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DRAMATURGY
  Zac, Lee and Julia
DRAMATURGY
“The individual offers his performance and puts on his show for the benefit of
                         other people”-Goffman 1971
Idealisation
  “A performance is „socialised‟, moulded, and modified to fit into the
 understanding ad expectations of the society in which it is presented”
                                                        - Goffman, 1971

    SOCIAL LIFE AS A GAME
 “ They are playing a game. They are playing at not playing a game. If I
show them I see they are, I shall break the rules and they will punish me.
         I must play their game, of not seeing I see the game.”
                                                       - Laing, RD, 1970
SOCIAL LIFE AS A DRAMA
 Life is a massive stage

 We are constantly performing

 Act out various versions of the „self ‟ to fit the scene

 Conscious of saving face while performing

 Dramatise actions so that we make a good first impression
SCRIPTED LIFE

 http://www.youtube.com/watch?v=m6fq3Jkh9Es
CYNICAL
 A person who does not believe in their own performance but acts the way
they do in order to satisfy society norms.



                                 Sincere
 A person who is committed to their performance and believes in what their
„self ‟ is portraying.
DELUSION

 “One can be convinced that their impression of reality which
they stage is the true reality.”

 “ A show for other people, performance to have others
believes that one has the attributes they appear and show they
have.”
SCRIPT
THE GAME

 The delusion, manipulation        But the end goal of any game
and ignorance of interaction are   is to win. In order to do this you
ultimately assisting one thing-    need to be able to manipulate
the game                           characters around you and
                                   change the performance
MANIPULATION
WHY/WHY NOT
EXISTENTIAL VIEW

 No point in anything        Punishments, rewards, levels
including the social game.   and try to „win‟.
LIFE AS A GAME
SIMS- LIFE AS A GAME

 http://www.youtube.com/watch?v=y1U-b9QEXyY
IMPRESSION OF SELF

 Exits, entries and    Everything is staged, even
performance actions.   intimacy.
STAGES

 Front: Presentation of          Back: Where you prepare for
yourself to others and society   presentation, in solitude.
TEAMS
 2 or more people reliant on outcome of performance and script

 Cooperation among members of a team define the script

 Without teamwork meaning of interaction would be lost

 Audience also plays a role in the development of a performance
AUDIENCE

 The “audience” consists of        Their presence influences the
people surrounding the             characters and script, as audience
interaction, a silent character,   is one of the many factors that
basically any witness to the       contribute to dramaturgy.
performance and interaction
FRAMES

 Symbolic interactionism    Frame of a situation
                            produces the event itself.
SOC250: Dramaturgy

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SOC250: Dramaturgy

  • 1. DRAMATURGY Zac, Lee and Julia
  • 2. DRAMATURGY “The individual offers his performance and puts on his show for the benefit of other people”-Goffman 1971
  • 3. Idealisation “A performance is „socialised‟, moulded, and modified to fit into the understanding ad expectations of the society in which it is presented” - Goffman, 1971 SOCIAL LIFE AS A GAME “ They are playing a game. They are playing at not playing a game. If I show them I see they are, I shall break the rules and they will punish me. I must play their game, of not seeing I see the game.” - Laing, RD, 1970
  • 4. SOCIAL LIFE AS A DRAMA  Life is a massive stage  We are constantly performing  Act out various versions of the „self ‟ to fit the scene  Conscious of saving face while performing  Dramatise actions so that we make a good first impression
  • 6. CYNICAL  A person who does not believe in their own performance but acts the way they do in order to satisfy society norms. Sincere  A person who is committed to their performance and believes in what their „self ‟ is portraying.
  • 7. DELUSION  “One can be convinced that their impression of reality which they stage is the true reality.”  “ A show for other people, performance to have others believes that one has the attributes they appear and show they have.”
  • 9. THE GAME  The delusion, manipulation  But the end goal of any game and ignorance of interaction are is to win. In order to do this you ultimately assisting one thing- need to be able to manipulate the game characters around you and change the performance
  • 12. EXISTENTIAL VIEW  No point in anything  Punishments, rewards, levels including the social game. and try to „win‟.
  • 13. LIFE AS A GAME
  • 14.
  • 15. SIMS- LIFE AS A GAME  http://www.youtube.com/watch?v=y1U-b9QEXyY
  • 16. IMPRESSION OF SELF  Exits, entries and  Everything is staged, even performance actions. intimacy.
  • 17. STAGES  Front: Presentation of  Back: Where you prepare for yourself to others and society presentation, in solitude.
  • 18. TEAMS  2 or more people reliant on outcome of performance and script  Cooperation among members of a team define the script  Without teamwork meaning of interaction would be lost  Audience also plays a role in the development of a performance
  • 19. AUDIENCE  The “audience” consists of  Their presence influences the people surrounding the characters and script, as audience interaction, a silent character, is one of the many factors that basically any witness to the contribute to dramaturgy. performance and interaction
  • 20. FRAMES  Symbolic interactionism  Frame of a situation produces the event itself.