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Active Low Pass Filter

The most common and
easily understood active
filter is the Active Low
Pass Filter. Its principle of
operation and frequency
response is exactly the
same as those for the
previously seen passive
filter, the only difference
this time is that it uses an
op-amp for amplification
and gain control.




         Thomas Kugelstadt . Op Amps for Everyone Chapter 16
            Active Filter Design Techniques. Available online :
               http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   2
Active Low Pass Filter

This first-order low pass
active     filter,   consists
simply of a passive RC
filter stage providing a low
frequency path to the
input of a non-inverting
operational amplifier. The
amplifier is configured as
a voltage-follower (Buffer)
giving it a DC gain of one,
Av = +1 or unity gain as opposed to the previous passive RC filter which
has a DC gain of less than unity. The advantage of this configuration is
that the op-amps high input impedance prevents excessive loading on
the filters output while its low output impedance prevents the filters
cut-off frequency point from being affected by changes in the
impedance of the load.
        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   3
Active Low Pass Filter with Amplification

The frequency response of the circuit will be the same as that for the
passive RC filter, except that the amplitude of the output is increased by
the pass band gain, AF of the amplifier. For a non-inverting amplifier
circuit, the magnitude of the voltage gain for the filter is given as a
function of the feedback resistor (R2) divided by its corresponding input
resistor (R1) value and is given as:




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   4
Active Low Pass Filter with Amplification

Gain of a first-order low pass filter:



Where:
 AF = the pass band gain of the filter, (1 + R2/R1)
 ƒ = the frequency of the input signal in Hertz, (Hz)
 ƒc = the cut-off frequency in Hertz, (Hz)

1. At very low frequencies, ƒ < ƒc,

2. At the cut-off frequency, ƒ = ƒc,

3. At very high frequencies, ƒ > ƒc,


         Thomas Kugelstadt . Op Amps for Everyone Chapter 16
            Active Filter Design Techniques. Available online :
               http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   5
Active Low Pass Filter with Amplification

Example No1

Design a non-inverting active low pass filter circuit that has a gain of ten
at low frequencies, a high frequency cut-off or corner frequency of
159Hz and an input impedance of 10KΩ. Assume a value for resistor R1 of
1kΩ.




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   6
Thomas Kugelstadt . Op Amps for Everyone Chapter 16
   Active Filter Design Techniques. Available online :
      http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   7
Thomas Kugelstadt . Op Amps for Everyone Chapter 16
   Active Filter Design Techniques. Available online :
      http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   8
Second-order Low Pass Active Filter

As with the passive filter, a first-order low pass active filter can be
converted into a second-order low pass filter simply by using an
additional RC network in the input path. The frequency response of
the second-order low pass filter is identical to that of the first-order
type except that the stop band roll-off will be twice the first-order
filters at 40dB/decade (12dB/octave). Therefore, the design steps
required of the second-order active low pass filter are the same.




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   9
Active High Pass Filters

The basic operation of an Active High Pass Filter (HPF) is exactly the
same as that for its equivalent RC passive high pass filter circuit, except
this time the circuit has an operational amplifier or op-amp included
within its filter design providing amplification and gain control. Like the
previous active low pass filter circuit, the simplest form of an active
high pass filter is to connect a standard inverting or non-inverting
operational amplifier to the basic RC high pass passive filter circuit as
shown.




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   10
Active High Pass Filters

This first-order high pass filter, consists simply of a passive filter
followed by a non-inverting amplifier. The frequency response of the
circuit is the same as that of the passive filter, except that the
amplitude of the signal is increased by the gain of the amplifier.
For a non-inverting amplifier circuit, the magnitude of the voltage gain
for the filter is given as a function of the feedback resistor (R2) divided
by its corresponding input resistor (R1) value and is given as:


                                                                    Low frequencies

                                                                    Cut-off

                                                                    High frequencies




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012                  11
Second-order High Pass Active Filter

As with the passive filter, a first-order high pass active filter can be
converted into a second-order high pass filter simply by using an
additional RC network in the input path. The frequency response of
the second-order high pass filter is identical to that of the first-order
type except that the stop band roll-off will be twice the first-order
filters at 40dB/decade (12dB/octave). Therefore, the design steps
required of the second-order active high pass filter are the same.




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   12
Cascading Active High Pass Filters

Higher-order high pass filters, such as third, fourth, fifth, etc are
formed simply by cascading together first and second-order filters. For
example, a third order high pass filter is formed by cascading in series
first and second order filters, a fourth-order high pass filter by
cascading two second-order filters together and so on.
Then an Active High
Pass Filter with an
even order number
will consist of only
second-order filters,
while an odd order
number will start
with a first-order
filter    at     the
beginning as shown.

        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   13
Active Band Pass Filter

The Active Band Pass Filter is a frequency selective filter circuit used in
electronic systems to separate a signal at one particular frequency, or a range of
signals that lie within a certain "band" of frequencies from signals at all other
frequencies. This band or range of frequencies is set between two cut-off or
corner frequency points labelled the "lower frequency" (ƒL) and the "higher
frequency" (ƒH) while attenuating any signals outside of these two points.

Simple Active Band Pass Filter can be easily made by cascading together a single
Low Pass Filter with a single High Pass Filter as shown.




         Thomas Kugelstadt . Op Amps for Everyone Chapter 16
            Active Filter Design Techniques. Available online :
               http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   14
Active Band Pass Filter

This cascading together of the individual low and high pass passive filters
produces a low "Q-factor" type filter circuit which has a wide pass band.




The higher corner point (ƒH) as well as the lower corner frequency cut-off point
(ƒL) are calculated the same as before in the standard first-order low and high
pass filter circuits. Obviously, a reasonable separation is required between the
two cut-off points to prevent any interaction between the low pass and high pass
stages. The amplifier provides isolation between the two stages and defines the
overall voltage gain of the circuit.




         Thomas Kugelstadt . Op Amps for Everyone Chapter 16
            Active Filter Design Techniques. Available online :
               http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   15
Filter response




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   16
Fundamentals of Low-Pass Filters

The most simple low-pass filter is the passive RC low-pass network
shown:




For a steeper rolloff, n filter stages can be connected in series as
shown in Figure 16–3. To avoid loading effects, op amps, operating as
impedance converters, separate the individual filter stages:




      Thomas Kugelstadt . Op Amps for Everyone Chapter 16
         Active Filter Design Techniques. Available online :
            http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   17
In comparison to the ideal low-pass, the RC low-pass lacks in the following
characteristics:

•The passband gain varies long before the corner frequency, fC, thus
mplifying the upper passband frequencies less than the lower passband.
•The transition from the passband into the stopband is not sharp, but happens
gradually, moving the actual 80-dB roll off by 1.5 octaves above fC.
•The phase response is not linear, thus increasing the amount of signal
distortion significantly.

The gain and phase response of a low-pass filter can be optimized to satisfy
one of the following three criteria:

1) A maximum passband flatness,
2) An immediate passband-to-stopband transition,
3) A linear phase response.

For that purpose, the transfer function must allow for complex poles and
needs to be of the following type:


        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   18
The transfer function of a passive RC filter does not allow further
optimization, due to the lack of complex poles.

•The Butterworth coefficients, optimizing the passband for maximum
flatness
•The Tschebyscheff coefficients, sharpening the transition from
passband into the Stopband
•The Bessel coefficients, linearizing the phase response up to fC




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   19
Quality Factor Q

The quality factor Q is an equivalent design parameter to the filter
order n. Instead of designing an nth order Tschebyscheff low-pass, the
problem can be expressed as designing a Tschebyscheff low-pass filter
with a certain Q. For band-pass filters, Q is defined as the ratio of the
mid frequency, fm, to the bandwidth at the two –3 dB points:



For low-pass and high-pass filters, Q represents the pole quality and is
defined as:




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   20
Quality Factor Q

High Qs can be graphically presented as the distance between the 0-dB
line and the peak point of the filter’s gain response.


                                                                       In addition, the ratio




                                                                       is defined as the pole
                                                                       quality. The higher the Q
                                                                       value, the more a filter
                                                                       inclines to instability.




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012                     21
In applications that use filters, the amplitude response is generally
of greater interest than the phase response. But in some applications,
the phase response of the filter is important.
It might be useful to visualize the active filter as two cascaded
filters. One is the ideal filter, embodying the transfer equation; the
other is the amplifier used to build the filter.




Filter design is a two-step process. First, the filter response is
chosen; then, a circuit topology is selected to implement it. The
filter response refers to the shape of the attenuation curve. Often,
this is one of the classical responses such as Butterworth, Bessel, or
some form of Chebyshev. Although these response curves are usually
chosen to affect the amplitude response, they will also affect the
shape of the phase response

       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   22
Filter complexity is typically defined by the filter ―order,‖ which is
related to the number of energy storage elements (inductors and
capacitors). The order of the filter transfer function’s denominator
defines the attenuation rate as frequency increases. The asymptotic
filter rolloff rate is – 6n dB/octave or –20n dB/decade, where n is the
number of poles. An octave is a doubling or halving of t he frequency;
a decade is a tenfold increase or decrease of frequency.




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   23
Phase response




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   24
The center frequency can also be referred to as the cutoff frequency
(the frequency at which the amplitude response of the single-pole, low-
pass filter is down by 3 dB—about 30%). In terms of phase, the center
frequency will be at the point at which the phase shift is 50% of its
ultimate value of –90° (in this case).




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   25
Thomas Kugelstadt . Op Amps for Everyone Chapter 16
   Active Filter Design Techniques. Available online :
      http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   26
For the second-order, low-pass case, the transfer function has a
phase shift that can be approximated by:




The phase response of a 2-pole, high-pass filter can be approximated
by:




Where α is the damping ratio of the filter. It will determine the
peaking in the amplitude response and the sharpness of the phase
transition. It is the inverse of the Q of the circuit, which also
determines the steepness of the amplitude rolloff or phase shift.

      Thomas Kugelstadt . Op Amps for Everyone Chapter 16
         Active Filter Design Techniques. Available online :
            http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   27
Butterworth Low-Pass Filters

The Butterworth low-pass filter provides maximum passband flatness.
Therefore, a Butterworth low-pass is often used as anti-aliasing filter
in data converter applications where precise signal levels are required
across the entire passband.




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   28
Tschebyscheff Low-Pass Filters

The Tschebyscheff low-pass filters provide an even higher gain rolloff
above fC. However, as the Figure shows, the passband gain is not
monotone, but contains ripples of constant magnitude instead. For a
given filter order, the higher the passband ripples, the higher the
filter’s rolloff.




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   29
Bessel Low-Pass Filters

The Bessel low-pass filters
have a linear phase response
over a wide frequency range,
which results in a constant
group delay in that frequency
range.      Bessel     low-pass
filters, therefore, provide an
optimum            square-wave
transmission          behavior.
However, the passband gain
of a Bessel low-pass filter is
not as flat as that of the
Butterworth low-pass, and
the transition from passband
to stopband is by far not as
sharp     as    that     of   a
Tschebyscheff low-pass filter
        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   30
Second-Order Sections

A variety of circuit topologies exists for building second-order
sections. To be discussed here are the Sallen-Key and the
multiplefeedback. They are the most common and are relevant
topologies.

The general transfer function of a low-pass filter is



The filter coefficients ai and bi distinguish between Butterworth,
Tschebyscheff, and Bessel filters. The coefficients for all three types
of filters are tabulated for second order filters:




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   31
Sallen-Key Topology

The general Sallen-Key topology in Figure 16–15 allows for separate
gain setting via A0 = 1+R4/R3. However, the unity-gain topology in
the Figure is usually applied in filter designs with high gain accuracy,
unity gain, and low Qs (Q < 3).




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   32
Sallen-Key Topology

The transfer function of the circuit is:



For the unity-gain circuit (A0=1), the transfer function simplifies to:




The general transfer function of a low-pass filter is:




The coefficient comparison between this transfer
function and the general transfer function is:
        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   33
Sallen-Key Topology

The coefficient comparison between this transfer
function and the general transfer function is:




Given C1 and C2, the resistor values for R1 and R2 are calculated
through:




In order to obtain real values under the square root, C2 must satisfy
the following condition:

        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   34
Problem: Design a second-order Sallen-Key unity-gain Tschebyscheff
low-pass filter with a corner frequency of fC = 3 kHz and a 3-dB
passband ripple. Supposse C1=22 nF.

From the Coefficients Table obtain a1 and b1 for a second-order
filter.

                       a1 = 1.0650 and b1 = 1.9305.




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   35
Thomas Kugelstadt . Op Amps for Everyone Chapter 16
   Active Filter Design Techniques. Available online :
      http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   36
Multiple Feedback Topology

The MFB topology is commonly used in filters that have high Qs and
require a high gain.




The transfer function of the circuit is:




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   37
Thomas Kugelstadt . Op Amps for Everyone Chapter 16
   Active Filter Design Techniques. Available online :
      http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   38
Higher-Order Low-Pass Filters

Higher-order low-pass filters are required to sharpen a desired filter
characteristic. For that purpose, first-order and second-order filter stages are
connected in series, so that the product of the individual frequency responses
results in the optimized frequency response of the overall filter. In order to
simplify the design of the partial filters, the coefficients ai and bi for each filter
type are listed in the coefficient tables.




          Thomas Kugelstadt . Op Amps for Everyone Chapter 16
             Active Filter Design Techniques. Available online :
                http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   39
Fifth-Order Filter

The task is to design a fifth-order unity-gain Butterworth low-pass
filter with the corner frequency fC = 50 kHz.

First the coefficients for a fifth-order Butterworth filter are obtained:




Then dimension each partial filter by specifying the capacitor values
and calculating the required resistor values




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   40
First Filter

First-Order Unity-Gain Low-Pass With C1 = 1nF,




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   41
Second Filter

Second-Order Unity-Gain Sallen-Key Low-Pass Filter With C1 = 820 pF,




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   42
Third Filter

The calculation of the third filter is identical to the calculation of the
second filter, except that a2 and b2 are replaced by a3 and b3, thus
resulting in different capacitor and resistor values.
Specify C1 as 330 pF:



                                                 The closest 10% value is 4.7 nF.


With C1 = 330 pF and C2 = 4.7 nF, the values for R1 and R2 are:
R1 = 1.45 kΩ, with the closest 1% value being 1.47 kΩ
R2 = 4.51 kΩ, with the closest 1% value being 4.53 kΩ




        Thomas Kugelstadt . Op Amps for Everyone Chapter 16
           Active Filter Design Techniques. Available online :
              http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012               43
Higher-Order High-Pass Filter

Likewise, as with the low-pass filters, higher-order high-pass filters are designed
by cascading first-order and second-order filter stages. The filter coefficients are
the same ones used for the low-pass filter design, and are listed in the
coefficient tables.

Third-Order High-Pass Filter with fC = 1 kHz

The task is to design a third-order unity-gain Bessel high-pass filter with the
corner frequency fC = 1 kHz. Consider C1 = 100nF




         Thomas Kugelstadt . Op Amps for Everyone Chapter 16
            Active Filter Design Techniques. Available online :
               http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   44
Thomas Kugelstadt . Op Amps for Everyone Chapter 16
   Active Filter Design Techniques. Available online :
      http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   45
Thomas Kugelstadt . Op Amps for Everyone Chapter 16
   Active Filter Design Techniques. Available online :
      http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   46
Bessel Coeficients




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   47
Butterworth Coeficients




      Thomas Kugelstadt . Op Amps for Everyone Chapter 16
         Active Filter Design Techniques. Available online :
            http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   48
Tschebyscheff Coefficients
 for 3-dB Passband Ripple




       Thomas Kugelstadt . Op Amps for Everyone Chapter 16
          Active Filter Design Techniques. Available online :
             http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012   49

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Ea3

  • 1.
  • 2. Active Low Pass Filter The most common and easily understood active filter is the Active Low Pass Filter. Its principle of operation and frequency response is exactly the same as those for the previously seen passive filter, the only difference this time is that it uses an op-amp for amplification and gain control. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 2
  • 3. Active Low Pass Filter This first-order low pass active filter, consists simply of a passive RC filter stage providing a low frequency path to the input of a non-inverting operational amplifier. The amplifier is configured as a voltage-follower (Buffer) giving it a DC gain of one, Av = +1 or unity gain as opposed to the previous passive RC filter which has a DC gain of less than unity. The advantage of this configuration is that the op-amps high input impedance prevents excessive loading on the filters output while its low output impedance prevents the filters cut-off frequency point from being affected by changes in the impedance of the load. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 3
  • 4. Active Low Pass Filter with Amplification The frequency response of the circuit will be the same as that for the passive RC filter, except that the amplitude of the output is increased by the pass band gain, AF of the amplifier. For a non-inverting amplifier circuit, the magnitude of the voltage gain for the filter is given as a function of the feedback resistor (R2) divided by its corresponding input resistor (R1) value and is given as: Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 4
  • 5. Active Low Pass Filter with Amplification Gain of a first-order low pass filter: Where: AF = the pass band gain of the filter, (1 + R2/R1) ƒ = the frequency of the input signal in Hertz, (Hz) ƒc = the cut-off frequency in Hertz, (Hz) 1. At very low frequencies, ƒ < ƒc, 2. At the cut-off frequency, ƒ = ƒc, 3. At very high frequencies, ƒ > ƒc, Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 5
  • 6. Active Low Pass Filter with Amplification Example No1 Design a non-inverting active low pass filter circuit that has a gain of ten at low frequencies, a high frequency cut-off or corner frequency of 159Hz and an input impedance of 10KΩ. Assume a value for resistor R1 of 1kΩ. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 6
  • 7. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 7
  • 8. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 8
  • 9. Second-order Low Pass Active Filter As with the passive filter, a first-order low pass active filter can be converted into a second-order low pass filter simply by using an additional RC network in the input path. The frequency response of the second-order low pass filter is identical to that of the first-order type except that the stop band roll-off will be twice the first-order filters at 40dB/decade (12dB/octave). Therefore, the design steps required of the second-order active low pass filter are the same. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 9
  • 10. Active High Pass Filters The basic operation of an Active High Pass Filter (HPF) is exactly the same as that for its equivalent RC passive high pass filter circuit, except this time the circuit has an operational amplifier or op-amp included within its filter design providing amplification and gain control. Like the previous active low pass filter circuit, the simplest form of an active high pass filter is to connect a standard inverting or non-inverting operational amplifier to the basic RC high pass passive filter circuit as shown. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 10
  • 11. Active High Pass Filters This first-order high pass filter, consists simply of a passive filter followed by a non-inverting amplifier. The frequency response of the circuit is the same as that of the passive filter, except that the amplitude of the signal is increased by the gain of the amplifier. For a non-inverting amplifier circuit, the magnitude of the voltage gain for the filter is given as a function of the feedback resistor (R2) divided by its corresponding input resistor (R1) value and is given as: Low frequencies Cut-off High frequencies Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 11
  • 12. Second-order High Pass Active Filter As with the passive filter, a first-order high pass active filter can be converted into a second-order high pass filter simply by using an additional RC network in the input path. The frequency response of the second-order high pass filter is identical to that of the first-order type except that the stop band roll-off will be twice the first-order filters at 40dB/decade (12dB/octave). Therefore, the design steps required of the second-order active high pass filter are the same. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 12
  • 13. Cascading Active High Pass Filters Higher-order high pass filters, such as third, fourth, fifth, etc are formed simply by cascading together first and second-order filters. For example, a third order high pass filter is formed by cascading in series first and second order filters, a fourth-order high pass filter by cascading two second-order filters together and so on. Then an Active High Pass Filter with an even order number will consist of only second-order filters, while an odd order number will start with a first-order filter at the beginning as shown. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 13
  • 14. Active Band Pass Filter The Active Band Pass Filter is a frequency selective filter circuit used in electronic systems to separate a signal at one particular frequency, or a range of signals that lie within a certain "band" of frequencies from signals at all other frequencies. This band or range of frequencies is set between two cut-off or corner frequency points labelled the "lower frequency" (ƒL) and the "higher frequency" (ƒH) while attenuating any signals outside of these two points. Simple Active Band Pass Filter can be easily made by cascading together a single Low Pass Filter with a single High Pass Filter as shown. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 14
  • 15. Active Band Pass Filter This cascading together of the individual low and high pass passive filters produces a low "Q-factor" type filter circuit which has a wide pass band. The higher corner point (ƒH) as well as the lower corner frequency cut-off point (ƒL) are calculated the same as before in the standard first-order low and high pass filter circuits. Obviously, a reasonable separation is required between the two cut-off points to prevent any interaction between the low pass and high pass stages. The amplifier provides isolation between the two stages and defines the overall voltage gain of the circuit. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 15
  • 16. Filter response Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 16
  • 17. Fundamentals of Low-Pass Filters The most simple low-pass filter is the passive RC low-pass network shown: For a steeper rolloff, n filter stages can be connected in series as shown in Figure 16–3. To avoid loading effects, op amps, operating as impedance converters, separate the individual filter stages: Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 17
  • 18. In comparison to the ideal low-pass, the RC low-pass lacks in the following characteristics: •The passband gain varies long before the corner frequency, fC, thus mplifying the upper passband frequencies less than the lower passband. •The transition from the passband into the stopband is not sharp, but happens gradually, moving the actual 80-dB roll off by 1.5 octaves above fC. •The phase response is not linear, thus increasing the amount of signal distortion significantly. The gain and phase response of a low-pass filter can be optimized to satisfy one of the following three criteria: 1) A maximum passband flatness, 2) An immediate passband-to-stopband transition, 3) A linear phase response. For that purpose, the transfer function must allow for complex poles and needs to be of the following type: Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 18
  • 19. The transfer function of a passive RC filter does not allow further optimization, due to the lack of complex poles. •The Butterworth coefficients, optimizing the passband for maximum flatness •The Tschebyscheff coefficients, sharpening the transition from passband into the Stopband •The Bessel coefficients, linearizing the phase response up to fC Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 19
  • 20. Quality Factor Q The quality factor Q is an equivalent design parameter to the filter order n. Instead of designing an nth order Tschebyscheff low-pass, the problem can be expressed as designing a Tschebyscheff low-pass filter with a certain Q. For band-pass filters, Q is defined as the ratio of the mid frequency, fm, to the bandwidth at the two –3 dB points: For low-pass and high-pass filters, Q represents the pole quality and is defined as: Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 20
  • 21. Quality Factor Q High Qs can be graphically presented as the distance between the 0-dB line and the peak point of the filter’s gain response. In addition, the ratio is defined as the pole quality. The higher the Q value, the more a filter inclines to instability. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 21
  • 22. In applications that use filters, the amplitude response is generally of greater interest than the phase response. But in some applications, the phase response of the filter is important. It might be useful to visualize the active filter as two cascaded filters. One is the ideal filter, embodying the transfer equation; the other is the amplifier used to build the filter. Filter design is a two-step process. First, the filter response is chosen; then, a circuit topology is selected to implement it. The filter response refers to the shape of the attenuation curve. Often, this is one of the classical responses such as Butterworth, Bessel, or some form of Chebyshev. Although these response curves are usually chosen to affect the amplitude response, they will also affect the shape of the phase response Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 22
  • 23. Filter complexity is typically defined by the filter ―order,‖ which is related to the number of energy storage elements (inductors and capacitors). The order of the filter transfer function’s denominator defines the attenuation rate as frequency increases. The asymptotic filter rolloff rate is – 6n dB/octave or –20n dB/decade, where n is the number of poles. An octave is a doubling or halving of t he frequency; a decade is a tenfold increase or decrease of frequency. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 23
  • 24. Phase response Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 24
  • 25. The center frequency can also be referred to as the cutoff frequency (the frequency at which the amplitude response of the single-pole, low- pass filter is down by 3 dB—about 30%). In terms of phase, the center frequency will be at the point at which the phase shift is 50% of its ultimate value of –90° (in this case). Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 25
  • 26. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 26
  • 27. For the second-order, low-pass case, the transfer function has a phase shift that can be approximated by: The phase response of a 2-pole, high-pass filter can be approximated by: Where α is the damping ratio of the filter. It will determine the peaking in the amplitude response and the sharpness of the phase transition. It is the inverse of the Q of the circuit, which also determines the steepness of the amplitude rolloff or phase shift. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 27
  • 28. Butterworth Low-Pass Filters The Butterworth low-pass filter provides maximum passband flatness. Therefore, a Butterworth low-pass is often used as anti-aliasing filter in data converter applications where precise signal levels are required across the entire passband. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 28
  • 29. Tschebyscheff Low-Pass Filters The Tschebyscheff low-pass filters provide an even higher gain rolloff above fC. However, as the Figure shows, the passband gain is not monotone, but contains ripples of constant magnitude instead. For a given filter order, the higher the passband ripples, the higher the filter’s rolloff. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 29
  • 30. Bessel Low-Pass Filters The Bessel low-pass filters have a linear phase response over a wide frequency range, which results in a constant group delay in that frequency range. Bessel low-pass filters, therefore, provide an optimum square-wave transmission behavior. However, the passband gain of a Bessel low-pass filter is not as flat as that of the Butterworth low-pass, and the transition from passband to stopband is by far not as sharp as that of a Tschebyscheff low-pass filter Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 30
  • 31. Second-Order Sections A variety of circuit topologies exists for building second-order sections. To be discussed here are the Sallen-Key and the multiplefeedback. They are the most common and are relevant topologies. The general transfer function of a low-pass filter is The filter coefficients ai and bi distinguish between Butterworth, Tschebyscheff, and Bessel filters. The coefficients for all three types of filters are tabulated for second order filters: Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 31
  • 32. Sallen-Key Topology The general Sallen-Key topology in Figure 16–15 allows for separate gain setting via A0 = 1+R4/R3. However, the unity-gain topology in the Figure is usually applied in filter designs with high gain accuracy, unity gain, and low Qs (Q < 3). Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 32
  • 33. Sallen-Key Topology The transfer function of the circuit is: For the unity-gain circuit (A0=1), the transfer function simplifies to: The general transfer function of a low-pass filter is: The coefficient comparison between this transfer function and the general transfer function is: Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 33
  • 34. Sallen-Key Topology The coefficient comparison between this transfer function and the general transfer function is: Given C1 and C2, the resistor values for R1 and R2 are calculated through: In order to obtain real values under the square root, C2 must satisfy the following condition: Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 34
  • 35. Problem: Design a second-order Sallen-Key unity-gain Tschebyscheff low-pass filter with a corner frequency of fC = 3 kHz and a 3-dB passband ripple. Supposse C1=22 nF. From the Coefficients Table obtain a1 and b1 for a second-order filter. a1 = 1.0650 and b1 = 1.9305. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 35
  • 36. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 36
  • 37. Multiple Feedback Topology The MFB topology is commonly used in filters that have high Qs and require a high gain. The transfer function of the circuit is: Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 37
  • 38. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 38
  • 39. Higher-Order Low-Pass Filters Higher-order low-pass filters are required to sharpen a desired filter characteristic. For that purpose, first-order and second-order filter stages are connected in series, so that the product of the individual frequency responses results in the optimized frequency response of the overall filter. In order to simplify the design of the partial filters, the coefficients ai and bi for each filter type are listed in the coefficient tables. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 39
  • 40. Fifth-Order Filter The task is to design a fifth-order unity-gain Butterworth low-pass filter with the corner frequency fC = 50 kHz. First the coefficients for a fifth-order Butterworth filter are obtained: Then dimension each partial filter by specifying the capacitor values and calculating the required resistor values Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 40
  • 41. First Filter First-Order Unity-Gain Low-Pass With C1 = 1nF, Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 41
  • 42. Second Filter Second-Order Unity-Gain Sallen-Key Low-Pass Filter With C1 = 820 pF, Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 42
  • 43. Third Filter The calculation of the third filter is identical to the calculation of the second filter, except that a2 and b2 are replaced by a3 and b3, thus resulting in different capacitor and resistor values. Specify C1 as 330 pF: The closest 10% value is 4.7 nF. With C1 = 330 pF and C2 = 4.7 nF, the values for R1 and R2 are: R1 = 1.45 kΩ, with the closest 1% value being 1.47 kΩ R2 = 4.51 kΩ, with the closest 1% value being 4.53 kΩ Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 43
  • 44. Higher-Order High-Pass Filter Likewise, as with the low-pass filters, higher-order high-pass filters are designed by cascading first-order and second-order filter stages. The filter coefficients are the same ones used for the low-pass filter design, and are listed in the coefficient tables. Third-Order High-Pass Filter with fC = 1 kHz The task is to design a third-order unity-gain Bessel high-pass filter with the corner frequency fC = 1 kHz. Consider C1 = 100nF Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 44
  • 45. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 45
  • 46. Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 46
  • 47. Bessel Coeficients Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 47
  • 48. Butterworth Coeficients Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 48
  • 49. Tschebyscheff Coefficients for 3-dB Passband Ripple Thomas Kugelstadt . Op Amps for Everyone Chapter 16 Active Filter Design Techniques. Available online : http://www.ti.com/lit/ml/sloa088/sloa088.pdf Enero 2012 49