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Almost Famous

Recreating the 70s for the new
         millennium
Almost Famous
• Directed by Cameron Crowe
• Written by Cameron Crowe
• Based on the life of Cameron Crowe
Cameron Crowe
• Also directed Jerry Maguire
• and more recently We Bought a Zoo
• But actually started off as a magazine writer
• The film follows the fictionalWilliam Miller,
  based on Cameron Crowe, through his
  adolescence, as he follows the equally
  fictional band Stillwater on their “Almost
  Famous” tour, and attempts to write a story
  about it for Rolling Stone.
Anachronism!



                                         …so how did Crowe
But wait! Cameron
                    …and the movie was     make the film and
Crowe grew up in
                      made in 2000…      his audience feel like
   the 1970’s…
                                         it was 30 years ago?
Second: the
                         correct
                    vocabulary and
                     technology for
                        the time
First: the visual                         Finally: the
 cues, such as                        overall sentiment,
costuming and                            feeling, and
   set design.                          atmosphere.




                    1970s
Vital Visuals
• When Anita Miller, William’s sister, decides to
  leave home to become a flight attendant she
  leaves with rollers in her hair.
• Most people in the year 2000 did not leave
  the house like this, and they definitely did not
  leave it like this if they were never planning on
  returning home.
Vital Visuals


 A portion of the film takes                                      And this authenticity comes
                                       But Crowe wanted
 place in the Riot House, or                                         across via the actors’
                                          authenticity
         Riot Hyatt.                                                     performances.




                                                                  As evidenced by behind-the-
                                                                  scenes footage, and the film
  This part of the film was       And the average viewer would
                                                                  itself, one can see the actors
  actually shot on location.       probably not have realized
                                                                   feeling like they have been
                                                                    transported somewhere.




  However the hotel’s décor
                                  It might have been easier for   They were immersed in the
was circa 2000, so it had to be
                                  Cameron Crowe to shoot this     70s, and they took this fact,
 redecorated to fit the era of
                                           in the studio                and ran with it.
          the 1970’s
Technology
• The title sequence features a pencil writing on
  yellow paper, creating a feeling of long ago
  definitely different from the increasingly typed
  everything of 2000
• Then there are also the more obvious things
  like record players, etc., and the way a
  magazine writer had to send his story to the
  magazine editors when e-mail did not exist.
Vocabulary
• I will highlight the use of the term “groupie”
  as an example.
But what I’m going to be delving
into are the themes evoked in the
film that are very representative of
the 70s
Unfortunately I was not alive in the
                 1970s
So I did what any adolescent of the
        21st century would do.
        Look on the internet.
• The way our society splits up time into
  decades sometimes can get a bit arbitrary, as
  time does not always fit perfectly into ten year
  periods.
But I will go along with this societal convention,
  and look at the 70’s as a decade, and examine
  how Cameron Crowe brings this decade back
  to life.
The 70s were a lot of different
things to a lot of different people.



But I have decided to focus on the
      70s as the “Me Decade”
The “Me Decade      The phrase first     Though Tom Wolfe     So I will examine
was a term coined   came into being in   does not have        how the themes
in the 1970s by     Wolfe’s Article      authority on the     Wolfe talks about
Tom Wolfe, as a     “The Me Decade       decade, the piece    in the article are
phrase              and the Third        had a pretty large   similarly expressed
representative of   Great Awakening,”    impact, and the      by Crowe
the decade.         published in 1976    term has stuck
                    in New York          around.
                    Magazine
But Wolfe’s article
seems somewhat
negative.

   And Crowe’s film,
   somewhat
   positive.
However Wolfe is not directly critical, and
 Crowe, not directly praiseworthy. Instead they
 both examine the time period, in an attempt
 to bring to light their views.
How the rise of the middle class   Before, this was largely an upper-
 led to this new large group of    class undertaking. But now there
 people who could now afford        was this whole group of people
leisure time, and time devoted     who had the resources to strive,
      solely to themselves            and something to strive for



                         Wolfe talks about:



                                   The use of psychedelics and other
How the field of psychoanalysis
                                   stimuli in this search for self, and
 really grew, which led more
                                       the transformation of many
people to spend time thinking
                                   religions to be about the self and
      about themselves.
                                             self-examination.
Wolfe writes:
“The old alchemical dream was changing base
  metals into gold. The new alchemical dream
  is: changing one’s personality—
  remaking, remodeling, elevating, and
  polishing one’s very self . . . and
  observing, studying, and doting on it. (Me!)”
• And this idea of “Me” can be seen through
  almost every character of the film. They are
  largely not concerned with the welfare of
  society in general, but rather with themselves,
  and how they are perceived by and relate to
  others.
Anita Miller
(portrayed by ZooeyDeschanel)


               William Miller’s
             sister is focused on
                  her “Me”
        She leaves home to become a
               flight attendant.

   This is her goal, and she really just goes
                      for it.
William Miller
(portrayed by Patrick Fugit)


             Is focused on his
                   “Me”
         He loves rock & roll, and
             he loves writing
    So he goes on tour with the band
   Stillwater to write for Rolling Stone.

   This is his dream, and he follows it.
Wolfe Writes:
“Most people, historically, have not lived their
 lives as if thinking, ‘I have only one life to
 live.’”
But now, both Will and Anita live this way.
Wolfe also writes:
“The various movements of the current religious wave attempt very nearly
   the opposite. They begin with . . . ‘Let’s talk about Me.’ They begin with
   the most delicious look inward; with considerable narcissism, in short.
   When the believers bind together into religions, it is always with a sense
   of splitting off from the rest of society. We, the enlightened (lit by the
   sparks at the apexes of our souls), hereby separate ourselves from the lost
   souls around us. Like all religions before them, they proselytize—but
   always on promising the opposite of nationalism: a City of Light that is
   above it all. There is no ecumenical spirit within this Third Great
   Awakening. If anything, there is a spirit of schism. The contempt the
   various seers have for one another is breathtaking. One has only to ask,
   say, Oscar Ichazo of Arica about Carlos Castaneda or Werner Erhard of est
   to learn that Castaneda is a fake and Erhard is a shallow sloganeer. It’s
   exhilarating!—to watch the faithful split off from one another to seek ever
   more perfect and refined crucibles in which to fan the Divine spark . . . and
   to talk about Me.”
To me, Wolfe’s description seemed
   very in tune with rock & roll.
 Though not a traditional religion,
     many would consider it
       tantamount to such.
Penny Lane
(portrayed by Kate Hudson)


                       Penny Lane is William
                       Miller’s love interest.


               He has a crush on her, but she is too
              preoccupied with Russell Hammond, a
                      member of Stillwater.

      “We are not Groupies. Groupies sleep with rock stars
      because they want to be near someone famous. We
      are here because of the music, we inspire the music.
                      We are Band Aids.”

 Here again, is this idea of breaking apart, and being better than
 others, in search of this esoteric ideal, while still focusing on the
                                “me.”
Jeff Bebe
(portrayed by Jason Lee)


                               The lead singer of still water.




  “Some people have a hard time explaining rock 'n' roll. I don't think anyone can really
  explain rock 'n' roll. Maybe Pete Townshend, but that's okay. Rock 'n' roll is a lifestyle
    and a way of thinking... and it's not about money and popularity. Although, some
  money would be nice. But it's a voice that says, ‘Here I am... and fuck you if you can't
   understand me.’ And one of these people is gonna save the world. And that means
  that rock 'n' roll can save the world... all of us together. And the chicks are great. But
    what it all comes down to is that thing. The indefinable thing when people catch
                                  something in your music.”




   This, again, also seems very evocative of the spirit of the “Third Great Awakening”
Back to Tom Wolfe again:
“We are now—in the Me Decade—seeing the upward roll
  (and not yet the crest, by any means) of the third great
  religious wave in American history, one that historians
  will very likely term the Third Great Awakening. Like
  the others it has begun in a flood of ecstasy, achieved
  through LSD and other psychedelics, orgy, dancing (the
  New Sufi and the Hare Krishna), meditation, and
  psychic frenzy (the marathon encounter). This third
  wave has built up from more diverse and exotic sources
  than the first two, from therapeutic movements as well
  as overtly religious movements, from hippies and
  students of “psi phenomena” and Flying Saucerites as
  well as charismatic Christians.”
Russell Hammond
(portrayed by Billy Crudup)



             The guitarist of Stillwater.


        He evokes Wolfe’s point about how the
          Third Great Awakening, like others
       before it, was ushered in with the use of
                     psychedelics.
 After he uses these substances he stands on a roof
  and yells, “I am a Golden god…. And you can tell
Rolling Stone magazine that my last words were... I'm
                       on drugs!”
The “deflowering of William
          Miller”
          Penny Lane’s group of
         Band-Aids , minus Penny
        Lane, devirginizes William
           by means of an orgy.




          This is also one of the
        things Wolfe points out as
         a beginning of the Third
            Great Awakening.
Wolfe:
• “Where the Third Great Awakening will lead—
  who can presume to say? One only knows that
  the great religious waves have a momentum
  all their own. Neither arguments nor policies
  nor acts of the legislature have been any
  match for them in the past. And this one has
  the mightiest, holiest roll of all, the beat that
  goes . . . Me . . . Me . . . . Me . . . Me . . .”
• And I think Crowe really shows through the
  film how it turned out for him. Yes, there was
  this focus on “Me.” But I think even though
  many of the characters start out focused on
  themselves this focus leads them to much
  self-discovery in a way that ultimately
  improves their relationships and brings Truth
  to the world.
Though William has had a hard time
   getting the interviews he needs
 throughout the film, he finally gets
                                        These people have only one
a great story when then plane he is
                                         life to live, so they’re not
     traveling on with the band
                                        going to hold anything back.
   experiences severe turbulence
  causing everyone to reveal their
            inner secrets.



When the plane returns to normal
    conditions and lands safely
                                         It’s a great story, says Roling
 however, these revelations, along
                                        Stone, but the band denies its
with the rest of the truths collected
                                                      truth.
 by William throughout the movie
       cause some problems.




                                        William Miller ends up a star
                                        writer, and Penny Lane ends
 Ultimately, with the help of Penny
                                        up flying to Morroco, a place
Lane, Hammond confirms the truth
                                         she has dreamed about, a
            of the story.
                                        place where she can live, for
                                        a time at least, this one life.
So here is what we end up with


                 Truth.



        So though we were focused on ourselves, maybe
        this was what we were supposed to be doing all
        along. If everyone came to terms with their own
        person, then maybe we could all just be people.
• “Imagine all the people living for today… You
   may say I'm a dreamer But I'm not the only
   one I hope someday you'll join us And the
   world will live as one.”
- Imagine, by John Lennon(1971)
Almost Famous

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Almost Famous

  • 1.
  • 2. Almost Famous Recreating the 70s for the new millennium
  • 3. Almost Famous • Directed by Cameron Crowe • Written by Cameron Crowe • Based on the life of Cameron Crowe
  • 4. Cameron Crowe • Also directed Jerry Maguire • and more recently We Bought a Zoo • But actually started off as a magazine writer
  • 5. • The film follows the fictionalWilliam Miller, based on Cameron Crowe, through his adolescence, as he follows the equally fictional band Stillwater on their “Almost Famous” tour, and attempts to write a story about it for Rolling Stone.
  • 6. Anachronism! …so how did Crowe But wait! Cameron …and the movie was make the film and Crowe grew up in made in 2000… his audience feel like the 1970’s… it was 30 years ago?
  • 7. Second: the correct vocabulary and technology for the time First: the visual Finally: the cues, such as overall sentiment, costuming and feeling, and set design. atmosphere. 1970s
  • 8. Vital Visuals • When Anita Miller, William’s sister, decides to leave home to become a flight attendant she leaves with rollers in her hair. • Most people in the year 2000 did not leave the house like this, and they definitely did not leave it like this if they were never planning on returning home.
  • 9. Vital Visuals A portion of the film takes And this authenticity comes But Crowe wanted place in the Riot House, or across via the actors’ authenticity Riot Hyatt. performances. As evidenced by behind-the- scenes footage, and the film This part of the film was And the average viewer would itself, one can see the actors actually shot on location. probably not have realized feeling like they have been transported somewhere. However the hotel’s décor It might have been easier for They were immersed in the was circa 2000, so it had to be Cameron Crowe to shoot this 70s, and they took this fact, redecorated to fit the era of in the studio and ran with it. the 1970’s
  • 10. Technology • The title sequence features a pencil writing on yellow paper, creating a feeling of long ago definitely different from the increasingly typed everything of 2000 • Then there are also the more obvious things like record players, etc., and the way a magazine writer had to send his story to the magazine editors when e-mail did not exist.
  • 11. Vocabulary • I will highlight the use of the term “groupie” as an example.
  • 12. But what I’m going to be delving into are the themes evoked in the film that are very representative of the 70s
  • 13. Unfortunately I was not alive in the 1970s So I did what any adolescent of the 21st century would do. Look on the internet.
  • 14. • The way our society splits up time into decades sometimes can get a bit arbitrary, as time does not always fit perfectly into ten year periods.
  • 15. But I will go along with this societal convention, and look at the 70’s as a decade, and examine how Cameron Crowe brings this decade back to life.
  • 16. The 70s were a lot of different things to a lot of different people. But I have decided to focus on the 70s as the “Me Decade”
  • 17. The “Me Decade The phrase first Though Tom Wolfe So I will examine was a term coined came into being in does not have how the themes in the 1970s by Wolfe’s Article authority on the Wolfe talks about Tom Wolfe, as a “The Me Decade decade, the piece in the article are phrase and the Third had a pretty large similarly expressed representative of Great Awakening,” impact, and the by Crowe the decade. published in 1976 term has stuck in New York around. Magazine
  • 18. But Wolfe’s article seems somewhat negative. And Crowe’s film, somewhat positive.
  • 19. However Wolfe is not directly critical, and Crowe, not directly praiseworthy. Instead they both examine the time period, in an attempt to bring to light their views.
  • 20. How the rise of the middle class Before, this was largely an upper- led to this new large group of class undertaking. But now there people who could now afford was this whole group of people leisure time, and time devoted who had the resources to strive, solely to themselves and something to strive for Wolfe talks about: The use of psychedelics and other How the field of psychoanalysis stimuli in this search for self, and really grew, which led more the transformation of many people to spend time thinking religions to be about the self and about themselves. self-examination.
  • 21. Wolfe writes: “The old alchemical dream was changing base metals into gold. The new alchemical dream is: changing one’s personality— remaking, remodeling, elevating, and polishing one’s very self . . . and observing, studying, and doting on it. (Me!)”
  • 22. • And this idea of “Me” can be seen through almost every character of the film. They are largely not concerned with the welfare of society in general, but rather with themselves, and how they are perceived by and relate to others.
  • 23. Anita Miller (portrayed by ZooeyDeschanel) William Miller’s sister is focused on her “Me” She leaves home to become a flight attendant. This is her goal, and she really just goes for it.
  • 24. William Miller (portrayed by Patrick Fugit) Is focused on his “Me” He loves rock & roll, and he loves writing So he goes on tour with the band Stillwater to write for Rolling Stone. This is his dream, and he follows it.
  • 25. Wolfe Writes: “Most people, historically, have not lived their lives as if thinking, ‘I have only one life to live.’”
  • 26. But now, both Will and Anita live this way.
  • 27. Wolfe also writes: “The various movements of the current religious wave attempt very nearly the opposite. They begin with . . . ‘Let’s talk about Me.’ They begin with the most delicious look inward; with considerable narcissism, in short. When the believers bind together into religions, it is always with a sense of splitting off from the rest of society. We, the enlightened (lit by the sparks at the apexes of our souls), hereby separate ourselves from the lost souls around us. Like all religions before them, they proselytize—but always on promising the opposite of nationalism: a City of Light that is above it all. There is no ecumenical spirit within this Third Great Awakening. If anything, there is a spirit of schism. The contempt the various seers have for one another is breathtaking. One has only to ask, say, Oscar Ichazo of Arica about Carlos Castaneda or Werner Erhard of est to learn that Castaneda is a fake and Erhard is a shallow sloganeer. It’s exhilarating!—to watch the faithful split off from one another to seek ever more perfect and refined crucibles in which to fan the Divine spark . . . and to talk about Me.”
  • 28. To me, Wolfe’s description seemed very in tune with rock & roll. Though not a traditional religion, many would consider it tantamount to such.
  • 29. Penny Lane (portrayed by Kate Hudson) Penny Lane is William Miller’s love interest. He has a crush on her, but she is too preoccupied with Russell Hammond, a member of Stillwater. “We are not Groupies. Groupies sleep with rock stars because they want to be near someone famous. We are here because of the music, we inspire the music. We are Band Aids.” Here again, is this idea of breaking apart, and being better than others, in search of this esoteric ideal, while still focusing on the “me.”
  • 30. Jeff Bebe (portrayed by Jason Lee) The lead singer of still water. “Some people have a hard time explaining rock 'n' roll. I don't think anyone can really explain rock 'n' roll. Maybe Pete Townshend, but that's okay. Rock 'n' roll is a lifestyle and a way of thinking... and it's not about money and popularity. Although, some money would be nice. But it's a voice that says, ‘Here I am... and fuck you if you can't understand me.’ And one of these people is gonna save the world. And that means that rock 'n' roll can save the world... all of us together. And the chicks are great. But what it all comes down to is that thing. The indefinable thing when people catch something in your music.” This, again, also seems very evocative of the spirit of the “Third Great Awakening”
  • 31. Back to Tom Wolfe again: “We are now—in the Me Decade—seeing the upward roll (and not yet the crest, by any means) of the third great religious wave in American history, one that historians will very likely term the Third Great Awakening. Like the others it has begun in a flood of ecstasy, achieved through LSD and other psychedelics, orgy, dancing (the New Sufi and the Hare Krishna), meditation, and psychic frenzy (the marathon encounter). This third wave has built up from more diverse and exotic sources than the first two, from therapeutic movements as well as overtly religious movements, from hippies and students of “psi phenomena” and Flying Saucerites as well as charismatic Christians.”
  • 32. Russell Hammond (portrayed by Billy Crudup) The guitarist of Stillwater. He evokes Wolfe’s point about how the Third Great Awakening, like others before it, was ushered in with the use of psychedelics. After he uses these substances he stands on a roof and yells, “I am a Golden god…. And you can tell Rolling Stone magazine that my last words were... I'm on drugs!”
  • 33. The “deflowering of William Miller” Penny Lane’s group of Band-Aids , minus Penny Lane, devirginizes William by means of an orgy. This is also one of the things Wolfe points out as a beginning of the Third Great Awakening.
  • 34. Wolfe: • “Where the Third Great Awakening will lead— who can presume to say? One only knows that the great religious waves have a momentum all their own. Neither arguments nor policies nor acts of the legislature have been any match for them in the past. And this one has the mightiest, holiest roll of all, the beat that goes . . . Me . . . Me . . . . Me . . . Me . . .”
  • 35. • And I think Crowe really shows through the film how it turned out for him. Yes, there was this focus on “Me.” But I think even though many of the characters start out focused on themselves this focus leads them to much self-discovery in a way that ultimately improves their relationships and brings Truth to the world.
  • 36. Though William has had a hard time getting the interviews he needs throughout the film, he finally gets These people have only one a great story when then plane he is life to live, so they’re not traveling on with the band going to hold anything back. experiences severe turbulence causing everyone to reveal their inner secrets. When the plane returns to normal conditions and lands safely It’s a great story, says Roling however, these revelations, along Stone, but the band denies its with the rest of the truths collected truth. by William throughout the movie cause some problems. William Miller ends up a star writer, and Penny Lane ends Ultimately, with the help of Penny up flying to Morroco, a place Lane, Hammond confirms the truth she has dreamed about, a of the story. place where she can live, for a time at least, this one life.
  • 37. So here is what we end up with Truth. So though we were focused on ourselves, maybe this was what we were supposed to be doing all along. If everyone came to terms with their own person, then maybe we could all just be people.
  • 38. • “Imagine all the people living for today… You may say I'm a dreamer But I'm not the only one I hope someday you'll join us And the world will live as one.” - Imagine, by John Lennon(1971)