1. Lesson 1 Starter Time Names and Note Names Semiquaver Quaver Crotchet Minim Semibreve Note Name Note ¼ ½ 1 2 4 Beats Tika tika Ti ti Ta To-oo To-oo-oo-oo Time Name
5. Lesson 2 Starter What’s missing? Quaver Crotchet Semibreve Note Name Note ¼ ½ 2 4 Beats Tika tika Ta To-oo Time Name
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7. Ostinato – continuously repeating part Layers – several parts building up Polyrhythms – several different rhythms played together Task Compose a short piece using some parts from ‘…And all stations to’. Include:- OSTINATO LAYERS POLYRHYTHMS
8. Lesson 3 Starter Write out the rhythms played by your teacher in the in the boxes. Time name Symbol Beat Number 1 4 3 2
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10. Task Compose and perform in a group an Underground Song. Use underground station names from the map Include an Ostinato, layers, polyrhythms Structure your piece Experiment with a variety of Dynamics, Tempo and Pitch Be imaginative
12. Select several different station names. Fill them in on your sheet. Below each word, work out how to write down the rhythm for each. For example:- ‘ Green Park’ could be written as Green Park ‘ Charing Cross’ could be written as Cha-ring Cross
13. Fill in the missing bar lines: 4__________________________________________4 Complete the bars to make 4 beats in each bar: 4__________________________________________4
14. Station _______________________________________________ 4 _______________________________________________ 4 Station _______________________________________________ 4 _______________________________________________ 4 Station _______________________________________________ 4 _______________________________________________ 4
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16. What did you think was good about the composition? - Did you think that the rhythms were interesting? - Did you think that the rhythms fit well with the tube stations used? - Did you think that the piece sounded creative? What did you think was good about the performance? - Did you think that it was in time with a pulse? - Did you think that it was confident? - Could you understand the words being said? - Was the voice used to make it sound more interesting? HOW COULD IT BE IMPROVED?
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18. What did you think was good about the composition? - Did you think that the rhythms were interesting? - Did you think that the rhythms fit well with the tube stations used? - Did you think that the piece sounded creative? What did you think was good about the performance? - Did you think that it was in time with a pulse? - Did you think that it was confident? - Could you understand the words being said? - Was the voice used to make it sound more interesting? HOW COULD IT BE IMPROVED?