Dre Labre - The Game Of Opposites
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Dre Labre - The Game Of Opposites
- 1. THE GAME OF SUBJECTIVE OBSERVATIONS HIGHLY OPPOSITES by dré labre
- 2. FIRSTLY WHO IS THIS GUY?
- 3. FIRSTLY WHO IS MODELER, A CD-ROM DEVELOPER, I USED TO BE A 3D THIS GUY?
- 4. FIRSTLY WHO IS MODELER, A CD-ROM DEVELOPER, I USED TO BE A 3D THIS GUY? A QTVR PHOTOGRAPHER, A LINGO SCRIPTER,
- 5. FIRSTLY WHO IS MODELER, A CD-ROM DEVELOPER, I USED TO BE A 3D THIS GUY? A QTVR PHOTOGRAPHER, A LINGO SCRIPTER, A FLASH DEVELOPER & AN ART DIRECTOR.
- 6. FIRSTLY WHO IS MODELER, A CD-ROM DEVELOPER, I USED TO BE A 3D THIS GUY? A QTVR PHOTOGRAPHER, A LINGO SCRIPTER, A FLASH DEVELOPER & AN ART DIRECTOR.
- 7. FIRSTLY WHO IS MODELER, A CD-ROM DEVELOPER, I USED TO BE A 3D THIS GUY? A QTVR PHOTOGRAPHER, A LINGO SCRIPTER, A FLASH DEVELOPER & AN ART DIRECTOR. CREATIVE DIRECTOR AT TRIBAL DDB, BLOGGER,
- 8. FIRSTLY WHO IS MODELER, A CD-ROM DEVELOPER, I USED TO BE A 3D THIS GUY? A QTVR PHOTOGRAPHER, A LINGO SCRIPTER, A FLASH DEVELOPER & AN ART DIRECTOR. CREATIVE DIRECTOR AT TRIBAL DDB, BLOGGER, A MUSICIAN, A DISC GOLF NERD, AN APPLE FANBOY,
- 9. FIRSTLY WHO IS MODELER, A CD-ROM DEVELOPER, I USED TO BE A 3D THIS GUY? A QTVR PHOTOGRAPHER, A LINGO SCRIPTER, A FLASH DEVELOPER & AN ART DIRECTOR. CREATIVE DIRECTOR AT TRIBAL DDB, BLOGGER, A MUSICIAN, A DISC GOLF NERD, AN APPLE FANBOY, A CONTRARIAN.
- 10. BACK TO THE PROGRAM GAME OF OPPOSITES A LITTLE MORE ABOUT THE
- 11. HOW I DISCOVERED IT MAY 1st REBOOT 2001
- 12. HOW I DISCOVERED IT MAY 1st REBOOT 2001 SOLID COLOURS PIXEL FONTS 45° ARROWS
- 13. HOW I DISCOVERED IT MAY 1st REBOOT 2001 SOLID COLOURS PIXEL FONTS VS. 45° ARROWS
- 14. HOW I DISCOVERED IT MAY 1st REBOOT 2001 SOLID COLOURS TEXTURES PIXEL FONTS VS. SERIF FONTS 45° ARROWS ORNAMENTS
- 15. HOW I MISSEDLAUNCH IN 5-8 YEARS SITE DESIGNED TO IT
- 16. HOW I MISSEDLAUNCH IN 5-8 YEARS SITE DESIGNED TO IT MOORE’S LAW CPU SPEED SCREEN SIZE
- 17. HOW I MISSEDLAUNCH IN 5-8 YEARS SITE DESIGNED TO IT MOORE’S LAW CPU SPEED » SCREEN SIZE
- 18. HOW I MISSEDLAUNCH IN 5-8 YEARS SITE DESIGNED TO IT MOORE’S LAW CPU SPEED » SCREEN SIZE
- 19. HOW I MISSEDLAUNCH IN 5-8 YEARS SITE DESIGNED TO IT MOORE’S LAW FASTER CPU SPEED » SCREEN SIZE
- 20. HOW I MISSEDLAUNCH IN 5-8 YEARS SITE DESIGNED TO IT MOORE’S LAW FASTER BIGGER CPU SPEED » SCREEN SIZE
- 21. HOW I MISSEDLAUNCH IN 5-8 YEARS SITE DESIGNED TO IT MOORE’S LAW CPU SPEED » SCREEN SIZE
- 22. HOW I MISSEDLAUNCH IN 5-8 YEARS SITE DESIGNED TO IT MOORE’S LAW CPU SPEED » SLOWER SCREEN SIZE SMALLER
- 23. RULES TOFREE TO RE-INTERPRET AS DESIRED FEEL THE GAME
- 24. RULES TOFREE TO RE-INTERPRET AS DESIRED FEEL THE GAME STEP 1 PICK A TREND
- 25. RULES TOFREE TO RE-INTERPRET AS DESIRED FEEL THE GAME STEP 1 STEP 2 PICK A TREND DECONSTRUCT
- 26. RULES TOFREE TO RE-INTERPRET AS DESIRED FEEL THE GAME STEP 1 STEP 2 STEP 3 PICK A TREND DECONSTRUCT PICK ONE TRAIT
- 27. RULES TOFREE TO RE-INTERPRET AS DESIRED FEEL THE GAME STEP 1 STEP 2 STEP 3 PICK A TREND DECONSTRUCT PICK ONE TRAIT STEP 4 DO THE OPPOSITE
- 29. WHY PLAY THIS GAME? IT’S A CREATIVE EXERCISE
- 30. WHY PLAY THIS GAME? IT’S A CREATIVE EXERCISE STAY IN CREATIVE SHAPE
- 31. WHY PLAY THIS GAME? IT’S A CREATIVE EXERCISE STAY IN CREATIVE SHAPE USE IT TO OVERCOME WRITER’S BLOCK
- 32. WHY PLAY THIS GAME? IT’S A CREATIVE EXERCISE STAY IN CREATIVE SHAPE USE IT TO OVERCOME WRITER’S BLOCK PREDICT THE FUTURE
- 33. WHY PLAY THIS GAME? IT’S A CREATIVE EXERCISE STAY IN CREATIVE SHAPE USE IT TO OVERCOME WRITER’S BLOCK PREDICT THE FUTURE DEVELOP A STRATEGY
- 34. WHY PLAY THIS GAME? IT’S A CREATIVE EXERCISE STAY IN CREATIVE SHAPE USE IT TO OVERCOME WRITER’S BLOCK PREDICT THE FUTURE DEVELOP A STRATEGY IMPRESS YOUR FRIENDS
- 35. WHY PLAY THIS GAME? IT’S A CREATIVE EXERCISE STAY IN CREATIVE SHAPE USE IT TO OVERCOME WRITER’S BLOCK PREDICT THE FUTURE DEVELOP A STRATEGY IMPRESS YOUR FRIENDS PICK-UP CHICKS
- 36. WHY PLAY THIS GAME? IT’S A CREATIVE EXERCISE STAY IN CREATIVE SHAPE USE IT TO OVERCOME WRITER’S BLOCK PREDICT THE FUTURE DEVELOP A STRATEGY IMPRESS YOUR FRIENDS PICK-UP CHICKS FOR SHITS AND GIGGLES
- 37. WHY PLAY THIS GAME? IT’S A CREATIVE EXERCISE STAY IN CREATIVE SHAPE USE IT TO OVERCOME WRITER’S BLOCK PREDICT THE FUTURE DEVELOP A STRATEGY IMPRESS YOUR FRIENDS PICK-UP CHICKS FOR SHITS AND GIGGLES CUZ YOU’RE BORED
- 38. LET’S PLAY IT NOW
- 39. NOT HOW IT CAN BE APPLIED LET’S SEE SO FAST TO POP MUSIC FIRST
- 40. 1990: BOY BANDSINNOCENT CLEAN CUT MANUFACTURED IMAGE-CENTRIC
- 41. 1990: BOY BANDSINNOCENT CLEAN CUT MANUFACTURED IMAGE-CENTRIC
- 42. 1992: GRUNGEDISTORTED SCREAM CHAOTIC AGGRESSIVE LOUD ANGRY
- 43. 1992: GRUNGEDISTORTED SCREAM CHAOTIC AGGRESSIVE LOUD ANGRY
- 44. 1996: LILITHEMPOWERED THOUGHTFU DELICATE FEMININE ACOUSTIC FAIR
- 45. 1996: LILITHEMPOWERED THOUGHTFU DELICATE FEMININE ACOUSTIC FAIR
- 46. 1997: ELECTRONICACRAFT RHYTHMIC SYNTHETIC INSTRUMENTAL PHYSICAL
- 47. 1997: ELECTRONICACRAFT RHYTHMIC SYNTHETIC INSTRUMENTAL PHYSICAL
- 48. 2001: POP RAP CONTROVERSIA LYRICAL SPOKEN ENERGETIC PRODUCED
- 49. 2001: POP RAP CONTROVERSIA LYRICAL SPOKEN ENERGETIC PRODUCED
- 50. 2006: CANDY PUNK MELODIC POPPY VOCAL ENERGETIC MINDLESS FAMILIAR
- 51. 2006: CANDY PUNK MELODIC POPPY VOCAL ENERGETIC MINDLESS FAMILIAR
- 52. 2007: NEGATIVE IMAGE-CONSCIOUS SA EM0 /:( DARK OVERDRAMATIC
- 53. 2007: NEGATIVE IMAGE-CONSCIOUS SA EM0 /:( DARK OVERDRAMATIC
- 54. 2009: ELECTRO PERCUSSIVE UPBEAT STACCATO ANTHEMIC ELECTRONIC
- 55. 2009: ELECTRO PERCUSSIVE UPBEAT STACCATO ANTHEMIC ELECTRONIC
- 56. NEXT: BACK 2PERFORMED NATURAL ROOTSY FOLKSY ROCKY POETIC BASICS?
- 57. AUDIENCE PARTICIPATION TO PICK APART LET’S CHOOSE SOMETHING RELEVANT
- 58. AUDIENCE PARTICIPATION TO PICK APART LET’S CHOOSE SOMETHING RELEVANT SOCIAL MEDIA:
- 60. AUDIENCE PARTICIPATION WHAT ARE SOME OF IT’S TRAITS SOCIAL MEDIA:
- 61. AUDIENCE PARTICIPATION WHAT ARE SOME OF IT’S TRAITS SOCIAL MEDIA: MYSPACE TWITTER FACEBOOK LINKEDIN FRIENDS FOLLOWERS FANS BUDDIES CONTACTS GUESTS PHOTOS VIDEOSMUSICSLIDESHOWSSTATUSINVITES OPENSOURCE COLLABORATION REMIX MASHUP MASHUP TRANSPARENT COMMON NEUTRAL ACCESSIBLE PUBLIC
- 62. AUDIENCE PARTICIPATION LET’S FLIP ONE OF THESE TRAITS AROUND THE PART WHERE WE FREESTYLE
- 64. WHO MAKES STUFF COOL START THE TREND INFLUENCERS
- 65. WHO MAKES STUFF COOL START THE TREND INFLUENCERS EARLY ADOPTERS SPREAD THE WORD
- 66. WHO MAKES STUFF COOL START THE TREND INFLUENCERS EARLY ADOPTERS SPREAD THE WORD EARLY MAJORITY FIRST WAVE OF MASSES
- 67. WHO MAKES STUFF COOL START THE TREND INFLUENCERS EARLY ADOPTERS SPREAD THE WORD EARLY MAJORITY FIRST WAVE OF MASSES LATE MAJORITY LATTER WAVE OF MASSES
- 68. WHO MAKES STUFF COOL START THE TREND INFLUENCERS EARLY ADOPTERS SPREAD THE WORD EARLY MAJORITY FIRST WAVE OF MASSES LATE MAJORITY LATTER WAVE OF MASSES LAGGARDS THOSE WHO DON’T REALLY CARE
- 69. WHO MAKES STUFF COOL START THE TREND INFLUENCERS EARLY ADOPTERS SPREAD THE WORD EARLY MAJORITY FIRST WAVE OF MASSES LATE MAJORITY LATTER WAVE OF MASSES LAGGARDS THOSE WHO DON’T REALLY CARE
- 70. WHO MAKES STUFF COOL START THE TREND INFLUENCERS EARLY ADOPTERS SPREAD THE WORD EARLY MAJORITY FIRST WAVE OF MASSES LATE MAJORITY LATTER WAVE OF MASSES LAGGARDS THOSE WHO DON’T REALLY CARE INFLUENCERS GET BORED & GO ELSEWHERE
- 71. WHAT IF THE BUBBLE BURSTS IT’S ALREADY STARTING TO DEFLATE
- 73. PLAYING OUT SCENARIOS MOBILE SEEN AS AN ANCHOR
- 74. PLAYING OUT SCENARIOS MOBILE SEEN AS AN ANCHOR TWITTER SIGNAL LOST IN NOISE
- 75. PLAYING OUT SCENARIOS MOBILE SEEN AS AN ANCHOR TWITTER SIGNAL LOST IN NOISE TRANSPARENCY PRIVACY
- 76. PLAYING OUT SCENARIOS MOBILE SEEN AS AN ANCHOR TWITTER SIGNAL LOST IN NOISE TRANSPARENCY PRIVACY CLOUD COMPUTING PHYSICAL DATA
- 77. PLAYING OUT SCENARIOS MOBILE SEEN AS AN ANCHOR TWITTER SIGNAL LOST IN NOISE TRANSPARENCY PRIVACY CLOUD COMPUTING PHYSICAL DATA SOCIAL NETWORKING SELECTIVE NETWORKING
- 78. PLAYING OUT SCENARIOS MOBILE SEEN AS AN ANCHOR TWITTER SIGNAL LOST IN NOISE TRANSPARENCY PRIVACY CLOUD COMPUTING PHYSICAL DATA SOCIAL NETWORKING SELECTIVE NETWORKING AUGMENTED REALITY PLAIN OLD REALITY
- 79. PLAYING OUT SCENARIOS MOBILE SEEN AS AN ANCHOR TWITTER SIGNAL LOST IN NOISE TRANSPARENCY PRIVACY CLOUD COMPUTING PHYSICAL DATA SOCIAL NETWORKING SELECTIVE NETWORKING AUGMENTED REALITY PLAIN OLD REALITY VIRTUAL REALITY IRL
- 80. PLAYING OUT SCENARIOS MOBILE SEEN AS AN ANCHOR TWITTER SIGNAL LOST IN NOISE TRANSPARENCY PRIVACY CLOUD COMPUTING PHYSICAL DATA SOCIAL NETWORKING SELECTIVE NETWORKING AUGMENTED REALITY PLAIN OLD REALITY VIRTUAL REALITY IRL LOL HA HA HA!!!
- 81. PLAYING OUT SCENARIOS MOBILE SEEN AS AN ANCHOR TWITTER SIGNAL LOST IN NOISE TRANSPARENCY PRIVACY CLOUD COMPUTING PHYSICAL DATA SOCIAL NETWORKING SELECTIVE NETWORKING AUGMENTED REALITY PLAIN OLD REALITY VIRTUAL REALITY IRL LOL HA HA HA!!!
- 82. IT’S HAPPENING OR IT’S NOT
- 83. IT’S HAPPENING OR IT’S NOTMAY LEAD TO RE-IMAGINED POSSIBILITIES
- 84. IT’S HAPPENING OR IT’S NOTMAY LEAD TO RE-IMAGINED POSSIBILITIES NEW IDEAS
- 85. IT’S HAPPENING OR IT’S NOTMAY LEAD TO RE-IMAGINED POSSIBILITIES NEW IDEAS NOT BASED ON TECHNOLOGY
- 86. IT’S HAPPENING OR IT’S NOTMAY LEAD TO RE-IMAGINED POSSIBILITIES NEW IDEAS NOT BASED ON TECHNOLOGY BASED ON HUMAN INSIGHT, DESIRES & NEEDS
- 87. IT’S HAPPENING OR IT’S NOTMAY LEAD TO RE-IMAGINED POSSIBILITIES NEW IDEAS NOT BASED ON TECHNOLOGY BASED ON HUMAN INSIGHT, DESIRES & NEEDS SOMETIMES THAT NEED IS – QUITE SIMPLY –
- 88. IT’S HAPPENING OR IT’S NOTMAY LEAD TO RE-IMAGINED POSSIBILITIES NEW IDEAS NOT BASED ON TECHNOLOGY BASED ON HUMAN INSIGHT, DESIRES & NEEDS SOMETIMES THAT NEED IS – QUITE SIMPLY – THE NEED TO STAND OUT.
- 89. KTHXBAI