After reading Chapters 3 and 4

1. Get Permission or Pay the Price. Alberto Tudόn

2. Training Agenda Training Expectations: The Public Domain and Orphan Works Why all works can’t be digitized. Content on the WebContent and public domain The Teach ActLaws and their impact Getting PermissionHow to get it Sources Sources used to develop this presentation Fair useAvailable licenses

3. How is an orphan work determined? The Public Domain and Orphan Works Why all works can’t be digitized.

4. A reasonable search for the author is done and none is found. The Public Domain and Orphan Works Why all works can’t be digitized.

5. The Public Domain and Orphan Works Why all works can’t be digitized. The owner of the work may return and enforce his or her right making the violators legally liable.

6. The Public Domain and Orphan Works Cont. What libraries are doing about orphan works Why all works can’t be digitized. Searching for authors Post with restriction Make a calculated risk

8. All works are protected whether digital or not

14. American Society of Media Photographers

15. Artists Rights Society

16. Aurora Picture Network International

17. Media Image Resource Alliance

20. Sources Sources used to develop this presentation Georgia, H., (2011, Sept. 4 ). Copyright Crash Course. Retrieved from http://copyright.lib.utexas.edu/pdandorphan.html. Georgia, H., (2011, Sept. 4 ). Obtaining Rights to Produce a Play or Musical or use live music in performance Retrieved from http://copyright.lib.utexas.edu/perform.html. Georgia, H., (2011, Sept. 4 ). Fair Use of Copyrighted Materials. Retrieved from http://copyright.lib.utexas.edu/copypol2.html. Georgia, H., (2011, Sept. 4 ). The TEACH Act. Retrieved from http://copyright.lib.utexas.edu/teachact.html. Georgia, H., (2011, Sept. 4 ). Getting Permission. Retrieved from http://copyright.lib.utexas.edu/permissn.html.