Branding & Markting

1. BRANDING
& MARKETING
That Works for Photographers & Creatives
Bill Cramer/CEO

3. Promotion equals…
BRANDING
Create a memorable identity
for your photography
+
MARKETING
Introduce that identity
to appropriate clients

4. BRANDING

5. Branding
PHOTOGRAPHIC IDENTITY
GRAPHIC IDENTITY
Choose the right pictures
Design marketing materials
to show
to support those pictures
▹ Who you are, what you do, how you do it ▹ Consistent, intelligent use of type, color
and graphics builds familiarity
▹ Specialties, style, audience
▹ Communicates your level of
▹ Not just about your “favorite” pictures
professionalism
▹ A good portfolio looks forward, not back
▹ In a nutshell: this is what it’s going to be
▹ In a nutshell: these are the kinds of like to work with me
pictures you can expect to get from me

6. Branding
PHOTOGRAPHIC
IDENTITY

7. How do I determine
my photographic identity?

8. What you
like to do.

9. What you What you
like to do. are good
at doing.

10. What you What you
like to do. are good
at doing.
What the market
wants from you.

11. What you What you
like to do. are good
at doing.
What the market
wants from you.

12. PHOTOGRAPHIC
What you
like to do.
What you
are good
at doing.
IDENTITY
What the market
wants from you.

13. Branding
GRAPHIC IDENTITY

14. Graphic
Ties together all of your marketing materials:
Website
Identity
Blog / Social Media
Print Portfolio
Mailers / Leave Behinds
Stationery

15. WEBSITE
▹ Match URL to your company name— yourname.com or yournamephotography.com
▹ Consistent use of work mark/logo, color, design
▹ Large images
▹ Logical sections with meaningful names
▹ Concise galleries < 30 images
▹ Intuitive navigation—show what gallery you are on, where you are in that gallery, make it
easy to move forward and back
▹ No music, no elaborate intros, no splash page, no water marks, no “recent work” section
▹ Mobile device friendly

16. WEBSITE
▹ Contact page with contact info and location
▹ About page with bio and picture of you
▹ Link to blog and social media
▹ If images can be dragged off your site, include metadata with name, copyright, and contact
info
▹ Check spelling, punctuation, grammar
▹ Make sure copyright notice is current
▹ Update photos regularly

17. BLOG/SOCIAL MEDIA
▹ Coordinate (but don’t duplicate) the look with your main website

18. PRINT PORTFOLIO
▹ Still important for big jobs
▹ Makes a great conversation piece for face to face meetings
▹ Make it visually consistent with your website, but not a printed version of it
▹ Include your logo/word mark, contact information
▹ Pick materials that suit your style and audience
▹ Update regularly

19. MAILERS/LEAVE BEHINDS
Most get thrown away,
so do what you can
to stand out…
▹ E-Mailer
▹ Post card
▹ Accordion
▹ Booklet

20. MAILERS/LEAVE BEHINDS
Most get thrown away,
so do what you can
to stand out…
▹ E-Mailer
▹ Post card
▹ Accordion
▹ Booklet
▹ Cupcakes

21. STATIONERY
▹ Business Card
▹ Letterhead
▹ #10 Envelope
▹ Crack-N-Peel Label
▹ Same look as your other marketing materials
▹ Design is important, but function comes first

22. Branding
THE LITTLE THINGS

23. THE LITTLE THINGS
▹ What’s your email address ? Should match your url
▹ What do your emails look like? Normal sized (black or dark gray) text
▹ Do you have a proper email signature?
▹ What do your estimates look like? Treatments when appropriate
▹ How do you answer the phone? What does your outgoing message
say?
▹ How do you dress?
▹ Are you responsive to emails and phone calls?
▹ Are you nice? Are you easy to get along with?
▹ Do you send thank you notes to your clients after a big job?
▹ Everything you do, say and create is part of your brand

24. Case study
Mark Katzman
Lifestyle, St. Louis

51. Case study
Jonathan Chapman
Lifestyle, Minneapolis

85. MARKETING

86. Promotion equals…
BRANDING
Create a memorable identity
for your photography
+
MARKETING
Introduce that identity
to appropriate clients

87. Marketing
PASSIVE MARKETING
ACTIVE MARKETING
Make it easy for clients
Seek out clients who are
to find you
right for you
▹ You never know who might relate to your ▹ Take charge of your career path
work ▹ Get where you want to go
▹ There are a lot of clients out there that you
don’t know exist

88. Marketing
PASSIVE
MARKETING

89. Passive
Website
Blog
Marketing
Social Media
Online Photographer Directories
Printed Source Books
Ads
Picture Agencies
Reps
Editorial Credits
Contests
News Releases
SEO
SMO

90. WEBSITE
▹ The only absolutely essential marketing tool
▹ Centerpiece of every photographer’s promotional efforts
▹ Your other marketing tools should drive viewers here

91. BLOG
▹ Highly recommended
▹ Opportunity to talk about your process and about your recent projects
▹ Helps bring out your personality, allows clients get to know you
▹ Helps with SEO

92. SOCIAL MEDIA

96. ONLINE PHOTOGRAPHER DIRECTORIES

97. PRINTED SOURCE BOOKS

98. ADS

99. PICTURE AGENCIES

100. REPS

101. EDITORIAL CREDITS

102. CONTESTS

103. NEWS RELEASES

104. SEO (Search Engine Optimization)

108. SEO TIPS
▹ Avoid Flash (unless you have an HTML ghost site behind it)
▹ Tag your photos so search engines can recognize them
▹ Example: Portrait Photographer Philadelphia, PA Bill Cramer Photography
▹ Link to other relevant sites and have relevant sites link to you
▹ A blog is a great place to include lots of relevant text that search engines look for

109. SEM (Search Engine Marketing)

110. Marketing
ACTIVE
MARKETING

111. Active Research
Customer Relationship Management
Marketing
(CRM)
Prospect Contact Lists
Email Broadcasting Services
Mass E-mailers / Print Mailers
Individual Emails / Print Mailers
Phone Calls
Portfolio Meetings
Industry Events

112. RESEARCH
▹ Ad Agencies ▹ Record Companies
▹ Magazines ▹ Fashion, cosmetics
▹ Corporations ▹ Media Companies
▹ Graphic Design Firms ▹ Architects
▹ Non-Profits ▹ Department Stores
▹ Book Publishers ▹ Institutions, schools, hospitals

113. CUSTOMER RELATIONSHIP
MANAGEMENT (CRM)

114. PROSPECT CONTACT LISTS
▹ Agency Access (now owns ADBASE and
Bikini Lists), Creative Access
▹ Find and target the right clients for you
▹ Build a list, then refine it over time

115. EMAIL BROADCASTING SERVICES

116. MASS E-MAILERS/PRINT MAILERS
▹ Spray and pray?
▹ Limit your list to relevant prospects (don’t add to the noise)
▹ Use catchy subject lines

117. INDIVIDUAL EMAILS/PRINT MAILERS
▹ Personalize each email by drawing a connection between what you’re offering and the
needs of that particular client
▹ Much more time consuming than mass emails, but can be more effective too

118. PHONE CALLS
▹ Have a purpose
▹ Get a meeting
▹ Pitch a project
▹ Send some emailers or print mailers first to build familiarity
▹ Create a script so you know what you’re going to say
▹ Research the client before you call so you know that you’re relevant to them

119. PORTFOLIO MEETINGS
▹ Meet with clients who are
most important to you (and
the best match for you)
▹ Clients are generally
interested in meeting with
photographers who are
relevant to their needs

120. INDUSTRY EVENTS
▹ Speed-Dating (pay-to-play) style
portfolio reviews
▹ Art Directors Club and other
associations are opportunities to
meet clients

121. Marketing
WORD OF MOUTH /
NETWORKING /
CHANCE MEETINGS

122. You can’t do it all.

123. Shoot
pictures
Show marketing Integrate them into
materials to clients your marketing materials

124. RESULTS

125. Results
WHAT’S ALL THIS
TRYING TO
ACCOMPLISH?

126. For the photographer: work with
clients who are right for you.

127. For the creative: build a level of
comfort so that they’re willing to
take a chance on you.

128. More
Resources
Go to our blog and navigate to How We Help Photographers Resources
Expert Advice Articles
Go to our blog and type in “Expert Advice:” into the search field
Print iPad Portfolios
Go to our blog and scroll down to YouTube Videos

129. Questions?

130. Thank you!
(The End)