Grounhogs in the Source Code version 2, UXCamp Copenhagen 2013. Quite a few new slides in here.

1. ANDREA @RESMINI
GROUNDHOGS
in THE SOURCE CODE
navigation as cross-channel sense-making
UXCAMP CPH 2013

2. WE SAY NAVIGATE
WE REALLY MEAN
UNDERSTAND

5. KEVIN LYNCH, SKETCHES
MNSU.EDU

6. KEVIN LYNCH, SKETCHES
MNSU.EDU

7. KEVIN LYNCH, SKETCHES
MNSU.EDU

8. DISTINCTIONS WERE MADE
AMONG THE DIFFERENT
PHYSICAL PARTS OF THE CITY
THESE PARTS WERE
ORGANIZED IN A PERSONALLY
MEANINGFUL MESH

13. PEOPLE WERE RECONNECTING
PERCEIVED FRAGMENTS IN
MEANINGFUL PATTERNS

14. THE ODYSSEY, 700 BC

18. MONKEY ISLAND, 1990

21. SORRY. WRONG PIRATES

23. THE ODYSSEY, 700 BC

24. MP & THE HOLY GRAIL, 1975

25. MONKEY ISLAND, 1990

26. QUESTS CONNECT MAPS
WITH PERSONAL SPACE

27. SUCKER PUNCH, 2011

31. QUESTS ARE A MIDDLE
GROUND BETWEEN NARRATIVE
AND ACTIONABILITY

32. DRACULA, 1897

33. NOT CONSIDERING RIP-OFFS

34. KHOONI DRACULA, 1992

35. AS THAT’S A SLIPPERY SLOPE

36. JAPANESE SPIDERMAN, 1978

37. JAPANESE SPIDERMAN, 1978

38. TURKISH BEDMEN, 1973

39. ITALIAN BATHMAN, 1982

40. WE WANT THE REAL THING

41. BRAM STOKER, 1906
BRITANNICA.COM

42. MONOLOGIC
POLYLOGIC
DIALOGIC

43. DICTATION
CYLINDERS

44. SHORTHAND

45. SHIPS' LOGS

46. DIARY
ENTRIES

47. NEWSPAPERS CLIPPINGS
GRUNGERABBIT.COM

48. TYPEWRITTEN TEXT

49. PHASE #1
DRACULASCASTLE.EU

50. PHASE #2
ASSOMMOIR.WORDPRESS.COM
DRACULASCASTLE.EU

51. PHASE #3
DRACULA3d

52. PHASE #4

53.
1 2
3 4

54. NOW.
WAIT A SEC THERE.

56. WHOOPS. SORRY. I’VE SEEN
THAT GUY SOMEWHERE THO

59. NOT A REAL PLACE, RIGHT?

61. THE HOBBIT, 2012

62. NOT A REAL PLACE, EITHER

63. “PLACE IS A WAY TO
UNDERSTAND THE WORLD”
YI FU TUAN

64. GROUNDHOG DAY, 1993

68. “HE'S TRAPPED IN SOME
KIND OF TIME WARP.”
“A SUPERNATURAL FORCE IS
SHOWING HIM HIS
WEAKNESSES.”
ROGER EBERT

69. SOURCE CODE, 2011

73. “IT'S A F***ING
VIDEOGAME!”
EVERYONE

75. DATABASE

76. DATABASE

77. 3D NAVIGATION

78. 3D NAVIGATION
aph.org

79. 3D NAVIGATION

80. BUT WHAT ABOUT OUR OWN
PERSONAL CYBERSPACE?

87. WE ARE RECONNECTING
PERCEIVED FRAGMENTS IN
MEANINGFUL PATTERNS

90. WE ARE LEARNING HOW TO
NAVIGATE THE DATABASE

95. PLACE IS WHERE WE PAUSE
SPACE IS WHERE WE MOVE

96. SOME PLACES WE VISIT

98. SOME PLACES WE LIVE IN

100. NAVIGATION CHOREOGRAPHS
THE BALLET OF CROSS-CHANNEL
USER EXPERIENCE

101.
DAN WILLIS, INTENT PATHS (http://www.flickr.com/photos/uxcrank/5730905682/in/photostream/)

102. THROUGH NAVIGATION WE
BUILD SENSE AND WEAVE
PLACES INTO A COHESIVE
NARRATIVE ONCE AGAIN

103. THE LANGUAGE WE USE
FOR THIS SENSE-MAKING
PROCESS IS THAT OF
INFORMATION ARCHITECTURE

104. THANK YOU
@resmini