not survive long because they do not normally satisfy a strong need or do not satisfy it well. It is difficult to predict whether something will only be a fad, or how long it will last. The amount of media attention, along with other factors will influence the fad’s duration.
  • 12. IV) FASHION TREND  It is the direction in which fashion is moving. This helps the manufacturers and merchants to decide whether to promote the fashion to the customer or to abandon it. Fashion forecasters look for the styles they think are prophetic, ideas that capture the mood of the times and signal a new fashion trend. Very often, a new trend appears in small doses until it spreads to other collections. Evaluating the collections becomes one way a designer, working for a mainstream manufacturer, can research fashion direction. For retail buyers,  it is becoming a huge challenge to figure out which trends will become fashion basics, like capris, and which are only fads, such as pony prints. Empowered by the Internet and television, global trends are moving at an accelerating pace. The life-span of a trend is now about five months instead of a year. For the junior market, the span is only three months.
  • 13. V) FASHION FORECASTING  Fashion forecasting is a process by which researchers and people working in the fashion industry, try to analyze trends in the current market situation and then attempt to predict the trends for future market by analyzing political, cultural, social and other multimedia factors that can influence fashion. It is a Jermy scott for addidas prediction of fashion colors, textures, designs, silhouettes and styles that become popular.
  • 14. WHAT?