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Art Work at the Uffizi Gallery




                           1
Inside Hallway
Construction
 The building of the palace began in 1560 by
  Giorgio Vasari for Cosmo I’ De Medeci as offices
  for the Florentine magistrates (judges). That’s how
  it got the name Uffizi “offices”. Alfonso Parigi
  and Bernado Buontalenti continiued Vasari’s
  design and ended in 1581.
 They constructed a courtile ( inner courtyard ) so
  long and narrow that opens to the Arno River
  through a Doric screen that a articulates space
  without blocking it. The first “streetscape” in
  Europe.



                                                3
Cosimo de' Medici, Grand Duke
          of Tuscany
 Cosimo came to power at 17, when Duke Alessandro de' Medici was assassinated in 1537, as Alessandro's
  only male heir (see right)
 Among his many accomplishments was the creation of the Uffizi, originally intended to house the government
 He also finished the Pitti Palace as a home for the Medici and created the magnificent Boboli Gardens behind the Pitti. He was a great patron
  of the arts.




                                                                                                                      4
Inside the Uffizi
 45 different rooms vary from sculptures to paintings on canvas
 The niches in the piers were filled with sculptures of famous artists




                                                                         5
Renaissance: Greek and Roman
     Style was Re-popularized
• Greek and Roman art has inspired and has influenced
  many artists throughout history
• Common Subjects: human form (the male considered
  ideal or more beautiful), gods in human form, heroism,
  expressive faces, and geometric shapes (symmetry)
• Focus on the mind (education), body (health and
  fitness), and spirit (religious, holy)
• David, 1501-04, Michelangelo Buonarroti,
  Marble, based upon David v. Goliath




                                                6
1504 Raphael Santi
(1483-1520)
Portrait of Elisabetta
Gonzaga

* Titles of artwork
are capitalized and
underlined
Michelangelo




Michelangelo (1475-1564)
- The Holy Family with St. John the Baptist. c.
   1504-1506.
Also known as the Doni Tondo or the Holy Family
   commissioned for the marriage of the merchant Angelo
   Doni and Maddalena Strozzi
Portrait of Michelangelo by Jacopino del Conte (after
   1535) at the age of 60
1510
 • Giorgione
• (1477/78-
      1510)
• Portrait of a
  Gentleman
  in Armor. c.
  1510. Oil on
  canvas
1517
 • Andrea del
   Sarto
   1486-1531
 • Madonna
   delle
   Arpie
   (Madonna
   of the
   Harpies -
   angels)
 • Note the
   triangular
   design
1517


• Antonio Correggi 1489-1534
• The Rest on the Flight to Egypt with Saint Francis
• The scene is a legend added to a historical event.
  History: Jesus and parents fled to Egypt for refuge on
  being warned that Herod the Great was seeking to kill
  baby Jesus (jealous of any threat to his power).
  Legend: the Holy Child ordered the trees to bend down
  so that Joseph could take fruit from them.
1518
•   Albrecht Altdorfer (1480-1538)
• The Martyrdom of St.
  Florian
• Florian was a Roman soldier, in
  what is now Austria, who converted
  to Christianity and martyred in 304.
  At the time Christianity was
  outlawed in Roman lands. Florian
  was thrown into the river Ems with
  a millstone tied around his neck.
  Passers recovered his body which
  was watched over by an eagle until
  taken away for burial.
1518
•      Raphael (1483-1520)
• Portrait of Pope Leo X with
  Cardinals Giulio de' Medici
  and Luigi de' Rossi
• The ball on top of the Pope's
  chair symbolizes the abacus
  balls (for their earning a lot of
  wealth) of the Medici Family.
• Martin Luther (right) had
  challenged papal authority--Leo
  X's (10ths) method of selling
  indulgences (forgiveness of
  sins).
1519

•      Pontormo [Italian
         Mannerist
    (expressive) Painter],
        1494-ca.1556
•       Cosimo il
       Vecchio de
         Medici
•   The laurel branch was a
    symbol used also by his
             heirs.
1528
• Lucas Cranach
  detto il vecchio
  (Kronach, 1472
  – Weimar, 16
  ottobre 1553)
• Adam and
  Eve
• Oil on panel
“And the serpent hath been subtile above every beast of the field
which Jehovah God hath made, and he saith unto the woman,
'Is it true that God hath said, Ye do not eat of every tree of the
garden?'”, Genesis 3:1. (*Cranach painted a snake,
although the word “snake” is not used in Genesis.)
1537
• Titian
 Portrait of
 Eleonora
 Gonzaga
 Della
 Rovere.
 1536-1537.
 Oil on
 canvas.
1538
• Titian
• (1488/90 -
  1576)
Portrait of
Francesco
Maria della
Rovere, Duke
of Urbino. c.
1536-1538. Oil on
canvas
1540
• Agnolo di
  Cosimo (1503
  -1572), usually
  known as Il
  Bronzino,
• Portrait of
  Lucretia
  Pucci
  Panciatichi
1545
• Agnolo
  Bronzino
• 1503-1572
  Portrait of
  Cosimo I
  de' Medici
  in Armor
  1545-1559
  Oil on panel
1545
• Bronzino, Agnolo
  (Agnolo di
  Cosimo)
  (1503-72).
  Florentine
  Mannerist painter,
  the pupil and
  adopted son of
  Pontormo
• Giovanni de
  Medici as a
  Child
1555
• Paolo Veronese
  (1528 – April 19,
  1588) was an
  Italian painter of
  the Renaissance in
  Venice
• Isopod and
  Adriano da
  Porto
1597
• Michelangelo Merisi da
  Caravaggio, (1571 –1610)
• Baroque: bold, curved,
  elaborate
• Bacchus (The Roman god of
  wine. According to Ovid's
  Metamorphoses, Philemon
  and Bacchus had lived out
  their long kind lives. Asked
  what divine favor they
  wanted, the couple said that
  they wished to be turned into
  intertwining trees.
1598 Caravaggio Medusa
1600

• El Greco
• St. John the
  Evangelist
  and St.
  Francis
1604 Caravaggio’s
Sacrifice of Isaac
The painting shows the
moment when Abraham,
about to sacrifice his son
Isaac in obedience to God's
command, is stayed by an
angel who offers him a ram
in Isaac's place.
1627 Peter Paul Rubens’
Henry IV (4th) at the Battle of
            Ivry
1634
• Rembrandt
• Leiden 1606-
  Amsterdam
  1669
• Self-Portrait. c.
  1634. Oil on
  panel.
1717
• Anna Maria Luisa in
  The Electress
  Palatine in
  Mourning Dress
  by Jan Frans van
  Douven, 1717. She
  points to the portrait of
  Johann Wilhelm's
  remains, adorned with
  the Palatine regalia, in
  the milieu.
• The Doge's Palace with the Piazza di San
  Marco Painted by Giovanni Antonio Canal
  Canaletto, Dimensions 32.68 inches wide x
  16.14 inches high
                                     29
• Portrait of a Young
  Man
• by Pietro Perugino,
  1495




                        30
• Portrait of
  Giovanni de
  Medici as a Child
  by Agnolo Bronzino,
  1545




                        31
• Martin Luther
  by Lucas Cranach
• Cranach was a
  painter, printmaker,
  and court painter to
  the Electors of Saxony,
  became a close friend
  of Martin Luther. Tried
  to convey Lutheran
  religious concerns in art.


                               32
Adoration of the Magi, by DÜRER, Albrecht 1504 Oil on
wood, 100 x 114 cm, Galleria degli Uffizi, Florence.
                                                       33
• Sandro Botticelli, 1486, Type: tempera on
  canvas, Dimensions (67.9 in × 109.6 in),
                                       34
  The Birth of Venus
Portrait of a Man with the Medal of Cosimo
de Medici the Elder, Sandro Botticelli, Year 1474-1475,
Type: Tempera on panel, Dimensions (226 in × 17 in)
                                                      35
Still-life by Portuguese painter Josefa de
Óbidos, 1676. Her father was also a
painter. “Still lifes” depict objects:
                                   36
flowers, food, coins, pipes, etc.
The Uffizi
Florence, Italy
(see A)    37
Uffizi Gallery 16-18th Century
Uffizi Gallery 16-18th Century
Uffizi Gallery 16-18th Century
Uffizi Gallery 16-18th Century
Uffizi Gallery 16-18th Century
Uffizi Gallery 16-18th Century
Uffizi Gallery 16-18th Century

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Uffizi Gallery 16-18th Century

  • 1. Art Work at the Uffizi Gallery 1
  • 3. Construction  The building of the palace began in 1560 by Giorgio Vasari for Cosmo I’ De Medeci as offices for the Florentine magistrates (judges). That’s how it got the name Uffizi “offices”. Alfonso Parigi and Bernado Buontalenti continiued Vasari’s design and ended in 1581.  They constructed a courtile ( inner courtyard ) so long and narrow that opens to the Arno River through a Doric screen that a articulates space without blocking it. The first “streetscape” in Europe. 3
  • 4. Cosimo de' Medici, Grand Duke of Tuscany  Cosimo came to power at 17, when Duke Alessandro de' Medici was assassinated in 1537, as Alessandro's only male heir (see right)  Among his many accomplishments was the creation of the Uffizi, originally intended to house the government  He also finished the Pitti Palace as a home for the Medici and created the magnificent Boboli Gardens behind the Pitti. He was a great patron of the arts. 4
  • 5. Inside the Uffizi  45 different rooms vary from sculptures to paintings on canvas  The niches in the piers were filled with sculptures of famous artists 5
  • 6. Renaissance: Greek and Roman Style was Re-popularized • Greek and Roman art has inspired and has influenced many artists throughout history • Common Subjects: human form (the male considered ideal or more beautiful), gods in human form, heroism, expressive faces, and geometric shapes (symmetry) • Focus on the mind (education), body (health and fitness), and spirit (religious, holy) • David, 1501-04, Michelangelo Buonarroti, Marble, based upon David v. Goliath 6
  • 7. 1504 Raphael Santi (1483-1520) Portrait of Elisabetta Gonzaga * Titles of artwork are capitalized and underlined
  • 8. Michelangelo Michelangelo (1475-1564) - The Holy Family with St. John the Baptist. c. 1504-1506. Also known as the Doni Tondo or the Holy Family commissioned for the marriage of the merchant Angelo Doni and Maddalena Strozzi Portrait of Michelangelo by Jacopino del Conte (after 1535) at the age of 60
  • 9. 1510 • Giorgione • (1477/78- 1510) • Portrait of a Gentleman in Armor. c. 1510. Oil on canvas
  • 10. 1517 • Andrea del Sarto 1486-1531 • Madonna delle Arpie (Madonna of the Harpies - angels) • Note the triangular design
  • 11. 1517 • Antonio Correggi 1489-1534 • The Rest on the Flight to Egypt with Saint Francis • The scene is a legend added to a historical event. History: Jesus and parents fled to Egypt for refuge on being warned that Herod the Great was seeking to kill baby Jesus (jealous of any threat to his power). Legend: the Holy Child ordered the trees to bend down so that Joseph could take fruit from them.
  • 12. 1518 • Albrecht Altdorfer (1480-1538) • The Martyrdom of St. Florian • Florian was a Roman soldier, in what is now Austria, who converted to Christianity and martyred in 304. At the time Christianity was outlawed in Roman lands. Florian was thrown into the river Ems with a millstone tied around his neck. Passers recovered his body which was watched over by an eagle until taken away for burial.
  • 13. 1518 • Raphael (1483-1520) • Portrait of Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi • The ball on top of the Pope's chair symbolizes the abacus balls (for their earning a lot of wealth) of the Medici Family. • Martin Luther (right) had challenged papal authority--Leo X's (10ths) method of selling indulgences (forgiveness of sins).
  • 14. 1519 • Pontormo [Italian Mannerist (expressive) Painter], 1494-ca.1556 • Cosimo il Vecchio de Medici • The laurel branch was a symbol used also by his heirs.
  • 15. 1528 • Lucas Cranach detto il vecchio (Kronach, 1472 – Weimar, 16 ottobre 1553) • Adam and Eve • Oil on panel “And the serpent hath been subtile above every beast of the field which Jehovah God hath made, and he saith unto the woman, 'Is it true that God hath said, Ye do not eat of every tree of the garden?'”, Genesis 3:1. (*Cranach painted a snake, although the word “snake” is not used in Genesis.)
  • 16. 1537 • Titian Portrait of Eleonora Gonzaga Della Rovere. 1536-1537. Oil on canvas.
  • 17. 1538 • Titian • (1488/90 - 1576) Portrait of Francesco Maria della Rovere, Duke of Urbino. c. 1536-1538. Oil on canvas
  • 18. 1540 • Agnolo di Cosimo (1503 -1572), usually known as Il Bronzino, • Portrait of Lucretia Pucci Panciatichi
  • 19. 1545 • Agnolo Bronzino • 1503-1572 Portrait of Cosimo I de' Medici in Armor 1545-1559 Oil on panel
  • 20. 1545 • Bronzino, Agnolo (Agnolo di Cosimo) (1503-72). Florentine Mannerist painter, the pupil and adopted son of Pontormo • Giovanni de Medici as a Child
  • 21. 1555 • Paolo Veronese (1528 – April 19, 1588) was an Italian painter of the Renaissance in Venice • Isopod and Adriano da Porto
  • 22. 1597 • Michelangelo Merisi da Caravaggio, (1571 –1610) • Baroque: bold, curved, elaborate • Bacchus (The Roman god of wine. According to Ovid's Metamorphoses, Philemon and Bacchus had lived out their long kind lives. Asked what divine favor they wanted, the couple said that they wished to be turned into intertwining trees.
  • 24. 1600 • El Greco • St. John the Evangelist and St. Francis
  • 25. 1604 Caravaggio’s Sacrifice of Isaac The painting shows the moment when Abraham, about to sacrifice his son Isaac in obedience to God's command, is stayed by an angel who offers him a ram in Isaac's place.
  • 26. 1627 Peter Paul Rubens’ Henry IV (4th) at the Battle of Ivry
  • 27. 1634 • Rembrandt • Leiden 1606- Amsterdam 1669 • Self-Portrait. c. 1634. Oil on panel.
  • 28. 1717 • Anna Maria Luisa in The Electress Palatine in Mourning Dress by Jan Frans van Douven, 1717. She points to the portrait of Johann Wilhelm's remains, adorned with the Palatine regalia, in the milieu.
  • 29. • The Doge's Palace with the Piazza di San Marco Painted by Giovanni Antonio Canal Canaletto, Dimensions 32.68 inches wide x 16.14 inches high 29
  • 30. • Portrait of a Young Man • by Pietro Perugino, 1495 30
  • 31. • Portrait of Giovanni de Medici as a Child by Agnolo Bronzino, 1545 31
  • 32. • Martin Luther by Lucas Cranach • Cranach was a painter, printmaker, and court painter to the Electors of Saxony, became a close friend of Martin Luther. Tried to convey Lutheran religious concerns in art. 32
  • 33. Adoration of the Magi, by DÜRER, Albrecht 1504 Oil on wood, 100 x 114 cm, Galleria degli Uffizi, Florence. 33
  • 34. • Sandro Botticelli, 1486, Type: tempera on canvas, Dimensions (67.9 in × 109.6 in), 34 The Birth of Venus
  • 35. Portrait of a Man with the Medal of Cosimo de Medici the Elder, Sandro Botticelli, Year 1474-1475, Type: Tempera on panel, Dimensions (226 in × 17 in) 35
  • 36. Still-life by Portuguese painter Josefa de Óbidos, 1676. Her father was also a painter. “Still lifes” depict objects: 36 flowers, food, coins, pipes, etc.

Notas del editor

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