5. ISAAC NEWTON
He discovered that colour comes from light
JOHANN WOLFGANG VON GOETHE
Surfaces absorve part of white light.
ARTHUR SCHOPENHAUER
When we see a bright colour and then close your eyes, we
can see the after-image of a colour.
Red light- after-image - green light.
Yellow light- after-image - Violet light.
Blue light - after-image - Ornage light
THOMAS YOUNG
White light can be simplify into three basic colours:
Blue light- red light- green light
CLERK MAXWELL
Light is a form of energy that travels across two fields: an
electric one and a magnetic one. Banometres is the unity to
measure a wavelength
The human eye can only see electromagnetic waves that
are between 380 y 720 nm.
HEINRICH HERZT
He produced light with all its properties.
PHYSICAL THEORIES OF
COLOUR
21. COLOUR
LIGHT
ADDITIVE
MIXTURES
PRIMARY COLOURS
red light-green light-blue light(RGB)
SECONDARY COLOURS
With the mixture of two primary LIGHT colours:
Cyan light - magenta light - yellow light
blue + green= cyan, blue + red= magenta, green+ red = yellow
PIGMENT
SUBTRACTIVE MIXTURES
PRIMARY COLOURS
Cyan – magenta – yellow (CMY)
SECONDARY COLOURS
With the mixture of two primary PIGMENT colours:
Blue - red - green
cyan + magenta = blue , magenta + yellow = red , yellow + cyan = green
29. ATTRIBUTES
We use them to define and describe
colour.
HUE
It is the name of the colours
that form the colour.
VALUE
It is the degree of lightness.
It depends on how much black
or white is in the mixture.
High value (tint)
Low value (shade)
SATURATION
It is the degree of purity.
It depends on the components of
its mixture
+ components = – purity
COLOUR
COMPLEMENTARY
Pairs of colours with
opposite characteristics in
its hue.
Yellow is complementary of blue.
Blue is formed with cyan. Blue hasn’t
got yellow.
Magenta is complementary of green.
Green is formed with cyan and
yellow. Green hasn’t got magenta.
Cyan, complementario del rojo
anaranjado. El rojo estácompuesto
por amarillo y magenta. No lleva
cyan.
30. CHROMATIC THEORIES OF
COLOUR
COLOUR
WHEEL
ISAAC NEWTON
ALBERT MUNSELL
JOHANN WOLFGANG
VON GOETHE
PAUL KLEE
JOHANN H. LAMBERT
OTTO RUNGE
WILHELM OSTWALD
ALFRED HICKENTHIER
BODIES OF
COLOURS
HUE
VALUE
SATURATION
31. COLOUR
COLOUR SCHEMES OR COLOUR TABLES
Groups of colours according to their differemt attributes.
ACCORDING TO HUE
Hues move one into another as in scale.
COLOUR FAMILIES
Blue colour scheme: all the tones have cyan in their mixture
Red colour scheme: all the tones have magenta in their mixture
Yellow colour scheme: all the tones have yellow in their mixture
ACCORDING TO VALUE
We place tone values from lighter to darker
VALUE FAMILIES
Table of light hues
Table of dark hues
ACCORDING TO SATURATION
Pure hues become greyer and greyer
SATURATION FAMILIES
Scale os less saturated hues
Scale of least saturated hues
ACCORDING TO ITS TEMPERATURE
Scale ofcool hues: blue families, violets, blue-greens…
Scale of warm hues: yellow families, oranges, reds…
Scale of neutral hues: magentas and greens.
32. 3 SUPERPOSITION
One colour is on other.
4 MIXED
Mixed of other procedures
2 JUXTAPOSITION
Colours are together.
TRANSPARENCY
Transparent colour on transparent colour
WET VARNISH COLOUR VEIL
Transparent colour on opaque colour
DRY VARNISH COLOUR VEIL
Opaque colour on opaque colour
1 MIXED
Procedures to mix colours
Kokoschka. The Bride of the Wind
The Gran Jatte by Seurat. (Detail)
Venus and Cupid.
Lucas Cranach
Degas. Women ironing
The Creation of Adam
by Miguel Angel