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Colour
Projection made for the edublog
What colour is?
It’s a sensation
It’s a visual element
It’s a variable quality of the objects
Visual receptors
Cones: sensisitives to red, green and blue
Rods: sensitives to light
The optics of colour
Absorption and reflection
WHITE
LIGHT
WHITE
LIGHT
WHITE
LIGHT
ABSORB
ABSORB
ABSORB
ISAAC NEWTON
He discovered that colour comes from light
JOHANN WOLFGANG VON GOETHE
Surfaces absorve part of white light.
ARTHUR SCHOPENHAUER
When we see a bright colour and then close your eyes, we
can see the after-image of a colour.
Red light- after-image - green light.
Yellow light- after-image - Violet light.
Blue light - after-image - Ornage light
THOMAS YOUNG
White light can be simplify into three basic colours:
Blue light- red light- green light
CLERK MAXWELL
Light is a form of energy that travels across two fields: an
electric one and a magnetic one. Banometres is the unity to
measure a wavelength
The human eye can only see electromagnetic waves that
are between 380 y 720 nm.
HEINRICH HERZT
He produced light with all its properties.
PHYSICAL THEORIES OF
COLOUR
Schopenhauer Theory
http://www.psicologiadelcolor.es/johan
n-wolfgang-von-goethe-y-la-teoria-del-
color/
COLOUR
LIGHT
ADDITIVE
MIXTURES
PRIMARY COLOURS
red light-green light-blue light(RGB)
SECONDARY COLOURS
With the mixture of two primary LIGHT colours:
Cyan light - magenta light - yellow light
blue + green= cyan, blue + red= magenta, green+ red = yellow
PIGMENT
SUBTRACTIVE MIXTURES
PRIMARY COLOURS
Cyan – magenta – yellow (CMY)
SECONDARY COLOURS
With the mixture of two primary PIGMENT colours:
Blue - red - green
cyan + magenta = blue , magenta + yellow = red , yellow + cyan = green
COLOUR
LIGHT
COLOURS
ADDITIVE SYSTEM
RGB
SUBTRACTIVE SYSTEM
CMYK
PIGMENT
COLOURS
In devices:
Television
Computer
Camera
Phones
In graphic arts:
Press
Printing
ATTRIBUTES
We use them to define and describe
colour.
HUE
It is the name of the colours
that form the colour.
VALUE
It is the degree of lightness.
It depends on how much black
or white is in the mixture.
High value (tint)
Low value (shade)
SATURATION
It is the degree of purity.
It depends on the components of
its mixture
+ components = – purity
COLOUR
COMPLEMENTARY
Pairs of colours with
opposite characteristics in
its hue.
Yellow is complementary of blue.
Blue is formed with cyan. Blue hasn’t
got yellow.
Magenta is complementary of green.
Green is formed with cyan and
yellow. Green hasn’t got magenta.
Cyan, complementario del rojo
anaranjado. El rojo estácompuesto
por amarillo y magenta. No lleva
cyan.
CHROMATIC THEORIES OF
COLOUR
COLOUR
WHEEL
ISAAC NEWTON
ALBERT MUNSELL
JOHANN WOLFGANG
VON GOETHE
PAUL KLEE
JOHANN H. LAMBERT
OTTO RUNGE
WILHELM OSTWALD
ALFRED HICKENTHIER
BODIES OF
COLOURS
HUE
VALUE
SATURATION
COLOUR
COLOUR SCHEMES OR COLOUR TABLES
Groups of colours according to their differemt attributes.
ACCORDING TO HUE
Hues move one into another as in scale.
COLOUR FAMILIES
Blue colour scheme: all the tones have cyan in their mixture
Red colour scheme: all the tones have magenta in their mixture
Yellow colour scheme: all the tones have yellow in their mixture
ACCORDING TO VALUE
We place tone values from lighter to darker
VALUE FAMILIES
Table of light hues
Table of dark hues
ACCORDING TO SATURATION
Pure hues become greyer and greyer
SATURATION FAMILIES
Scale os less saturated hues
Scale of least saturated hues
ACCORDING TO ITS TEMPERATURE
Scale ofcool hues: blue families, violets, blue-greens…
Scale of warm hues: yellow families, oranges, reds…
Scale of neutral hues: magentas and greens.
3 SUPERPOSITION
One colour is on other.
4 MIXED
Mixed of other procedures
2 JUXTAPOSITION
Colours are together.
TRANSPARENCY
Transparent colour on transparent colour
WET VARNISH COLOUR VEIL
Transparent colour on opaque colour
DRY VARNISH COLOUR VEIL
Opaque colour on opaque colour
1 MIXED
Procedures to mix colours
Kokoschka. The Bride of the Wind
The Gran Jatte by Seurat. (Detail)
Venus and Cupid.
Lucas Cranach
Degas. Women ironing
The Creation of Adam
by Miguel Angel
COLOUR
MEANINGS
transmits We perceive
ALTERATION
SYMBOLICS PSICOLOGICS
OF HUE
OF VALUE
OF SATURATION
New colours which are out of the colour
wheel:
Phosphorescent colours, fluorescent
colours, metallic colours, pearly colours,
glitter colours
Colour
Colour
Colour
Colour
Colour

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Colour

  • 2. What colour is? It’s a sensation It’s a visual element It’s a variable quality of the objects
  • 3. Visual receptors Cones: sensisitives to red, green and blue Rods: sensitives to light The optics of colour
  • 5. ISAAC NEWTON He discovered that colour comes from light JOHANN WOLFGANG VON GOETHE Surfaces absorve part of white light. ARTHUR SCHOPENHAUER When we see a bright colour and then close your eyes, we can see the after-image of a colour. Red light- after-image - green light. Yellow light- after-image - Violet light. Blue light - after-image - Ornage light THOMAS YOUNG White light can be simplify into three basic colours: Blue light- red light- green light CLERK MAXWELL Light is a form of energy that travels across two fields: an electric one and a magnetic one. Banometres is the unity to measure a wavelength The human eye can only see electromagnetic waves that are between 380 y 720 nm. HEINRICH HERZT He produced light with all its properties. PHYSICAL THEORIES OF COLOUR
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
  • 19.
  • 20.
  • 21. COLOUR LIGHT ADDITIVE MIXTURES PRIMARY COLOURS red light-green light-blue light(RGB) SECONDARY COLOURS With the mixture of two primary LIGHT colours: Cyan light - magenta light - yellow light blue + green= cyan, blue + red= magenta, green+ red = yellow PIGMENT SUBTRACTIVE MIXTURES PRIMARY COLOURS Cyan – magenta – yellow (CMY) SECONDARY COLOURS With the mixture of two primary PIGMENT colours: Blue - red - green cyan + magenta = blue , magenta + yellow = red , yellow + cyan = green
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28. COLOUR LIGHT COLOURS ADDITIVE SYSTEM RGB SUBTRACTIVE SYSTEM CMYK PIGMENT COLOURS In devices: Television Computer Camera Phones In graphic arts: Press Printing
  • 29. ATTRIBUTES We use them to define and describe colour. HUE It is the name of the colours that form the colour. VALUE It is the degree of lightness. It depends on how much black or white is in the mixture. High value (tint) Low value (shade) SATURATION It is the degree of purity. It depends on the components of its mixture + components = – purity COLOUR COMPLEMENTARY Pairs of colours with opposite characteristics in its hue. Yellow is complementary of blue. Blue is formed with cyan. Blue hasn’t got yellow. Magenta is complementary of green. Green is formed with cyan and yellow. Green hasn’t got magenta. Cyan, complementario del rojo anaranjado. El rojo estácompuesto por amarillo y magenta. No lleva cyan.
  • 30. CHROMATIC THEORIES OF COLOUR COLOUR WHEEL ISAAC NEWTON ALBERT MUNSELL JOHANN WOLFGANG VON GOETHE PAUL KLEE JOHANN H. LAMBERT OTTO RUNGE WILHELM OSTWALD ALFRED HICKENTHIER BODIES OF COLOURS HUE VALUE SATURATION
  • 31. COLOUR COLOUR SCHEMES OR COLOUR TABLES Groups of colours according to their differemt attributes. ACCORDING TO HUE Hues move one into another as in scale. COLOUR FAMILIES Blue colour scheme: all the tones have cyan in their mixture Red colour scheme: all the tones have magenta in their mixture Yellow colour scheme: all the tones have yellow in their mixture ACCORDING TO VALUE We place tone values from lighter to darker VALUE FAMILIES Table of light hues Table of dark hues ACCORDING TO SATURATION Pure hues become greyer and greyer SATURATION FAMILIES Scale os less saturated hues Scale of least saturated hues ACCORDING TO ITS TEMPERATURE Scale ofcool hues: blue families, violets, blue-greens… Scale of warm hues: yellow families, oranges, reds… Scale of neutral hues: magentas and greens.
  • 32. 3 SUPERPOSITION One colour is on other. 4 MIXED Mixed of other procedures 2 JUXTAPOSITION Colours are together. TRANSPARENCY Transparent colour on transparent colour WET VARNISH COLOUR VEIL Transparent colour on opaque colour DRY VARNISH COLOUR VEIL Opaque colour on opaque colour 1 MIXED Procedures to mix colours Kokoschka. The Bride of the Wind The Gran Jatte by Seurat. (Detail) Venus and Cupid. Lucas Cranach Degas. Women ironing The Creation of Adam by Miguel Angel
  • 33. COLOUR MEANINGS transmits We perceive ALTERATION SYMBOLICS PSICOLOGICS OF HUE OF VALUE OF SATURATION
  • 34.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39.
  • 40.
  • 41.
  • 42.
  • 43. New colours which are out of the colour wheel: Phosphorescent colours, fluorescent colours, metallic colours, pearly colours, glitter colours