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Harnessing Crowds, Niches & Professionals
in the Digital Age
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Lora Aroyo
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Take home message
software is dead! long live data!
know your data - know your crowds
adapt your core strategies
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
1998
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
1998 2006
1 million dollar prize
for best algorithm
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Netflix switches to streaming
20071998 2006
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Team BellKor wins Netflix Prize
20071998 2006 2009
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Team BellKor wins Netflix Prize
20071998 2006 2009
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
from books to data science
20061994 2003 2016
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
software is dead! long live data!
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
data is at the centre of every process
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
data is essential to evolve with your users
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Ceci n'est pas … la mona lisa
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Ceci n'est pas … la mona lisa
Louvre’s Mona Lisa
is only #14
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
the battle of two worlds
9,3 million
Louvre
visitors 2014 14 million
website visitors
2,3 million
social media
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
in the (very near) future
most visitors will be digital-born
not bound by time or location
native to new forms of co-makership
native to new media
Siebe Weide, Max Meijer and Marieke Krabshuis (2012).
Agenda 2026: Study on the Future of the Dutch Museum Sector
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
in the (very near) future
digital & virtual positioning is critical
traceability & recognisability is key
Siebe Weide, Max Meijer and Marieke Krabshuis (2012).
Agenda 2026: Study on the Future of the Dutch Museum Sector
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
data at the center of ALL your processes
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
know your data
variety of meanings
multitude of perspectives
abundance of sources
endless applications
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
crowdsourcing:
solution at scale to know your data
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
know your crowds
volunteers
enthusiasts
visitors on-site
visitors online
paid crowds
in-house experts
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
understand who are the different crowds
what can they do for your collection
know your crowds
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
not every crowd is equal
https://www.rijksmuseum.nl/en/rijksstudio
Engage	with	Co-crea0on	on	your	Website
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
expertise of Rijksmuseum professionals is
in annotating their collection
with art-historical information, e.g. when they
were created, by whom, etc.
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
detailed domain-specific information
about depicted objects, e.g. which species the
animal or plant belongs to,
is in most cases not available
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
use nichesourcing, i.e. niches of people with the
right expertise, to add more specific information
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
use social media sources, e.g. Twitter, to find
different types of experts in certain areas, e.g.
bird lovers or ornithologists
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Engage	the	Niche	in	Cultural	Heritage	
http://annotate.accurator.nl
Engage	the	Niche	in	Cultural	Heritage	
http://annotate.accurator.nl
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Engage	with	Games	in	Cultural	Heritage	
training the general crowd to be a niche:
game in which players can carry out an expert
annotation tasks with some assistance
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
combine the crowds in a workflow:
assess the crowd’s annotation quality by allowing
another crowd to review/rate them
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
http://waisda.nl
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
engage volunteer crowds
through continuous gaming
@waisda
http://waisda.nl
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
engage volunteer crowds
through continuous gaming
http://spotvogel.vroegevogels.vara.nl
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Paid	Crowds	for	Video	Analysis	
CrowdTruth.org
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Paid	Crowds	for	Text	Analysis	
CrowdTruth.org
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Paid	Crowds	for	Image	Analysis	
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
CrowdTruth.org
measure & assess
ensure impact
•  be aware of the channel, e.g. Wikipedia,
Wikimedia, Facebook
88% of the tags useful for specific genres
Riste Gligorov, Michiel Hildebrand, Jacco van Ossenbruggen, Guus Schreiber, Lora Aroyo
(2011). On the role of user-generated metadata in audio visual collections. International
conference on Knowledge capture K-CAP '11, Pages 145-152
measure & assess
monitor progress
6 months 2 years
340,551 tags 36,981 tags
137.421 matches
602 items 1.782 items
555 registered players 2,017 users (taggers)
thousands of anonymous players
12,279 visits (3+ min online)
44,362 pageviews
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
user vocabulary
8% in professional vocabulary
23% in Dutch lexicon
89% found on Google
locations (7%)
engeland
persons (31%)
objects (57%)
measure & assess
evaluate content, compare crowds
Tags	describe	mainly	short	segments	
Tags	are	o9en	not	very	specific	
Tags	not	describe	programmes	as	a	whole
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
campaign campaign campaign
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Challenge 1: Crowdsourcing initiatives are typically
undertaken in isolation
Challenge 2: It is quite difficult to strictly control the time it
takes to complete crowdsourcing initiatives (across different
types)
Challenge 3: Crowdsourcing initiatives demand your
continuous promotional effort
Challenge 4: It is challenging for CH Institutions to
incorporate crowdsourcing results into their existing
content infrastructure
Crowdsourcing Challenges
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
use any opportunity collect or verify
data through crowdsourcing …
(S)
with a global strategy
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
… through novel interactions
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
… by user-driven augmentations
of your collection
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
… aligning the digital & physical
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
… achieving empowered users
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
… in
NextGen
Cultural Heritage
driven by data & crowds
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Take home message
software is dead! long live data!
know your data - know your crowds
adapt your core strategies
http://lora-aroyo.org u http://slideshare.net/laroyo u @laroyo
Harnessing Crowds, Niches & Professionals
in the Digital Age
Lora Aroyo

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