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1 of 3
Clip 3
Trombone Shot – It uses this shot
because the darkness is coming to
get her and it makes it seem like
something is coming towards her.
Point of View Shot – This is used
so we can see the POV of the
character, in the case, the mother.
CU – This shot is a close-up and is
used so you can see the damage
done to her face.
Mid Shot – Captures the little girl
alone blowing a cake. It is also a
POV shot from the mother.
Cutaway – This shot is used
because it links with her pulling the
wires off her body.
Mid-Shot – This shot is used so it
shows the girl in the hospital bed
hooked up to some wires.
360 Tracking Shot – Used for a
dramatic moment and to show that
things have changed or become
more serious.
2 Person Shot – Just a shot to
show two people in one shot.
Point of View – POV shot of
someone chasing her in the dark.
Close Up – Used to show the
emotion in the persons face.
Wide Shot – They use a wide shot
in this scene to make her feel more
alone and makes the corridor feel
lonelier.

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Cinematography

  • 1.
  • 2. Clip 3 Trombone Shot – It uses this shot because the darkness is coming to get her and it makes it seem like something is coming towards her. Point of View Shot – This is used so we can see the POV of the character, in the case, the mother. CU – This shot is a close-up and is used so you can see the damage done to her face. Mid Shot – Captures the little girl alone blowing a cake. It is also a POV shot from the mother. Cutaway – This shot is used because it links with her pulling the wires off her body. Mid-Shot – This shot is used so it shows the girl in the hospital bed hooked up to some wires.
  • 3. 360 Tracking Shot – Used for a dramatic moment and to show that things have changed or become more serious. 2 Person Shot – Just a shot to show two people in one shot. Point of View – POV shot of someone chasing her in the dark. Close Up – Used to show the emotion in the persons face. Wide Shot – They use a wide shot in this scene to make her feel more alone and makes the corridor feel lonelier.