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1 de 6
IMPROVEMENTS TO BE MADE
TO OUR ROUGH CUT BEFORE
THE FINAL DEADLINE
By Vanessa Maselino
My goals for the editing session on Monday was
to at least have the beginning of the video
edited to the beat. We managed to mark every
fourth beat and have most of the cutaway clips
transition on the fourth or second beat, where
the base can be heard the most. However, more
work has to be done to make sure this is
consistant throughout.
As this is a Dubstep song, our Music Video relies
heavily on the editing to bring it to life. Thus,
one way of doing this was to manipulate the
timings of different clips, by using slow motion
and speeding up sections of clips. This then
meant that some of our base tracks were
thrown out of sync and needs to be re-synced in
areas, as seen in the rough cut.
Transitions on some clips need to be added. For
example, so far we have stuck to using crossdissolves because of the imagery of our graffiti
backgrounds merging into other images
For the finishing touches we are going to add a
desaturation to the cutaway clips to signify the
difference between the narrative and the base
tracks. We are then going to add a smoothing
effects and a low percentage sepia effect to the
basetracks, as well as enhance the reds and
blues on the graffiti backgrounds.
BL4KE
COMING SOON!!

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Improvements Needed for Dubstep Music Video Rough Cut

  • 1. IMPROVEMENTS TO BE MADE TO OUR ROUGH CUT BEFORE THE FINAL DEADLINE By Vanessa Maselino
  • 2. My goals for the editing session on Monday was to at least have the beginning of the video edited to the beat. We managed to mark every fourth beat and have most of the cutaway clips transition on the fourth or second beat, where the base can be heard the most. However, more work has to be done to make sure this is consistant throughout.
  • 3. As this is a Dubstep song, our Music Video relies heavily on the editing to bring it to life. Thus, one way of doing this was to manipulate the timings of different clips, by using slow motion and speeding up sections of clips. This then meant that some of our base tracks were thrown out of sync and needs to be re-synced in areas, as seen in the rough cut.
  • 4. Transitions on some clips need to be added. For example, so far we have stuck to using crossdissolves because of the imagery of our graffiti backgrounds merging into other images
  • 5. For the finishing touches we are going to add a desaturation to the cutaway clips to signify the difference between the narrative and the base tracks. We are then going to add a smoothing effects and a low percentage sepia effect to the basetracks, as well as enhance the reds and blues on the graffiti backgrounds.